How better and easy to capture VHS for editing in Premiere CS4?

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• This Configuration of the laptop will work for editing with Premiere CS4 ACVHD?

  Here are the specs that I have configured:

  HP Pavilion dv7t customizable Notebook PC
  

  EPP_00_XY757AV

  • black cherry
  • Genuine Windows 7 Home Premium 64-bit
  • Processor Quad Core of Intel Core i7-740QM (1.73 GHz, 6 MB L3 Cache) w/Turbo Boost up to 2.93 GHz
  • 1 GB DDR3 graphics ATI Mobility Radeon (TM) HD 5650 [HDMI, VGA] - for Quad Core Processors
  • 8 GB memory (2 DIMMs) DDR3 system
  • 1 TB 7200 RPM double hard drive (500 GB x 2) with Protection for hard drive HP ProtectSmart
  • No additional desktop software
  • No additional security software
  • Battery 6 cells Lithium-Ion battery (standard) - up to 5.0 hours +++
  • 17.3 "diagonal HD + high-definition HP LED BrightView Widescreen Display (1600 x 900)
  • Engravers Blu - ray and DVD SuperMulti burner
  • Webcam HP TrueVision with digital Microphone built-in
  • Intel 802.11b/g/n WLAN
  • Standard keyboard
  • HP Home & Home Office store other envelope

  I need a laptop to help with time I'll be traveling and need to get out the videos in the night.

  Thanks in advance for any help provided.

  Al

  Well, if I were to buy this model I would intensify the processor i7 - 2620 m for only $95, plus you get a helping hand from 2.0 GHz to 2.7 GHz.  CPU is the most important point for NLE.  If for any reason any you are not upgrading CPU, cut back on the graphics card to the GT 550 M

  How do you meet the minimum requirements of system Adobe Premiere of 2 hard drives?  I see that they offer a second option.  If you are sure that it does not require a Dell in car of the brand and that it requires no additional hardware to install it you might be able to do it yourself which would be a bit cheaper, but there are two risks I mentioned.

  Post edited by: Bill Gehrke

  Sorry I missed yout hard dtrive x 2 in the description.  I see that you are covered here.

• How to properly configure a graphics card for SpeedGrade, Adobe Premiere Pro and After Effects?

  Okay, so I have the following system configuration:

  2 NVIDIA Geforce GTX 970 s

  5960 X CPU

  MSI X 99 game 7 motherboard

  32 GB DDR4 RAM

  256 GB and 1 TB Samsung 850 Pro SSD

  Basically, even if I have the whole system built together, I'm not sure how check and know whether or not Adobe Premiere Pro is in fact using the map graphic or not.  I know it has to be using some of them, otherwise it would not run correctly (as I discovered a recent experience).  However, I don't know if there is, perhaps, some settings in the NVIDIA Control Panel that must be configured so that Premiere Pro can use the card to its full potential.  Here's an example of what I'm talking about:

  

  In other words, they are (I'm sure) all of the default settings of the Control Panel applies to Premiere Pro.  However, I don't know if there are any parameters here that I should change or not.  So what I'm looking for an answer to this question:

  • What parameters, if any, should change for Premiere Pro (as well as other adobe applications that can use all the force of the 970 GTX)?
  • How can I check the GPU activity it is applied during rendering?  (For example, I can check with the Task Manager, CPU usage while I made to see that it is used at 100%).
  • If, perhaps, something goes wrong and even with the right settings, say that the card still is not fully used, what other settings can I change to ensure that the GTX 970 is fully used by Adobe first Pro/After effects/SpeedGrade CC 2014?

  If you want a reference point to measure the performance of Premiere Pro to your: drive system, GPU and CPU use our first Pro BenchMark (PPBM)

  When you finish running the test and then run the script, you will get this report

  

  In this case the result of my laptop (with a GTX 765 M GPU and SSD drives)

  1. The disk performance are explicit.
  2. Number 2 is a very complex timeline of seven layers with heavy assistance from CPU and GPU, without hardware acceleration GPU (processor only) should be longer than 1350 seconds.
  3. Three above is a measure of a chronology exaggerated using many, many GPU MPE accelerated effects and characteristics using a GPU to 99% of load (54 seconds above) and an export-only CPU of the same timeline (802 seconds).

  If you want to compare your results to others, that you need to register on the site PPBM7 to see the results.

