Animated image affected by a mask

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  I've hidden an image selection using the lasso tool. Added an adjustment layer (exhibition) and reduced the exposure. And then refined at the edge. Any fine. I add the layer to selection, and then click change the mask with the lasso to add and subtract the mask tool. I change the setting - raise or lower the exposure - but only the previous selection is affected - even if the framing box clearly shows the changes made to the selection.

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  When you have a selection and create an adjustment layer, selection is enabled in the mask, so there is no longer a choice. By clicking on add a new selection to the selection at this point to this fact and does not add to the mask. You must use this selection and add fill it with white, black or a shade of gray that will then be used to request that the amount of the correction of the adjustment layer. If you want two different settings with different selections, then you will need to make two different adjustment layers.

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  Also, I try to match the colors in this image, but can't find quite the same shades of these color images.

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  When you say "rounded", I assume you mean cylindrical shade? In your example, it's all just linear graduated fills. See the online help.

  Although very well for the simple graphic style of information in your example, note that this conical object is not at all convincing because graduation does not taper toward the small end of the cone. (Example of why I have argued for years that one of the most necessary aspects of grad fills in basic vector drawing programs would be the one that allows to taper in a fast and easy way.) When the types provided graduates are insufficient (in Illustrator CS3 and earlier versions, they are extraordinarily limited to center-based linear and radial) for the rendered form, generally used mixtures.

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  MeshGrads are useful for realistic rendering of less geometrically uniform forms (more random or 'organic'). The compromise is unbearable boredom in a very heavy interface.

  Metallic luster is usually a question of wisely adding more stops and changes of color in the grads (any type). Realism can be strengthened by the development of reflections made in the form of translucent objects or opacity masks. But be aware that once you introduce tansparency, you're requiring pixelation on output.

  Instructions for the use of all of the above features are in the online help. It would be ridiculous to try to write instructions explicitly for a general question, because each case of illustration is different. In addition, it would be just a review of the documentation provided. The overall methodology to convince rendering 2D is:

  1. Learn the basics of using the tools provided in the documentation provided.
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  =====================================
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  If you have a copy of an old Picture It! program... There are
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  Microsoft Digital Image
  Starter Edition 2006
  http://www.Microsoft.com/downloads/details.aspx?FamilyId=7C3B3DED-A15F-48C5-B724-7796FE8C151E&displaylang=en

  And the following GIF Animator might be worth a try:

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  John Inzer - MS - MVP - digital media experience

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  If I then click on the 'Back' button and enter this QML screen a second time, it does not animate.

  This implicit animation is intended?  While the implicit animations are pretty amazing and a great tool to have, it seems intuitive to the use of screens animations implicit when they are first loaded. It creates a rather unpleasant company and Visual distraction when loading screen.

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  Thank you

  Daniel

  Did you notice the sample code above?  (yes)

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  onCreationCompleted: {
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  Could someone...

  Have 'Animation1"game onCreationCompleted. Then get a signal inside this animation called onEnded: {} to play "Animation2. Inside of 'Animation2' have the same signal onEnded play 'Animation1' to create an infinite loop of their reading.

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