First 7.1 patch broke my SOURCE multi-cam surveillance :(

Similar Questions

• How to activate the option 'create the source multi-cam sequence?

  I am trying to create a sequence multi-cam in an interview. I have an audio file (.wav) and two different camera angles (.mov). I point out all three and make a right click, but the option 'Create Source multi-Cam sequences' is disabled. I tried to switch to the Clip in the menu as well. No luck. How to activate it so I can create a multi-cam sequence?

  If you are in the first version of CS6, disable audio and synchronize your video with in or out points, cue or clip. I assume that you are earlier version CC as I believe audio disable "create the multicam source sequence. CC versions and beyond have the ability to sync with audio, so not sure as to why your option is grayed out.

• Problem of sequence Source multi camera PLEASE HELP!

  I merged the 3 cameras with sound using the sequence of Source create multiple cameras.  After that I merged it, I don't know why I can not select the "Multi-camera" button (which is gray) so I can choose the shot I want to use. Help, please!

  You can see a good tutorial on the entire process here - http://tv.adobe.com/watch/learn-premiere-pro-cc/multicamera-workflows-with-premiere-pro/

  The help page also step by step - using Adobe Premiere Pro | Multi-cam editing workflow.  I meant step 4. Create a target multiple camera sequence.

• Multi camera using an existing sequence already synchronized with the eyes of the plural

  Hi all

  I just tackle multi cam in first pro 2015 (fully updated)

  I watched an excellent tutorial from Colin Smith using the step by step instructions, but he began by selecting a number of clips in the tray. I managed to create a multi cam

  by using this method.

  BUT

  I already have a sequence that has been synchronized with the eyes of the plural. What I would do is multi cam this sequence, do not need to synchronize again.

  If I right click on the my original sequence in the bin, the sequence of source multi camera 'create' is grayed out. If I select "new sequence of the clip" a new sequence is created

  but I can't change the plans etc (nothing happens when I click record and click the scenes or use the quick access keys)

  So, my question is how to create a sequence of cam ready multi for editing an existing synchronized sequence?

  Thanks a lot for your help

  Chris Anderson

  If I right click on the my original sequence in the bin, the sequence of source multi camera 'create' is grayed out. If I select "new sequence of the clip" a new sequence is created

  but I can't change the plans etc (nothing happens when I click record and click the scenes or use the quick access keys)

  You are on the right track: right click on your original sequence. Select new sequence of the clip. Open in the timeline panel. Right-click on the video track. Select 'Activate blocking->' and then change the programe in blocking monitor view. Read the sequence and you click with your mouse on the angle desired in the program monitor should turn red. It work?

• dynamic links, body cs5-> AE cs5, multi-cam sequence problem

  It's strange. I'm working on an interview with two camera in Production Premium CS5. Does the standard stuff - a sequence source with both cameras, have some sex change here (synchronization of the two cameras, trim clips, etc.). Then nested in the source sequence in a multi-cam edit sequence. The multi-cam monitor allows to switch between cameras, etc.. Everything is good.

  But my publisher wants to make three separate videos of this interview. So the logical thing (so I thought in any case) would be of this nest muiti-cam change when in three distinct target sequences. So I couldn't switch camera made just once and slice-' n - dice all three target sequences to videos - short ' n-sugar that make my happy Editor. For the first target (a single question and answer). The result looks good in the body, and editor-in-Chief approves. All that remains is the addition of the lower thirds.

  Everything is fine until I go to export to AE via dynamic links so that I can add lower thirds and finish. What body sends to AE is not just my target sequence, but it also sends the multi-cam edit and the source sequence as well. But... he knows nothing and don't show me images of CAMA. BCAM appear not at all. Clearly, this does not work. But now I find that I can't even break the links. So I can not yet again. Sigh...

  Two questions: first, how does an export a sequence multi-cam edit via dynamic organization link to AE and do appear in AE-like it does in the body? In other words, what did wrong?

  Secondly, how can I recover it? Should I really delete my sequence target in the body and start over (and by extension, remove the AE project also)? No there is no way to break a dynamic link once it's done?

