Multi-cam editing - switch cameras

Similar Questions

• Multi camera editing workflow

  Hello world

  IM working on my first camera multi edit, after the shooting of a school with 4 cameras and 1 audio recorder concert. I synchronized them using plural eyes.

  I also know how to change in multicam - excellent videos available on the net.

  My question is, as the convert 1 HR 15 minutes, I do not want to run the multi camera monitor and change it to a full 1 hour 15 minutes, I can't do

  errors. Is there a way to do this in steps without having to split the project into a number of sequences?

  I know how manual edit, but obvoiusly it will take time for a 1 h 15 min run.

  Thank you very much

  Chris Anderson

  Hang on, I thought you said that online videos have been excellent!

  Do not change the blocking real-time sequences!  With the multicam sequence and the monitor, both open, you can switch between the two and use the tool rolling Edit (N) in the sequence to change the changes that you want to take sooner or later.

  You can do this as many times as you like until you are happy with it.

• First film edited with Premiere - proxy, audio questions and multi-cames

  I have several questions that I have not found in the videos and forums, at least not for my situation. I'm finishing the revision of sequences now adding comments in prelude and will begin soon to change it. Please excuse the long post.

  Background:

  I'm working on my first film, a documentary. Most of my work is 10-11 interviews, about an hour each. The majority is 4K Panasonic GH4, but some of the images is an Olympus MDGS EM5 II 1080.

  I recorded the sound using a LAV and a shotgun microphone, each goes in its own channel in a Tascam DR - 70 d, an external audio recorder, with a line going into the camera for reference. Audio and video files (at least one, since GH4 brings several) will have a slate tone to the head, created by the audio recorder. The recorder has captured the audio 24-bit, 16-bit audio captured camera. The recorder fooled also two other channels to lower 12db audio in the case of audio peaks.

  I will be changing on Mac laptop - 2013 MacBook Pro, OS 10.11.5, 2.9 Ghz Intel Core i7 memory of 16GB 1600 MHz DDR3, NVIDIA GeForce GT 650 M 1024 MB graphics card. I think I need to create my images 4 K proxies.

  All images is storage on my external drive of G. The interviews are separated and are located in the folders of each interviewee.

  The final project will be 1080, not 4K.

  Questions:

  Naming - being a hybrid, the GH4 breaks an interview of an hour in several separate files. Should I change the names of all files, or keep them in folders named in Premiere Pro? If I should change them, should I do it before swallowing?

  First synchronize audio and video, but since I have an audio file and several video files, I synchronize each video file individually or assemble them somehow, then synchronize? If each of these excerpts from the interview is sewn together, wouldn't that make editing more easy?

  When you create proxy for video files, also create proxy for audio files separate? Once synchronized, will be presented first the Hi output version of the resolution of the video and audio?

  Multicamera - in one case, I have an interview with two 1080 cameras. But for the rest, I've shot with a camera in 4K, so I intend to use a section cropped interview (zoom) when an important statement is mentioned, simulating a two cameras set up. Given that I have to create a sequence of multi camera after I ingest proxy files, first will be a problem activating/deactivating files proxy for the salvation of the res files?

  B - roll is added later, once the interviews are published about. It will be a few (not 4K) images and photos. Make the proxies of these too or first care to have all files proxy or a mixture?

  Finally, I have never edited a video which has been more than 10 minutes. This film could be of 40 minutes or up to 90. Everything I need to know to make the editing more smooth? I am a beginner!

  Thank you for bearing with me and thank you in advance for any idea!

  -SK

  1. allow only file names.  Make your organization with records (hard drive) and ferries (project).

  2. Manual of multi-camera method

  3. the audio files are small and will not need of proxies.  Export will always use the original media.

  4. possibly.  My first attempt was a disaster that froze the machine so badly, I had to do a hard reset.  However, you need not go back to the original of the sequence to make your cut-ins.  Proxy media will do fine work.  Simply place a copy of the plans at the 50% level in V1 and a second copy on the scale of 100% in V2 when creating the source multicam sequence...  Will allow you to see the full versions and then cropped the multicam editing.

