Create real life spreads

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• REAL LIFE PORTAL GUN

  Hey, it's another video, I created with sequels! Now with the last discussion that I created, I have a lot of views but no one asked if they wanted me to a video. So im going to put the link in this discussion will look at the video and if you want to learn how to do the effects let m know is on my youtube channel or hear that I will be deffinetely do! Also the Mt know what you think of the video and if you want to know whow do a specific after effects let m know and I will do a video about it! Here is the link: http://www.youtube.com/watch?v=6DyAynClQbg

  I agree with Steven. Locking the camera 100% would have been so much better and easier, IMHO.

  From a conceptual point of view, I liked the piece and think you're close - simply not close enough, yet.

  Good luck and thanks for sharing.

  Hunt

• How to create the printer spread PDF brochure stitching horse?

  I need generate that a PDF file in the printer spread format for a booklet of sting on horseback from InDesign.

  After installing CS5 Master Suite on my upgraded Mac OS X 10.6.2 MacBook, I can't figure out how to do it right.

  Has anyone figured this out?

  Thank you

  DAN

  File > print booklet

  Implemented

  > Print settings...

  > Printer > Adobe PDF

  Not possible on 10.6.x. use the printer / PostScript® File, then distill the settings of your choice in Acrobat Distiller.

  Doyle

• Why youtube doesn't work anymore without setting 'security.ssl3.rsa_rc4_128_sha' in real life?

  After that it turns rc4 is safer, I changed all the security.ssl3 - variable containing the substring from rc4 to false. Still, everything worked well, including youtube.
  But 2-3 weeks, youtube has begun to make problems: about 70% of the time, the first video is clicked on, gave an error. I had to delete the cookie (although I don't know if this was really necessary) and reload the page. After a few tries, it would eventually work and no so all video-subsequent requests, until I closed firefox (and therefore remove the cookie) or remove the youtube cookie. It was kind of annoying, but videos always occurred after a few tries.
  Since the middle of this week, the described method no longer works. I understand, now I have to allow rc4 again, by changing "security.ssl3.rsa_rc4_128_sha" to true. I don't know if the error is due to firefox or google/youtube. I meen why google would downgrade to only allow a non secure encryption method? On the other hand: there are updates in firefox affecting the rc4?

  So my questions are: which side is the bug? And is there no workaround safe solution to ban rc4 once again, while using youtube?

  It is a problem with the server that hosts the video files and Google has chosen to only support what a costume (speed issues?) figure even if the server supports TLS 1.2 according to the test report, but I don't know if that makes a difference instead of using SSL3.

• real life problem

  He started the other day

  Hey, I got a notification of your comment "stick in the mud", and I must say that I represent that remark!

• and in real life? Windows 10

  Hi, fabros34!

  Unfortunately, I don't have a precise date for the releases of the app on Windows devices mobile. Right now, we focus on developing Android and iOS, so it is a period of time. I apologize for the inconvenience!

  Let me know if I can help you with anything else

  -Kathleen

  Brossard Fabien   1 Apr. 2016 01:54 (kirker from in response to)

  Fine thank you...

  Are you aware that Windows 10 came out? that it is ' has more than 200 million machines with Windows 10? that universal applications to use on pc and mobile? There are Surface Pro and Surface book applications that use these? That graphic designers and Web Designer are not all IOS?

  Fine thank you...
  You are aware that Windows 10 came out? There are more than 200 million machines with Windows 10? Universal applications that are used on PC and mobile? There are Surface Pro and Surface book that use these applications? As designer graphic and web not everything on IOS?

  Hello Fabien,

  I understand your frustration. We have not forgotten the Windows users, and as I said before, we currently focus on iOS and Android development. If you want to talk with the team about your concerns, please press on "give us feedback" in the app menu (tap the Mix icon in the upper left and you will see "Feedback").

  Thank you very much for taking the time to post!

