What is Pro P YUV (YCbCr) and RGB color spaces?

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• In the toolbar, I click on the face of color and see the view from the RGB color space. How can I put them in CMYK?

  In the toolbar on the left, click on the face of color and see the view from the RGB color space. How can I put them in CMYK?

  German:

  In der Werkzeugleiste klicke auf Farbflache und den RGB-Farbraumansicht sehe ich. Stelle wie ich sharp in CMYK um?

  Color picker, if that's what you mean (it opens if you double-click the color proxy) is still in RGB in InDesign, but if you place the cursor in one of the fields of CMYK value, add swatch button will change to add CMYK Swatch.

  Personally, I like the color picker and use the color Panel instead.

• Hi can someone help me... I try to open my photos of microscope and all of them are just empty black screen while the merged file shows the image. I can't change grayscale in RGB color space (like my single images the info on them is

  Hi can someone help me... I try to open my microscope fluorescnece images and they are all just empty black screen while the merged file shows the image. I can't change grayscale in RGB color space (like my single images the info on them is gray and the merged image color space is RGB)

  Try to update your video card driver to exclude

  Then reset your preferences - with Photoshop CC you can do it in the preferences. Earlier versions require that you press the modifier keys that you launch Photoshop. Ctrl alt shift on Windows or cmd opt shift on Mac.

• D700 files shooting in Adobe RGB color space

  I can open my D700 files in Lightroom 4.4 only if it were shot in space color sRGB.  Lightroom does not recognize them if they were shot with the help of Adobe RGB color space.  Is there some update or connect to lightroom that will allow me to open these?  (I downloaded the last 4.4 Lightroom)

  The V1 version of Nikon Transfer is known to cause problems with new camera ships is it surprising that the versions V1, other Nikon software also has problems.

  Irrelevant, other than being a curiosity, is why Adobe RGB is causing a problem when it is not sRGB, but is not something Lightroom is different, this is something the former Nikon software differently for the raw files of the new camera models, change something in the data when the Adobe RGB color space is specified and making them unreadable to Adobe , but not changing is not the same when they are slaughtered in space sRGB color.  Without an analysis of low level file byte-by-byte you probably intend to be able to understand what the Nikon software, but at least you know what it takes to make things work.

  If you have still something that Lightroom has something to do with the origin of the problem, and then copy a sRGB NAVE and a NAVE of RGB Adobe directly from your camera to your computer and without touching either with the Nikon software and make sure that both are important in LR without problem.

  Software from the manufacturer of the device usually does not include another manufacturer raw files because is one of the tasks of the manufacturer of the device software to make the raw JPG in exactly in the same way as the camera and that rendering is exclusive and cannot be known by outside entities.  Software of Canon DPP does not work with Nikon ships, either.  Software of a third party, such as Adobe Lightroom, must be able to work with raw files from various manufacturers for anyone paying attention, but at the price which is specific to a manufacturer like you don't see focus for your ships in Lightroom, but I guess that you can in the NX software which is produced or at least licensed by Nikon.

• should what setting I use to read the RGB colors correctly

  i do graphics for the web and can not get the proper display or playback on my RGB colors, please help

  Ilse,

  You can choose the RGB in the color palette.

  And of course, you should work in file > Document Color Mode > RGB color.

• For the printing of P.O.D.: how to set the Adobe RGB color space

  Hello and thank you in advance,

  (I use InDesign CS 5.5 on a Mac).

  I need set the appropriate PDF export settings

  To print a book on demand, with color drawings inside on the text pages.

  The instructions in Mandarin that I could find, say this:

  'Submit your graphics in color space Adobe RGB, integrated withprofile.'

  The big Question: how should I do that?

  I know enough to start with

  File-> Adobe PDF Presets-> print quality

  Then I click on the Menu 'output '.

  and this is where I start to get lost.

  for

  Color conversion...

  I think I should choose "convert to the Destination.

  for

  Destination

  I think it should be "Adobe RGB (1998).

  Now to incorporate this profile.

  What should I choose in virtue:

  Profile Inclusion policy?

  And is there anything else I should do to get these inside good printing color images?

  Thanks again,

  IthacaAuthor (aka ZorbaTheGeek, but the forum wouldn't let me connect with my old screen name)

  Virtually all digital printing is done via PostScript or PDF. In the first case, the PDF file is converted to use viat PostScript to Acrobat and in the latter case, the PDF file is sent directly to the digital printer.

  In both cases, CMYK is actually the real destination color space. There is no true RGB printer! What is true is that non-PostScript / non PDF (laser printers generally low range and inkjet printers as well as specialized sublimation photo printers inkjet and dye) take RGB via drivers and that convert to CMYK, but I don't think that's what you deal with.

  Our recommendation to Adobe for best printing results, whether for offset or digital, is to export PDF into PDF/X-4 with no color conversion using the default color CMYK (CMYK SWOP) space or if the contrary view of your print service provider, among other CMYK color spaces provided by Adobe or the print service provider themselves. FWIW, more peripheral to digital print on demand, have settings to fully emulate the SWOP CMYK printing requirements. The use of PDF/X-4 in this way allows the existing color in your document InDesign is properly tag in the output PDF file and converted to CMYK RIP the device level digital printing.

