Using prelude to collaborate

Similar Questions

• Pixelation in the video after it has been imported using prelude

  Hi all

  I've had this problem for about a year now, and he creeps upward often enough. Never the project, but a lot more than I like.

  I am importing video with prelude. I don't have transcode with Prelude, I simply use it to transfer and rename and edit the files natively. I then send the files of prelude in first.

  I get weird pixelation like this:

  Dropbox - FROMPRELUDETOPREMIERE.png

  These little glitches pop up in about 3 or 4 pieces-frame every 15-20 seconds. It gets really annoying.

  At first, I thought it was the memory cards. With the help of different cards did nothing. I use good, fast, brand cards and he continues to be on all of them.

  Then I thought it was the camera. Nope. This glitch happened on five different cameras. Happened on a C100, a 70 d, T3i, a GH4 and a D810.

  To determine out exactly this question, I have a right-click the file transferred first and choose reveal in Finder. I pulled it right in first and he had the glitch.

  Then I thought that I would drag the file on the card immediately, to see if the problem is still there until the file is prelude. I did drag the files directly off the card and first. No seed. I went in Media Browser and imported the files directly on the map in this way also, no seed. That tells me that something is happening in the prelude to ruin my files.

  So my question is this: because it appears as if the problem is with Prelude... am I out of luck when it comes to use prelude? Someone had a similar problem with Prelude and able to fix it? I really like the way works Prelude and don't want to use a different program, but I do not need to rename files in batches, and since I do not know if it is possible from first, I don't know if I'll need to spend money on other software to perform this task?

  Any thoughts from people you would be very appreciated.

  Thank you

  PS: using CC 2015 and an iMac 2013 end with El Capitan

  Update. Appears that something may not be prelude, but rather a hardware/software thing. I bought EditReady to try it. Re-wrapped clips and imported in the first and the pixelation was back. If anyone has an idea on where to go with my troubleshooting then, it would be greatly appreciated, but it seems that this is not necessarily something specific prelude/first.

• using prelude as simple dam

  Hello

  I wanted to check if it is possible to use prelude as a Digital Asset Management System.

  We keep all our old raw images on the hard drives offline (for most of the red carpet interviews). I am looking for a simple solution where I can import files database info into a database, add metadata to it (what place of the event, the names of the people in the video, that hard disk,...).

  I understand from the previous post what prelude research only in the currently open project, but it does mean that all assets must be online as well? Or can I simply add all the sequences for the same project (which I would use only for finding files) and then search for, lets say, a name and Prelude lists all sequences where the meta-data includes the name and I know what hard disks draw and find the file on?

  I have studied several specialized dam solutions, but most is optimized for images and does not yet support video. That those who are out there for video assume you need your content accessible 24/7 and are optimized for it. So maybe the prelude would provide a work around?

  Thank you!

  Hi everyone-

  This is a good thread. Please share your ideas on how you want to have access to ALL of your metadata, whatever the clips are currently in your project Panel. It's something we've been thinking and taking into account both product team. I would like to respond to some of the questions open this thread first and then ask a few questions to you if you would answer all.

  First of all, you can create a "Master" project and store all your possessions in there. Like the post above moshj, your media should be available (online) in order to perform the search. When you open a Prelude project will search for and load metadata associated with all the clips in the project and keeps in memory. That's how we perform research capacity in the project Panel if quickly (we do not need to read the metadata of each item whenever you perform a search). But it also means that your clips must be available at the time of the open project. Clearly, this cannot be a viable solution for many of you.

  Secondly, Gallixsee makes a good point, and question about what good adds all of these metadata for if you can't use it in first (since Premiere Pro CS6 does not provide a mechanism to search for marker data). Yes, there is a hole in the workflow of global metadata between apps, and we are addressing it.  There is a value in the workflow (although I admit having ability to Search Marker is a missing key point), that your markers added in prelude appear in Premiere Pro. So we kind of had half the workflow in CS6 and working on the other half.

