XMP fields

Similar Questions

• Encrypted PDF format custom XMP fields

  I work with encrypted PDF files, and I want to be able to rely on custom, XMP fields a processing logic.

  Adobe Reader is able to display these fields without entering the password for the PDF file.

  Is it possible for me to also get the values not the XMP data?

  OK, this is just metadata PDF I want, not specifically XMP and I skim the PDF specification and it is now clear how to handle encrypted PDF files.

• How to change the field artist/creator EXIF JPEG file?

  I need to change the EXIF artist field in the original camera JPEG files.

  With LR I can change the creator metadata field. I can then "Save metadata to file" or "Export" files.

  "Save metadata to file" modifies the IPTC and XMP fields, but still empty EXIF field.

  "Export" fills the EXIF artist field creator - it's good, but re-compress JPEG images - it's bad.

  Is there a way to manage the field EXIF artist without re-compression?

  Thanks, Elen.

  It cannot be done in Lightroom, but you can use something like ExifToolGUI http://freeweb.siol.net/hrastni3/foto/exif/exiftoolgui.htm

• News full of LR lenses

  Hello, is there a fix I can see the full name of the lens?

  Like the Nikon AF-S 24-70 mm f/2.8 ED instead of 24-70 mm so I can distinguish Tamron?

  What I see:

  

  What I wish to see:

  To generate comments from Bob and Jao, I completely boneless LR with regard to the information of the lens, but here's my interpretation:

  The inconsistencies that you are observing are due to LR, not your camera or lenses.

  For the purpose of determining lens profile to apply to develop, LR uses the information stored in the exclusive MakerNotes fields that have been written by the camera.   Nikon stores a digital "identification number of Lens' field, which is supposed to uniquely identify the lens.  For example, the f/2.8 24-70mm Tamron SP Di VC USD A007N has Nikon Lens ID number 254. LR (and ACR) look for this lens identification number in its database to identify patterns of lenses that are available.

  But for the purpose of showing the lens in the metadata Panel of the library, the library browser metadata filter bar and search by smart collections, LR will use the value of the string stored in the EXIF:LensModel field or XMP:Lens if these fields are present, no matter what is stored in the MakerNotes.  Some cameras will also write the field of EXIF:LensModel (but does not seem to Nikon)

  Which is why the Tamron2470_D810 file. Shows NAVE "TAMRON SP 24-70mm F2.8 Di VC USD A007N" in the metadata Panel, but the file Tamron2470_OLD.dng shows "24, 0-70, 0 mm f/2.8".»   The .dng has fields EXIF:LensInfo, EXIF:LensModel, EXIF:DNGLensInfo, XMP:LensInfo and XMP:Lens, probably added by conversion to DNG.  If you use Exiftool to remove these fields, then LR displays "TAMRON SP 24-70mm F2.8 Di VC USD A007N" in the metadata Panel, just as it does for the .nef.

  However, if the file is missing the EXIF and XMP fields lens, LR seems to be inconsistent in what it shows in the metadata the library panel and browser. For example, Tamron2470_D810. NAVE shows "TAMRON SP 24-70mm A007N F2.8Di VC USD", while Sigma35_D810. NAVE shows "35.0 mm f/1.4", although in the latter case, LR correctly identifies the full name of the lens to develop. I don't know how to explain this inconsistency, other than just a software bug in LR. With the time of capture, for example, LR is notoriously inconsistent in the way it handles the files missing fields of metadata at the time of the capture.

  I think it would be better if LR systematically used in the library of the same identification of lens that he used to develop.  You can request a feature request for it, but based on the total absence of Adobe to attention to the metadata for the library of the past six years, I doubt they would never change the behavior.

  --------------------------------------------------------

  For reference, here's the discharges for the files in your Dropbox folder. For each file, there is the value of the field in the Panel metadata lens, lens profile section to develop values and the release of 'exiftool - a -' G.  Note that output by Exiftool Composite fields are not actually stored in the files - Exiftool uses its own database to calculate the full lens name shown in Composite material.

  

  

  

  

  

• script event problems

  I try to get the following script as a startup script.

  the goal is that when the user chooses to save the document, they are presented with a dialog box asking for a brief summary of the changes that have been made. Then this info is written to the XMP fields.

  The basic functionality actually works, the dialog box and the data is saved in the XMP.

  The problem is that when the record action is undertaken an error dialog announcing "the requested operation was not successful because the object does exist more." and then the script proceeds and working properly, then it calls for entry and saves the data again.

