WT-310 - need to slip /sleeve case recommendations

Similar Questions

• Need of a double case Ipad 2 iPad in Portrait mode

  I need a double Ipad case to hold TWO IPADS in PORTRAIT mode

  I found this one:

  www.wired.com/images_blogs/gadgetlab/2011/10/ZooGue_iPad_2_Dual_Case_777__34752 _ zoom - 660 x 466 .jpg

  but it holds 2 ipads in LANDSCAPE mode

  found this thread:

  http://forums.MacRumors.com/threads/using-2-iPads-at-once-one-case.1363077/

  but no one in the thread has heard no more!

  How is that possible? With everyone using multiple monitors these days watching several documents (i.e. e-mail on a single monitor, internet on another monitor, etc.), how no one would put 2 Ipads next? It's amazing

• Need me a new case number for the license transfer form? I'm the beneficiary of a transfer of li

  Need me a new case number for the license transfer form? I'm the beneficiary of a transfer of license product registration. The person transferring has already completed and returned the transfer of license form. Can I use the same number, or do I need a new number.

  You have to get a new number for you because the transferor and the recipient cannot use the same number.

  Reference: I talked to an officer of Adobe, and this was the answer they gave me.

• I need a download of software recommended for the Transcriber ICD-PX312 for Windows 7.

  I installed the software that came with the ICD-PX312 on a windows system 7 and it crashes constantly. I need a download location for the software recommended for the valid software for the Windows 7 platform.

  all links will be useful.

  Hi Tim,.

  Welcome to the community of Sony!

  Download and install the latest version of the software of the Organizer from the link below:

  http://eSupport.Sony.com/us/p/SWU-download.pl?MDL=ICDPX312&upd_id=8218&os_group_id=5

  If my post answered your question, please mark it as an "accepted Solution".

  Thank you for your message.

• Need help in the CASE statement

  Hello
  
  My query gives the result like this
  
  ONC BO DT countkey
  
  RF036 I HAVE 1 156
  RF036 I HAVE 8 445
  RF036 O 3 1320
  RF036 O D 2547
  
  I need output like
  
  ONC DM CC MC BC
  
  156 445 1320 2547 RF036
  
  
  Thank you
  Lony

  Based on your data...

  WITH D AS (
     SELECT 'RF036' AS CNO, 'I' AS BO, '1' AS DT, 156  AS COUNTKEY FROM DUAL
     UNION ALL
     SELECT 'RF036'       , 'I'      , '8'      , 445              FROM DUAL
     UNION ALL
     SELECT 'RF036'       , 'O'      , '3'      , 1320             FROM DUAL
     UNION ALL
     SELECT 'RF036'       , 'O'      , 'D'      , 2547             FROM DUAL
  )
  SELECT CNO, MAX(DM) AS DM, MAX(CC) AS CC, MAX(MC) AS MC, MAX(BC) AS BC
  FROM (
     SELECT CNO, CASE WHEN BO = 'I' AND DT = '1' THEN COUNTKEY ELSE NULL END DM,
                 CASE WHEN BO = 'I' AND DT = '8' THEN COUNTKEY ELSE NULL END CC,
                 CASE WHEN BO = 'O' AND DT = '3' THEN COUNTKEY ELSE NULL END MC,
                 CASE WHEN BO = 'O' AND DT = 'D' THEN COUNTKEY ELSE NULL END BC
     FROM D
  )
  GROUP BY CNO
  

• iPhone 5 and 5s... same size iphone? Need to know about cases

  Does anyone know if the iphone 5 and iphone 5 s have the same exact dimensions? I buy a protective case and the description said 5s (only).

  You can get analytical information in the paper support. Identify your iPhone - Apple Support model

• I need help replacing my case on a Slimline fan.

  I recently bought a HP Pavilion Slimline s5 - 1070t.  I am running Windows 7 64 bit.
  After several conversations with tech supports, the problem I have is a defective case fan.  Rather than giving for repair of "bench" that will take nearly 2 weeks during the holidays, I want to replace it myself.   My problem is that I can't find any specs on the fan to know what to buy (I know I can remove the one installed, but prefer to do all the material stuff at some point).  I went through the HP part surfer and found the part number (646679-002 system fan-9225 mm, Stargell changed), but I can't find it via a google search.