  5. the photos no need of proxies.  If the B-roll change, make proxies for those.  PP not care a spirit to keep all the images the same.

  6. $ 2,000 custom PC vs $ 4,000 Mac Pro - YouTube

• Multi cam, video and audio at the same time ditto audio video"editing.

  Hi everyone, I'm multi cam edit a project I have but you want to use the audio of each camera while the camera is on show, so, for example if I showed the images of the camera 1 I would hear the sound of the camera 1 and camera 2, then if I cut to camera 2 I'd like to hear the audio from camera 2 and not camera 1. Is this possible?
  When I put in place a nest for a multi cam it brings the audio with the video but does not seem to use it in the camera selection.

  Can anyone help?

  Thank you
  CJ

  

• Complex issue of multi-camera editing

  I have a question of several camera.

  I have the following clips:

  1 video clip continues with audio

  24 with audio video clips taken at different times (from different angles and close ups) catches throughout continuous clip

  4-track mono mic that extend over the entire period (4 different microphones placed at various locations in the room)-they are defined as mono in the settings of the element.

  1 stereo audio clip which extends over the entire period of audio recorder separate

  When I create sequence multi-cam, audio-based, it does not complain and creates the element multi-cam.  However, when I put in a sequence, I have 26 audio tracks. Many of them are empty.  I have no audio at the beginning, although I see the video game.  The audio tracks I see seem to be all stereo, with his fate only one side.

  Is there any special way working to combine the sequence above in a multi-came track, where I can change camera angles that I prefer and then mix the audio based on who speak - IE spend an audio 7 sources and sometimes to mix some of them at different levels?

  Most of the videos I've seen does not appear to cover this level of complexity of clip, so really doesn't help.

  Any suggestions gratefully received!

  Thank you

  Dave

  What I do is manually synchronize everything in a sequence, then alt - select the video (and not audio), then right-click and embed the video tracks. Then right-click on this nested track and choose Activate/multi-cam. Now I can make multicamera on photo editing, and audio tracks are intact. I mix and remix audio to my heart's content.

  There are 2 drawbacks to this method, but for me they are tolerable. 1, you must get the synchronization just before you nest, otherwise it's a mess. 2, by balancing the sequence, you have to be sure to cut all the audio tracks at the same time to maintain synchronization.

• Rolling edit and trim trimming in multi camera sequences.

  Hi all!

  I'm having a problem that is quite frustrating. I work with a sequence of cam multi and I make my changes and everything is fine and dandy... Until I try to move an amendment with a rolling edit or if I'm trying to extend a clip.  The edict is delayed for about three seconds and then just appears where you released it.  It makes it very difficult to make changes of fine adjustment.  This behavior continues even after I flattened the Multicam and after that I'm "Multi caméra" to "Video Composite".

  I noticed this on my mac 2013 pro (trash) and my 2011 macbook pro, the two Prime Minister running Pro CC2015.  In the same project, sequences that are NOT multi cam does not exhibit this behavior. 

  Am I missing a setting or something, or is this a new bug?

  First Pro CC 2015.0.2

  Mac pro end of 2013

  3.5 GHz 6-Core Intel Xeon E5

  16 GB 1866 MHz DDR3 ECC

  AMD over-pants D500 3072 MB

  Thanks for reading,

  ISH.

  Hello

  Go to the timeline panel > icon key and uncheck the option "Composite overview for Trim.

  Vinay

• having trouble getting multi camera edit to work in cs5

  I was follow Premiere pro cs5 classroom in a book, trying to get a mutlicam to work. I breed clips and never get the screen of the multi device it shows multi cam is turned on but has only verified one camera. I tried to highlight all or only one or none before still no nesting editing screen. What I am doing wrong? all ideas

  Hey Dano,

  See if this video helps you:

  Thank you

  Kevin

• Impossible to edit AVCHD in multi-cam on CS6

  Hi all. I'll be very grateful if I get answers to my problem here.

  I have 3 Sony NX5 cameras and records full HD (1920 x 1080).

  AVCHD 1080p25.

  I need to edit these clips on several cameras because keep 3sets of the same project is huge on the use of my HARD drive.

  So, I need to edit these clips into one, because I can't compress the video until this used for final production.