  -Kathleen

• How to make real life measures in photoshop?

  It's a bit awkward question I know, but how do for example 30mm on a rule of 30mm in photoshop. What are the settings, what resolution, what is the zoom percentage should I apply. (my screen resolution is 1440 x 900 monitor 19 '')

  So that the image that will be presented in such a way that an inch on your monitor correspond to one inch in the image, you must first determine the resolution of your screen. Here's how:

  1. open a new file: 500 px of width and depth.

  2 see 100% of the size.

  3. use a rule. Measure the width of the image to the screen in inches.

  4 divide 500 by the width of the screen image.

  Result: Resolution of the screen in pixels per inch.

  Next:

  Define your image at this resolution by going to:

  Image > Image size

  Enter the size of the Document screen resolution: resolution field

• WUXGA screen 15.4 "with real life

  I just ordered Studio 15 laptop with the wuxga display. It has not yet been shipped. After reading the messages/comments on the internet, I have my doubts on the monitor. I ordered it because I have photo editing but am concerned that police/text size will be too difficult to read and the glossy screen will cause eye fatigue. Any thoughts?

  
  

• DeskJet 6940: Digital photography of the life parameters real Deskjet 6940

  I just got this printer in place and have no problem printing images downloaded from the web, but when I print pictures from my digital camera that have been saved to a network share they are saturated and look downright shoddy.  I found that there is a button named digital photography of real life that has options for automatic lighting Adaptive of the red-eye effect, picture brightening in the paper/quality, the printer properties tab, Smart focus, sharpness and softness.  If I turn these options off photos Print perfectly.  The problem is that they turn their back on after each print job.  I tried to turn them off when you are using the default printer, but it doesn't appear to.

  How can I disable them for good?

  HI - usually if you go to Panel and printers and change the settings there, rather than in the application you print from, settings will be preserved.

  Hope that helps.

• How do I create a spread of a design for a booklet printers?

  I'm new to InDesign (take a Page Layout class) so I'm still not to good with it. I created a Designer Spread for a booklet of 8 pages for this class and I have no idea how to spend around each page so that it can be a 2 brochure point sättle. I can't use the Option "print booklet" because it organizes my pages in a weird way... any help ASAP would be amazing...

  Thank you

  PS I have attached 2 screenshots. my current designer and the printer spread 1 spread that I'm supposed to use to print.

  ColinWheeler2 wrote:

  I can't use the Option "print booklet" because it organizes my pages in a weird way... any help ASAP would be amazing...

  PS I have attached 2 screenshots. my current designer and the printer spread 1 spread that I'm supposed to use to print.

  Serenade booklet should organize the document that you have demonstrated in the arrangement shown on the right in the Pages panel.

• How to create a wall of fall?

  I am doing an effect for a video I'm doing. I note that I have only used AE less than a year now, so I'm pretty new. I'd appreciate the help. I'm doing a videoscreen fall as if it was on a wall with a background. I think on adding dust later when the video wall hits the ground. But for now, it's just looks like a screen video fall, frankly a bit wrong. My goal is to make the video screen to have some depth as it was attached to a wall. And the fall look as if it was really a wall down. Right now it seems too computerized. My workflow was basically 3 layers: background and wall videoscreen in the foreground. I did the screen 3d video layer and basically keyframe animation position and orientation x so that it looks as if he was down. But I think it looks too fake. Are there ideas out there to make it look real. Any suggestions, advice or ideas is greatly appreciated, as I said I am kinda new to AE, so I'm not 100% know where to go. Thank you very much for the help.

  The test images are provided below. How can I do better.

  EFF - YouTube

  I am still not following you exactly. In the second example, you have a wall that is close to the camera

  

  but the wall is not flat and not perfectly square to the camera. The shower is further than the door and there is a counter on the right and a wall on the right that give depth to the image. Try to make this wall tomb of convincingly will be impossible, unless you are modeling in and then it does not resemble a falling flat wall.