  (It may also help us if you can provide a pointer to the explicit instructions provided by your print service provider.)

  -Dov

• Photoshop and working color spaces

  How many color spaces Photoshop can work properly?

  Can only work with gamma 1.8 and 2.2 those or even with linear or L * space color gamma?

  Isn't it enough that the spaces of work RGB = 0 0 0 mapped to L * = 0 and RGB 255 255 255 mapped to L * = 100?

  Thank you

  Marco

  An infinite number.

  If you have a valid profile for your document, Photoshop can use.

  If you have a valid profile for your display, Photoshop allows to correct for it.

• I want to change a piece of Brown fabric in an image to a mole (with specific RGB color numbers) and would it be this color specific Mole without interference from the brunette... Is this possible?

  I want to change the color of a border of cotton on a carpet sample image that is initially Brown. I need to be able to maintain the texture of cotton while being able to compose "specific" RGB color numbers Curious to know if this is possible? I can eyeball of the color and change it using "hue/saturation" but want to be able to use certain RGB numbers.

  Hi Madison,

  Exactly why do you want this fine control of color? The edges of the carpet are not the same as a logo or a piece of the judgment, its will always be carried out by the way light interacts with fibers and cause color variation. What you ask is, however, possible, but not with the RGB color space. If you want precise control of color, you must work with Lab and adjust one, b channels with curves after entering specific pantone values for the edge of the carpet. Even while Photoshop is on the single application around to support the Lab color space, you'll need at some point return to RGB and use Adobe RGB or sRGB to output and as soon as you do that your likely to get a change of color as these spaces are smaller than Lab leading to clipping. Out of curiosity, I played a bit with an image of a carpet and had no trouble get the shades I wanted. You need a mask that is easy and a layer of hue saturation adjustment with redefine enabled. By varying the hue, saturation, luminance and layer opacity virtually any color is possible. I suspect you want absolute solution, but perhaps this chart will give you an idea of what can be done if you like carpet resembling the flower beds

  Terri

• PIXMA Pro 100 color space issues

  Hello

  I have a few questions related to printing from lightroom, I'm new on this bare with me.

  (1) I have a canon 7 d I shoot in Raw 12-14 bit? and most of my treatment is done in lightroom, so no need to export to photoshop, however if I would be this export as 16-bit tiff or Jpeg? So, if I had to after post-processing in photoshop then back in lightroom, this would allow only me to print in tiff or jpeg format is correct as a psd/jpeg file?

  (2) given that I only edit in lightroom I can print directly in Raw CR2 format 12-14 bit using canon plugin pro printing studio? or is it exported to the translator as a 16-bit file? and then use the ICC profile that is (canon paper) for best results paper mill, I lose a quality of colour printing by printing from Raw 12-14 bits instead of 16-bit tiff/jpeg.

  (3) using the profiles of ICC paper mill, the original raw will deposit 12-14 bit sRGB 7Dcamera be translated to the printer default Lightroom or is the color space is not necessary because I have not converted to 16-bit in post processing?

  (3) I did not have my calibrated monitor yet but intend to do so in the future, but until then I'm not messing around with pro, photoRGB Pro or Adobe RGB or sRGB mode.

  (4) if I use lightrooms canon pro printing studio Player is the color space translated automatically the settings of my camera or do I have to activate it in lightroom first?.

  (5) I use a Mac running yosemite 10.10 and to learn more about ICC profiles where the factory ICC profiles download how and where to store can you recommend a joint Web site to learn how to do this on a mac?

  (6) as you can see I want to just print the best images from the camera to the printer without much science involved but I'm willing to learn, but get confused with the post-production of workspace different menu software for best results, that I'd do it prosume until I get my proffesionally calibrated monitor would print from Raw with the factory ICC profiles?

  7) color space and calibration of the parameters are all about what you have on the print screen or it is mainly for the depth of extra color to print?

  I can calibrate my monitor on adobe RGB and have my camera shoot on adobe RGB-calibration with the software, but said I need correct color surveillance devices? If I were to do this and still just used paper ICC profiles the footprints would be better?

  My first impressions were excellent, very similar to what I see on the screen in all cases but I checked the lightrooms settings and these are on Pro photo RGB for external editing and it of color space for printing pluggin also studio, or is it just native Raw sRGB if I change the settings it says I'll lose the color space maxium potential.

  Sorry for the influx of questions :-)

  Thomas

  Hahnemühle has an excellent explanation on downloading and adding profiles for PC and Mac

  http://www.Hahnemuehle.com/en/digital-FineArt/ICC-profiles/installing-profiles.html

  Print Studio Pro is rather obscure on the use of profiles than those installed, but it's pretty simple.

  In the area of setting printer settings choosing fine arts I or II (I used one and it seems to work)

  Then in the color management box, use the pull down to find the right profile added.

