Clarity of video lost when mp4 is imported into Captivate 7

Similar Questions

• Red video and no sound at the end of the clip 3 hours when they are imported into first

  Hi all

  I currently have a problem with first Pro CC when a clip of 3 hours that I recorded (720 p/24 fps) using XSplit loses video and audio in the last 10 minutes when they are imported into first. The rest of the video is perfectly fine, but this section of it does not correctly (it goes forever, one minute or more per image) and will not export the missing without audio recall bias, and the video (export fails at the end). The clip is a created and coded by XSplit MP4 file and is able to normally play outside Premiere.When overview in the first, reading only shows a screen completely red. There is no effects applied to the element, or any change to the it.

  I tried to clear my cache preview and import the clip into a new project with exactly the same results in the same place in the clip.

  Thanks for any help!

  Hi, IPA,.

  You have a video file that has a variable rate, which does not work with Premiere Pro. You can transcode the file, and then it should work OK. Many people use the brake hand or similar.

  Thank you
  Kevin

• All my songs on my iPhone are disabled when trying to import into GarageBand

  All my songs on my iPhone are disabled when trying to import into GarageBand.

  All of these songs in my music tab before you do my songs in GarageBand are inaccessible.

  The songs are disabled and not able to add or import them

  If anyone can help with this.

  Thanks for the help in advance

  What kind of songs do you have in your Music.app on the iPhone?  You can use any song in GarageBand, with digital rights not assigned, no music Apple or bought songs that have the file protected AAC audio file type. Alos, the songs must be stored locally on your iPhone. If you use iTunes game, download the songs first for the iPhone, before trying to use in GarageBand.

• Help! Photoshop edited jpg color false when they are imported into Muse

  Okay, so I try to build a Web page of photography (among others) and I change most of my photos in photoshop. All the photos I edit in photoshop and save it in jpg format, look great when printed, uploaded on facebook etc, but when I import them into Adobe Muse for and put them on my page Web, the colors of the photos becomes desatures or distort slightly (so that they appear dull). When I edit images in lightroom and save them in jpg format and import them into Muse, they look fine, but colours edited in photoshop seem to spoil my pictures when they are imported into Muse.

  What I am doing wrong?

  Susan

  You are using some weird color management settings and do not convert to sRGB probably... Check your settings in PS itself and save for Web dialogue box and experiment around.

  Mylenium

• Transparent FLV imported into Captivate 4

  Hi everyone-

  So, here's my situation, I have an AVI movie of a person walking in front of a green screen. I got the AVI file in After Effects and took out the green background and have created a transparent background. I exported the file (Yes, I made sure I clicked on the Encode Alpha channel to keep transparency) in FLV format. Now, when I import into Captivate it does not keep the background transparent, it has a black background. BUT if I import into Flash, it maintains the background transparent. Why is this? Captivate can not handle this, or what I need to change my format / click another option/a thing so that it appears with a transparent background?

  The goal is to have the person walk on the screen, observers of the tutorial and then go back, so I need the background is transparent. Is there another choice or a product that I use to create this FLV file?

  Any thoughts or ideas would be great! Thanks in advance!

  Hello

  Of course, this feature works in Captivate 4. I know because I have facilitated in all classes of Captivate 4, it was an exercise. So I guess it has something to do with the way that your video has been encoded. Weird that it would behave correctly in Flash but not Captivate. This makes me wonder if it has something to do with your version of the Flash Player/Plug In. Maybe try to upgrade?

  See you soon... Rick

  Useful and practical links Begin to learn Captivate 5 times now! $29.95 Captivate wish form/Bug report form Certified Adobe Captivate training SorcererStone blog Captivate eBooks

• audio out of sync when they are imported into the first, very much in the original

  I worked with the same configuration for about six months now, but I'll have a new problem - the noise is at the mouth of singers on my original videos (.mov format) but when I import into first to try to change them, it no longer matches. I don't know what to do - should I move the corresponding audio track, or is there another question?  I have not met this before; It's a show, and I thought it was originally an audio delay to be in different places in the public, but it's the same with the two videos.

  Thank you!

  I would use the original film.

  Assuming you're on CC2104 drag an item in the timeline to make a corresponding sequence.

  When all changes are make export to mpeg2-dvd to dvd and H.264 for Youtube.

• Should this preset I use to take a DVD video or a video on my PC to import into a PE10 project

  I'm trying to take the video to a standard def DVD I've already done and put it in another project first elements 10.

  So far, I tried to import the video on the DVD using the hard drive, Flash memory, camera preset (Standard 48 kHz) and import the DVD player.  Imports video, but when I put the clip in the timeline, it is horrible and does not display.  It is in an area within the screen.