  Suggestions as to what I should buy?  I use the computer for office and photo applications.

  Thanks in advance for your help.

  Al, welcome to the forum.

  I studied intensively a source for the fan.  There is no other that be bought in the United Kingdom.  You may have to send the computer to HP.  Unless, that is, you can find another fan with the right connector on it.  This may be difficult, however.

• I need to get a case number to transfer a license

  http://helpx.Adobe.com/x-productkb/policy-pricing/transfer-product-license.html

  The link above under the heading

  License transfer process

  It is impossible on a Saturday morning to get to any medium other than the forum. I have to open s case numbe so I can download a form to transfer a license but I can't help them if you please. Is this just because it's the weekend and there is no other support options avaiable?

  See you soon

  Dan

  I got a new link. See if it works to join Web Chat:

  Serial number and activation support

  I would like to know if it works.

• Need help with debugging case manipulation statement & date

  Hi people,
  
  Can you get it someone please let me know what I am doing wrong?
  
  Select to_date (23-seven.-10', 'DD-MON-yy') expiry_date,.
  TO_DATE (23-sep-09', 'DD-MON-yy') order_date,.
  TO_DATE (23-seven.-10', 'DD-MON-yy')-to_date (23-sep-09', 'DD-MON-yy') diff,.
  (case diff
  When < 365 then 'low '.
  When > 365 then 'high '.
  other 'similar '.
  end)
  Double;
  
  
  ORA-00936: lack of expression
  00936 00000 - "missing expression.
  * Cause:
  * Action:
  Error on line: column 5:18
  
  
  Thanks in advance
  
  rogers42

  Here you go

  WITH temp_tab AS
      (SELECT to_date('23-sep-09',      'DD-MON-yy') order_date,
           to_date('23-sep-10',      'DD-MON-yy') -to_date('23-sep-09',      'DD-MON-yy') diff,
           to_date('23-sep-10',      'DD-MON-yy') expiry_date
       FROM dual)
  SELECT(
  CASE
  WHEN diff < 365 THEN 'low'
  WHEN diff > 365 THEN 'high'
  ELSE 'same'
  END)
  FROM temp_tab;
  

• Need to reset Firefox as recommended the removal of the utop.it virus

  Runnung Outlook 2003 on Windows 10 and finding an http://savy.utop.it/tb/host.jpscript error message. Had to remove the ww.utop.it of computer without success so far

  Wait for reboot. Please read this article;

  Fix Firefox problems caused by malicious software

  Run most or all of the listed malware scanners. Each works differently. If a single
  program forget something, someone else can pick it up.

• Replacement of Mo A6110n - need to pin off case cables to connect the pins on the new MB any ideas?

  I have replace the HP a6110n MB and CPU with new MB and CPU - but can't find pinout for switch, button Reset and other front matter features.  Please let me know - and I thank you.

  Thank you both for responding.  I finally draw the son and through a process of elimination figured it out.  Ultimately, I now know the PIN based on the cables.

  Thanks again for responding.

• ThinkPad t420 sleeves 14w or 15w case?

  Hi, I made a purchase for a thinkpad t420i and for the case of the handle there are 2 options for me to choose: 1. thinkpad 14w sleeve case 2. Sleeve case ThinkPad 15w, I ordered my t420i with battery 6 cells. 14W correspond well? Thanks Stephen

  The sleeve of 14 "should be fine, I got the 15" one with my T510 and it fits perfect with battery 9 cells. Keep this in mind because there's probably more space at the back of the cover.

• The antivirus that is recommended for Mac?

  As I noticed that the forum alert alert does not install MacKeeper, may I know which antivirus is recommended for my Mac Pro, please?

  None are required or recommended beyond what is installed with OS X. If you have an adware:

  Remove the browser pop up problems

  Malwarebytes Anti-Malware 1.0.1.7

  Adblock Plus 1.8.9, GlimmerBlockeror AdBlock

  Remove the adware that displays pop-up ads and graphics on your Mac

  How to remove adware FlashMall of OS X

  Useful links about Malware problems

  "If you have an immediate problem with ads popping up see the Mac without danger" Adware Removal Guide, remove the advertising software that shows ads advertising and graphics on your Macand MalwareBytes for Mac. If you need antivirus protection Thomas Reed recommends to use ClamXAV. (Thanks to Thomas Reed to this recommendation.) You might consider adding this Safari extensions: Adblock Plus 1.8.9.

