Time remapping key frames cause other keyframes become independent to where they are on the timeline

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• Reverse the time remapping effect?

  Hi, I have a membership with the time-remapping applied via an expression and a skeleton key slider controlling the speed of reading of percentage.

  Inside of the time remapped composition there is an effect property I want to be done by the time remapping. Is it possible to somehow invert the time remapping effect so that it appears unchanged in the composition of parent?

  I think I'm close, but I still can't understand:

  -Hand Comp, example time: 0:00:14:18

  -Comp time to parents: 0:00:14:20, remapped to time right now (maybe before and after by a few images)

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  etcEtcEffectPropertyValue = somethingReferenced.valueAtTime (counteractTimeDisplacement);

  
  

  -FrameDifference Composition (simply shows the weft of the difference in time)

  Remapped time: 0:00:01:02 / / added 1 second to allow negative values, when the time remapping effect is less, perhaps that should not be a timeRemap property, but I don't know how to use time on an object. null values

  -Expression of remapping the colors:

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  Above doesn't work and seems out of step. I realized the FrameDifference composition is also indirectly done by the time remapping effect because the nested composition can access it and its remapped, so I tried for the composition of FrameDifference :

  -Composition FrameDifference

  -Expression of remapping the colors:

  (comp("Main").layer ("Parent model") .timeRemap .valueAtTime (comp("Main_Comp").layer ("Parent comp') .timeRemap) - .timeRemap comp("Main_Comp").layer ("Parent model")) + 1

  Its still not sync, can someone who understands the remapping / time better than me please help I can't see where im going wrong. Yet once I can't get out of the effect inside the remapped comp and use separately as this will cause other problems.

  Thanks for reading

  You make it too difficult. If you have a layer or element that you do not want be affixed by the time remapping effect then put this element in comp. Another thing is just a waste of time.

  Change the speed of reading over time can be very complicated. The best way to understand what you do is look to the graphics editor. You need a much more complex expression in order to speed up and slow down playback without taking the time reverse. Please see motionipt.com where Dan Ebberts can show you how to make the ramp upward and boat speed reading thing.

• New to Ae, need help with time remapping (tutorial anywhere?)

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  You use the time remapping effect. In fact, when you enable TR, you will notice that the duration of the layer is not limited to the original boundaries more. You can extend beyond the layer's original point.

  So, what you want to do is to keep the TR keyframe at the point layer zero to a value of zero. Set a keyframe second point 06:00 of the layer, with a value of about 14:00 (if possible, because maybe the original clip has no more of any material). You did it like that because if you show 14 seconds of video in a six-second segment, the playback speed is about 250 percent speed. You can do better than 'roughly', but this would require using the speed graph...

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• How to treat the points when they are just above the other?

  I was fiddling around with the trace function and create outlines of text. For some reason any sometimes I'll end with two points that overlap each other and no way to get rid of one or the other. How the hell can I clean this up? I know I can do something like simplify to reduce points on an object, but it goes beyond the necessary adjustment to remove one troubling point.

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• Property key / shortcut to add keyframes in time Remaping.

  y at - it a shortcut to set a keyframe when the time the remaping? Property key to allow part-time remaping is "RR". But when I try to add a keyframe with "Alt + RR" is just to add a keyframe to the rotation.

  I spend a lot of time looking for an answer to this topic. Best so far has been to this thread:

  http://MoGraph.NET/Board/index.php?showtopic=9801

  Does anyone know of any workaround for this? It would save me time so edition.

  You must do this manually in the timeline panel. Sorry there is no shortcut.

• time remapping only keyframes.

  I know it's possible to control selection of kinship between the comp. so that the blades in a model cursors or wha Ewer in one other comp. but is it possible to time remapping those keyframes.

  
  

  lets say I have a lets comp. call comp (1) it has a solid blue, a solid red and a comp (2) containing a layer of setting with 2 sliders.

  
  

  in comp (2) I animate the slider that the slider, it starts at 0 we a second goes up to 100 more. slider 2 starts at 0, then up to a 100 while cursor one falls down... or something like that...

  
  

  I am now able to choose the cursor to whip one and two for the opacity of the red and solid blue in comp (1).

  
  

  Now when I play comp (1) solid red goes from 0 to 100 and then the blue charge to do the same thing.

