Clip must be syncd everyday!

Similar Questions

• Are highlight and shadow clipping must be avoided in any image?

  Are highlight and shadow clipping must be avoided in any image?

  Because in some cases, let's say, night scene, usually a lot of black pixels in the sky. Make nice contrast against the colored signs.

  Please check the picture as an attachment to reference (01.tif).

  I know that nothing in the sky, so I like to keep all the pixels to be cut. Is this good?

  Some of my students said that other instructors/teachers had told them to keep all the pixels in the histogram.

  But I tell them it depands on how would you like your images to show. Am I wrong?

  As the picture as an attachment, it is impossible to draw the black pixels to the histogram and I think that it is acceptable in this case.

  We will see the 2nd box (02.tif), this image cutting to highlight in the clouds.

  I like the way this picture seems, what looks like a watercolor painting.

  If I pull back white pixels, the image will change a lot and I get a very dark set.

  My question is, is it so important to keep your images without having put in evidence or shadow clipping?

  It is not applicable to any image, right?

  Thank you

  No rule hard and fast here. Do you need to make the image appear. It is sometimes nice to have areas of black in the image. That's where the black slider comes into play. It's the same with highlights - only you can determine what is important details and what is allowed to let go to white. Optimize for what makes the image look good, not to say the rules.

• New project: each item - even the very first clip - must be made.  Why?  I don't have any applied effects.

  I just started a new project.  Each clip - even the first WITHOUT effects - must be made.  Why?  I used this same exact clip in other videos and had no problem.  I tried other simple clips (no effect), and they all do the same thing.  Would that be something in my initial project settings? It's a funeral, and I have NO time to wait until Sunday when Adobe help cat opens again.  Help, please!

  If each element should render your sequence settings do not match you clips.

  Go into the settings of sequence and change everything that you are doing well match the clips.

  What version are you on?

  Post a screendump of sequence settings and properties of a clip.

  Or do this:

  

  Copy everything from the old when in this new sequence.

• CLIP + must show the title of the album during playback

  My CLIP + does not show the title of the album during playback.  It shows only the artist and title of the song.  This is ridiculous and should be easily solved.

  It's a simple solution.  They should do like they did on my old Sandisk m250.  Just show the song title/album scrolling.

• Cannot use the XAVC clips in AVID

  Hi guys,.

  last week, we had a few images with our new F5. We recorded in the XAVC format both in IMX50.

  Wanting to scan on our AVID MC6.5 it the clips IMX50 did well, but the XAVC clips were not recognized, even if it has been installed the new plugin PDZK-MA2.

  I tried several options:

  -Link WADA: clip appeared in my sandbox, but clicking on it gave due to error in the Viewer: CORE_CONSISTENCY_CHECK_FAILURE and SWDecodeCvtr::ExecuteRequest() CONSISTENCY CHECK FAILED.

  -Clip import: I imagine that only the WADA is possible for XAVC binding, but I tried to import and got following error: Exception: MXFImport: unrecognized XDCAM - resolution.

  I tried several settings of project: 1080i/50, 1080 p/25, 720 p/25, but all with the same results.

  Additional information:

  Workstation: HP Z400_V2, Windows 7 Service Pack 1

  Thank you for your help.

  What is HD or 4K XAVC? The 4K is not currently supported. Avid does not have any native 4 k. We are able to work with 4 k Raw, because with the help of our first AMA Avid plugin does an extraction k 2 k or 1 as soon as the files are linked, without having to first decode each clip in its entirety. We cannot do this with Avid codec files will first have to decode all the videos that would be cripplingly time CPU. We recommend that you use daily Express or Resolve or another compatible system daily to create DNX files for editorial for 4K XAVC.

  If it is HD XAVC, can you confirm that you are using Media Composer/Symphony 6 or 6.5 with MA2 v 2.31 installed? If so, post the link of the AMA you see at least the first image to drop you the clip in the source monitor Panel? The error seems to or otherwise related to the system memory. If you quit / relaunch Avid this will release any Avid system memory could not have released other recent operations. You can try this?

  You are right in that the XAVC clips must be bound to the WADA. XDCAM 50 can be linked to the WADA or file--> imported according to the needs...

  If none of the above brand success please let us know how much RAM you have on the system and format/pace of the clips you are trying from the WADA.