  And finally, using a "Master project" is possible, but keep in mind that the number of assets in your project increases, the loading time of project will also increase. If you start to add tens of thousands of clips in your project, you can start to notice the longer loading time of project. This may or may not be a problem for you, but is something that I wanted to scream. Our project loading code is optimized for fast loading times. We use caching and other cool stuff to be as fast as possible, but there are certainly limits where you will start to notice the bottlenecks in loading times due to the number of access to the file and we do under the hood of disk access.

  Now for some questions for you all. When you think of a dam as part of the prelude, I am curious to understand key features you want to see. For example, if prelude had simply to remember all the assets and all the metadata for each asset in a database and make sure is available, is it enough? Would you need to share this data with others? What do you expect your media is archived or moved offline - must prelude to know on which somehow? You want to have features of archiving / backup as part of the prelude that update the properties of DAM as well (perhaps with labels for any road or LTO you put your media on)? What other features would you consider critical to your workflow? Features feel like 'must haves' workflows of cloud-related?

  Thanks in advance for any input here.

  Kind regards

  Michael

• How can I transcode footage to Prores using prelude?

  I want to transcode to Prores with prelude pictures.  My media card contains images shot at different rates.  I want to be able to match the source rate image when transcoding to ProRes format.  I could swallow lots of clips that all have the same cadence, choosing this frame rate to transcode, but it doesn't seem to be a way to see the frame rate of the clips.  I tried swallowing without transferring (or transcoding).  Once you ingest, you are able to see the rate of frame in list mode, but it doesn't seem to be an option to transcode after ingestion.  That one surprises me.  Looks like a number of reasons why you can transcode after ingestion.  In any case, any intervention autour for a film of transcoding with different rates and preserve the initial rate?

  Post edited by: Kevin Monahan

  Reason: your title is too long

  Hi GBreece,

  I want to transcode to Prores with prelude pictures.

  Large. You can preset in Adobe Media Encoder to transcode to ProRes different rates gently.

  My media card contains images shot at different rates.  I want to be able to match the source rate image when transcoding to ProRes format.

  You must keep a log of different frame rates, you pull so you can keep track of them in post. Prelude will transcode images according to the preset you select, it is not automatically detect the pace you want. It's a feature request: http://adobe.ly/feature_request

  In any case, any intervention autour for a film of transcoding with different rates and preserve the initial rate?

  Yet once again, I let you transcode with frequency of native images using a preset that you create in Media Encoder. If you do not know the pace, reveal the item in the Finder, then open the file in QuickTime or similar. Properties of the clip are available here.

  Thank you

  Kevin

• Best Format to Transcode for partial ingest using prelude

  I'm trying to see if the prelude is logical for my workflow in Premiere Pro CS6. So far, it seems too good to be true, especially the ability to partially injest records as a prelude with IN/OUT points. If I understand correctly, this feature I must transcode during same injestion if my native format (HDV/1080 p. M2T) works very well in the body.

  So my question, among the many options of format SOUL offering for prelude injestion transcoding, is that I should consider to maximize the performance of Premiere Pro editing?

  I prefer lossless transcoding of intermediate files.  The lossless option only included with the PP is uncompressed.  Who can make the files quite big and heavy, so I use the free codec of UT.  It is compressed, so it is smaller (especially in the YUV420, which is suitable for your media mode).  It is a lossless compression, so there is no damage at all.

  And it works very well with the Adobe programs.

  http://www.videohelp.com/tools/UT-video-codec-suite

• Suggestions of workflow for prelude CC, 4 Pluraleyes and first CC

  Hello world

  Working on a project of video art for several months and I have 30 hours of raw footage. The video is a digital SLR, and the audio comes from a Zoom H5. I have not synced anything still. My question is, given the large amount of images, and the need to keep all organize, what workflow you would recommend?

  (a) sync all in PE first, merge video with the sound quality of the Zoom, import and Prelude and go from there?

  or

  (b) any import as a prelude, then sync once everything has been recorded

  or

  (c) a workflow that I have not yet thought.

  Appreciate your help. Would rather think through this now before I get started in message until later when I have to correct my mistakes (inevitable).

