Filter effect and layer the layer in the same Style vs the separate layers

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• New ideas or suggestions for the flattening of the effects of layer without changing the appearance

  Hi all

  I did a lot of research of ideas on how to make my simpler workflow. I meet regularly with a problem with the layer effects when they are flattened and have been unable to find the right solutions, but I was wondering if any new development came with the new versions of Photoshop that I'm somehow overlooking?

  My main problem is that when I flatten layers in sections or groups (i.e. flatten only 2 layers or more together in a larger composition but not the entire compostion), layer with often methods of fusion flatten strangely. I note in particular that with shadows that I often use one color other than black, generally a shade very dark color applied to the element, the shadow is bunk. For me, it gives a much more realistic and natural look. When I flatten a layer I notice it seems to multiply it mode is stripped shadow FX unless they are flattened with nackground element, so if I used a dark blue, for example, once flattened shadow is now a shade of blue separate which appears to be in normal blending mode. I can put this drop shadow layer to multiply to restore it, but then I have to separate the element shadow of drop on its own layer of the body of the other flattened content otherwise she also well multipoy mode inherits of course, which always leaves me with a layer unwanted to deal with.

  My monetary solutions vary to hide all other layers and visible fusion, which works for some things, but not the problem of shadow drop above, I will keep as things that just don't work on their own layer separate, like the shadow and just let them be if I can. In cases where this is not an option, I even hide all other layers and model the portion of the DSP which has flattened to a separate TIFF or PNG and re-import the PSD. This will sometimes work around the problem and do everything interact as you wish. It's a matter of confectioners, even if it means mental acrobatics everytime to design a workaround solution that I can use for my purposes.

  I need to do often is because I work for a company of web development as a designer. Once the design is sometimes I'm going to cut and prepare it for the web (not a problem when I am doing this because I can leave as a PSD). When the other members of the team as a web developer need access to graphic files if they use Fireworks which means I need a PNG image in layers so they can rip with the software they know while maintaining transparency if necessary.

  I know that some will say just to use Fireworks then but this isn't a desirable for me because I find it very restrictive fireworks on the progress of Fx and graphic manipulation. I am agree that Fireworks can be very capable and can do very nice things when you are thinking about the design of the whole site in general, but it can usually do the fx tip and manipulation that I like to use for parts of 'eye candy' of the site, especially when you use mutiple Fx on a layer with their own blending modes. I think it's more complicated to build a general site in Fireworks and import items of Phoroshop. Follow-up to good design and loading constantly the background images of space reserved for photoshop for reference is not for me!

  I have a pretty decent understanding of functioning of the flattening of the layer and how the merger of modes function (like the fact that you can't have mutiple modes on a single layer, so many problems with blend modes Fx layer fusion). I'm with CS5.5 Design premium and hope that there was some progress in working with this kind of thing. I know that if I could flatten the layer shadow down with the layer she rides that would solve the question well but this is rarely possible on Web sites where you have fluid areas who need to change the size and the image with the shadow element is not always in the same place on the bottom of the site.

  Would be great if, since you have the possibility to apply the individual layer blending modes, if Photoshop could have a setting to somehow flatten the layer effects and layer in it is no self clean process and then place the layer flattened within the PSD as if you imported a transparent image as a TIFF or PNG. That's essentially what I do on the extreme side of tihngs manually if necessary. It would be great if there was a way to automate this type of functionality.

  Anyone know of any new or good method to deal with this sort of thing? Sorry for the long post, I tried to be as detailed as possible, I know, it is sometimes easy to misinterpret what someone asking this type of question. Thank you all for taking the time to read/answer!

  To answer your specific question, do not have a background.  Adobe has established rules for manipulating combinations of layer if there is no pixel backround of first, and you may find yourself quite reasonable with your transparent throughout the image pixels.  If you save an image in PNG format, for example, when a browser renders the image that it will perform its own process to "overlay" and pixels transparent (or partially transparent) won't do not (or only partially change) the colors of the pixels behind the PNG.

  -Christmas

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• How do I blur and follow the many faces in Premiere CS3?

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  I thank you.

  Here's another way to do this, and in a way that I think is a little more tidy:

  1. Create a sequence called "MATTE" with as many tracks as sides you need to blur, plus one.
  2. Create an oval or face shape chart using the titration, Photoshop or other graphic software module. Don't forget that the oval is a pure white, with a transparent background.
  3. Remove your video clip on V1 and then drag an instance of the oval design on each of the remaining tracks.
  4. Position and animate each graphic oval over a face. If the people in the shot are not mobile, but the camera, you can animate the position of one of the ovals, then copy and paste the path to the rest of the oval graphic instances effect. Then, change the anchor point property to adjust the absolute position; the relative animation remains consistent.
  5. When you are finished animating the ovals, turn off the visibility of your video background on V1 layer.
  6. In your final movie, place another instance of your video clip on a track directly above the first. Drag the sequence MATTE BAC on the track above the clip duplicate. So if your original video clip on V1, V2 would be a copy, and the MATE nested sequence will be the V3.
  7. Apply the Filter Blur/mosaic and adjust the settings to your liking at the occurrence of clip on V2. Add the matte key track effect and set the matte V3 (or anywhere where your MAST is) and set the parameter of Composite using Alpha Matte. Immediately, you should see matte work on the track.
  8. You can also apply a blur (for example, blur accelerated) to the element nested MAST in order to soften the edges of the matte a bit. Adjust to your taste.
  9. If you need to adjust the position of one of the 'faces', go to a sequence of the MATE and tweak it. Changes will automatically appear in the final sequence.