  Open Safari, select Preferences from the Safari menu. Click the Extensions icon in the toolbar. Disable all Extensions. If it stops your problem, then re-enable one by one until the problem returns. Now remove this extension as it is the origin of the problem.

  The following comes from user stevejobsfan0123. I made minor changes to adapt to this presentation.

  Difficulty of pop-ups in browser that support Safari.

  Common pop - ups include a message saying that the Government has taken over your computer and you pay release (often called "Moneypak"), or a false message saying that your computer has been infected and you need to call a number of tech support (sometimes claiming to be Apple) to get it to be resolved. First of all, understand that these pop-ups are not caused by a virus and that your computer has not been assigned. This "hack" is limited to your web browser. Also understand that these messages are scams, so don't pay not money, call number, or provide personal information. This article will give an overview of the solution to remove the pop-up window.

  Quit Safari

  Usually, these pop-ups will not go by clicking 'OK' or 'Cancel '. In addition, several menus in the menu bar may become disabled and show in grey, including the option to leave Safari. You'll probably force quit Safari. To do this, press command + option + ESC, select Safari, press on force quit.

  Relaunch Safari

  If you restart Safari, the page will reopen. To avoid this, hold the "Shift" key when opening Safari. This will prevent windows since the last time that Safari was running since the reopening.

  It will not work in all cases. The SHIFT key must be maintained at the right time, and in some cases, even if done correctly, the window is displayed again. In these circumstances, after force quit Safari, turn off Wi - Fi or disconnect Ethernet, depending on how you connect to the Internet. Then restart Safari normally. He'll try to reload the malicious Web page, but without a connection, it will not be able to. Leave this page by entering a different URL, i.e. www.apple.com and try to load it. Now you can reconnect to the Internet and the page that you entered is displayed rather than the malicious.

• Pipeline of color SpeedGrade, need help

  I am currently stationed at the color grade a short film using a system composed of HW and SW following:

  HP Z820, nVidia Quadro 4000, Windows 7 x 64 Adobe Speedgrade CS6 and a Dell U3011 10-bit display connected via Displayport (made not have LUT HW capacity)

  I have trouble understanding my color pipeline and how to manage it. In particular, Speedgrade CS6 is run not a color app (although Premiere Pro CS6, is) and therefore does not use the ICC profiles loaded on my system. I can create a LUT of my ICC profiles and load in Speedgrade as "calibration" LUTs, but I'm still not clear where this fits in the pipeline. I want to understand how ICC profiles created by i1Profiler xrite are used in this particular situation, that is, in my Nikon D810 (flat) H.264 in Pr acquisition, cut and exit like DPX (or not), interfere in Sg as DPX (or native MOV), classified, exit to create FADS for festivals.

  I know that my particular monitor and use of ICC profiles is not the preferred option, I have already said on the various forums of d-cinema, but unfortunately, this is what I have and what I need to use for this project. I'm trying to understand the pipeline of color in THIS particular system to make the best decisions possible obtain the best possible result.

  Specifically, is there any part of the ICC (monitor calibration/profiling) profile that can / will serve as Speedgrade? For example, I think that there is a matrix (for example, vcgt) or READ any loaded in the HW of the Quadro 4000 at startup by the loader profile xRite (or windows, whatever the case may be), but is then affect all applications, both managed and unmanaged color? Or is - it too, managed by the Windows CMS? If the first, then what part of the ICC will be used by Speedgrade and whose part won't (regarding the adaptation of the color, transform, gamma, etc., i.e., what did the LUT in the Quadro do for me and no color y managed apps)?

  My goal is to import video data from Rec709 (which I guess now my Nikon product) in Speedgrade (which I believe works natively in XYZ space) and be able to see a representation of Rec709 on my monitor, but also to be able to vary the gamma of my screen (e.g., 2, 3(2), 6) to see what my video would look like DCI 3 p in a theater. I understand there are MANY other considerations as surround it, the ambient light levels, etc., but I'll try to manage those better I can too. In addition, this short film is a horror of day and night, so it will be overall dark and mono-chrome (ish), but I don't want to do a theater and see nothing else that black with a small movement here or there. I don't mean to the reproduction of color perfect; I'm more concerned with good reproduction of gamma and black levels.