  --

  Bruce Watson

  Hi Bruce,.

  Jim already did you in the right direction.

  Common to follow way is:

  -You create your legacy third down.

  -you save. Do not export an intermediary (except your animation will not change, so you can export a file using RGB + alpha channel corresponding to your project in Pr or Avid or any editor)

  If you use PR, do not export. No prproject, no middle man, it's just save.

  -First, you choose file > Dynamic Link > import after effects composition.

  Then, in the opened window, you access the AE project where this model is.

  Choose the model, hit very well, use it like any other element of the source, IO in the source monitor or just put on a video track above your video in the timeline, like any other title.

  And don't forget to read the manual of articles about dynamic linking.

  They can give you a great insight to a fast and powerful workflow.

  And I'm pretty sure you can always use this knowledge in CS6.

  Greetings from Vienna,

  Felix

• Synchronization of four cameras with gaps in the timeline for multi cameras sequence

  I use Premiere Pro Trial CC to edit a multi camera concert. (The trial is just to see if the multi-came thing will work better than CS5) Since there is a limit of 30 minutes on four of my SLR, I have gaps in each of my deadlines of four cameras. All of these tracks were synchronized manually upward with a master audio track.

  In order to create a multi-cam sequence, I need to synchronize the video tracks 1-4, but so far have not been able to do. I tried to clips from each camera of nesting (so video 1-4 are all separate nested clips.)   I turn on the targeting of track for four channels of video and an audio track. Then I press 'I' to select a Point for the selected tracks. Not sure if this is how it works - just guess here.

  I then tries to 'Create Source Multi camera sequences' and tracks synchronization to aid 'In Points' on the nested five (4 video and 1 audio).   When I double click on the sequence of Source Multi camera to preview, I get four video windows appear, but the timing isn't right. It's as if they all were associated with at the beginning of the clip, not the markers that I put in front.

  So that's my problem. I can't synchronize these titles before creating a sequence of Source Multi cameras. I tried the synchronization of audio track, but it fails - too gaps to make it work, I think. I have no timecode. The only way I can think to do is to clip markers. Are some of these features disabled in the trial version?   Thanks for any help on this!

  MacBook Pro

  10.10.5

  Intel Core i7 2.8 GHz

  16 GB 1600 MHz DDR3

  NVIDIA GeForce GT 750M 2048 MB

  All of these tracks were synchronized manually upward with a master audio track.

  Then, with all your video tracks manually synchronize would with your audio master, you are ready. It would be a sequence with audio and 4 video layers. Now that nest, activate multi-cameras and turn on the multiple camera monitor in the program monitor and start your editing.

  --------------------------

  and if you want to try the other route-

  as for the creation of sequence of Source Multi cameras with points, place your points on your clips 4 source using the source monitor, you will only be able to get one on your audio files. That you establish for the created Premiere Pro sequence camera multiple source.

• Audio limitation in CS6 multi-cam?

  I try to use stereo audio of my source files when I create a multi-cam clip (I confirmed that the source files are indeed stereo because there is a different content on the left and right sides and when I put it that in a new sequence on its own the source will use 2 audio tracks).

  However, if I create a multicam video in the media browser and bring in a new sequence, the sound becomes mono and refers only to the left of the source files and pans that Center, which makes the unusable right.

  Is this a bug?

  If the right channel is on the A1, and the left channel is on A2, you must open the camera sequence multiple source in a timeline and select A2.

  Here is the part of the aid, I wanted you to notice:

  By default, Premiere Pro CS6 allows only to audio channel in the source multi-cam sequence. For editing multi-camera workflow, select manually before you change the sequence target of the other audio tracks. To activate the audio tracks to the sequence camera multiple source, follow these steps:

  1. Open the camera sequence multiple source by clicking on the icon to sequence multiple camera source in the project Panel, right-click (Win) or control-click (Mac OS), the icon, and then choose open in the timeline.
  2. Opens in the timeline. Select the audio tracks and then activate the other audio tracks by clicking on the button toggle track output for each audio track that you want to monitor.