  The shot that is revealed has walls that are farther away from the camera and not the same angle as the walls in the first shot.

  

  If you were to create a set of 3D with the scene in the bathroom between the camera and the bedroom scene there is no parallel walls. We expect the walls to be parallel so even if it's a 3D game fall wall would look weird.

  Now you really confuse me because your images do not match your statement about what you want.

  armoose wrote:

  We are essentially the background down because we want to implement a product with a certain type of background but that background fall to reveal a slightly different background like these really weird old spice ads...

  a green screen would be better.

  It looks like you want the back wall to fall down revealing a new rear wall rather than back a wall between the camera and the wall to fall to reveal the scene.

  Anyway, when you pull your two shots you want the wall falling and the wall that remains standing be in the same position relative to the camera in both shots. If you want a wall which is about 5 feet from the camera in the fall and reveal a wall that is 10 feet from the camera then put you the camera 5 feet from the camera when you take the first wall and put the camera 10 feet from the wall when you pull the second and you make sure that the angle of the two walls is the same. If the first enclosure is 20 ° of the camera and then the second wall must also be 20 ° of the camera.

  If you want to have objects in the foreground as the guy in the old spice ads then the best way to matte this element (actor) is the use of green screen. Here again once if you got the actor to 5 feet from the camera and you want to move the wall that was 10 feet behind the actor to reveal something that was 20 feet from the camera and the camera you shoot all of these at the same distance from the camera that they would be in real life. This is the secret of composting. To do the job of the perspective and the credible illusion, position each element in your scene in the same relative position they would be if do you it for real.

• Associate data to create a view.

  I am currently using a database of Oracle 10.2.0.4.0. I work for the Department of public safety and I am trying to create an Oracle Forms Application that will be used to track information of the mandate. I need to create a view that I can use in my form that will allow me to the warrants list who are associated with each other. In the forms I create these associations in a table by using primary keys for these records.
  
  I created a few fictitious tables with data that you can use to help me create the SQL I can use in the creation of the view, that I need, I hope.
  

  CREATE TABLE order_info
  (wp_id             number(12)   primary key,
   info              varchar2(10),
   order_no          number(12)   not null,
   order_name        varchar2(30) not null);
   
  insert into order_info (wp_id, info, order_no, order_name)
  values (1, 'AXE', 123456, 'DOE, JOHN P');
   
  insert into order_info (wp_id, info, order_no, order_name)
  values (2, null, 245645, 'DOE, JOHN P');
   
  insert into order_info (wp_id, info, order_no, order_name)
  values (3, 'SHOVEL', 354654, 'DOE, JOHN P');
   
  insert into order_info (wp_id, info, order_no, order_name)
  values (4, 'PAIL', 432110, 'DOE, JONATHAN');
   
  insert into order_info (wp_id, info, order_no, order_name)
  values (5, null, 514654, 'DOE, JOHN');
   
  insert into order_info (wp_id, info, order_no, order_name)
  values (6, null, 687980, 'DOE, JONATHAN');
  
  commit;
   
  CREATE TABLE associate_order
  (wp_id             number(12)   not null,
   associated_wp_id  number(12)   not null,
   constraint assoc_wp_ip_fk
     foreign key (associated_wp_id)
     references order_info(wp_id));
   
  insert into associate_order (wp_id, associated_wp_id)
  values (2, 1);
  
  insert into associate_order (wp_id, associated_wp_id)
  values (3, 1);
  
  insert into associate_order (wp_id, associated_wp_id)
  values (5, 3);
  
  insert into associate_order (wp_id, associated_wp_id)
  values (6, 4);
  
  commit;
   

  Once the tables are created, the table ORDER_INFO contains detailed information (in real life, it comes to the information related to a mandate). The ASSOCIATE_ORDER table contains the relationships between the records in the ORDER_INFO table. The ASSOCIATE_ORDER table is the one I want to use to create a view that I use in my Application Forms to list all of the warrants that are associated with each other.
  