  EDIT! I corrected the number 2 above originally, I said 900 seconds, but he was really longer than 1350 seconds

• Best export settings Full HD for YouTube using Premiere CS4

  Dear all,
  In advance, thank you for your time.
  I'm downloading sports videos on YouTube especially snooker.
  http://www.YouTube.com/watch?v=s5qyGPld8U8
  The videos are captured with a video camera high quality and then edited with Adobe Premiere CS4.
  Can I ask two questions:
  1. who are the best export settings for Youtube if you use a file of source Full HD (1920 x 1080) at 30 frames per second?
  For the export file, I use the same width and height that the source file is 1920 x 1080.
  However, the original file is shot at 30 frames per second, but I read somewhere that I have included use 59,94 frames per second for the export file, and it seems to work even if it doesn't sound right, it :-)
  My current settings for my export file are:
  Video settings
  Main Concept H.264 video
  Width and Height: 1920 x 1080
  FPS: 59,94 frames per second
  Pixel Aspect Ratio: Square Pixels
  Profile: hand
  Level: 4.2
  Flow settings
  Encoding Bitrate: VBR, 1 Pass (I also use 2 because there is no worse that it takes just as long to return, pls correct me if I'm wrong)
  Target Bitrate: 4.8
  Maximum flow rate: 8.2
  PLEASE PLEASE FIX THE ABOVE SETTINGS AND EXPLAIN WHY IF POSSIBLE, THANK YOU MUCH :-)
  2 is it normal that the video export plays a lot on my PC but when uploaded to YouTube it jumps frames and it seems a little choppy?
  I watched a lot of clips on YouTube in 720 p or 1080 p and v seemed good, when I looked at my that he wasn't playing as well as it does on my pc.
  Should I keep in mind to help the YouTube Player by chnaging my export settings.
  If you please comment on the above and also watch my videos for your comments on how to improve the quality.
  THANK YOU FOR YOUR TIME!
  Best wishes form Athens Greece
  Snookergr

  You are welcome

  interlaced was sorta invented for use with the tv broadcast and the quality is very good and sometimes even better than progressive (even today) if there is a lot of 'Action' in a scene (less blur in the individual images if you look at the individual images to compare)... also, most DVD to date were burned of interlaced footage and many blue ray are too...

  The DVD or blue ray player can understand what type of tv it is connected to (widescreen digital tv or old crt 4:3 tv) and deliver the right signal to make it all good look...

  So there is no need to think progressive isn't automatically BETTER interlaced... it depends on a lot of things...

  lets see if Ann weighs with cs4 settings for you... then read you these files pdf, hehe... you'll be an expert in no time!

  PS... If you are interested, check out the news of color samples (you YUV and 4.2.0

  I mention this as it might be more useful late re: reproduction of the right color on your exports (your color of youtube has been a little more 'saturated' IMO... very very green and very very red)... then at some point maybe that can be fixed up a little bit too...

• How to import video from a dvd to edit in first CS4

  I have some old DVD that I created and now do not have files or original projects.  How can I retrieve the video on a DVD to edit first?

  Thank you

  try to drag the vob files from the dvd to your hard drive and you can rename it with an extension "mpg" and then put in the editor.

  PS... as the files are highly compressed mpeg 2. 'display'.to only... they are perhaps not so great for 'Edit'... not intended to be edited... but that's another question

• Ciniform is always the way to go for HD on Premiere CS4 editing?

  Hi all

  I may have an opportunity to make a film India shot in the P2 HD 1080 p.  However, I have a few questions...

  0 can you Premiere CS4 read and edit MXF files?

  1. I don't know if my first CS4 it system will handle natively without using an intermediate codec as Ciniform. The files have already been transferred to an external drive that I'll then copy the video player my systems. Here is my current configuration of the system:

  . First CS4

  . Windows 7 x 64

  . 12 GB DDR3 ram

  . Image Intel 920 processor

  . 1 TB (2 x 500 GB) video player

  . disk of 1 TB (2 x 500 GB) of storage.

  2. the customer is not sure that cadence, the clip was shot in 24 p or 59 p. Is there a way to determine the correct frame rate so I can choose the first screening in good? I may be able to use VLC to view codec information.

  PR CS4 publishes P2 media like butter.  P2 one of the best HD codecs to modify.  MY HUMBLE OPINION

• How Patch and update 5.0 ESXi free edition

  Hi VMware Support Team,

  I use the free version of VMware ESXi 5.0, just a few day back I received an e-mail from VMware that there is a patch available for download to solve the question of iSCSI. I want to update the patch, but do not know how to do, need your help on this.waiting for your replay soon.