  No indication on how the monitor profile ICC I create with spectro i1Profiler and i1Pro is used by Speedgrade (and Pr) in my work flow would be greatly appreciated. In addition, all understand how (and when / if) to use the calibration of Speedgrade lut to facilitate this process would be useful. I can also use Photoshop to check the Sg TIFFs with different profiles for final check - anyone done this before?

  Thank you

  Shane

  Patrick J. Palmer

  Shane Taylor wrote:

  I intend to calibrate my screen using xRite i1Profiler and i1Pro spectrometer to Rec709. In this case, the operating system must load the lut in the Quadro 4000 and, if I understand what you said above, as long as Sg and Pr display RGB 709 data, I should be fine, right? But then, I have the following question:

  You will be ok with respect to the list Rec.709 data correctly on a screen that conform to this standard. Indeed, it does not cover your data management.

  1. given that Pr and Sg are not aware, color if I bring in a file in a different color space, it will be not displayed correctly, right (as Sg will not be using Windows CMM color space transformation)? However, if I have a LUT to transform different Rec709 color space, I could load a LUT of calibration in the Assembly / installation / calibration and display correct, correct?

  They are aware of coloor - both are designed to bring in pipelines Rec.709 (true for the CS6 version). SpeedGrade can also be used in other scenarios, but for simplicity of your facility, consider two applications being colour managed - it's 709 through and through (with the exception of internal transformation in SG color - making using a much wider RGB 32-bit floating point pipeline to avoid any artifacts).

  What I have is pretty simple, but there are a few pieces that I did not yet understand to manage at best. Initially, I brought all my images in my Nikon D810 Pr, cut it and locked the picture. In this scenario of Pr, I have images of evoke, others to 23.976 and some to 59.97 (for slow-mo) use. I have also several comps Ae included natively in the form of title sequences, a model of VFX Ae where I composed a photo in a clip, an element above the same clip but slightly shifted a couple of images to create a feeling of dizziness and a model of EI where I sped up a clip that was shot too slowly and finally a credit rolling Pr generated at the end. In addition, I have a couple of fades in/out/from black, hold the few images created by using the key on the original film frames. I have a temporary rank in adjustment layers in Pr currently as a quick overview of temp. After the locking of the photo, I coded the image and it imported in AU, where I just finished a synchronization of soundtrack in 5.1 surround to the image. I'm now trying to take the final step, rank in the Official Journal and export and convert to the STC.

  There are several issues I have been struggling with, for which you might be able to offer the future. They are:

  2. What is the best way to get the images in Sg? I tested both export to the option of Sg in Pr using DPX and an EDL export and load native images of MOV among camera options (though, as I have explained above, not all my images on a single video track in Pr, which complicates an EDL export). The h.262 native seems to be a bit slower on the first run in the Official Journal, but once rendered/updated cache, it is real time on my machine. I like the idea of using the original footage, but do not know which option is preferable. A question I have is that the model of EI where I sped up the images, even if it plays properly as a model of Ae on the chronology of the Pr, includes artifacts (i.e., flashing) when exporting of Pr in this way. If I encode in Ae and import that new second gen footage in the Pr, it encodes without the artifacts of PR. would prefer to avoid second gen images if possible, since I'm already starting with h.264 4:2:0.

  Some general thoughts:

  convert your videos for a better standard such as RGB DPX 444 is not really diminish your quality and has little to do with generational loss (I personally would only talk about generational issues when using any type of compression or reduce the color gamut or bit depth).

  In this perspective, will DPX completely once you have run the creative tasks base in various applications makes most things - except for storage needs. I would like to do the math for how much storage you need for the entire project and I would check also this performance of reading on DPX is here - HD, looking to 170 MB/s in trhoughput, and at 24 fps your system will have to endure a time of access by file as ms 42/chassis. On any SSD that will deliver you (but capacity could be a problem), most hard drives will have enough capacity to 90 minutes these days, but performance may be a problem (a small RAID could be the solution here).