  
  

  Here's the question:

  
  

  I hope that when I have the time remapped Comp (2) comp (1) solids would fade and go down faster or slower depending on how I have time remapped comp (2) I comp (1).

  but it backs do not work as I expected. keyframes don't move at all, but are kept synchronized whit timecode regardless of my time-remapping.

  is there a way that I can time remap keyframes...

  hope that makes sense.

  If you change a cam multi session in AE you do not use the software as it was designed. Your model will be a mess, check timing on cuts is extremely painful and difficult, changes will be almost impossible and it will take ten times longer than the cutting project in Premiere Pro. AE is not a Publisher. AE was specifically designed to create Visual effects or motion graphics shots or in some cases, a few sequences that you change in a move in a NLE such as Premiere Pro. 90% of my comps AE are less than 7 seconds, because 90% of my cuts in all the movies I make are less than 7 seconds. If you set up your multi cam project in Premiere Pro Cup Multi Cam can be almost as fast as direct switching. You just need to learn how do.

  If you need to perform processing of your shots in AE and then cut it into Premiere Pro, choose the photos you want to fix first. If they are short, and then use dynamic link to process the shots in AE. If every time a need for treatment or plans are long, depending on the settings that you want to do, a better option is to make a digital intermediate (DI) by using a lossless format (or better yet a 10bits or better DI) and do your treatment in AE, and then change the final output in Premiere Pro. Since it is a music production, you'll also want to do your final mix in Audition to take full advantage of the tools available to improve playback of your music.

  If you really want to use a cursor to cut between the two cameras, then that is easily done by linking the opacity for the two layers for a cursor that you animate from 0 to 100. You simply place 100 - in front of the expression of the second camera. If you have two cameras, you could add a checkbox and an if statement then you should change the box to change between 1 and 3 or camera camera 2 and 3. It would quickly become a complex montage and time consuming, and it's never going to be as fast or as efficient as the editing in Premiere Pro using the multi camera configuration.

  If you really want to try it should look like this for 2 cameras:

  Place your cursor on the opacity layer and name it the cursor something meaningful like 'change Camera.

  Camera layer opacity 1.

  thisComp.layer("Controller").effect ("change Camera")("Slider")

  The opacity of the layer camera 2.

  100 - thisComp.layer("Controller").effect ("change Camera")("Slider")
  It will look like this:
  
  Who's going to do in AE and give you an overlap perfect between the cameras, but I wouldn't try to make that kind of a tool for editing in AE in the first place.
  EDIT: I forgot to mention that if you do not want a dip in brightness when melted between the cameras, you must set the blending mode to add Alpha. You do not have the problem in Premiere Pro.

• Time-remapping several keyframes between the markers

  Hi all!

  First of all, I want to apologize for my basic English. I'll try to explain as clearly as possible.

  I have a complex animation layer which is precompose in another comp that I want to run this animation with markers. If the animation is composed of two keyframes is no problem. You can control the animation in several ways, including using the ease() valueAtTime() or linear() function. But when more than two keyframes are spread between the two markers is not an easy problem to solve. I tried to change a little bit Dan Ebberts' (by the way, thanks to him for all!) expression, but still does not work.

  n = 0;
  m = thisComp.marker;
  if (m.numKeys > 0){
    n = m.nearestKey(time).index;
    if (m.key(n).time > time) n--;
  }
  
  if (n==1){
  mStart = m.key(n).time
  mDelta = ((m.key(n+1).time - mStart)/numKeys)
   for(i = 1; i <= numKeys-1; i++){
    kVal1 = valueAtTime(key(i).time)
    kVal2 = valueAtTime(key(i+1).time)
    linear(time, mStart+(mDelta*i), mStart+(mDelta*(i+1)), kVal1, kVal2);
     }
   }else{0
  }
  

  Illustration image

  

  If anyone can find a desire to understand problem guide me in the right direction. Thanks in advance.

  I think you just need to remap the time, so it must be close:

  m = thisComp.marker;

  If (m.numKeys > 1 & Numkeys > 1) {}

  T1M = .time m.key (1);

  T2M = .time m.key (2);

  T1K = key (1) .time;

  T2K = key (Numkeys) .time;

  t = linear(time,t1m,t2m,t1k,t2k);

  valueAtTime (t)

  } else {}

  value

  }

  Dan

• Possible tweak to the time remap KeyFrame spacing?

  I do a lot of time remap keyframe tweaking in AE, so I tend to zoom in the timeline.

  Is there a way to reduce the spacing between frames? Then, I'll be able to display more images on the screen. Thank you!

  Nope.

  Mylenium