Why is frequently around logos clipping masks?

Similar Questions

• race around a clipping mask

  Hello

  I have a picture, I created a circle on top of the image

  I created a mask with the transparency Panel, it's a clip mask and the image appears only inside the circle.

  My question?

  How can I have a white line around the circle?

  Thank you!!!

  Mauricio

  To add a line for the mask, do not use the transparency Panel. Use instead object > clipping mask > make. You can then select the mask outline and add your feature.

• Why won't the (attached) clipping mask

  Hey guys,.

  I can't do a clipping out of this file mask.

  Any help appreciated.

  TIA

  Chris

  If you want to do what is shown below to draw a rectangle and give him the lighter green as a fill and send it behind the art then select all and object > clipping mask > make

  

• Clipping Mask produces jagged lines

  Hello

  Why is it sometimes a clipping mask product jagged lines? I know not if there is a dark background and a session with a light above it, what is happening. is there a solution to clear this out when you apply a mask? You can see in the screenshot I circled where you see jagged lines and in the layers palette, you can see the clipping mask object. If someone can explain to me, I would appeciate it.

  Thanks to a bouquet.

  

  gradientmush,

  But if it behaves like a clipping mask, what is the difference between the two then to have these two features?

  There are differences in behavior, but in many cases, can be used, and it seems that Opcity mask is not the issue.

  You can use them as opposites: the clipping mask to show what is behind him, the opacity mask to show that this is not.

  This means that paths to use are complementary. If want to show part of a target object that is behind a circle, you can:

  (1) use this circle as a Clipping Path in a clipping mask, or

  (2) create a rectangle behind the circle big enough to cover the entire target object and cut out the circle of him creating a compound path (object > compound path > Make or Pathfinder > less before) and allows to hide what is outside the circular hole.

  You can use white or black for the object used for the opacity mask and mask invert checked or ticked. It is always simple/more safe to use white is easier because it is unambiguous (a black RGB is very good because it is R = G = B = 0, but in CMYK mode, you must have = M = Y = K = 100).

• Why the clipping masks are made for a Place/Embed?

  Illustrator CS6 (all updates)

  I have a simple and clean logo with a couple of transparent traces (letters like the 'e', 'A').  There is no clipping paths.  Everything works very well in this file, if I save it, re - open and edit, etc..

  If I have 'Place' or drag this file in a brand new, delete the file and then 'Embed' work, it creates 2 the size of the artboard clipping masks.  More importantly, it messes up the transparent traces so that I have to select them and use the shape mode "Unite" so that it can work properly.  I see this when trying to add a line to the letters... the race is broken until I use the button on the unit.  Even undo the compound path and redo it does not work.  In the image as an attachment, you can see how a place is broken, as well as the way in which 'inside' or 'outside' is available for embedded version.

  What gives?

  Thank you

  Eric

  

  When you drag a. HAVE file and drop it onto an open. File to HAVE in Illustrator, which is equivalent to the file > Place, he became a partner. You cannot change the contents of the files linked directly because they are supposed to be changed out and update when changed. Thus, Illustrator uses the means to isolate the linked file to edit its content and provide a means for the linking functionality. These resources are provided by 'create a file PDF Compatible file' option when you save the. File to HAVE it. If you save a. File without this option and try to use it as a link, you will get this weird text instead. With this option checked, you will be able to use the file as a link in another. File to HAVE it.  Also keep in mind that if you embed a linked file it will equal not copying a file open. Coating can change the objects of no basic appearance. For example if the linked file has envelope distort, points will result in the expansion of the envelope that will produce a clipping mask group.

• logo with the degraded in InDesign clipping mask?

  Hi all

  I have a small question: I use CS4 (illustrator and InDesign) on Mac OSX platform.

  QUESTION: I have a one color logo (just text), which fades in transparency (applied to the type in Illustrator gradient clipping mask). I would check how I should prepare and import this logo in InDesign -to be sure, I'm not the effect of real transparency on different pages when it is applied in my InDesign book.

  Thank you kindly,

  Chemol

  As I said, put it.

  Bob

• Why don't this creates a clipping mask?

  Trying to take a file that I bought AND it hides in shape. Either she comes back she can't hide, or I get a white screen. If I select the form, I can see selected, but there is no fill. The file was a complex design, but I tried to use the clipping mask do it from the layers panel as well as the Panel of the object. Neither work. What Miss me?