  When I add it to a native timeline, I get the yellow bar and my video is still not ok.

  But when I get to the editor of several camera, the video jerks horribly.

  Each attempt I do breathtaking clips takes effect, but I don't even see that I'm a hack.

  I thought it had something to do with the rendering engine of reading, so I proceeded to get a third party plugin Rovi TotalCode.

  Rovi TotalCode eliminated the yellow bar on the sequence of CTI and I thought I was on my way.

  Unfortunately, several cameras still does not improve.

  My files were correctly copied from the record of media on my HARD drive (the entire structure, not only clips)

  Curiously however, when I checked my settings in sequence of scenes, the ARRI cinema bed editing Mode.

  I have never taken note of this because the sequence originates and the video reads normally again on this subject.

  Its only when it gets to the Multi camera t chronology

  He will probably solve the problem, but without sitting in front of your machine and its use, there is no way I can say with certainty.

  I will not say, he must be an i7, but if you upgrade to be able to change with this support, I recommend highly, especially the 4770 K.  It gives you the power to edit quite easily.

  I also recommend spreading the load of disc for a system of editing out of the following way:

  C: OS/programs

  D: projects

  E: cache / Scratch

  F: media

  G: export

• Multi-Cam Student Edition

  Where is the "Multiple camera monitor" option for the student edition?

  VNext wrote:

  Where is the "Multiple camera monitor" option for the student edition?

  Hi Vnext,

  In first Pro CC, there is no multiple camera monitor. You use the program monitor. This blog will guide you through it: equence-with-clips-synchronized-by-audio.html http://blogs.adobe.com/premierepro/2013/04/a-quick-walkthrough-of-editing-a-multi-camera-s

  FYI: all editions of Premiere Pro are the same. There is no "student version" in itself.

  Thank you
  Kevin

• A camera view several Clips, multi-cam Edit

  Hello everyone, in CS6...

  I have three views of camera, composed of several clips.

  Camera 1 is 7 clips

  Camera 2 is 5 clips

  Camera 3 is 7 clips

  Can I align them track by track and make 1 track video camera 1 video camera Track 2 2 & 3 track video camera 3?

  How can I carry out mounting multi-cameras with these?

  Thank you.

  You can create a sequence source multicamera and add clips afterwards. That's how I'd do.

  1. In the project Panel, select the first clip for all three angles.
  2. Right-click, choose Create Sequence of Source blocking
  3. Right-click on the Source making sequence and choose > open in the timeline
  4. When the sequence is open in the timeline panel, modify the remaining clips for their respective titles.
  5. In the multicamera target sequence, run the blocking editing session, as you would normally.

  I hope this helps.

• Would this workflow to accelerate the multi cam editing work?

  Hey, I work with a really terrible computer and use a couple of low-definition camcorders for multi-camera filming so far. The computer can do almost in front, and I am patient enough to work with her at the moment. I'm about to upgrade to HD camcorders and probably add a couple of cameras to the next bit of stems. This will certainly cause the multicamera editing grind to a halt, so I was hoping to come up with a bit of a workaround.

  Would the following work:

  1. Convert all HD streams down to low definition (including audio without decommissioning)
  2. Import and align the stream of low-def (sequence1)
  3. Run through shoot and choose the camera angles for the entire sequence (multi-cam)
  4. Replace low-def with original HD images (using the right-click-> "replace sequences... ("in the source window)
  5. export the multi-cam sequence.

  It is not important that the changes between the cameras are on exactly the same frame in two sets of video - just need to they are roughly the same second.

  Try your own workflow suggested for your self.

  It work fine but of course its a lot of time to create the proxy files and can be cumbersome in line with their return.

  Use some kind of TC in your workflow. for example, paste TC to your proxies.

• Need help with multi-camera editing in first Pro CC/7.0

  I use 6.0 for a while now and had to install 7.0/cc, but now I can't find where to save the changes to multi-cames.  I have aligned my clips and created a new sequence and consistent multi-cam, I do not see the multi-Cam Editor.  Help, please!

  Hello

  The record button is virtue even menu button. Please add it to the section button in the program monitor.