• Cannot activate Clip Jam with Audible Manager

  I've seen a lot of posts on the forum about the problems with Sport Clip / Clip Zip / Zip Clip + and Audible Manager.  Add Clip jam to this list.

  Until you can transfer books on the device with the Audible Manager, you're supposed to 'activate' the device.  When I try this, I get "Failed to set the activation of device data."    Other SanDisk devices have the same problem, but none of the workarounds to solve the problem for other devices work for the Jam Clip.

  Someone at - he heard of a fix or a workaround for the Jam Clip to activate with Audible Manager?

  Thank you.

  I just got the solution of sound support.  It is similar to the solution used for the Sport Clip: the drive letter assigned by Windows for the Jam Clip must be changed by default.

  Instructions for Windows 7:

  With the Jam Clip connected to the computer, select Control Panel-> administration-> computer management tools

  In the computer management dialog box, select disk management in the left pane.

  One of the disks will be the Jam Clip.  Right-click on it and select "Change Drive Letter and paths... »

  Select the current drive letter and click on 'change... '. »

  Assign the drive B: for the Jam Clip letter (assuming that you have not already another device, for example a floppy drive)

  Under Audible Manager, in the bottom right pane, where it says 'Sansa Clip Jam', make sure that the 'Internal' option button is selected.  With the new drive letter assigned, you can then activate the device.

  Good luck!

• Play the Sansa Clip, and small stereo room

  I just got my Clip more today.  One of the things I wanted to really be able to do was play through the small stereo I have in my room.  I did a little research before you buy the video and found that what I had to do was to buy a cord that had the stereo mini plug plug at one end and two RCA plugs at the other end.

  I connected the Clip on my stereo in this way, ensuring that choose "line in" the energy input to the system, but in this stereo which, otherwise, has more volume I have ever NEEDED, I hear just whats playing in the Clip, even with the volume on the stereo completely maxed out and the choice of 'stronger' selected on in the clip.

  Any ideas?

  RandyMyers wrote:

  I just got my Clip more today.  One of the things I wanted to really be able to do was play through the small stereo I have in my room.  I did a little research before you buy the video and found that what I had to do was to buy a cord that had the stereo mini plug plug at one end and two RCA plugs at the other end.

  I connected the Clip on my stereo in this way, ensuring that choose "line in" the energy input to the system, but in this stereo which, otherwise, has more volume I have ever NEEDED, I hear just whats playing in the Clip, even with the volume on the stereo completely maxed out and the choice of 'stronger' selected on in the clip.

  Any ideas?

  The volume on the side of the clip must be turned up all the way, and the EQUALIZATION left on 'Normal' for a better result... but make sure that you turn the volume on your stereo first before you press play.

• How the clip markers can be promoted in chronological markers?  I cut a clip and rearranged the order of the pieces in the timeline panel, so now I want a set of benchmarks that reflect their position in the timeline panel.

  Clip markers have as their frame of reference of the timeline, they came.  If you create a new brand of element in a new timeline, the marker in time is measured from his original script, not the new timeline where he is.  Currently in CC 2015 organization there is no way to translate the clip marker references 'Local' in the 'World calendar"in which they now live.  I captured on video a 8mm film that is chronologically jumble of short scenes.  I placed the chronology of chapter for each scene markers, export the list of markers and finally understood the rearrangement of pieces of scenes he needed to put everything in chronological order.  Thank God for the ability to export the list of markers, just as I needed!  So the whole sequence has 85 chronological markers, dividing the sequence into 5 pieces and rearranging puts them all in chronological order.  Obviously, I don't want to have to restore the scene boundries 85 times, I did as a necessary step to solve the puzzle.  I think you might meet one day some of these problems:

  1. the most obvious thing is located in the calendar for a piece, lift it and 'paste insert' where it belongs on the timeline.  Problem: Lift or excerpt from don't lift or extract chronological markers with it, so when "Insert you a block", the piece inserted in the timeline has lost its bearings, they were left.

  2. How about you make a sous-suite of the segment to move?  Yes, it carries all the tracks, but not the chronological markers whence he came.

  3. ok, I'll export the calendar together with chronological markers and reimport - ah, Yes, success, the chronology of the markers are now item, marks on the imported clip (the entire chronology).  That's great, because the clip markers are sticky with the clip, I can it chop, rearrange to put markers in chronological order without returning any info title marker.  Feeling beat with the reorganization completed five segments of the original timeline, everything is in order, nothing was reinstated, the timeline with its clip of chapter markers is ready to export to still make the DVD!  Yes, you guessed it, element chapter marks are not exported in yet.  The chronology of imports still with a marker, Chapter 1, at the beginning.

  4. There must be a way, stacked the timeline with the time markers on it on the icon for "New"... ', it is the same as #3 above, but simpler.  Historical markers are now the clip markers that don't export in yet.

  From my experiences, it is therefore impossible to solve my problem without completely restoring scene boundries and type chapter titles.  There are two repositories coordinated, clip) 1 local and 2) global chronology; and there is no way to go from one to the other 'mass'.   There is the glove, I'm sure someone has a way to do this without returning the title of chapter 85 markers.

  I have not found an automatic way to do this, but here is an efficient manual method that requires no titles of chapters Overtype.

  Either drop your timeline that has mounted the icon "Create New" brands, or export the timeline and import it back.  You now have a new timeline and markers are now on the video clip.  Now, chop and reorganize this video clip, it is in the best new order, and the clip markers stick with the sections of the clamp.  Now this procedure migrates the markers of the clips to the timeline (promotion):

  Start at the beginning of the timeline, select the video clip. (The video clip must be selected for M to open the marker editing window)

  1. type change M to find the first element brand, type M to open the editing window of clip marker, select the marker title and copy (control-C), hit Cancel

  2 hit the icon of reference in the program monitor pane, which puts a green marker on the timeline at the same time as the brand of element,

  3. double-click on the Green marker, paste the title of marker by control V, select the radio button of chapter markers, click OK.

  Repeat steps 1-3 to promote all the markers of clip of historical markers with the same marker titles.  Since we cut the timeline to reorganize, there are several video clips.  As you progress, make sure that the clip that you are working on is selected, otherwise M will not open the editing window, instead, it will place a chronological marker.  In short, follow this procedure exactly, it works.  It's a stupid job, but it does the job with without having to retype marker titles.  The chronology chapter titles now think time on the new timeline and they will export in yet.  Hope someone finds it useful at some point in the future.

  Perhaps team first see the usefulness of this and add a command 'Promote the clip for mounting marks markers' and "retrograde chronological markers for the clip markers" (conservation type, title and comments).  It would be a powerful addition.

• Broken motherboard heatsink clip

  I'm trying to fix a Compaq Presario desktop pc and heard something the vibrations inside the housing. When I opened the folder, I found a clip broke out of the motherboard that attaches the Si760 northbridge heatsink to the Board of Directors. I guess the glued part originally on the Board, but have no idea what kind of glue to reattach it firmly.  All mb parts, I have dealt with in the past have been welded. Please indicate how firmly and properly attach this unit to radiator clip/chipset. Reading on other forums I came to the conclusion that this particular computer is NOT worth the hassle! I'll leave this post and come back at a later date to see what others have to say about it.

  It is a photo where the clip MUST be attached to the MB.

  Thanks for the tips! If you need better pictures, email me please... Kate

  Hello

  If his looks as if it was pasted it is more likely was, simply go to an electrical store and ask a glue that is compatible with the electrical panels. It is usually a kind of glue containing solvents and will not Transfer electricitiy.

• How copy sequences from another project and NOT end up with entries double for source clips?

  If, like me, allowing you to work in Final Cut Pro, you know a major difference in first Pro workflow is that the two projects cannot be opened at the same time. Also, the referenced clips must be part of the project first. Firstly, it forces me to be more organized with projects/clips and avoids the situation of source clips "unregistered". On the other hand, I'm running in a challenge around copy/reuse of sequences from another project.

  We have a large group of images that is used for two different purposes. In order to keep things clear, I created two project files that contain the same elements of sources and the different sequences. (I cloned the project after importing all the clips in the source and work then from there.) Now, I need to "copy" some footage from the project A to project B, so that I can reuse the edition work on these sequences without having to replicate them on the. In FCP, I would have just two projects open and copy - paste the sequences of project A to project B. In Premiere Pro, I was happy to see that copy - paste can work through projects - i.e., I can 'copy' in the project, close the project A open project B, then "Paste". HOWEVER, bringing to all of the source clips referenced by these sequences in the project has... Even if the source clips are already in project B.