  If you look at the data in the ASSOCIATE_ORDER table:

  WP_ID ASSOCIATED_WP_ID
  ----- ----------------
      2                1
      3                1
      5                3
      6                4

  WP_ID 2 is associated with WP_ID 1
  WP_ID 3 is associated with WP_ID 1
  WP_ID 5 is associated with WP_ID 3
  6 WP_ID is associated with 4 WP_ID
  
  I want to be able to do in the view that I have create is something like:

  SELECT associated_wp_id
    FROM ORDER_VIEW
   WHERE WP_ID = 3;

  And he have all the primary keys for the warrants (orders in this case) come back to me:

  ASSOCIATED_WP_ID
  ----------------
                 1
                 2
                 3
                 5

  The WP_ID of 1 is not included in the ASSOCIATE_ORDER table, because it is not associated with a previous mandate (order in this case), but because it is associated with WP_ID 2 and 3 I think.
  
  Here are all the commands associated together based on the data that is in the table. There may be 0 to many of these records in the ASSOCIATE_ORDER table, but if they reference a primary key (WP_ID) so I want to include in the view.
  
  I really hope that makes sense. I tried to play a little with analytics, but I'm not even close to the selection of any of the data that I want, so I can't yet show you what I've tried because it probably doesn't even have sense.
  
  Thanks in advance - mike
  
  In order to clean your database if you filled with the scripts above, you can do the following:

  drop table associate_order;
  drop table order_info;

  Hello

  I know right what you want the view to look like.
  Given the example of data you posted, that's what you want to the content of the view?

  WP_ID INFO         ORDER_NO ORDER_NAME       WP_ID_GRP
  ----- ---------- ---------- --------------- ----------
      1 AXE            123456 DOE, JOHN P              1
      2                245645 DOE, JOHN P              1
      3 SHOVEL         354654 DOE, JOHN P              1
      4 PAIL           432110 DOE, JONATHAN            4
      5                514654 DOE, JOHN                1
      6                687980 DOE, JONATHAN            4
  

  ? You will notice that it is just order_info, with an additional column, wp_id_grp, added. Wp_id_grp is the lowest related wp_id. For example, wp_ids 1, 2, 3, and 5 are all related, so they all have wp_id_grp = 1.

  Here's a way to do it:

  CREATE OR REPLACE VIEW order_info_grp
  AS
  WITH     got_pairs     AS
  (
       SELECT     wp_id               AS x_id
       ,     associated_wp_id     AS y_id
       FROM     associate_order
      UNION
       SELECT     associated_wp_id     AS x_id
       ,     wp_id               AS y_id
       FROM     associate_order
  )
  ,     got_relatives     AS
  (
       SELECT     CONNECT_BY_ROOT x_id     AS wp_id
       ,     y_id
       FROM     got_pairs
       CONNECT BY NOCYCLE     y_id     = PRIOR x_id
  )
  ,     got_wp_id_grp     AS
  (
       SELECT       wp_id
       ,       MIN (y_id)     AS wp_id_grp
       FROM       got_relatives
       GROUP BY  wp_id
  )
  SELECT       o.*
  ,       g.wp_id_grp
  FROM       order_info     o
  JOIN       got_wp_id_grp g  ON  o.wp_id  = g.wp_id
  ;
  

  If you want a view which only has the columns wp_id and wp_id_grp, then everything just omit the main request; got_wp_id_grp, it's just what you want.

  I guess that the associate_order relationship is reflexive. In other words, instead of:

  insert into associate_order (wp_id, associated_wp_id)
  values (2, 1);
  

  you have it, could just as well, says:

  insert into associate_order (wp_id, associated_wp_id)
  values (1, 2);
  

  In other words, all that matters is that 1 and 2 are linked. What number goes in which column is not relevant.