  
  

  Here is a link to the file...

  The problems (there are several) resident with bird drawing you want to use as a mask object. Select the bird and choose object > clipping mask > cancel clipping mask. Remove the white box that appears. Reselct the bird and choose object > compound path > release Compound Path.Go object > composite and make Compound path > select all, and then choose object > clipping mask > make clipping mask.

  That should do it.

  Michael

  http://www.learnadobesoftware.com

  Post edited by: Michael Riordan

• Gradients to InDesign in Illustrator without clipping masks

  A customer created their logo in InDesign and there a lot of gradients and transparency involved. If I export as EPS or PDF or I copy and paste into Illustrator, everything happens as clipping masks. I really don't want to have to recreate all the gradients and transparency from scratch. No work around? Any help would be greatly appreciated. Thank you!

  How do you export the PDF file? You should use X / 4

• Any PDF to AI > clipping masks different 1 million?

  I've been using have for about 10 years, and I meet this problem before but somehow did the trick around it. However, I would go to the bottom of him this time.

  First off this happened CS5, CS6, and CC.

  I imported a PDF file from a scanned plan thinking that I would make a few changes to line weight and color + graphics for a presentation, it is, but it is divided into a large NUMBER of different items within a clipping mask LOT different. This happens just to open a PDF file in artificial intelligence. Does anyone know why an imported PDF do that? Also, how is the best and fastest way to get it back in a few tracks. Example below.
  
  

  The PDF file is a raster image file. Each of these boxes is a single raster containing about 3 MB of data. You can use select all and then object > clipping mask > Release. You can use the object > rasterize to create a single frame of the entire file and try to use the Image path > stroke, but it will be a long-term task.

• Clipping masks and opacity leaving hairline masks light

  I'm running a problem when you use a clipping mask or opacity mask in Illustrator CC 17.1. Either the type of mask leaves a contour slightly around the mask object, creating a noticeable pause in what should be a uniform background. A few details:

  I created a ring in 4 quadrants. Each quadrant contains objects/models which must be isolated from the other. Above the work of each quadrant, I stick it in Place a copy of the form of the quadrant including background colors and stroke are both set to none, the value of race field is empty, is not set to 0. Which meet the same color in the adjacent areas of each quadrant there is a slight balding. These are intended to be transparent, and I don't know why this is happening. When viewing as outlines, all vectors are overlap perfectly in my eyes.

  

  I tried the same thing with simpler forms, as a test and get the same results. In this example of 3 stacked objects, I built forms using form Builder tool (top), mask clipping (the middle one) and mask opacity (bottom):

  

  As you can see, the results are not consistent, but there is certainly some weak lines in each case. The constructor of the form doesn't have a line between black shapes for a reason, but there is a conflict between the colours cyan, where hidden objects stacked meet. At the same time, it is the reverse for the 2 following blocks.

  I read the posts in this forum and others on what is a matter of anti-aliasing, it will not be printed with weak contours, but not all applications of this graph will go to print. I exported files, PDF and various other formats EPS files. I have not noticed any loose in a TIFF file but the library files that I provide to my client will consist of the vector and other raster such as png and jpg files that do not show the low contours. When I place a PDF or EPS in Illustrator or InDesign layout, the hairlines are so that documents sent electronically, unprinted, have these visible lines. They remain also when I place an EPS in Photoshop that is unacceptable for the construction of graphics for the web.

  Can someone tell me if there is a solution to make transitions smoothly between the objects hidden in Illustrator? Or this just an inherent flaw with Illustrator (or maybe my approach to strengthen these graphics)?

  dugost,

  There is nothing wrong in the way you work with masks.

  It is disturbing that you can see the hairlines in a PDF file, png, and JPEG.

  Just to try something that can be stupid: you work in points/pixels, and are the quadrants in integer values (you can see the W and H values in the Transform palette, with integer values for two opposite corner ticked of reference Points and whole)? If this is not the case, what happens if you change to get that?

• Clipping masks in have CS5 removes accidents vascular cerebral and other Follies

  When you create a clipping mask, Illustrator CS5 removes the stroke on the mask itself and when I add the return stroke, it adds the same stroke to objects in the clipping mask.