  OK, I understand why this happens, because Premiere Pro does not know (or check) the same clips already exist in project B. But I don't want to keep the two entries of the source clips in the project (in different bins too), because that becomes a source of confusion on the road. Is it possible for me to separate the news sequences of these 'new' entries in source clip and connect them with the existing entries? If I just go and delete the entries of 'new' source clip, references in these sequences don't simply go offline, they are deleted. If new sequences are empty.

  I fight to see what is the best approach in this case. Any suggestions or tips?

  I do this very similar workflow. I'll have the project 'A' where I change my sequences, etc., and then down the road, if I want to use some of these project grna 'A' in a new project 'B '.

  PP can do what you are looking for and do not create the duplicate of source even footage items.

  Do not copy and paste. Use rather import to import the discovery of the other project.

  Open your project that you want to reuse sequences. Then go to file > import and place you on the project that you want to import sequences of. Click the project file, and PP will ask you which you want to import sequences. Select the sequences (or the entire project) and PP will import the footage for you.

  Now... the media in double...

  If you clip source "00001.MTS' for example, already in the project you have open and one of the sequences that you import reference also the clip of"00001.MTS"from source, PP will not import a duplicate because it will use the clip that you have already imported.

  However, if PP is to import a copy it's probably because in each project, you have different I/O points set for the same element in source. If this is the case of the PP will import the copy of the clip so it retains every version of the video I/O points.

  If you make a test import and make sure that there is no point of I/O, or they are the same I/O points, PP will import the clip of dup.

• Try to get a clip at a time going up and down depending on which button is clicked

  Hello

  I have a file with 5 video clips inside. I have a button that when it clicks, play each other. One of the film clips must also well up and down and I'm having a lot of trouble with that.

  Stop();

  function showVenue(Event:MouseEvent):void

  {

  mc_speaker. Play();

  }

  function showSpeaker(Event:MouseEvent):void

  {

  mc_compliance. Play();

  }

  function showCompliance(Event:MouseEvent):void

  {

  mc_strategic. Play();

  mc_data. Play();

  }

  function showStrategic(Event:MouseEvent):void

  {

  mc_data.gotoAndPlay ("Down");

  }

  function showData(Event:MouseEvent):void

  {

  mc_data.gotoAndPlay ("up");

  }

  btn_viewMore_Venue.addEventListener (MouseEvent.CLICK, showVenue);

  btn_viewMore_Speaker.addEventListener (MouseEvent.CLICK, showSpeaker);

  btn_viewMore_Complinace.addEventListener (MouseEvent.CLICK, showCompliance);

  btn_viewMore_Strategic.addEventListener (MouseEvent.CLICK, showStrategic);

  btn_viewMore_Data.addEventListener (MouseEvent.CLICK, showData);

  Y at - it to attach my file here for someone to look at anyway?

  Thank you!
  Babs

  to control the visibility of a movieclip, you can set its visible property to true/false...

  mc_data. Visible = true;  Show it

  mc_data. Visible = false;  hide it

• How can I get clips idle smoothly?

  It's my first project with first Pro 2 and some of my slow motion clips are very restless.  I tried changing the settings when I burn the DVD in VBR, 2 pass, high quality, but it doesn't seem to help.

  In Pro2 try and keep 75 or 50%.

  When you want that it's slower it the value 50% first make out in dv - avi and back on the timeline and add speed reduction again.

  Also, the clip must be always deinterlaced via field Options and field Dominance needs to be changed.

• Terms of reference within a clip in a movie clip

  This seems to be an issue almost universally confusing because I didn't get the answers from one of the forums that I posted on...

  Is it possible for me to have 1 movieclip consisting of several film clips in a .fla file and reference specific images of clips in a frame of the clip, from an external .as file?