  I get an error, then the script runs twice.

  I'm confused.

  #targetengine session

  myEventListener var = app.addEventListener ("beforeSave", myPromptForInput);

  function myPromptForInput (myEvent) {}

  var myTimeStamp = myEvent.timeStamp

  myDialog = app.dialogs.add var ({name: "enter a simple description of changes", canCancel:true}); "})

  {with (MyDialog)}

  Add a column of the dialog box.

  {with (dialogColumns.Add ())}

  Create a text edit field.

  var myTextEditField = textEditboxes.add ({editContents: "Changes in the Description of the document", minWidth:300});})

  Display the dialog box.

  Ditto var = myDialog.show ();

  if(myResult == true) {}

  Get the values of the dialog box controls.

  var myNotes = myTextEditField.editContents;

  Remove the memory dialog box.

  myDialog.destroy ();

  myAddXMPData (myNotes + "-" + myTimeStamp);

  Alert (MyEvent);

  }

  }

  }

  }

  function myAddXMPData (myNotes) {}

  myDocument var = app.documents.item (0);

  myDocument var = app.activeDocument;

  {with (myDocument.metadataPreferences)}

  author = 'James Haney';

  Description = myNotes;

  var myNewContainer = createContainerItem ("http://ns.adobe.com/xap/1.0/", "LCCRevisionNotes");

  setProperty ("'http://ns.adobe.com/xap/1.0/", "LCCRevisionNotes / * [1]", myNotes "" ");

  }

  }

  Hello

  I don't know if #targetengine and dialog UI work together.

  Try to use the Following window may be...

  I run it on my side. Looks like it works.

  #targetengine 'session'
  //just to remove if exists
  var old1 = app.eventListeners.itemByName("mXMP");
  if (old1.isValid) old1.remove();
  //
  var myEventListener = app.addEventListener("beforeSave", function (myEvent) {
    var myTimeStamp = myEvent.timeStamp;
    var myDialog = new Window("dialog", "Enter a simple description of edits made", undefined, {closeButton: false});
    var myStatText = myDialog.add("statictext", undefined, "Description of document changes: ");
    var myEditText = myDialog.add("edittext", undefined, "");
    var myButtons = myDialog.add("group");
    myButtons.add("button", undefined, "OK", {name:"OK"});
    myButtons.add("button", undefined, "Cancel", {name:"Cancel"});
  
    myEditText.characters = 45;
    myStatText.alignment = "left";
  
    //Display the dialog box.
    var myResult = myDialog.show();
    if(myResult == true){
    //Get the values from the dialog box controls.
    var myNotes = myEditText.text;
    myAddXMPData(myNotes + " - " + myTimeStamp);
    //~ //alert(myEvent);
    }
  }).name = "mXMP";
  

  Including your myAddXMPData() function of course.

  Jarek

• Why color labels are not stored in the metadata of files?

  I've always wondered... is there a reason why color lables are stored only in the catalog, not in the files xmp fields?

  White label indicates that the "set label" being used now not him even if you were previously using. You can pass these ot create your own through the submenu color Label Set in the metadata.

• SIR: Camera Raw Saved Settings-> documentation?

  Hello

  I generated a DNG from Lightroom, and I get an XML tree using a scheme of Sir (Camera Raw Settings Saved).

  Where can I get on it? I've not found aything with Google.

  Thank you.

  Panoholic wrote:

  I guess that the 'open standard' means, it is open to anyone to write the documentation.

  Well, whereas 'Camera Raw Settings Saved' are not specifically a feature of DNG and I think that comment is inaccurate and unfair. XMP allows the fields and new and custom namespaces in the specification XMP (which is not directly related to the DNG specification). The fact that Adobe has chosen to extend (= EXtensible Metadata Platform XMP) fields XMP to include SIR (Camera Raw/Lightroom 'Snapshots') is no longer a concept oc proof of the usefulness of metadata XMP and less am indictment "Kindness" DNG.

  Snapshots of the ACR/LR are exclusive and so are prolly intentionally 'without papers', are don't think?

  If you want to see what _IS_ stored in DNG/XMP, the "scheme ofcrs' should be able to enlighten...

• Import the preset metadata xmp information

  Hi, I was wondering if I could ask you a few questions about Lightroom. I began to use it to change my photos and would like to ask about the metadata presets that you can use. I have a few clients who send me captions for the events in xmp format. Is it possible to import in the metadata presets and apply them to a whole bunch of pictures rather than having to manually enter the information? I know that you can make a selection and save it, but that means having to leave every time. Is it possible to import the information they send me directly in these presets?