  Thank you!

  -Lee

  The workflow 'best', I found is this:

  Audio and video synchronization via the MOU and the export is like a new media file, (that is to say the audio on the original video has been replaced by the new, better audio track). I now have two files and a video update that has the best Acoustics "burned" in the best acoustics in a separate file.

  I then import both prelude, where I do my record (mainly just use prelude as a faster way to add markers - I work with 30 hours of interviews with then mark the long passages based on themes, small phrases, etc.). From there on, it's just a skip hop and a jump to first!

  The reason that I opted for this workflow is because I don't want to not bring bad audio data first and then synchronize to the top the sound quality more late in the first - especially when you start to make the sub-elements and/or sous-séquences that becomes problematic.

  See you soon!

  -Lee

• Prelude and first Workflow for transcriptions in documentary Rough Cut

  Hello community, I use Prelude and first for a documentary, I'm trying. We used the prelude to transcribe and save a large amount of equipment and took the Prime Minister to change.  Transcripts are proved to be very useful since we have more than 400 hours of film to do, and the editors have made selects raw materials that already contains tags as metadata xmp file that we have compiled and printed in easy to read documents. However, the transcripts do not appear in the first, and it would be very useful to compile the transcripts of the selections depending on the material cut in first. I wonder if there is a way to import the first sequences or as a prelude to the project and have therefore a transcription of the first rough cuts which can be easily compiled into a digital file or print versions.  I hope that I was clear enough in explaining my situation, and I hope there is a solution somewhere out there.

  Hi Andres,

  Please try the workflow between Prelude and Premiere Pro.

  In fact there is no option to 'Send to prelude' similar to what you see in prelude--> send on the file menu for Premiere Pro. As the workflow is designed as a log file as a prelude, creating scripted, sending Pre Pro, edit the files in pre pro and the creation of the final video. After sending the files of prelude to pre Pro, any change that you engage in multimedia files through prelude would be automatically visible in Premiere Pro.

  Although if you re-importation/reingest the same files, where the changes have been made in Premiere Pro, with Prelude, all changes would be visible as a prelude.

  Make sure xmp files that are located in the same place as the original files are not deleted, they retain all the logging information made by prelude/Pre Pro.

  Anyway, you always can once again log files in Prelude and send them to Premiere Pro.

  I hope it helps. Please update in the case of other confusion.

  Thank you

  Mayjain

• Several tags per comment in prelude CC 2015 went?

  Hi all

  I was the feature of the tags in the prelude on the occasion of comments with several tags in prelude CC 2014, but when I updated until 2015, I noticed that if I click on a tag, it automatically creates a new marker of comment. I can't find a way to return to the method of 2014, which if I have highlighted, a comment marker would allow me to add several tags. Anyone know how to get this feature in 2015, or is it gone for good?

  I use Prelude and Premiere Pro in my workflow of logging and extraction of sequence of research data, so having the ability to add multiple tags to any marker in prelude is extremely useful. I prefer this method more with several markers that overlap.

  Can I continue to use prelude CC 2014 at the moment, I prefer not having to keep multiple versions of Adobe applications on my hard drive.

  Thank you

  Mike

  You can hold the 'Shift' key as a modifier key when a marker is selected to add several tags. Thank you!

• Can I open a Premiere Pro file in the prelude via xml or another method?

  Hello

  I swallowed a lot of sequences using prelude. It was working fine! I did the subelements of the different slates, and the naming convention worked well. I could find easily takes the days (Day1Slate1Take1) etc. for different cameras.

  As prelude failed to open the last file .prproj I want to know if I can call sort to the top of the first prelude pro file structure?

  I saved the original file of prelude, but after that I sent the first I built a new structure of file with sequences, Audio, Visual effects, etc. MultiCam.

  The problem I have now, is that some subitems is missing in the first pro file. (I think I skipped a few takes thinking it was done...)

  If I have the filter so that it Prem, I see the subitems. If I got the filter to do there as a prelude, I see subitems and the original clips of what he brought.

  I want to edit the file first but as a prelude...