  Now that your audio tracks selected are enabled, you can close the sequence.

  You should now be able to monitor the two channels that you cut your source multicamera sequence.

  Let us know if it worked for you.

  Help section: http://helpx.adobe.com/premiere-pro/using/editing-multi-camera-sequences1.html#id_60276

• First film edited with Premiere - proxy, audio questions and multi-cames

  I have several questions that I have not found in the videos and forums, at least not for my situation. I'm finishing the revision of sequences now adding comments in prelude and will begin soon to change it. Please excuse the long post.

  Background:

  I'm working on my first film, a documentary. Most of my work is 10-11 interviews, about an hour each. The majority is 4K Panasonic GH4, but some of the images is an Olympus MDGS EM5 II 1080.

  I recorded the sound using a LAV and a shotgun microphone, each goes in its own channel in a Tascam DR - 70 d, an external audio recorder, with a line going into the camera for reference. Audio and video files (at least one, since GH4 brings several) will have a slate tone to the head, created by the audio recorder. The recorder has captured the audio 24-bit, 16-bit audio captured camera. The recorder fooled also two other channels to lower 12db audio in the case of audio peaks.

  I will be changing on Mac laptop - 2013 MacBook Pro, OS 10.11.5, 2.9 Ghz Intel Core i7 memory of 16GB 1600 MHz DDR3, NVIDIA GeForce GT 650 M 1024 MB graphics card. I think I need to create my images 4 K proxies.

  All images is storage on my external drive of G. The interviews are separated and are located in the folders of each interviewee.

  The final project will be 1080, not 4K.

  Questions:

  Naming - being a hybrid, the GH4 breaks an interview of an hour in several separate files. Should I change the names of all files, or keep them in folders named in Premiere Pro? If I should change them, should I do it before swallowing?

  First synchronize audio and video, but since I have an audio file and several video files, I synchronize each video file individually or assemble them somehow, then synchronize? If each of these excerpts from the interview is sewn together, wouldn't that make editing more easy?

  When you create proxy for video files, also create proxy for audio files separate? Once synchronized, will be presented first the Hi output version of the resolution of the video and audio?

  Multicamera - in one case, I have an interview with two 1080 cameras. But for the rest, I've shot with a camera in 4K, so I intend to use a section cropped interview (zoom) when an important statement is mentioned, simulating a two cameras set up. Given that I have to create a sequence of multi camera after I ingest proxy files, first will be a problem activating/deactivating files proxy for the salvation of the res files?

  B - roll is added later, once the interviews are published about. It will be a few (not 4K) images and photos. Make the proxies of these too or first care to have all files proxy or a mixture?

  Finally, I have never edited a video which has been more than 10 minutes. This film could be of 40 minutes or up to 90. Everything I need to know to make the editing more smooth? I am a beginner!

  Thank you for bearing with me and thank you in advance for any idea!

  -SK

  1. allow only file names.  Make your organization with records (hard drive) and ferries (project).

  2. Manual of multi-camera method

  3. the audio files are small and will not need of proxies.  Export will always use the original media.

  4. possibly.  My first attempt was a disaster that froze the machine so badly, I had to do a hard reset.  However, you need not go back to the original of the sequence to make your cut-ins.  Proxy media will do fine work.  Simply place a copy of the plans at the 50% level in V1 and a second copy on the scale of 100% in V2 when creating the source multicam sequence...  Will allow you to see the full versions and then cropped the multicam editing.

  5. the photos no need of proxies.  If the B-roll change, make proxies for those.  PP not care a spirit to keep all the images the same.

  6. $ 2,000 custom PC vs $ 4,000 Mac Pro - YouTube

• Import a file XML Multi camera hangs in the first

  Hello.  I'm working with an imported FCP XML file which is a multi camera edit or as PCF called multi clip.  I'm only using 3 cameras.  Whenever I will select no changes on the timeline inside the first, I get the following error and then crashes the first: [/ Whitfield/MediaCore/Backend/Make/Mac /... /.. / Src/Sequence/TrackItemSelection.cpp-156]

  I use first 4.0.1.  I am running OS 10.5.8.