  I read in a book Muvipix that's how can I import all the video from a PC drive.  Is there something else that needs to be done?

  The same thing is happening on videos filled that I created and saved in the Video folder in my PC.  When I try to put them in another project of first 10 Elements, the resolution is terrible.  I'm not sure which preset to use.

  Help, please.

  There are two elements here, but it seems to have taken both.

  First, there is the project settings, which should be NTSC (for NTSC-land, or PAL PAL-land), DV or Standard 4:3, widescreen 16:9, according to the DVD-video, you use as source.

  Then there is how get you the media, and since you do this VOB, it will be the camera disk hard-setting it. This will import the MPEG-2 files, wrapped in the VOB container, with the exact order of the fields.

  Don't know why pre is complaining about this project, unless you choose Standard and widescreen, or vice versa.

  Now, you do not really capture, because it is a SD to HDV miniDV cassette, also a bunch of nimiDV, but only one in HD.

  What you do is import the MPEG-2 files. It is the same if we had HD as AVCHD, originally filmed in an SD card or other card Flash Media.

  Good luck

  Hunt

• RAW images are "locked" when they are imported into LR

  I just got a new camera (Sony alpha 6000) and all my RAW images that I am trying to import into LR 4.4 are "locked" and therefore cannot be imported.

  When I click on the photo in my HD file and look at the 'Get Info' of the photo is not "locked."

  Cannot find any setting on my camera that shows the photo as "locked."  Anyone know if it is a problem of LR or Sony?

  I have a Nikon D40, which has no problem downloading RAW images on my LR 4.4.

  
  Thanks for any help!

  Sony Alpha 6000 raw files require at least 5.4 of Lightroom.

  You need to upgrade, Lightroom, or use the free Adobe DNG Converter 8.6 version to convert your RAW to DNG and then import them into Lightroom.

• Canon 5 d Mark ii Images with the value of the white balance fixed. When they are imported into Lightroom, the value is different.

  If I take a shot with the fixed value of 5200K WB (5 d Mark ii) and import into LR 2015.2.1, happens to 4850K. No presets or applied adjustments.

  No idea why? How can I solve this problem?

  Rich

  All raw converters use four multipliers of white balance RGGB tinted and embedded in the raw file EXIF data to set the white balance and 'calculate' the temperature values displayed inside the module development LR WB.

  Scroll down to the "White Balance" section of the DCRAW tutorial PDF here: GUILLERMO LUIJK > TUTORIALS > DCRAW TUTORIAL it's all so raw converters all the rest of the white raw file and 'calculate' the temperature and tint values.

  Here is a Canon 5 d MKII CR2 file with the White Balance adjustment 'in the know' behind closed doors:

  (Data EXIF Maker Notes)

  

  The setting "As Shot" WB in LR shows a Temp of 4800 reading, which should produce a slight visual difference that the planned in-camera closed 5134 parameter, correct?

  

  However, with the LR settings file, "As Shot" above the white balance CR2 is the JPEG file in camera perfectly on my Canon 5 d MKII (raw + JPEG file format). It's just that Temp readings do not, because they are "calculated" four RGGB multipliers. Each raw (LR, opening, C1) converter will probably show the values of temperature and tint different, since they are derived by using "reverse engineering" of the manufacturer of exclusive camera raw data structure and camera sensor response file.

  Keep in mind that the spectral response of the camera is affected by changes in batch. A Canon 5 d MKII body can produce slightly different WB as one another using the same exact settings. Rather than depend on private clos or LR presets use a good white balance card or the ColorChecker Passport to 'calibrate' LR white balance settings standard shooting conditions (daylight, cloudy, Flash, etc.). For critical projects draw card of the white balance at least once for each unique lighting condition. You can then determine the correct inside the LR setting and settings of synchronization of the World Bank through all the images taken with this specific lighting.

• RAW NEF images are completely different (darker) when they are imported into Lightroom?

  Recently I faced a problem for my RAW of NIKON D750 images after imported into Lightroom.

  For example, the brightness of the RAW images I shot in the camera is completely different after imported into Lightroom.

  Yes, the RAW files include more data that can be adjusted backwards in brighter in Lightroom, but it occurs the most noise to the image that I don't really like.

  I just curious is my setting in camera (maybe the screen is too bright perhaps?) or it is common that viewing through the camera LCD screen is brighter than the visualization in Lightroom?