  Thanks in advance

  Parthasarathi Dash

  esxcli command cannot be used directly on the shell of esxi.

  update in my post perivous download vcli tool and install it on your desktop or a windows server, were esxi is available.

  and run the command that you will succeed...

• lock audio for editing in Premiere Elements

  I'm creating a slideshow with Pan and zoom so that importing video clips.  I created a "Bo" with music imported audio titles 2 and 3 and manually 'mixed' music for the audio clips appear "staggered" on the timeline (that is, a partial song on the track 2), following partial song on track 3, next partial song on track 2, etc.  I manually entered time markers for my planned video changeset (as I did for all my projects NLE software on other platforms).  However, every time I shorten a video clip, all the contents of tracks audio 2 and 3 moves left proportionally.  And of course then my time for the rest of the project markers don't line up.  It's completely maddening.  I can't find a way to "pin" or "lock" the audio tracks in the timeline. It is not even a video accompaniment for these tracks - just music.  Whenever I have shorten a clip to match the beat, 'the most' me and moves all future audio out of sync. And I have to shorten each clip because, for still images, the duration of the clip is defined when the stills are 'imported' to the project.  There must be a way to disable this audio floating.  Any ideas...?  I would be grateful...!

  Welcome to the forum.

  Unfortunately, pre does not lock the tracks, as does PrPro. I asked for this feature for several years and for each new version of pre, because I believe that it is very important and useful.

  Usually, I added my Bo as the last thing I do, just before I / the share of exports, so it doesn't bother me that much, but do what you are, or if you're doing a music video, then being able to lock these Audio tracks (I Lock the video tracks in PrPro too often), would be such a useful feature.

  We will seek a way to get what I think you want, as a few extra steps could make life a little easier. You have your 'mixed' on two separate Audio tracks Audio Clips. You have edited them, as you wish. I would think any export/share JUST the Audio to 48 kHz 16-bit PCM/WAV format. That effectively blend your two tracks of Audio in a single stereo file. Then you can import the output file in your project, by replacing the two tracks of Audio Clips. In a single file, it won't move, when you change your video. Two things to consider: in the output file, you will probably lose your markers to beat, but can add those back, and when you go to edit the Clips, which are "covered" by the other Clips, some of the change in functions do not work, just as they did when they were not covered, such as delete and close Gap - the gap will not close. It would be even, if you had a video Clip above that you were editing. Still, for most editing functions, which is not a problem, but that will depend on how you edited your Clips at this point. For still images, you can Ripple edit and change up/down time, as needed. If you work with video Clips and have enough additional images (called handles, when dealing with Transitions), you can do the same thing with them. If they don't have adequate management, you may have to mix things up a bit everywhere.

  By exporting/sharing the Audio in a single file, you have, in essence, locked this Audio track.

  As a side note, some users have met problems with both of the fixed Audio tracks, music, and Narration. The usual "fix" is to use one of the 'regular' free just Audio tracks - just like you have already done. I refrain from using the soundtrack or Narration (though I've never had these problems), because so many others have reported them.

  Good luck, and maybe, we will all be lucky, and Adobe will honor some feature to track locking requests.

  Hunt

• Text templates created in After Effects for editing in Premiere Pro can be installed on an another workstation that has no After Effects installed?

  Hello

  I'm trying to compile and install simple lower third templates to be installed on computers used by producers 50 +. The models that I created and installed on my Macbook (using this workflow How to create templates for Premiere Pro text |) Adobe after effects CC tutorials) work very well, but if I install it on Mac with first Pro ONLY (no installed AE) we see offline. Are these models can be installed & changed text on a workstation without AE? Or AE needs to be installed to operate?

  Thank you

  
  Scott

  After Effects must be installed. It's just like any other item based on dynamic links: After Effects is called behind the scenes to render the results.

• What is the best intermediate codec should I use for editing in Premiere Pro CS6

  I am a photographer at video edting and unfamiliar with codecs. I work with video Time lapse 1920x1080p generated by Lightroom 4 through LRTimelapse, which uses the H.264 mp4 codec.  My video clip features movements of a camera bump that has stabilized through Warp, but there also slowed a little need to reach a specific length. String and time remapping can be done on the same sequence, so I think I need to export the clip stabilized string in an intermediate file, re - import in to the body and then slow down the clip. I tried MXF OP1a: class AVC-Intra 100 1080. Video re-imported mxf blurs when previewing, but is strong when the clip is stopped.