  In a file, .fla I have a clip which consists of several frames, each containing a different clip to perform different actions of a character I want to animate.  The code bases work very well, but now I'm trying to enter more specific aspects of the interactions and the actions of the characters and all the tutorials I've met up to this direct me to add various aspects of the code throughout my animated film which I think would be littering my program as this project develops.  The following is my code base

  hero of the class extends MovieClip
  {
  definitions of variable here

  
  function onLoad()
  {
  Here initialized variables
  };
  
  function onEnterFrame()
  {
  If (Key.isDown (Key.RIGHT))
  {
  _xscale = 200;
  If (Key.isDown (Key.SHIFT))
  {
  gotoAndStop ("run");

  _x = _x + run_speed;

  } else {}
  gotoAndStop ("walk");
  _x = _x + walk_speed;
  }

  to learn more than the other feel carnal of movement of the character...

  
  } else if (!) Key.isDown ()) {}
  gotoAndStop ("stand");
  };
  };
  };

  It works very well.  Beyond that, I have a frame with the anchor lable "Punch" that contains a clip consisting of 5 images.  Is it possible for me to make reference to specific images in the clip in this big movie clip frame?

  You can reference clips nested using the notation by points, BUT the parent movie clip must be on a framework where the child exists.  for example, if the _currentframe parentMC contains childMC, you can reference the frame number of childMC which is a child of the use of parentMC:

  trace (parentMC.childMC._currentframe);

  If childMC is on frame 2 parentMC and parentMC is on its first image, then you will need:

  parentMC.gotoAndStop (2);

  trace (parentMC.childMC._currentframe);

• Clips of flows recorded as kwicks-live TV Online

  Hey all - I'm really new flash Server (as in hours), and I hope that there is a way to do this in server 3.5 without too much trouble...

  I am looking for the installation of a tv channel type workflow where I can create a playlist aside server that can flow out of the prerecorded FLV at specific times, so all customers are watching the stream as if it were a video channel live. Some clips must play at specific times, etc. "" It is said in the documentation for the server this 'Flash Media Server allows you to create a mix of live and recorded streams and play in a sequence that is pre-programmed as a stream using playlists server-side.

  I can think of ways to apply this with a smart client script, but it seems that the server has support for this. But I can't understand how do, there not much info in the Guide of the developer on selections on the server side. Maybe I'm missing something. Looks like a common characteristic people would want.

  Thanks for the help!

  -Mike

  FMS has support for playing video files on a data stream, but it have built in facilities for planning the time of reading.

  What you have to do, is create an array or an object list of your video files and the time to start playing. You must perform a function that checks the current time on an interval and bed the appropriate video file.

  Is not a huge task, but like you said... you will need to do shows for this one.

• Tracing a clips on the stage, based on XML

  Hi all
  I'm having a problem drawing a clip with AS2 on the stage based on XML. I think her looping thought the XML, but for some reason any its not draw all the clips on the timeline...
  
  So what I'm trying to do, is to trace a clip online based on its < note_position > and < note_height >, which he does very well. But its not trace all nodes < note >... trace 2 clips of < comment > < line tNom = "Name 1" color = "0 x 336633" > then it trace clips < note > 1 < line tNom = "Name 2" color = "0 x 333366" > then he traces 2 clips of < comment > < line tNom = "Name 3" color = '0 x 663366' >
  
  what he must do, is to trace all the clips of < comment > < line tNom = "Name 1" color = "0 x 336633" > then draw all the clips of < comment > < line tNom = "Name 2" color = "0 x 333366" > and last but not least draw all clips from < comment > < line tNom = "Name 3" color = '0 x 663366' >...
  
  So all in all it does is plotted 5 < note > clips in total instead of the 10 < note > clips must be traced on the stage...
  
  OK well I think I'm going to loos, my mind... Is more, I think that it is thought looping the XML that is the problem. I think that its so be it I enclose the clip of the plot or something I don't see thought the fog...
  
  Any ideas? Ive been battaling this for two days and I am at a total loss... so any help would be greatly apprecated.
  
  I thank in advance
  Scott: eek:
  
  

  OK, I got this work here is my fix...

  function attachXMLNodes () {}
  Attach the clip and insert my data
  var newPlot = attachMovie ("plot", "plot" + h + "" + i, this.getNextHighestDepth ());
  duplicateMovieClip ("plot", "plot" + i, depth);
  Assign the values...
  This ["conspiracy" + h + "" + i].entry_clip.entry_date = "" + entry_date + ""; "
  Finally, set the position
  This ['plot' + h + ' ' + i] ._y = 685;
  This ['plot' + h + ' ' + i] ._x = number (entry_pos).

  }