  2B. also, I know people do not bring titles, rolling credits, etc. in note final and this in their application of finishing (for example, Pr), but is always the best approach? Are there benefits to be? Would it not preferable (and realistic) to render all the comps to DPX Ae title, pull those and the original film in Sg with EDL, rank and for DPX and re export - import in Pr to add titles, credits and export to TIFF for STC? Or would it be OK just to export the entire chronology of Pr to DPX, including titles, credits and comps Ae as a single series DPX and draw than in Sg and end there? The audio will be added separately as part of the process of creation of the DCP in any case. If I use Ae separately encode any part, what do I need to worry when you export the files, color space, etc., to ensure consistency between them and native images in Sg (Ae being aware of color)?

  There will be other people with more experience in day-to-day practice advice on one of the two approaches.

  I always prefer to keep things very simple - I then push everything through the same pipe and use a trust format.

  With respect to EI, the production should be 709, too.

  BTW, I hope that your film D810 is also Rec.709 - if it is Adobe RGB, there is additional work to come.

  3. how Sg supports RGB data internally? If I insert the Rec708 RGB data, Sg converts to XYZ to perform any processing and then back to Rec709 for Sg monitor? If this is the case, how does he know the original source color space if I didn't say it (to convert)? Or, Sg ignores color space altogether if the calibration is not used, or until you make and apply a LUT, and the work on whatever data RGB is there anyway (that is, the numbers are a few numbers)? It seems that Sg may not care what are RGB data, which is why we use LUTS with abandon (which themselves define the source and target color spaces), unlike the ICC using the mid-range PCS for transformations of all (most) and some information must be known (or suspected).

  SG is transparent - are simply numbers. This means that your AE 709 output and body will look just the same, and it will work fine with a monitor calibrated to 709.

  4. can you explain the purpose and use of the color tab space by default in Sg? I think I have watched all of your videos teaching and cannot recall having seen all the details that helped me to better understand how make us of it (assuming that I need in my particular case). I don't know that it touches in the Official Journal or how to use it best.

  I hope that I will get to write something about this more later this week. As expected, it is a little more complicated - and things have changed since the CS6.

  5. oh, Yes, the conversion of 23.976 in 24 hours! For the best compatibility with festivals, I intend to create my DCP to 24,000 IPS, not 23.976 native of the original images. Do you have a recommendation on WHERE I need to do this transformation? My calendar of current Pr sequence is 23.976. I would like to copy and past the cut into a sequence of nine 24,000 timeline, just convert on export DPX, or leave at 23.976 until exporting of Sg, or...? I created the soundtrack of export 23.976, unfortunately, but I can fix it in AU to adapt to 24,000. I know just as SOUL, Pr, Ae, and Sg all have slight differences, advantages and disadvantages, in their rendering engines and don't really know what is the best to use in my situation. Any ideas on that?

  Yet once, others hopefully have tips that are a little more generated by being in the thick of things - I this post separately on the forum of the SOUL.

  In my humble OPINION, any temporal conversion is troubled. Most players DCP accept on any fps lately, and so I would leave it alone.

  If you do not need to convert, it should be done as part of the final output and as an alternative to the original (you are eliminating the possibility to leave it blank by converting in advance).

  Oh, regarding the thing Qt already mentioned: If you can, avoid using all Quicktimes in CS6 workflow.

  I try whenever I can ;-) BTW, do you know if this flaw affect the use of the Avid DNxHD codec under the aegis of the QT?

  Yes, it's certainly wrong. Some applications decode DNxHD natively, others allow the engine to QT. The latter showed a wide variety of results in gamma, saturation, estimated - according to the version of QT you have and the DNxHD plugin version.

  These days, not a big problem with the CC package - we went to unified and native decoding for applications later.

  CS6 is not really an ideal environment for the use of this codec, so I would start not looking for various workaround solutions that you will find on the internet. There is always something that will make you difficulty, yet one thing at the end (and compromise, you don't want to).

  See you soon,.

  Patrick

• Need new hard drive for my Satellite L755D

  I have a Toshiba Satellite L755d-14 x (part No. PSK36E-057006N5)
  Which hard drive (internal) should / can buy?

  Now when you need new HARD drive I recommend to update with SSD. SSDS are very fast and with the help of SSD you will have much better laptop performance.
  What you need is SSD with SATA interface.

  David info on SSD available at your dealer.