Crazy rendering for the color correction time

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• I need to start using the color correction. Should I start by Lumetri, or go directly to SpeedGrade and save time?

  I need to start using the color correction. Should I start by Lumetri, or go directly to SpeedGrade and save time?

  Lumetri Panel/workspace in PrPro is designed as a quick Fixer & able to mainly simple elements you may need to. And it has some limitations so built-in types experienced low editor/colorist can't screw up at all times of their videos. If this tool has everything you need, so it is very convenient. You do not need to learn a lot of ranking 'thought process', just look at your scopes & your program monitor.

  If, however, you'll need to tell secondaries 'Key' on some shades at certain levels of brightness/saturation to change just THE color, hue, brightness, saturation data, or a number of other things more important to the image, then SpeedGrade would be necessary. For me, I use the Lumetri Panel on the simple things, but... as Jim pointed out, if I want to hit secondary or make major changes, I'm more the Sg. Because after I learned that the app rather... unique... minimalist... UI, I'm actually able to move quicker on things over there than in the Lumetri Panel.

  SpeedGrade is not the same as applications other colorist/ranking, didn't say the vast-toolset of determination... but link Direct saves a TON to prepare sequences & projects on XML/EDL out and return & tel. If you go to work with her, I suggest strongly to e-book by Alexis Van Hurkman "Adobe SpeedGrade."... Getting started» It is still CS6... BUT... It covers quickly and directly how SpeedGrade works and how to do things you want to do, better than anything else I've seen. The big change is in the CC versions using the Direct link that you don't have any EDL input/output, and as all the scenario changes you make through PrPro, both the chronology controllling/replacement parts of Sg is grayed out in a project of direct link (directly using a project file PrPro). The interface... different color... is almost identical to the versions CS6.

  In addition, there are some good programs on service tutorial lynda-dot-com, and some that are quite useful on SpeedGrade in AdobeTV that will give you the look more recent Sg and Di-link process. Maybe you spend a few hours in watching & playing around, but once you get this thing is pretty easy to use.

  I do not recommend having a ramp... a block of neutral gray tones will generally from left to right black (0) to white (100) that you can put on a timeline, see to the Sg, and then look at what is happening where when you change what... so that you get a feel for say overall "initial" three color wheels/luma sliders , which left elevator control, controls gain way Gamma and right hand do... and you need to see that the elevator is * not * the shadows... and then, when you change moves on the shadows, mediums and highlights and always looking three combos of luma/color controls, now what region they change? What control on how these controls affect the image data pivot controls provide?

  It sounds more complicated than it needs to use, really... you just can't guess what they are doing and being puzzled at the first/frustrated when things do not respond as you expect. A few graphics and several simple explanations & examples... and you'll be off and running.

  Neil

• How the color correction?

  I have the official training book, but it's not much help with this.  All I want to do is correct color my sequence.  I selected all the clips because they are of the same lighting and camera set up.  I want to correct the colors them all at once.  So I go to effects and select "fast color corrector" and dragged to my sequence.  After doing all the clips have tab a little "FX" on them.  Then I go to the source monitor Panel and click on the control of the effects, and I see the color wheel and the controls for "fast color corrector.  But the right hand side that I see mentions the still image that was left in the source monitor before get me to that effect.  So I can color correct this alone, but the settings that I realize only applies to the still this picture.  How can I ask the fast color corrector to a sequence in the timeline?

  to apply a color correction to the entire clips or multiple clips at once, you can use an adjustment layer. How to use setting in Premiere Pro - YouTube layers so all the clips are basically the same, so you can color correct the and apply a 'look' to this adjustment layer. If some of the clips need to work extra, separated from the rest, you can always apply a color correction effect directly to this clip to adjust it.

  There are a lot of video on youtube for first, many on the color correction. first pro - YouTube color correction

• Color picker will not change the color correctly?

  Hi guys,.

  I have a weird problem with color. When I changed the color of dark green to bright lime green on the color picker. The color picker shows the specific color I want and then I click 'OK '. It has not changed black lime green to green light... instead it shows the dull green color. It's really listen to me because I can't figured it out what wrong with it. I checked the color (RGB mode) Mode and colors... everything seems to be good for me.