  I can import the xmp files in photoshop, but that means having to enter each individual photo and import files.

  Any advice you can give would be great.

  Thanks in advance

  I have a few clients who send me captions for the events in xmp format.

  If they are indeed just send you captions, a simple method is:

  1. modify the XMP file in a text editor, such as Notepad on Windows or TextEdit on a Mac.

  2. copy the legend.

  3. in LR, select all the photos that the legend must be applied.

  4. in the metadata Panel on the right side of the library, paste the legend of step 2 in the area of the legend.

  Only if there is more than one field that must be defined for each photo (title, caption and task identifier, for example) it would be beneficial to apply the model of XMP in Bridge or PS and then import the image in LR.  Post an example of XMP file would be specified which fields are defined.

• Adobe Media Encoder CC2015.3 stuck in reading XMP

  I'm really really frustrated with Adobe CC bugs.

  I just formatted and reinstalled all (Adobe CC2015.3) on my new PC:

  -10 Windows

  -intel I7 - 6900K

  -128 GB DDR4 RAM

  -OS on a GB 512 m2

  -Project files on two SSD RAID 0.

  Now, when I send my soul and start the queue, SOUL rest hung on "reading XMP" for like an hour. After that, he moves and restores, but once the sequence is complete, it restarts to read XMP...

  You do understand that I need to export 70 sequences (which take 5 minutes each) and I can't wait for this 100 hours just to read XMP SOUL!

  I also tried the following in the SOUL: edition-> Preferences-> metadata-> set to none (no metadata export) all fields

  But it does not work.

  I read ALL the threads on this subject, without finding any solution.

  Please help me, I'm going to face a huge backlog that will make our customers very angry...

  Thank you

  Hi, thanks for your answer! I just finished a call with the help of Adobe and we tried your suggestions with no result.

  Moreover, after an hour of troubleshooting came us to this conclusion:

  The problem may be related to the fact that this project was converted in to CC2015.2 under Windows 7 CC2015.3 in Windows 10. It is unclear why this is happening and it seems that there is no solution to this. They said that if I create a new project from scratch I shouldn't re-encounter this problem.

  However, we found a working solution:

  Put out the sequence you want to export, click on file > export > selection as a Premiere Pro project (I have the Italian version and I translated it here on the fly... not sure whether this is in fact the correct translation) and save some part of these projects.

  Then, open the project just created, export the sequence on Adobe Media Encoder, click the game and this is! Loading XMP spend 1 hour to like 3-5 minutes (acceptable).

  Well... it's a workaround, not a solution. But it works a little bit.

  I'll let you know if I have other problems with new projects.

• In XMP, is there an alternative to frame at timeValue

  Try to set this value with the API, and I had a rather set a framework to a time value.

  AltTimecode:timeValue I together 101 instead of 00:00:04:05 and altTimecode:timeFormat, I would like to first of all 'frames '.

  However, manually set these values through the code does not work.
  First is only read the values in this format?
  According to the specification, these are the possible values for this field:

  Options are going to be (from xmp spec pdf):

  23976Timecode

  24Timecode

  25Timecode

  2997DropTimecode (semicolon separator)

  2997NonDropTimecode

  30Timecode

  50Timecode

  5994DropTimecode

  5994NonDropTimecode

  60Timecode
  But I hope that there is potentially another field, alternating field in altTimeCode:timeValue and altTimeCode:timeFormat. Otherwise, I have to convert me what I am doing, I just think it would be safer to use the images as I did already.

  < xmpDM:startTimeScale > 24000 < / xmpDM:startTimeScale >

  < xmpDM:startTimeSampleSize > 1001 < / xmpDM:startTimeSampleSize >

  < xmpDM:startTimecode rdf:parseType = "Resource" >

  < xmpDM:timeValue > 00:00:00:00 < / xmpDM:timeValue >

  < xmpDM:timeFormat > 23976Timecode < / xmpDM:timeFormat >

  < / xmpDM:startTimecode >

  < xmpDM:altTimecode rdf:parseType = "Resource" >

  < xmpDM:timeValue > 00:00:04:05 < / xmpDM:timeValue >

  < xmpDM:timeFormat > 23976Timecode < / xmpDM:timeFormat >

  < / xmpDM:altTimecode >

  There is no additional field. I asked the XMP at Carillon team.

• Definition of the XMP data with inconsistent results

  $. pipelineTools.MetadataController.prototype.setMediaStartTimecode = {function (timecode)}

  var path = "Column.Intrinsic.MediaStart".