  GISH, sorry! I hope I'm making sense.

  Any help would be appreciated.

  Thank you!

  Hi Parysbaba,

  Please try the workflow between Prelude and Premiere Pro.

  In fact there is no option to 'Send to prelude' similar to what you see in prelude--> send on the file menu for Premiere Pro. As the workflow is designed as a log file as a prelude, creating scripted, sending Pre Pro, edit the files in pre pro and the creation of the final video. After sending the files of prelude to pre Pro, any change that you engage in multimedia files through prelude would be automatically visible in Premiere Pro.

  Although if you re-importation/reingest the same files, where the changes have been made in Premiere Pro, with Prelude, all changes would be visible as a prelude.

  Make sure xmp files that are located in the same place as the original files are not deleted, they retain all the logging information made by prelude/Pre Pro.

  Anyway, you always can once again log files in Prelude and send them to Premiere Pro.

  I hope it helps. Please update if any other confusions.

  Thank you

  Mayjain

• Integrating the prelude and the Prime Minister on two computers

  Hello

  I work for a small production company and we are the transition from Final Cut pro to Adobe Premier Pro 7.

  Is our way of working, writers connect and transcode the vision on their computer for the Editor (in the final cut), then the editor would just bring in these clips transcoded in Final Cut on computer editing.

  I was wondering if there was a way to make the same type of workflow using prelude, but avoid transcoding to save space, as Premier Pro sees everything in native mode.

  Is there a way for authors to use Prelude to connect the clamps, the editor has on external hard drive (without transcoding because that just goes to create a support as we do not want) who was then the editor can put on their computer and easily implement first Pro.

  On both computers, we all support gross, put in the exact same place in the structures of folders so that they are identical. I tried the ingestion of clips in prelude on a single computer of gross flashcards then saved the Prelude project on a hard drive external and it copied on the computer of the edict, and all files in the prelude were 'missing media' which I couldn't then re-issued as a prelude, because in the recording process, I've renamed the clips to what I need. All this fits beautifully when everything is on the computers, but we are working on two - stage of logging and editing on another. How can we get it all to work through both then they writers can log on, name the clips to what they want, a subelement etc... then give it to the editor to include Premier Pro link to raw support?

  Best regards, Sally

  Hi Sally,

  What operating system you are working on the source and destination computers? Also mention the prelude version you are using. ?

  In fact it should be able to automatically link the media without even giving the alert, if the relative path of these two is the same. (for example, C:\testing folders\1 on two computers...) Please note maintenance of files on the desktop making the path to the user C:\Users\mayjain\Desktop)

  Create a project in the prelude. Ingerer ingest files, log, rename and then export the project as a project first pro of the file--> export--> project after having selected all the files that are needed in the project Panel.

  Copy this project published first pro on your computer and open it. If the relative path of the clips is the same, it would be open in first pro with all your subelements.

  Add if I'm missing something here.

  I hope that it will work.

  Thank you

  mayjain

• Adding markers to RED feet in prelude

  Hey everybody, I expected to find a way to add markers to my RED images without her having to transcode for ingestion. All my images are stored on a disk separate from my computer. Two separate computers can pull this drive, so I'd avoid the transcoding process to save me time and allow me to edit any RAW. Someone at - it work around this process, they know?

  Hello

  If you use Prelude 2.1 or later, it supports logging directly to the RED media.

  Are what version you use and what you that prevents you to add markers watch prelude

  Thank you

  Michael

• I can transcode my AVCHD to DNxHD files in Media Encoder, but when I ingest through prelude, Media Encoder fails.

  I'm more educated long form of student projects to transcode the AVCHD material in Quicktime using the codec, DNxHD (which is installed and then loaded into Media Encoder preset).

  I am doing this since it is the workflow suggested in this article:

  Video and audio glitches. AVCHD video

  He worked many year the CS6 last, but this workflow doesn't work at all in CC2014.

  When I transcode directly through Media Encoder, the process works well, but if I ingest using Prelude (where students choose to transcode files, set destination, etc.) Transcoding fails and we get an error of SOUL. Don't know why it would be different right transcoding in Media Encoder...