  Here is the quick screenshot:

  

  I also tested with another color, it still has the same problem. They do not show the bright color, it shows the dull color instead.

  

  I hope you guys can help out me!

  Thank you

  Christie

  According to the information, you're supplyng we using the screenshot, it is very clear, you're wrong, the color Mode is CMYK and non RGB just look at you screenshot and you'll see what I mean.

  The color mode of the Document in two screenshots shows CMYK.

  The color you see is planned. Change the color correctly in RGB mode and it will solve your problem.

• Your comments on the color correction

  When editing my most recent film, I had the idea of using Color Finesse 3 for colorizing images and makes it more enjoyable to watch. I ask you to watch the vlog and after this judge only on these images, if this video is bearable to watch. Does seem good (colors), high enough quality?

  [embedded miniature video removed by the host of the forum]

  After seeing this, would you be interested to watch more things than this guy?

  Thank you for answering my questions! I really appreciate the constructive comments.

  ckFTW

  I removed the embedded video because the content is not appropriate for this forum.

  But commenting only on the color correction:

  The bright colors in the face were very bright; I would like to shoot those down a little, probably using the curves effect.

  The colors Sparkle from one moment to the other. I couldn't tell if it was because of changing in camera exposure or some retouching color correction settings.

• Problems converting hex to int for the color to the graphics paint method Blackberry 6, 7

  I have to analyze the hexadecimal value say #a9a9a9 of the JSON parser and save to DB.
  In my application, this hexadecimal value must be extracted and converted to color for the color of text using the method of graph paint.

  Used to record in DB data type is string. But I am facing problem when trying to convert the hexadecimal string
  in full. Get exception hexadecimal number value being greater.

  Please help me!

  If your string contains "#a9a9a9", then you should skip the "#".  Thus, the code you need is probably something like:

  Integer.parseInt (hexstr.substring (1), 16);

  I am sure that it doesn't have to be top of the case, but if they always give a problem and you confirm that you are passing in 'a9a9a9', then you might consider making capital letters.

• A design of query for the conversion of time difference in days, hours, Minutes

  Hi all

  A design of query for the conversion of time difference of time in number of days remaining remaining hours minutes and rest in seconds. Made this one till now. Please suggest for all modifications, until now, it seems to work very well, kindly highlight for any anomaly.

  WITH DATA (startDAte, EndDate, Datediff) AS (SELECT to_date ('2015-10-01 10:00:59 ',' yyyy-mm-dd hh24:mi:ss'), to_date ('2015-20-01 03:00:49 ',' yyyy-mm-dd hh24:mi:ss'), to_date('2015-10-01 10:00','yyyy-dd-mm hh24:mi:ss')-to_date('2015-20-01 03:00','yyyy-dd-mm hh24:mi:ss') FROM dual)

  UNION ALL SELECT to_date ('2015-10-01 10:00:39 ',' yyyy-mm-dd hh24:mi:ss'), to_date ('2015-20-01 03:00:40 ',' yyyy-mm-dd hh24:mi:ss'), to_date('2015-10-01 10:00','yyyy-dd-mm hh24:mi:ss')-to_date('2015-20-01 03:00','yyyy-dd-mm hh24:mi:ss') FROM dual

  UNION ALL SELECT to_date ('2015-11-01 10:30:45 ',' yyyy-mm-dd hh24:mi:ss'), to_date ('2015-11-01 11:00:50 ',' yyyy-mm-dd hh24:mi:ss'), to_date('2015-11-01 10:30','yyyy-dd-mm hh24:mi:ss')-to_date ('2015-11-01 11:00 ',' yyyy-mm-dd hh24:mi:ss') FROM dual

  UNION ALL SELECT to_date ('2015-11-01 09:00:50 ',' yyyy-mm-dd hh24:mi:ss'), to_date ('2015-11-01 10:00:59 ',' yyyy-mm-dd hh24:mi:ss'), to_date('2015-11-01 09:00','yyyy-dd-mm hh24:mi:ss')-to_date ('2015-11-01 10:00 ',' yyyy-mm-dd hh24:mi:ss') FROM dual