  Does anyone have any ideas?

  The first thing to try is to upgrade to version 4.1 of the Pr CS4.

  -Jeff

• Need help with multi-camera editing in first Pro CC/7.0

  I use 6.0 for a while now and had to install 7.0/cc, but now I can't find where to save the changes to multi-cames.  I have aligned my clips and created a new sequence and consistent multi-cam, I do not see the multi-Cam Editor.  Help, please!

  Hello

  The record button is virtue even menu button. Please add it to the section button in the program monitor.

  Kind regards

  Vinay

• Sequence of multi cameras went black (mostly)

  So, I edited three sequences of separate camera multi... They all was beautiful and I exported through media encoder. When I went to look at my files, one of the three was a really small size, and I noticed he was all black.

  I returned to premeir pro cc and of course this multi cam seqence was all black as well (except about 3 seconds of images in the middle of two different cameras). Now when I go back to the original (except the nested multi cam) sequence that is fine so I know that the clips are always linked in PP. Also, I can make a new cam multi of the original sequence and that is very good.

  I think that PP just F'd up... and unless someone can tell me how to go back in the file record history or something I'm flowing because first auto saved when I closed it last.  I'm seriously unprofitable as to why this has happened as it was fine when I went to export it... or at least almost immediately before.  Why are there 3 seconds of footage in the middle of all the sequences of black 47 min? and 3 seconds is from within a sequence of 10 minutes on the original UN nested sequence is not as if a single video file showing upwards.

  OK, so more about what happened that I want to spend my life with. Any way to copy edit them the points on a new multi cam sequence?  Does anyone have ideas, what's happened I can cancel?

  Thank you

  OK, so it's weird... so, the original UN nested sequence was 01:30 hours with 45 minutes of audio at the beginning unused. When I did my nested for multi cam editing sequence I selected the last 45 minutes and nested that.  Everything worked very well, but somehow during export it took my multi cam sequence and added within 45 minutes of audio virgins... so when I extended the sequence of cam multi at 01:30 there was all my videos... but my changes were all conducted on the top of the audio. Seriously stupid and certainly a bug!

  Is there an any file record history that I can come back?

  This looks like a bug in 7.0 that has been fixed in 7.0.1.  I recommend that you update to 7.1. In many if not most cases, the patch has corrected the problem in existing projects.

  This is the main thread about the bug: http://forums.adobe.com/message/5823746#5823746#5823746.

• workflow multi-cam

  I've recently upgraded from Avid and I am used to putting all my images in the source window and drop the clips in a timeline. in the first 6, I created a sequence multi-cameras with my audio devices and 2, I went through this sequence and created markers so I can easily find bites interview I want to use. My problem is this, when I put this in the source window multi-cam sequence, mark my in / out and drop it into my new timeline, I lose the mulit-cam property.

  I'm basically looking for a solid workflow that allows me to sync, mulit-cam sequences in a source window, which I can then pull clips from and insert into a timeline. If this is not possible, I'd love to hear how people work with sequences multi-cames that are just pieces of what will eventually become a larger edition.

  Thank you very much!

  Hey James. I'm not quite sure I understand what you're saying, but I think the essential and I think I have dealt with similar frustrations. That's exactly how I work with multicams in FCP 7 and Avid (i.e. sync audio and video tracks creating a multiclip, then load them in the source monitor, do the points of e/s and then only take pieces for the timeline) and me could not operate as well in PrPro.

  I know that there are two ways to make multiple elements in PrPro, the "old way" and how to CS6. This tutorial details how CS6.

  http://Provideocoalition.com/ssimmons/story/working_with_multicam_in_adobe_premiere_pro_cs 6.

  Have you used this method? If so, then I don't know what is wrong because it should work.