  Test

  Val = this.xmpMetadata.setStructField)

  XMPConst.NS_DM,

  "startTimecode,"

  XMPConst.NS_DM,

  'timeValue ',.

  '00:00:00:00 '.

  )

  this.xmpMetaChanges.push (path)

      // " http://ns.Adobe.com/XMP/1.0/DynamicMedia/ "

  var val = this.xmpMetadata.setStructField)

  XMPConst.NS_DM,

  "altTimecode,"

  XMPConst.NS_DM,

  'timeValue ',.

  timecode

  )

  this.xmpMetaChanges.push (path)

  }

  He always pays in ESTK correct timecode, but it is not always set the same value.

  As you can see in ESTK:

  

  However, the clips at random are preparing to 00:00:00:00

  There is a logic to the way in which metadata are drawn? I tried to make sure that there is a field startTimecode first (because sometimes this field does not exist in some cases completely and must be created), but it doesn't matter. Alttimecode is the one we want to use because it is the lag that we use for the potential for additional images being made at some point.

  

  Above is a clip that was supposed to have MediaStart the 00:00:04:05 value and this is a clip that was correctly configured value:

  

  The two using the same code, the same calculation, the same session.

  Seems to be incompatible and dumping the XMP files results in this:

  grw020 (Successful):

  < xmpDM:startTimecode rdf:parseType = "Resource" >

  < xmpDM:timeFormat > 24Timecode < / xmpDM:timeFormat >

  < xmpDM:timeValue > 00:00:00:00 < / xmpDM:timeValue >

  < / xmpDM:startTimecode >

  < xmpDM:altTimecode rdf:parseType = "Resource" >

  < xmpDM:timeValue > 00:00:04:05 < / xmpDM:timeValue >

  < xmpDM:timeFormat > 24Timecode < / xmpDM:timeFormat >

  < / xmpDM:altTimecode >

  soc020 (qualifications):

  < xmpDM:altTimecode rdf:parseType = "Resource" >

  < xmpDM:timeValue > 00:00:04:05 < / xmpDM:timeValue >

  < / xmpDM:altTimecode >

  < xmpDM:startTimecode rdf:parseType = "Resource" >

  < xmpDM:timeValue > 00:00:00:00 < / xmpDM:timeValue >

  < / xmpDM:startTimecode >

  
  As you can see, grw020 somehow magically Gets the timeFormat string and using the same code in the same session, soc020 not get the timeFormat value.
  Now I'm curious to know how the successful clip becomes the value lost, and secondly - why is it fill properly? There is a sequence to 23.976 and it is filling with 24Timecode - when it should be filling with 23976Timecode as I have seen in other clips.
  
  

  Overall, this seems to be a very inconsistent data set.

  Thank you.

  I don't think that it is possible to set the framerate on a clip using XMP metadata project and first noticing the change. I am successfully able to change the startTimecode, altTimecode and other values, but if I put the XMP value or project metadata, there is no change in framerate.

  It seems that for a period indeterminate media Timebase will replace all attempts to set the framerate, even if the correct and desired information are in the XMP output and the metadata project out after importation.

  I test this by setting the Timebase of media for an indefinite period to 59,97 fps and import a clip with no metadata on it.

  Once this process is complete, waiting for the event loop complete the import and then try to set the framerate to 23.976 both XMP and metadata to the project. It does not change. However, all other values will not change.

• Mapping of metadata fields for the Lightroom import process

  Does anyone know what metadata fields using Adobe when playing jpg in a Windows (2000, XP, 7) environment? I tried many variations of the title, caption (subject), comments, and other areas. It seems that the areas are interdependent. If one is missing, then the same field may be used to fill two or more other areas. Adobe publishes a mapping or logical flow for the transfer of the metadata fields when importing? Yes, I understand that Microsoft broke all the standards known in this area, but I was using the "Windows Explorer" program for 20 years to fill the metadata fields in my image files. I'm now import a lifetime of photos in Lightroom for better management.

  There are two separable issues: how Lightroom reads fields of metadata from photos, and how Windows Explorer writes of metadata fields.  Unfortunately, I don't think that there is a single document that authoritative describing each question.  The industry has made a mess inherited metadata, and very few programs trying to do quality work.