  UNION ALL SELECT to_date ('2015-11-01 08:30:49 ',' yyyy-mm-dd hh24:mi:ss'), to_date ('2015-11-01 09:30:59 ',' yyyy-mm-dd hh24:mi:ss'), to_date('2015-11-01 08:30','yyyy-dd-mm hh24:mi:ss')-to_date('2015-11-01 09:30','yyyy-dd-mm hh24:mi:ss') FROM dual

  )

  Select

  trunc ((EndDate-StartDate)) days.

  trunc (((enddate-startdate)-to_number (trunc ((enddate-startdate))) * 24) hours)

  trunc (to_number (((enddate-startdate)-to_number (trunc ((enddate-startdate))) * 24-trunc (((enddate-startdate)-to_number (trunc ((enddate-startdate))) * 24)) * 60) Minutes,))

  (to_number (((enddate-startdate)-to_number (trunc ((enddate-startdate))) * 24-trunc (((enddate-startdate)-to_number (trunc ((enddate-startdate))) * 24)) * 60 - trunc (to_number (((enddate-startdate)-to_number (trunc ((enddate-startdate))) * 24-trunc (((enddate-startdate)-to_number (trunc ((enddate-startdate))) * 24)) * 60)) * 60 seconds))))

  data;

  Thanks for the answers in advance.

  AHA!

  TO_TIMESTAMP expects a string as input, so it first makes an implicit conversion from DATE to a string, in the format of NSL_DATE_FORMAT.

  To convert the TIMESTAMP DATE independently NLS_DATE_FORMAT, use

  CAST ( AS TIMESTAMP)

• Premiere Pro CC 2015 - application of clip and rendering (three-way) color correction

  -Every tutorial I see said: 'Drag the clip on the timeline and drag the effect to the element' - and in fact, when I do that, the clip changes color, indicating that the effect has been applied, I guess. But then the color correction controls do not seem to enable editing. I guess I sort of myself painted in a corner UI by freezing the arrangement of the components (or something - have no idea and don't hit FWIW, no button or options which do not seem to have the effect of blocking the UI) so that the color correction controls are hidden. I know it sounds like a silly problem, but I would greatly appreciate a clue, if you have any suggestions to offer.

  If you have your clip on the timeline and apply the color corrector effect three way, once you have dragged the effect to the clip with the clip still highlighted (selected) on the timeline, click the effect options panel.

  

  MtD

• Is there a default value for the color management in PSE10? Beautiful photos from iPhoto, but blur with elements. I need help with this before as I consider that the upgrade to PSE13 and beyond.

  Is there a default value for the color management in PSE10? Beautiful photos from iPhoto, but blur with elements. I need help with this before as I consider that the upgrade to PSE13 and beyond.

  Printing which forms an angle seems ok, but one that is horizontally seems faded, incomplete.

  I was wondering if I saved a layer somewhere and set it as a default value.

  If you group the layers, you will be left with a single layer, thus spreading your concern.

  Suggest that you do the following:

  1. Make sure you have the latest drivers for your printers
  2. Reset the default preferences.

  Hold the Alt, Ctrl + Shift keys when you click the icon to open the items. When asked if you want to delete the settings file, say Yes.

  Items nearby and let regenerate the file.

• I downloaded red CS6 plugin and added to the contents of the package, replaced the existing files with the new without saving, now my thumbnails images RED and the color correction do not WORK! How to bring back my old file importerRed! ?? Help!

  I downloaded red CS6 plugin and added to the contents of the package, replaced the existing files with the new without saving, now my thumbnails images RED and the color correction do not WORK! How to bring back my old file importerRed! ?? Help!

  Try asking in the forum Premiere Pro seems to be an Adobe first Pro Lab

• Are there plugins for PrPro color correction?