  But if you have used the 'old way' (synchronization of the elements in a sequence and then dragging this sequence in the timeline as a nested sequence (and not actually create a ' sequence camera multiple source "as explained in the tutorial)) so I wonder if you missed the last step. After you drag the sunc/nessted sequence in your timeline, you will have to then right-click on it and select "Enable multiclip."  No matter what chance you skipped this step, and you're not actually 'lose' the property of multi-came, you're just not him?

  I highly recommend the CS6 way, but because it's more like Avid and FCP 7 in that it creates a "multiclip" that opens in the Source you can then change down and use pieces. It was * almost * as good as Avid and FCP (even if I still of the oxen with how PrPro manages the audio multiclip, but that's another post for another day).

• A camera view several Clips, multi-cam Edit

  Hello everyone, in CS6...

  I have three views of camera, composed of several clips.

  Camera 1 is 7 clips

  Camera 2 is 5 clips

  Camera 3 is 7 clips

  Can I align them track by track and make 1 track video camera 1 video camera Track 2 2 & 3 track video camera 3?

  How can I carry out mounting multi-cameras with these?

  Thank you.

  You can create a sequence source multicamera and add clips afterwards. That's how I'd do.

  1. In the project Panel, select the first clip for all three angles.
  2. Right-click, choose Create Sequence of Source blocking
  3. Right-click on the Source making sequence and choose > open in the timeline
  4. When the sequence is open in the timeline panel, modify the remaining clips for their respective titles.
  5. In the multicamera target sequence, run the blocking editing session, as you would normally.

  I hope this helps.

• Multi camera: Z3

  Hello

  I have a compact Z3 and a Compact of Z3 tablet. Both have the multi camera installed function.

  However, when I allow it to touch their back to back, they are trying to connect for a long time, but nothing happens and finally a message to say that they are unable to connect.

  They are obviously grateful each other, but there isn't any multi-camera event.

  I tried three permutations:

  (1) multicamera beginning the Z3 compact and touch to the Table Compact Z3. This results in a long delay, then a pop-up on the Z3 Compact to say "Connecting to the Xperia" and a pop-up on the Tablet Z3 compact saying "collected a new tag: application/onlineremote ' which is repeated on several lines." Finally the Z3 Compact says that it cannot connect.

  (2) in reverse with the Z3 Compact Tablet first. Same again (1), just the opposite.

  (3) start the camera both application and select multicamera on both and then press them back to back. They try to connect and then eventually abandoned.

  Any ideas? I'm not as something exotic. They are the two models Sony Z3 with the default android on them and they have not taken root.

  Thank you

  Joe

  Hello

  So, an important update on that.

  I called Sony and they told me to delete the data files and the cache for the application of the camera on both devices. I did and it made no difference.

  Then they told me to factory reset the devices, how I've had enough of bad mood because I spent long enough to implement and Sony did not have a specific reason why this should solve the problem. I felt that it was somewhat a 'try this because we cannot think of another thing to tell you".

  Anyway, I didn't do that. What I did to, it's get to restart both devices over the next few days.

  Then I tried again, put the two devices in mode multicamera, before I tried to open the connection. And it worked.

  Thus, three options are available:

  • Reset the date/cache for applications.
  • Restart the device.
  • Retry the connection when the two devices are mode multicamera.
  • Or maybe just a combination of those three...?

  I hope this helps someone!

  Joe

• Multi-cam editing - switch cameras

  I am currently editing a multiple camera sequence, but a right click and select camera 1, camera 2, picture 3 in the Drop Down

  It takes time to scroll to the bottom of the drop-down list, and pass in the source window slows down the machine a little

  Is there a quicker way to switch?

  Even a keyboard shortcut would be useful...

  Thank you

  There are actually a multi-camera set view. You can add buttons to your monitor, the program for access to these or access the view with Shift + 0. If you click the sign icon at the bottom right of your program monitor, you can add recording and one button directly on his right to switch to the display of MC.

  To turn the cameras with a shortcut, you can press the number keys 1-9, and to cut the cameras during playback you can add Ctrl modifier to these keys. You can go into control panel shortcuts shortcuts keyboard and see what multi-cam already exist, and add your own commands that are not shortcuts already assigned to them.