AVDHD - Sony NXCAM - Render issues

Hello world

I searched all over the forums and the rest of the Internet and still can't find a definitive answer, so I need some help, please!

Here are the specs of the system:

Camera:

Sony NXCAM (AVCHD Format)

The camera seems to use the mp4/h264 codec, according to the manual.

Shooting:

Video: 1080 / 30 p (to the highest flow setting)

Audio: 16 bit LPCM

Workstation:

Windows 7

Intel Xeon Quad-Core processor 2.67

6 GB memory

NVidia Quadro 2000

Here are the steps I used:

1 copy the original film on a folder on the computer (I was copying the entire AVCHD folder so the meta-data, etc. all are here).

2. create a new project and sequence in Premiere Pro. I tried many different formats, but one I use is under the Presets 'AVCHD'-> AVCHD 1080 30 p 29.97 fps at 1920 x 1080. This is the same exact setting, we are to record on the camera... camera settings are progressive and not interlaced, and they are also not anamorphic. I understand that there are differences in what is 'better' or what is really him be saved (30 p or 60i)... I saw that in the owner's manual, it says 'vidéo Signal' system is HDTV 1080/60i, 720/60 p. Whatever it is, the settings on the camera are set to 1080 30 p.

3. I can import with media success in the media tray in a Premiere Pro project.

It is here where there are a few questions:

4. when I preview the clips, they are very nervous, a few dropouts and artifacts and appear to have a wobbly movement for them. Note - once they are released, it disappears.

5. to bring the clips on the timeline - it always shows a red line above the clip, indicating it should be made. Usually, the amount of time it takes to return is equal to the real time... I was working on a project today with 2 h 30 m of clips and it took over 2 hours to render. I called Adobe support and the person on the phone ASSURED me that EACH clip must be made... my answer was "even if the sequence settings are the EXACT same as the clip? ', and he assured me that each item must be made always... which I don't believe. If the sequence settings are good, there is no reason that the clip should have to make.

I understand that. The MTS files must be stored and compressed strongly to be put on a memory card - then is it always a necessary step? The files must be "decompressed" somehow? If so, why not just use tapes as before? The entire reason that our video device to tapeless formats was because of the ease in the workflow. Need almost in real-time to all, which is the big advantage of using a tapeless format?  I understand that there are updates in version 5.5, but I'm not sure that we can upgrade at this point, the budget concerns.

Any help would be much appreciated - as I said, we called support and did not want that we received a. Yet once again, we would like to do is to be able to import our images and begin to change it without having to make raw images... a lot of the clips that we have to work are just raw, uncut video files that need to be burned to dvd in time for training purposes. Thanks again for your support.

David Jensen

Video producer

N.C. Department of Justice

Dave,

First of all, make sure that you don't drag the film to the button new item until it is correctly interpreted, using the method that Jeff mentioned. If you do not correctly interpret the images first, the sequence will be created using the wrong settings, cause more problems down the line. You can change the interpretation of several clips at once by selecting all and then using the command film; from there, you can use any of these clips to create a sequence, or simply use the correct sequence parameter (you already have the right pair) to start.

Second, do not worry on the yellow line; who will always appear with a material such as AVCHD. This means it will playback in real time in the sequence, but there is no way to export the video AVCHD bit for bit. This isn't a big worry - your going to go to other formats of delivery, so that the rendering is just a fact of life.

Thirdly, to the extent possible, use the predefined sequence that corresponds to your images, or at least the majority of it. If all you have is 30 p, 30 p and export edit, you can set various methods of delivery.

Finally, the jitter/stutter you see is probably a simple preview preference; Right click on the Source or program monitor, or click on the button of output in both and read Full resolution. By default, the AVCHD clips are set at a resolution of 1/2 during playback (it's less demanding of the computer) and the nature of AVCHD, you will see what seems to be the break-up and other nastiness during playback. Note that this will require more computer for playback at full resolution, but according to your editing and your computer, this should not be a major problem.

Tags: Premiere

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