  In the file below, Figure 1 shows a rectangle with a black border and an orange circle with no stroke. Figure 2 shows the result of creating a clipping mask - the black line on the rectangle has been removed. Figure 3 shows the result of the addition of the black line to the mask - it adds the stroke to the orange circle as well.

  This is one of the many things on Illustrator that lead me to believe that Adobe people have never tried to work with their own programs. Why the hell would I want the shot to be eliminated in the first place and why would I want to add elements within the mask when I go to replace it?

  Is there anything I should do differently or is this yet another oblivion, I have to work around forever?

  

  Have you used the direct Selection (Open arrow) tool to select the clipping mask? It should work.

• help with a clipping mask

  I have this item and I want to add a background behind him with the clipping mask so that nothing shows up outside of my my object (bible). I went through tutorials and that works, but it never works when using this object. Can anyone watch and help with why it doesn't work.

  Here is a link to my file have Dropbox - TestIcon.ai

  Essentially trying to keep the Red inside the mask of the bible, so I can use it on my icopn bar tabe.

  Thank you

  Nick

  I'm still not clear about what you are trying to achieve because there is nothing red in your illustration. But what rcraighead said, I guess that great shape selected in your screenshot is the object that you want to use as your mask and that you want to fill with red and you want to be able to see through the mask to the illustration of the book...

  You'll need duplicate large form and make sure that it is on top of all your other items. Follow the instructions in rcrighead. If you do not want the shadow to be filled with red, do not reproduce them; just put on top.

• Maintenance of Photoshop Dec2015 cc is a clipping mask may not be 100% opaque / less transparency to 0%

  Since the update of December 2015, the clipping in Photoshop mask does not display 100% of the image, if the mask is white.

  It's like I painted gray on the clipping mask, instead of white.

  The image should be partially transparent.

  Seetings:

  Brush: 100% opacity

  Layer: 100% opacity

  Mask: 100% opacity

  System:

  Win7, Photoshop cc after Dec2015 update, German version.

  Why is it happening and how to fix this?

  I tried reseting Photoshop with CTRL + SHIFT + ALT imidiately after photoshop starts, but it does not result in a window that gives me the ability to reset all settings. Instead, I can see a list of the most recently worked on files.

  Hi nicolasw,

  Please reset the Photoshop preferences preferences > General

  

  Let us know if this helps

  Concerning

  Assani

• Apply a clipping mask for an item that's envelope distort?

  I'm creating a logo for a uni project.

  I created my logo in black and white, is simply a word that I have envelope deformed in a circle.

  I now want to apply a clipping mask to give it a gold leaf effect, it works when I do normal typed text but not in my text that had been published.

  Can someone tell me if it is possible to create a clipping with gold leaf mask, when I distorted the text already?

  When I apply the envelope distort after the clipping mask, it does not give me the same results...

  k,

  You can object > envelope distort > Expand, then use it as the clipping to the clipping mask.

• Outline of the page clipping mask

  Hello

  I'm working with a file that was given to me by someone and I'm unable to navigate the clipping masks - one in particular.

  Around the edge of the page is an object which is invisible, but is highlighted with a blue area when I go over it.  It is exactly at the edge of the page.  If I click and drag, all the objects in the file move together, so it seems that it is all a group.  However, the right click menu has release/isolate clipping mask options, so I guess it's a clipping mask.  When I isolate and study objects (literally all other objects in the document) I see that there are to many small clipping masks used to "reframe" the images - I can see clearly how these clipping masks are used.  When I release the large external clipping mask, all of the capture of small masks are released (not what I want!).  When I go to object > clipping mask > Edit content, all objects in the document become selected, as in isolation mode, even if most of the objects don't have/all cut.

  So what is this thing for?  I want to be able to work with the objects inside this large group clipping mask (without having to click in the insulation everytime mode), but I can't get rid of it without destroying the small clipping masks, which I want to keep intact.

  I've also seen these clipping masks full page when editing pdf outputs R and Matlab.  In these cases I have just release all because all masks clipping in these situations are foreign.  I just mention this to show that the grouping full-page cutting masks seem to be something that is commonly used.  What is the purpose?

  Thanks for the tips!

  Use the Panel layer to get rid of him.