  We work on computers running Windows 7.

  Any suggestions?

  Thank you!

  HI -.

  There should be no need to transcode the media. Premiere Pro and Prelude should be able to manage the native format very well.

  But with regard to the question of transcode: can you please let me know exactly which versions of the products you use? Also please specify exactly what SOUL preset you use.

  Thank you-

  Michael

• Prelude: What is the advantage?

  I use the first for about a year. I think using prelude, but I don't really see a real benefit to improve the workflow. What is the advantage?

  Although there is no doubt that there are a number of ways that we at Adobe could make more powerful, versatile and efficient metadata workflows, I respectfully disagree with the "mem" evaluation that prelude offers no real advantage.

  I'm not familiar enough with full set of features of the Prelude to the justice program, but I'll call it at least a few that impress me:

  1. establishment of several markers of subelement, which are then automatically converted into subitems in first when you import the clip.
  2. The via XMP batch renaming (as opposed to rename the file on the disk). This has great advantages when working with the content filebased which unit named C0001 or 0002DP or A002_C001_0419UG_001.
  3. Metadata. Despite some shortcomings that call MEM, metadata can have value today in your Adobe workflow and Prelude is a very good tool to inject metadata.

  My impression is that the value of the prelude increases with the scale of the operation. Production houses to large with huge volumes of content from all days and networks, entry level employees can be trained quickly to manage ingest and marking, which relieves not only the people most qualified for this work on the front-end server but also saves their time to focus on the most creative works but also saves their time by leverag

  Adobe prelude

• Prelude 2.2.0 crashes on Ingest, OSX 10.9.1

  I just updated my 2008 15 "Macbook Pro (5.1) at Mavericks (10.9.1) and updated all my CC applications the newer versions. I tried to use prelude CC 2.2 tonight and it crashed everytime I tried to ingest media, either double click in the window, or by clicking on the "Purchase" button produces a crash. The program starts, but I can't interfere.

  Nevermind, just found the solution and it works!

  http://forums.Adobe.com/message/5983607#5983607#5983607

• A recent problem in the prelude, which I've tried to fix without success, drives me crazy

  Hi all

  I use Adobe stuff for about 15 years.  Mainly photographic and illustration, but also more recently getting into video editing.

  I used prelude to sort various multimedia clips, setting in and out points and then transcoding to another location.  It worked fine, but suddenly and to the extent where I have a conscience nothing has changed on my system:

  ASUS P7X79 Pro mobo, 32 GB Ripjaws 2400 mhz DDR5, Intel i7 3930 K 3.2 Ghz, Intel 250 GB SSD (Boot), 2 x WD Raptor 500 GB drives in RAID (storage media), 2 x 120 GB SSD drives the two zero.  ATI HD 7950 3 GB graphics card (I know that NVIDIA for MPE) but I can't justify buying a card Quadro that this system is just 8 months and was well suited to the job chart and illustration.

  BUT prelude crashed, and since then I can not deal with multiple clips, i.e. set different exit points for many in this directory file and then ingest the, in bulk.  If I've made a point of entry/exit and click on another clip, I lose the changes, all the thumbnails disappear and say treatment and that happens all the time.  No matter where these original media files are, I tried moving them.  I can hear the audio fine.  What I've noticed, is that the prelude a new. CFA and. PEK file each time I click on a clip to preview it in this directory.

  I can deal with the media ok if it exists as a single item in a directory.  Not great, but it is a workaround until I found that sending more about 4 files in the results of the follow-up in the SOUL crashing.  I can deal with these same files in bulk by SOUL when done without prelude but fortunately course, it is nice to be able to get only the bits of the image.  Prelude is exactly what I looked if I could find a solution to this problem.

  Post edited by: GraphiteGal Is an existing on this subject thread.  I didn't and don't have never used Dropbox and it worked as it should before the accident, that I mentioned.

  Sorry to hear that you're having trouble. Looks like the same question ScottInAk and a few others have reported. I will pass your details to our team who focuses on this issue.