  (I posted this before, but the post was deleted for some unknown reason)

  

• Projection of images and the question of the color space

  We are having a discussion in our photo club. We use a projector to project the images of the competition. For years, we used Faststone Viewer to project images. We have the usual problems of people not calibrate their monitors and sometimes the colors match does not, but it worked pretty well.  Now that the people who handle the projection are competent in LR, they use LR on a Windows laptop, to organize and display the images via the projector. The projector is a projector of sRGB VGA.  Some argue that LR will cause problems because it uses the Adobe RGB color space as the space of display colors. (We know that the native color space is ProPhoto). Others think it will display images in space sRGB color to the projector as you can when you export an image. I can't find anything in Adobe help pages on this subject.

  Here is a contribution to the debate to give you an idea of what some people are talking about:

  I understand that LR will send bits of images (in the Adobe RGB color space) to the Windows API and in turn the bits are returned on the LCD screen and exit VGA via LCD/VGA color profiles associated. That is my understanding of the viewer FastStone sends the image bits being without modification in the color space. LR sends the bits altered the Adobe RGB color space. Assuming that both programs require the same Windows API, the images must return the same, but they do not. My conclusion is that the former is in sRGB and the latter in Adobe RGB. I guess they call the same APIs because you can open a jpeg file in Windows Picture Viewer (applet in Win7) and see a different rendering of FastStone, it does not use the color managed API.

  Anyone who can shed some light on this delicate subject?

  You actually want an app like Lightroom or Bridge to view images on your projector and not the unmanaged faststone Viewer or something like. Lightroom translated correctly the image on the destination for the projector profile regardless of the original color of images space. It is best to calibrate them and profile projector in addition to your monitor. Some of the highest fine adjustment washers support projectors too. It is rare that these projectors really are sRGB. They are usually somewhat narrower. Some of the more recent are wider gamut when using LEDs or lasers instead of bulbs.

• Export failed to achieve the required bit rate and colour care space - ProRes 422 in MPEG2

  With the help of first Pro CC v7 I exported a ProRes 422 (HQ) MPEG2 file and selected the HD 1080 p 23.976 preset.  I needed the finished file to have a minimum of 50Mbps flow and the color space to be YUV422.  I was under the minimum flow rate and the color space is incorrect. Can someone please instruct me on how to get my desired results. Thank you!

  MXF OP1a XDCAM options are hard wired for the correct settings for each preset - in the case of 422 @ 50 mbit, it already uses a preset CBR (constant bit rate).  The main codec Concept always Compress contents, so it is quite possible that your source material will eventually take less space than 50 Mbps, depending on the complexity of the images.  There is nothing to replace it, you can change, it's just the codec do its thing.

  I don't see how the color space was incorrect, unless you take what you think that you have chosen.  Make sure you're one of the presets that has 50 in the name, picking, and other (18/35) VBR and space colorimetric 420.   You can check the presets under the video tab - if you have a 50 mbit preset selected, the video codec should list something like "XDCAM HD 50 NTSC (4:2:2)".

  Wil

• Is SRGB and true colors are the same?

  Is SRGB and true colors are the same?

  True colors is a 24 bit RGB or 8 bit per channel color pattern.

  True color, like other RGB color models, cannot express colors outside the range of its RGB color space (usually sRGB).

  So, no. They are not the same.

• Color space RGB in LR3 - it converts to sRGB export?

  First of all, I only got LR3 for two days so I'm a complete novice. I have read my book and just found out the part about the RGB color space. I shoot with and use sRGB, which apparently LR is recognized. However, it states that the development module using Lightroom RGB. My question is, when I export my photos modified to PSE8 (or in a folder on my desktop to record and send an e-mail to my daughter), he exports their return as sRGB? I know there is a lot of controversy over the whole thing of RGB, but after my research on the topic, I decided that sRGB is the best for my particular situation. I'm just that I don't have to check something or convert them if they do not automatically change out of LightroomRGB.

  You can define it in the export dialog box.

• Woman updated its iPAD Pro 10.0.2 and is now locked screen display "Enter Access Code, contact ID requires your access code when you restart the iPad." She has no idea what is an "access code". Any help is appreciated.

  Woman updated its iPAD Pro 10.0.2 and is now locked screen display "Enter Access Code, contact ID requires your access code when you restart the iPad." She has no idea what is an "access code". Any help is appreciated.

  If she don't remember: If you have forgotten the password for your iPad, iPhone or iPod touch, or your device is disabled - Apple supports

• What is the difference between win 7 pro DSP OEI DVD and the OEM or normal Full pack?

  1. What is the difference between win 7 pro DSP OEI DVD and the pack OEM or normal Full we learned normally?
  2. does DSP OEI DVD comes with CD of instalation?

  These versions are for small integrators (DSP = 'partners in enforcement service'), which usually contain a single Windows (1pk = 32-bit or 64-bit, not both as in commercial versions) and an OEM preinstallation kit to preconfigure Windows and/or integrate additional tools (OEI = 'Installation of Original equipment' or 'Integration organizational environment'). They have the same limitations that versions OEM = license is tied to the computer where the operating system has been installed initially and not transferable in case of death of the machine. "192GO should be enough for everyone." (of the miniseries "Next generation jokes")