  Lightroom has done a reasonable job to follow the industry standard, published by the metadata working group.  This standard unifies the three main mechanisms in which the metadata is stored in JPEG files and other file formats: EXIF, IPTC and XMP.    Many fields have defined slots in each of these three mechanisms.  For example, the capture time can be stored in EXIF:DateTimeOriginal, IPTC:DateCreated and IPTC:TimeCreated and XMP:DateCreated.  The MWG standard specifies how applications should read and write these multiple fields.

  For a couple of the most commonly used fields, LR uses its own names: "caption" (for EXIF:ImageDescription, IPTC:Caption - Abstract, XMP:Description); "capture date" (see above); "title" (IPTC:ObjectName, XMP:Title).  But for the rest of the fields, LR usually uses the same name as that defined in EXIF or IPTC - standards are the names displayed in the presets EXIF and IPTC in the Panel metadata, in the right column of the library.

  There is a dark corner where LR has made a mess: capture photos missing time (scans or digital photos very old).  Some parts of the LR will use the last modified time of the file, others the time to create the file (as defined by the Windows or Mac operating systems).  This gives very confused, inconsistent results that is easily corrected using the metadata > command change the Capture time.

  About Windows File Explorer, as Windows 7, Microsoft has done a better job than average according to the standards of the industry (a little better), it's a pretty low bar, especially considering that there are many standards to choose but file Explorer has a lot of quirks.  It's been a while since I looked at File Explorer in depth, but I remember that he (like virtually all other applications, including LR) uses names for fields that do not necessarily closely match the names assigned by the standards.  For example, "Title" of the file Explorer Gets the mapping to EXIF:ImageDescription, EXIF:Title, EXIF:Description and IPTC:Caption - abstract.

  * * *

  If you really want to get your 20-years-worth of photos loaded properly in LR (and I think you do), then your best best is to download the free "exiftool" and learn how to use it.  This is the tool the more authority without exception to examine and manipulate metadata.  To see where fields, I use this command line:

  ExifTool - a g fichier.jpg

  I think that there are versions of Exiftool GUI, but in the past, they don't have to deal with the basic tool, and after a while, I found that they just in the way.

  Then with a little trial and error, you can see exactly where the fields that you have stored with the file Explorer and if LR is read correctly.

• Why 6 Lightroom does not matter the keywords in the XMP from previous versions?

  In previous versions of LR from Lightroom (1, Lightroom 2 and, above all, Lightroom 3, 4 and 5 of Lightroom Lightroom) I made sure that my changes are written to the XMP file on and images.

  This allows me to receive a file froms someone else generally, or send one of my files to someone else and the changes, keywords, etc. will be in the DNG file.

  When you import an image (or a folder of images) a disk hard having keywords in the XMP of DNG file, these keywords are lost when importing to Lightroom 6.

  If I export as catalog from an earlier version, and then import into the catalog Lightroom 6, key words are there.

  But the point with XMP should be that changes and keywords are in the file and is not lost.

  So why not Lightroom 6 see and import them?

  I imported a file and supposed to apply any metadata during import (which contains only Copyright information).  This has actually imported stars, colours, changes, IPTC, keywords, EXIF as it should.

  Rely on the observation of mcucinat, the preset selected metadata to apply when importing is clearing the fields.  Make sure that you don't have a check mark next to one of the fields in the preset:

  

  

  A common mistake is to have the check mark on an empty field - which will Erase the field when you import the pic.

• Sides of the picture not read the XMPs after scanning of metadata updates

  Hello

  I have problems with LR CC 2015.0.1 on Windows 7 SP1.

  Summary:

  When you scan for metadata updates, everything from the XMP files is loaded correctly with the exception of the coast star image. (color and development settings labels are loaded properly)

  This applies only to a specific set of images. Tests on other examples of images working correctly!

  This is my workflow:

  • I copied a set of images (a folder with 3 subfolders) to my PC and Mac
  • I gave the coast star photomechanical 5 on Mac
  • I imported all the photos into Lightroom CC on both computers (both computers are running the latest versions and patches of LR and Win 7 and OS X respectively)
  • In LR, I modified develop more refined image sides and settings on Mac
  • I saved the metadata of images
  • I took the XMPs and their transfer to PC
  • I scanned for LR metadata changes
  • LR properly imported him develop settings and color labels, but doesn't import the image sides

  I transferred XMPs three times just to be sure, but nothing has worked. I also gave notes directly on the PC and then replaced the XMP files with Mac. This reset completely all ratings to zero. He didn't ignore them (leave 2-star) - he acted as if she was reading 0 star ratings of XMPs.