  1. What is the best intermediate codec for further editing?

  2. is it important what order are stabilizing Warp and time remapping?

  3 or is there a better way to stabilize AND slow down a clip?

  System

  iMac 27 i7 2.8 GHz quadruple-heart, Os X 10.8.2

  You don't need to export to an intermediate file.

  Add timeremapping, right-click on the clip and the nest, and then adds the string.

• Satellite P10: How unzippe and install the drivers

  Dear friends

  a the can advise me.
  I load updates but I've never used winzip before but my xp Wizard did it for me.

  Have put them in a folder, I have no idea how to install them.

  I have installed many programs before but not of record

  Thanks colin

  Hi colin

  It's very simple. You must first install the WinZip software. You can also use the WinRAR.
  The WinRAR does the same job as Winzip but in my view it of much better and easier.

  So as said install WinRAR, download driver Toshiba and unzip the folder of the driver!
  Then, you will get a new folder with the driver inside.

  Access the new created folder and complete the driver installation.

• W700 for editing

  Hi all!

  I'm ready to update my HDD W700 stock (160BG 7, 200rpm) with something faster. I was thinking to get a SSD for the system disk (operating system and programs) using the Ultrabay HDD caddy that I no longer use the DVD drive and set the W700 raid0 for editing with a few discs of 500 GB 7 200 RPM.

  I was wondering if the connection used on housing ultrabay for the DVD player has the speed of transfer as well as for hard disks. anyone has any experience setting up 3 hard disks on the W700?

  An SSD in the Ultrabay W700 housing is able to operate in mode SATA 300.

  See here: http://picasaweb.google.com/tinkererguy/W700, especially this one: http://picasaweb.google.com/tinkererguy/W700#5356186632235284034

• Which Codec to use for editing?

  Hello world.

  I have some pretty big decompressed files whose first pro is faced with. The files are only 02:20 seconds but 20 GB in size with a flow 1244163 Kbps. My computer can be read, but it is not smooth. Because I add effects and work on different video tracks, I think it's a good idea to encode this movie before editingh with her in first.

  So I was wondering what is the best codec and wrapper to encode with for editing? Any help is greatly appreciated.

  Thank you

  Kevin

  I would probably go with the 175 DNxHD codec, maybe the 175 x (10-bit) if the source warrants.

• I have a U135 DX netbook with a built-in webcam. How can I find the cam and I press these keys for easy access

  I have a U135 DX netbook with a built-in webcam. How can I find the cam and I press those keys for easier access please PS I'm not a manual.

  You can get a manual here.

  http://www.msi.com/product/NB/U135DX.HTML#/?DIV=manual

• How to save downloaded and open the PDF directly into my laptop, compared to saving the file in the cloud? Can I remove DC and install Acrobat Reader, which is thin and easier to use for my needs and much, much more secure?

  Somehow, I downloaded and installed Adobe alleged DC update for the existing acrobat Reader installed on my laptop.

  DC app has been a disaster for me in terms of generation of convoluted navigation and extra work.

  In addition, I do NOT trust or want an application based on a cloud because of the deep and hard-learned risk, privacy and security, as well as the occasional loss of connectivity online and access, what urgent needs can get GROUND in terms of use of such an external cloud-based application.

  Issues related to the:

  [1] how to save a PDF downloaded and open directly on my laptop, a report file to save the file in the cloud and then copying it in the folder of the laptop? This process in several steps inside the DC is a frustrating PITA, as Adobe Acrobat Reader has been sufficient for my needs.

  can [2] Alternatively, I remove CD and install the latest version of Adobe Acrobat Reader, which is thin and easier to use for my needs and much, much more secure?

  Thank you very much in advance for the help and deliberate in a timely & the readers attention. Today is Tuesday, November 3, 2015.

  Kind regards

  Stephen H. Franke

  E-mail: shfranke@hotmail... com

  Hi stephenf95557665,

  (1) you can simply save the file on your computer as allows you to save in the older version of the player, it is not necessary to register I your cloud of document.

  If you save the file to the document cloud, you will be able to access any system from anywhere.

  (2) If you still think earlier version users need, then they can probably uninstall the last being & reinstall the old version using this link http://get.adobe.com/reader/enterprise/

  Kind regards
  Nicos