  In table assoiciate_order, why is there a foreign key on associated_wp_id constraint, but not on wp_id?

  CONNECT BY is never terribly effective, and NOCYCLE does only make it worse. Depending on your data, in particular how different wp_ids can be in a related group, this may not be practical. You might consider adding a column wp_id_grp in the associate_order table, rather than owning a view and containing a PL/SQL (which would be faster) procedure re - fill this column when associate_order is changed.

  Published by: Frank Kulash on April 17, 2013 18:33

  MLBrown wrote:
  I think I left mouth stumped the Panel...

  Be patient! It's true that the median time for a first response on this forum is less than 10 minutes, but it's because the first response often only pointed out that we need more information. When you provide all the sample data, and a good explanation of the problem, as you did, then people can begin to solve the problem instead of complaining, complaining is so much faster than problems.

• I would like to know if it is possible to create a time indicator in my project of CS5.

  I build a Work-out video and I need a clock or time indicator in the corner of my film which plays for a minute.

  Is this possible to create or insert this in CS5? Anyone know where I can download such an indicator?

  Thanks in advance,

  Monique van direct

  The timecode effect in Premiere Pro will only count the upwards, as is reading the elapsed time of the sequence or clip. To make a 'clock' which does nothing else, you need to associate another application.

  After Effects, for example, can control a layer of text by using a script - so it's easy to make a stopwatch, and there are many tutorials on how to do it (Google is your friend).

  If you only have Premiere Pro then there is not a lot of options. Of course you can film a real life clock and add that in the sequence as a new layer - this may sound silly, but given the right settings, it can look great. Back in the day, it was how TV news live clocks have been inserted.

• The single Master Page spread value

  Hi guys, noob on inDesign scripting of apple and hoped someone could help me. I'm stuck trying to figure out how to put the first master spread in the document on a single page. I managed to create two new spreads masters with simple pages or face, although I can not change the first. I'm sure it's something simple I'm missing, but for the life me I can't see it.

  Thanks in advance, best regards, Rob.

  while(myMaster.pages.length > 1){
    myMaster.pages.item(-1).remove();
  }
  

  Substances

• create a database for Oracle FailSafe

  Hello
  I should create a database and in the next step, install oraclefailsafe to use another server to pass if the first crash. Then I created the SERVER1 database (with all the files on a shared file system).
  
  Now how can we establish the 'same' database on SERVER2?
  
  Thank you.
  
  I'm reading: Oracle® Fail Safe
  Concepts and Administration Guide
  Version 3.3.3 for Windows
  Reference No.. B12070-01
  December
  
  But do not see the answer to my question.
  Thank you.
  
  Please tell me if my question is clear?

  First, Oracle FailSafe is "low availability environment. The number of problems associated with the Services of Cluster MS FailSafe (including errors of the operator or configuration problems) far exceeds number of problems with Oracle running on a single node. Yes, your manager will be able to show the listeners that they perform configuration high availability. But in my experience, this does not work in real life (perhaps because we were not allowed to run Oracle and FailSafe as LocalService, but we had to use domain accounts - this added much more complexity). In any case, my personal experience with this security was bad.

  Back to your question... You do not create a database on SERVER2. You only need to install all the necessary software - software for Oracle database and integrated security software (if placed on a shared drive). All services on the server SERVER2 are created automatically when you add your database to the cluster. When your OracleService on SERVER1 crashes (for example - a complete crash of SERVER1 does cause no heartbeat data to write on a quorum disk) then FailSafe will mount disks shared to SERVER2 and start OracleService on SERVER2 (this is why OracleService should be set to manual - must not be started by Windows when the system starts) (, but only when you are prompted by the integrated security service). It's the same database - data online redo logs and control files. So, there is no second database on SERVER2. From the application point of view, a crash of Server1 "is seen" as a very fast server reboot. All connections are interrupted, the database gets bounced.