  I also opened XMPs from Mac to check their contents, and of course, they contain all of the correct sides. I will paste only the beginning of a such XMP here:

  < xmlns: x x: xmpmeta = "adobe: ns:meta / ' x: xmptk =" Adobe XMP Core 5.6 - c011 79.156380, 2014/05/21-23: 38:37 "" "

  ' > '.

  " < RDF: RDF = xmlns:rdf ' http://www.w3.org/1999/02/22-rdf-syntax-ns# ">

  "" < RDF rdf: about = "".

  	' xmlns:photoshop = ' http://ns.Adobe.com/Photoshop/1.0/ "
  	' xmlns:photomechanic = ' http://ns.camerabits.com/photomechanic/1.0/ "
  	' xmlns:xmp = ' http://ns.Adobe.com/Xap/1.0/ "
  	" xmlns: to the = ' http://ns.Adobe.com/EXIF/1.0/aux/ "
  	' xmlns:tiff = ' http://ns.Adobe.com/TIFF/1.0/ "
  	' xmlns:exif = ' http://ns.Adobe.com/EXIF/1.0/ "
  	" xmlns =" http://purl.org/DC/elements/1.1/ "
  	' xmlns:xmpMM = ' http://ns.Adobe.com/Xap/1.0/mm/ "
  	' xmlns:stEvt = ' http://ns.Adobe.com/Xap/1.0/sType/ResourceEvent# "
  	' xmlns:crs = ' http://ns.Adobe.com/camera-raw-settings/1.0/ "

  Photoshop:DateCreated = "" 2015-05 - 10 T 13: 32:35.00 + 02:00 ""

  Photoshop:SidecarForExtension = "CR2".

  Photoshop:EmbeddedXMPDigest = "21F70DD88A3440DBFA2464737BD08EE8".

  photomechanic:ColorClass = "0".

  photomechanical: tag = "False".

  photomechanic:prefs = "0:0:1:000012".

  photomechanic:PMVersion = '5 '.

  XMP:rating = '2 '.

  XMP:ModifyDate = "" 2015-05 - 10 T 13: 32:35.00 ""

  XMP: CreateDate = "" 2015-05 - 10 T 13: 32:35.00 ""

  XMP:MetadataDate = "" 2015-05 - 15 T 16: 41:18 + 02:00 ""

  ...

  
  

  If the data is clearly there.
  

  To check the question, I took another series of images and performed the same test (skip the photomechanical sides and using only LR) and everything worked properly. The sides have been read after scanning of metadata updates.

  Which is perhaps the reason why LR CC will not read only the sides of a particular set of images? If the initial assessments of photomechanical somehow interfere with this process? I must emphasize that LR Mac reads correctly the photomechanical sides. I also repeat that the significance of the notes have been fine-tuned in LR after importation.

  How to fix? I wouldn't have to manually re-enter hundreds of sides.

  Thank you!

  I have more understanding of what's going on:

  The .cr2 and .xmp files contain sides:

  . CR2: side = 0

  . XMP: side = 2

  I have not found any specification of how this is handled, but I infer that it is treated in a manner similar to that recommended by the metadata working group to resolve the differences between the IPTC metadata embedded in a file and also stored in an .xmp sidecar.  I think here is this line in the .xmp file:

  Photoshop:EmbeddedXMPDigest = "EE74E1C6A44E10D4CAC648FE110E243E".

  is supposed to represent a Digital Digest (a checksum) of the content of the XMP metadata in the .cr2 files.  However, it does not match the checksum of the current contents of the file .cr2, XMP LR says, "Ah, it is necessary that the person changed the XMP in the file after .cr2 this .xmp sidecar was created."  So if I see a field of XMP metadata that is at once in the .cr2 and the .xmp, I prefer the value in the .cr2, since it must be more recent. "So, LR uses the notation = 0 the .cr2 rather than the .xmp.    Change the digest in "AD0ACF660F79AC49FD004B2DD3BC0461" causes LR read the note of .xmp sidecar.

  The XMP embedded in the .cr2 sample does not contain the usual what program added side = 0 audit trail, so I can't help you there.   But he added at some point.

  One way to solve this problem is to use the Exiftool free to remove all your .cr2 files note:

  ExifTool - xmp: side = *. CR2

  ExifTool will automatically backup copies of all files, it modifies, in case something goes wrong.  (But Exiftool is extremely robust, even with large manufacturers raw files.)

• delete/erase data photoshop xmp

  

  How to remove all the fields with photoshop scripts.

  Thanks in advance,

  Suresh

  Did you do a Forum search?

  How to delete the xmp metadata?