  Behind closed doors (the brightness I want):

  

  Through Lightroom:

  

  If you want to be in non-Nikon raws software processing, turn off the ADL and leave it off.   The same applies to other settings where the camera is something special for lighting or the brightness of the camera jpg.

  ADL will deliberately underexpose the image, then artificially pushed the dark areas while leaving only brighter area.  This more dynamic compress in the camera-jpg, but will make no-Nikon software see the true underexposed image.

• Video input appears tense, when they are imported into Premiere Pro CS6

  I'm on a level of beginner on Premiere Pro, so please be nice if this question is very basic. I'm doing a video that preserves the video resolution of entry exactly. My video entry was a MP4 movie with a resolution of 1440 x 1080. It is a recording of screen iPad using the X-Mirage software. When I opened normally in quicktime format, it seems not tense. However, when I imported the clip in first, the clip appeared tense. I checked the properties of the element, and it proved to have Pixel Aspect Ratio 1.3333, which means that the pixels are elongated. My output sequence was also strained because of this, although the output indicated that the resolution is the same: 1440 x 1080. I tried to comply with the "Clip Mismatch warning' and the result was still a stretched version. Help, please!

  

  

  I'm guessing that first interpreter clip homesick. He probably than her video hdv 1440 x 1080, which is equal to 1.33.

  Go to interpret images and set the format of the pixels to 1.0.

  See if that will fix it.

• Audio disappears from the video file when they are imported, please help!

  Hello

  When I open a new project and create a sequence, usually I import a. File video TS that automatically gets a blue label. When I hang out in the sequence, the video will appear in a video slot machine and associated audio appears in an audio connector. However, lately, about completely random, when video files I import them, they come with a purple autiomatically label assigned to them, and when I drag them on the sequence, there are only videos or sound only. PPCS6, when I go into the properties of the video in the software, records that the. TS file has any audio associated - yet when I look at the file outside of the software, it is very good and has the audio.

  Can someone help me please? It's quite urgent and I would appreciate it.

  Thank you.

  Update: just installed the update, did not know it was there! It seems to have corrected, thanks for letting me know! I hope that it doesn't yet, but I'll be sure to come back if she does.

• Video of C100 AVCHD Canon 60i stands as 29.97i when they are imported into first CC 2015

  When I import an AVCHD file shot at 60i with Canon C100 MK1, it will come in first CC 2015 as 29.97i . (exactly like the images shot using the parameter PF30p of Canon).  Everyone knows this?  Maybe this related to the strangeness of the Canon PF30p we all know files must be "modified" inside the first change in progressive?  Is there a similar work-around for 60i?

  60i is the wrong way to say 30i.  They mean the same thing, well that - 30 interlaced images per second.

• Videos curtailed when they are imported

  I was importing images taken on a handycam (Panasonic HDC-HS20) that has been saved on the hard drive of my Mac, and once it is imported they are cut short. As far as I know, they are a Quicktime movie file type (although I'm no expert). They are relatively short excerpts (most of them only 6-30 seconds in duration) and the amount of missing time of each clip can vary. I am able to display them in their full length in iPhoto and Quicktime. I tried to import from within first Pro CC and by dragging and dropping them in Premiere Pro, the two senses seem to also cut short video. In addition, missing images are taken at random points, leaving the audio out of sync.

  Any help is appreciated!

  How did you get the images in your Mac?

  Open one of the files on your hard drive and open it in Quicktime. Once the file is open, go to the window menu > show Inspector. An inspector pane opens, either report what the inspector said, or take a screenshot and post that here, as in the following example:

  

  In addition, if you can see the full clip in iPhoto, select the item in iPhoto and export it. Try the ingestion of that clip in the first. Do you see now all content?

  MtD

• Why video AVCHD still presents itself as "File of Format not supported" when they are imported into CS5?

  I've been editing AVCHD with CS5 for several months, but every time I import video AVCHD first always displays a message box titled "File import Failure", all lists of imported files, and then at the bottom of the window, it says ' Error Message: file format not supported ".  You click on the 'OK' button and change with the film without problem.

  I was wondering why this message still comes up if the film is supported in CS5.

  Just MTS files are probably very well; First is quite smart to seize what he needs in the other files, as long as the file structure is intact. An even easier way would be to use the media browser; Navigate to the folder containing the AVCHD folder structure, and the MB will flip mode display of AVCHD. It will give you a list of all the files contained in the folder of DATA flow, without having to actually dive into the file STREAM. Select some or all of the files and import them into your project.

  The message "File Format not supported" is due to all of the files you listed; some of them are used by first behind the scenes, but they are not the media themselves, so that they can not and do not need to import.