  Kind regards

  Vinay

• Problem creating Multi Cam

  I'm having a problem around the creation of a multi cam.  I don't know how to explain it so I'll do my best.  I have a created a multi cam clip.  I'm cutting into pieces for a sequence.  The first piece I cut in the timeline went perfectly.  As a single green clip.  If I can edit seamlessly from camera to camera.  Now I have later in the clip camera Multi and train to cut another piece in the timeline.  There are two clips on top of the other and two beds audio now for some reason any.  What makes it more of a pain to switch between camera angles.  Why it does this now?  I'm sure that this is a user error, but I don't understand what is happening and I've done it before with number.  Any information would be helpful!  A PERIOD of really bad you need a very long piece today!

  Click the icon to the left of the magnet, the title sequence of the timecode.

  (By the way, there no such thing as a multicam in PP clip that uses nested for work multicam sequences.  Clips and sequences are different.  She supposedly has a multicam sequence.)

• dynamic links, body cs5-> AE cs5, multi-cam sequence problem

  It's strange. I'm working on an interview with two camera in Production Premium CS5. Does the standard stuff - a sequence source with both cameras, have some sex change here (synchronization of the two cameras, trim clips, etc.). Then nested in the source sequence in a multi-cam edit sequence. The multi-cam monitor allows to switch between cameras, etc.. Everything is good.

  But my publisher wants to make three separate videos of this interview. So the logical thing (so I thought in any case) would be of this nest muiti-cam change when in three distinct target sequences. So I couldn't switch camera made just once and slice-' n - dice all three target sequences to videos - short ' n-sugar that make my happy Editor. For the first target (a single question and answer). The result looks good in the body, and editor-in-Chief approves. All that remains is the addition of the lower thirds.

  Everything is fine until I go to export to AE via dynamic links so that I can add lower thirds and finish. What body sends to AE is not just my target sequence, but it also sends the multi-cam edit and the source sequence as well. But... he knows nothing and don't show me images of CAMA. BCAM appear not at all. Clearly, this does not work. But now I find that I can't even break the links. So I can not yet again. Sigh...

  Two questions: first, how does an export a sequence multi-cam edit via dynamic organization link to AE and do appear in AE-like it does in the body? In other words, what did wrong?

  Secondly, how can I recover it? Should I really delete my sequence target in the body and start over (and by extension, remove the AE project also)? No there is no way to break a dynamic link once it's done?

  --

  Bruce Watson

  Hi Bruce,.

  Jim already did you in the right direction.

  Common to follow way is:

  -You create your legacy third down.

  -you save. Do not export an intermediary (except your animation will not change, so you can export a file using RGB + alpha channel corresponding to your project in Pr or Avid or any editor)

  If you use PR, do not export. No prproject, no middle man, it's just save.

  -First, you choose file > Dynamic Link > import after effects composition.

  Then, in the opened window, you access the AE project where this model is.

  Choose the model, hit very well, use it like any other element of the source, IO in the source monitor or just put on a video track above your video in the timeline, like any other title.

  And don't forget to read the manual of articles about dynamic linking.

  They can give you a great insight to a fast and powerful workflow.

  And I'm pretty sure you can always use this knowledge in CS6.

  Greetings from Vienna,

  Felix

• All clips in my sequence of multi camera went black

  After spending a long time, editing a sequence of multi cameras, all the clips have now gone black. The waveform has disappeared, but the audio is not yet. Other clips on the same timeline, including another sequence mulitcam all seem to be good and I can't identify exactly where it happened in what concerns the measures I did.

  The last element in the sequence multicam has diagonal white lines through it. I don't know if this is related? Online forums suggest it's something to do with the insufficient media, but I don't really know what that means. The camera angle ends before the other, it's the only thing I can think of that would cause the white lines.

  I have attached some sceenshots I hope clearly the question - can anyone help? I'm desperate: I lost several hours of work! Thank you!

  I have it solved! (With the help!) It turns out that the original source multicam file has been deleted. I was able to return to a previous AutoSave and import it into the current version of the project and add a link to my sequence for it. So relieved to have solved this problem without having to re - edit. Thanks again for the help!