  After a VERY fruitless discussion that I started to understand why the 3 - way color corrector inside the PrPro does not work (you can check it out here: why CC 3-way does nothing when I click on 'white' or 'black'?) I thought that the best thing would be to try to find a plugin that can do what first HAD in the first place... I'm already familiar with the red giant products (Magic Bullet Looks, Colorista, etc) so no need for those who suggest. I wanted to see what else is there, but when I did some research, I couldn't find anything else. Is that ALL that exists when it comes to cards for Premiere Pro color correction? Only company?

  And don't even think to mention SpeedGrade. This thing is already in the garbage!

  Ivan,

  Need us versions dot number number of programs to ensure that you have the updated version of each. PrPro is 8.1.0 and SpeedGrade is 8.1x128, found at the bottom of the screen 'a way'.

  When I had problems with the Sg does not not a year back, the CC app told me that it was the last version... but it was lying to me. OS running on my computer at the time was not the most recent one... and I waited a month after that they were released to update. Then he blew just to know what edition it was & what was available. Then... Check your versions.

  Neil

• Except for the color change of the Web of gifs

  I'm trying to 'save for web' a gif, and I get a change of color each time. I changed my color settings so that it is set to RGB monitor and it is extracted under test format as well. On the Save for Web window, making sure that "Convert to sRGB" is checked as well.

  Despite all this, the color change always happens. Here is a screenshot of my color settings:

  

  Is there something I can do to fix this? Thank you in advance!

  Saving as a gif you are inevitably reduce your color up to 256 colors gamet and so according to your original image you can result in a change of color simply by there. You must however not use your display profile in your color settings. If you want to put something on the web or in an application that is not color has managed the best choice is sRGB. Try these settings.

  

• iMac 21 retina or Macbook for the color with Eizo or Benq monitor work?

  I have an old Mac Pro and LaCie 321 monitor. Now looking to upgrade, I would like your comments and suggestion. I'm not a fan of large monitors I prefer monitors from 20 inches to 24 inches. I have an Epson 3880 printer to print my fine arts and used printers for my illustrations. I used illustrator/Photoshop and applications Photo Designer/affinity affinity.

  Should I get new Apple iMac 21 inch Retina to go with EIZO CX241 or PG2401PT Pro 24 BenQ?

  Or

  MacBook Pro 15 inch Retina to go with EIZO CX241 or PG2401PT Pro 24 BenQ? The problem is that I carry my laptop around with me and I can worry about cables that will be kept Plug and unplug the device for the second color monitor work Eizo or BenQ.

  I don't know if the iMac or laptop will do with different with monitor Eizo or BenQ?

  Kind regards

  Simon

  They have all two internal programmable LUTs - if that qualifies as graphics card is probably semantics. In the Eizos, it works in 16 bit depth, in the BenQ 14 short. But this means that the calibration is performed internally in the monitor and not the video card. The point is that corrections are possible without risk of banding and artifacts that you check frequently with the calibration of the standard video card. You also have a much more precise control over the parameters of calibration (white and black).

  The monitor profile, used by applications only, color management is of course a different question.

• A possible solution for the Date and time January 1, 1970 Bug?

  I fell for a scam currently floating around the Internet, this type of scam to change the date and time of an IPhone on January 1, 1970 made my IPhone stuck in a boot cycle. people use the term "brick" of the nature of bugs. I was curious if there is no fix?

  Put the phone in DFU mode:

  http://www.payetteforward.com/how-to-put-iPhone-DFU-mode/

  You will then need to reload all your data from your back upward.

• For the PID variable time interval

  Hello world

  I measure the ph and control the flow of co2, so I decided to use the useful PID screw like I do for my temperature control.

  the difference and so my question is, I have not want (/ power) to run the PID in a timed loop, in fact my intervals of measurement (eg. every 30 seconds ~ or ~ 60) may vary in the second range, because of the way I acquire data and how I put the valve in co2.

  so my question is: is this a without problem?

  I'm not sure weather the internal timer or providing the dt will explicitly be responsible for this?

  (and I can't test it on atm equipment)

  thx for your time

  Shouldn't be a problem. Don't wire dt, let the PID to use its internal clock. Could make it more difficult to tune the PID, since you will have to account for the worst cases (longer delays between updates).