• How to resize the layers (and keep the properties)

  Hello to all and forgive my lack of knowledge of the AferEffects.  Currently, I got the task to my work to create a video for a display at a local arena.  The height of the screen of the arena is 36px.  I bought a model of Envato that I liked but resizing has been a problem.  I created a new composition for the appropriate specifications and copied the model layers in my new composition.  "Then I went to the size equal to the composition but noticed that there are layer 'points' and I guess that 'transformations or effects' ' are not scale with the height of the composition.

  Is there an easy way to resize the layers and all their properties to meet up to my composition?

  Thanks in advance and I promise you I won't go to the current on the use of AE, but for the moment I'll have to get finishing with searches google and help forum.

  Have you tried to use the script of the Composition of the ladder by going to file - Scripts - scale Composition.  Define a height 36, click scale and then copy and paste all your layers model comp above the 36 x 2760 model. Who should maintain relationships between all layer properties in the model.  Forgive me if I'm struggling to understand what you're trying to do, but a few screenshots of your comps might help illustrate your workflow.

  

• Imported into After Effects layers appear too dark compared to the Illustrator layers

  I designed a website in illustrator and imported the aftereffects layers to animate, but the colors are much darker. Images, Composition and size of the maintaining layer give the same results.

  Here are some screenshots:

  The first is the design in illustrator

  http://i.imgur.com/qX6S7XY.PNG

  The second is a screenshot after importation in AfterEffects

  http://i.imgur.com/wXXTFOs.PNG

  The blue and the image are extremely dark in comparison. I've never had this problem before, any help will be appreciated.

  As says Mylenium, albeit rather abruptly, CMYK is not a good workspace for the web or video. Work in CMYK mode for printing, if you must, but not for what it is intended for the screen.

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• question on the layer effects and filters - Jews Becker

  Hello

  I have a question about the layer effects and filters

  first is there a way to layer effects in flash (as in photoshop 'coup' "outter glow" etc...)

  so it is a kind of plug-ins to special effects - perhaps with particles or pretty effects that I can buy

  Thank you very much!

  (as you may have guessed I'm very new at this and appreciate all the advice I can get!)

  -Jews Becker

  You won't find anything exactly like filters in Photoshop for use in Flash. There are filters in Flash. They are available at the bottom of the Properties window for an object MovieClip or button on the stage. Alternatively, you can apply and animate a filter in Actionscript. There is a good third-party developer, http://www.greensock.com, where you can find a few effects tools very useful. Most are free.

• After effects pre composed the whole MVI_0000.MOV instead of just the LENGTH of the LAYER?

  Hey guys

  I'm working on a project in AE that involves the green screen.

  I'm having a problem with the COMPOSITION of PRE. Please keep in mind that I have done about 0 video and HAVE NOT suffered this problem so far.

  Now, whenever I try to compose Pre pictures green screen, after effects Pre composed the whole MVI_0000.MOV instead of just the DURATION of the LAYER.

  Thus forcing me to do things the long extreme way to find my points IN and OUT, that I'm afraid to do for audio, reason for synchronization.

  I feel like a one hit shortcut keyboard or something because I have not had to deal with this issue all the time I've been editing.

  I tried the things:

  removal of the preferences.

  Open a new project

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  Suite CS6

  MAC PRO

  the "Adjust composition duration the duration of the selected layers to ' in the dialog of Pre-composed was only introduced in CC if you CS6 and that you want to dial prior to the duration of the layer, you must take the long road that is:

  1. your layer should be cut like that

  

  2. While the layer is selected, you type Cmd + Alt + B so the work area be cut to the layer like this:

  

  3. you dial before with these settings:

  

  4. in your demo, you right-click on the work area and select "Trim Comp to work Area"

  

  5. you return to your master comp and feel happy with what you have done

  

• In any case to select and distribute the layer MASK?

  First of all:

  Bravo to adobe and being the scourge never in my professional life.

  Now:

  I want to use the button "Distribute Horizontal centers" to space out perfectly a few places I've hidden with images inside. There are six in a row (he is a Web browser) and they are each in a group with a text layer, a button that covers the image, and the image itself which is hidden for a square perfect with an edge effect.

  Naturally, when I select each group, even with the direct Selection, the value 'group' tool, distribute botches royally just work.

  Of course, I can order select each layer, but it is not to distribute what is visually shown, but all of the content of what is hidden, and seeing that I can't not order select each mask, it makes a selection, I turned to what to do. And no, I don't want to flatten each tile because I want to keep the raw nature of the adjustments and other file.

  Yes.

  I created a shape object, live text and a masked image. Created groups, related to all elements inside each respective group, selected all 3 groups and clicked p "distribute horizontal centers.  Worked fine, I understand your dilemma.

  Before you distribute:

  

  After: