Dolby Digital 5.1

Hello

I have video clips taken with a Sony HD handycam audio Dolby 5.1. Will I be possible with Adobe Element 10 to this output to an audio in Dolby Digital 5.1 blu - ray player?

Thank you.

Airborne,

The output was the part of the question, I needed clarification on too. I knew that through pre 9, the result would be a (stereo) mixer 2 channels, and checked Steve pre 10 wasn't different, about the output (export/action). However, as it is since a few versions, pre can easily import DD 5.1 SS for editing. It is the DD 5.1 SS, which is limiting.

Now, there are ways around that, but then we must leave before making the final output and work effective with DD 5.1 SS, which would be early enough in the editing process. Minnetonka Audio offers a stand-alone DD 5.1 SS encoder, to get the Audio stream in DD 5.1 AC3 of SS.

The reason to leave the meadow at the beginning, is that it does not offer a complete change in DD 5.1 SS, as PrPro does. Instead, use a program like Adobe hearing with multitrack editing. He can get out in six separate Audio streams, each in a separate file of 1 channel. A stand-alone encoder would then be used to get all six in an AC3 DD file.

On a sidenote: record 5.1 SS good, Audio is really hard. Many cameras that allow it, were very close, but just placed microphones pointing in different directions, while some perform a treatment of a 2-Channel Audio stream, to create a fake 5.1 SS. In the first case, these multiple microphones usually pick up a lot of Audio, we find not very usable, such as the camera operator's clothes rub together. To save the true 5.1 SS value, needs 5 well-placed microphones (the LFE channel is usually not recorded on the spot, but separate or added, in the studio), microphones will be very narrow strip and run through a mixer multichannel, so that each can be adjusted easily. The result will be 5 discreet Audio streams, one in each of the 5 separate Audio files. Sounds people concerned will have to be well versed in recording 5.1 SS, and then the editor will have to be trained, as well. It is not as easy as just a lot of microphones, pointed in different directions. This is the area of qualified professionals, with adequate and specialized equipment.

Offer DD 5.1 SS in camera is more a marketing tool, in my humble OPINION, and most of the users of these cameras really fight the 5.1 SS, give up on this, after just a little.

In addition, the SS edition 5.1 is an art, even with software, such as PrPro w / Minnetonka SurCode DD 5.1 SS Audio plugin encoder option. There are so many considerations, beyond any stereo Audio.

If you are really determined to change 5.1 SS and output to DD 5.1 SS for DVD or BD, I have several books that will prove useful.

I do most of the projects in DD 5.1 SS with PrPro and the encoder plugin SurCode. Most are really fake 5.1 SS, I create in the studio, although some begin with 5 discrete Audio files, saved by a strong professional team and furnished to me in the form of separate WAV files. These projects are published in 5.1 SS and then I got out of the AC3 DD 5.1 SS (one of the two formats, which can be used as main Audio Source in DVD/BD) *. Often, the client will want to DTS (cannot be primary, and must be complementary Audio only). This (DD as Logic Pro, etc.) must also be out with a separate encoder (I use the SurCode DTS Encoder, which is a stand-alone and not of plug-ins, as their DD 5.1 SS), and I also work on Audio in Audition (in my workflow), out into six discrete Audio files before encoding. It is a multi-step workflow, involved, but has produced excellent results.

Good luck

Hunt

* In DVD NTSC, only PCM/WAV and AC3 DD can be used for the primary Audio stream, where with PAL, MPEG Audio is optional, but really fall from grace. Not to mention that these Audio elementary streams, many others can be used on the DVD, but MUST be additional and is accessible only via a Menu or Audio button on the remote control.

Tags: Premiere

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