Hyperion - wearing a mask

Similar Questions

• In RGB mode, why paste 50% gray in a layer mask actually put K 59% in the mask?

  Create a new (small) document in RGB mode, 8-bit, transparent background.

  Fill the layer 1, resulting with 50% gray, 100% opacity.  The reports = (128,128,128) RGB eyedropper.

  Copy the layer to the Clipboard.

  Create a new layer 2. Fill it with green #00ff00 (content doesn't really count).

  Add a layer mask to the layer 2.

  Wear this mask during installation.

  Paste the contents of the Clipboard.  The pipette noted the content of the mask as K 59%.

  I expect 50% gray (or K 50%). Why have I not 59% K?

  Additives:

  I'm using CS3 on Mac. I didn't get to see if the same thing happens with newer versions of PS.

  Apply the layer mask in the layer 2. Excerpt from the transparency in a new layer.  The pipette gives the RGB of the

  new layer as (106,106,106), with pixel-by-pixel variations plus/minus 1.

  Take the difference between this new layer and layer 1; the pipette gives the RGB difference as (22,22,22),

  Once again with variations of plus/minus 1.

  Paste the contents of the Clipboard into a new layer.  The pipette gives this new RGB content

  layer as (128,128,128), both without and with a black & white adjustment applied.

  Create a new layer, add a layer mask, fill the mask with 50% gray. The pipette gives the content of

  the new title (128,128,128) (now as expected) master.

  The 50% gray used above is just for simplicity. I am really interested in inserting a complicated RGB

  image containing only shades of gray in the layer mask. This example shows that the collage will not

  preserve the levels of gray. Indeed, when I replace the first 50% of grey with a black and white gradient.

  the differences between the initial gradient and in the mask included roughly quadratic between 0 to 0,

  22 128 and 0 to 255.

  It is a grayscale image, interpreted according to your work of gray.

  Use Gray Gamma 2.2 and you will get 50%.

  EDIT: actually I think you could use sGray, who has the accurate sRGB transfer function - which is not strictly a pure gamma. But it wouldn't be right with for example Adobe RGB.

• Purpose of track and zoom green screen?

  I have two shots, I'm trying to merge.  One is a handheld zoom and travelling of a person wearing a mask, and I'm putting an ORB that I green projected onto the front of the mask.  I had tried to animate the sequence manually, but decided to try after effects CC because it seemed that it would be a simple solution (as an anchor to a 3D point).  I was not able to find a solution that works well, but the closest I came is to create a tracker of the camera but do not compensate for the zoom when I move the layer of the orb to the solid that I create.  I hope it's just something simple I am missing! Thanks for your help - Andrew

  The simplest solution is that if you see the shots. Here are some things to consider. Point of view is controlled by the position of the camera, focal control framing. You try to mix a mobile camera with an evolution of the focal length. This means that there is a problem immediately top with perspective. Maybe it's not important because I'm not sure of what look like your shots. So it is this hand held shot of a person wearing a mask and that they walk so the camera and the person are moving. Then there's this orb that was shot on a green screen that you want to attach to the mask. You are zoomed out of the person while the perspective shifts across shot because the camera is moving and the perspective of the person moving in the changes of shooting because they move around the scene and the scale or the framing of the picture changes because you are zooming. Then you have an ORB (something spherical) you shot with a camera locked for perspective and framing does not change. When you say you want to put the ORB on the forehead of the mask I'm picturing the composite final as a shot of an actor wearing a mask that has some sort of jewelry that looks like an ORB and the actor is walking toward the camera while the camera zooms in. If it is we break down what is happening in the shot and the challenges that await you.

  Let's take the ORB first. It is a locked low blow so there is no problem to change perspective or the change of scale (zoom with camera) deals. The only thing you can do is hope that the prospect of the ORB is close enough to the prospect of the actors face which does not matter.

  Now let's talk about the outstretched hand of shooting of the actor. When the camera moves there is a shift in perspective in the whole scene. Because the actor also moves, there is a change in the perspective of the actor. Since the ORB will be attached to the mask's actor it is really unnecessary to worry about the perspective change in the background, you only need to worry with the change of point of view of the actor. If the distance between the camera and the actor remains fairly constant, then the change of perspective probably won't be much of a factor. If the actor begins 10 feet from the camera and ends with 2 feet of it camera then you have to deal with the change of point of view as well. Now consider the zoom.

  Zoom does not change the point of view, it changes only the framing or the extent of the shooting. You have to find a way to measure this change globally and apply the change to the scale of the layer of the orb. Fortunately, this part is not too hard.

  Now we are going to attach the ORB to the mask. If the distance between the camera and the actor is relatively constant so you don't have to worry much about a change of perspective. This means that the best thing to do would be to stabilize the mask so that it is not moving. If the player does not turn their head a lot so it's pretty easy. If the actor turns his head then it becomes much more difficult. Suppose that the actor don't move their head. You'll need to follow the position of the mask and the face of the actors and scale and rotation. Then, you need to apply this position, scale, and rotation to the layer of the orb. You could do that little monitoring by tracking the eye holes in the mask or by the monitoring of the upper part of the head and the Chin or the other two parts of the mask with a geometry set. Once the head and, therefore, the mask is followed for the position, scale and rotation, you can apply these data to the orb. There are basically two ways to do it. You can either stabilize shooting so that the mask does not move in the image, then place the ORB on the stabilized mask and then put the movement in shooting and apply tracking to the layer with the orb data so that it moves with the head of the actors. The other option is simply to apply directly tracking data to the layer of the orb in position on the mask and match the scale and rotation of the changes at the head of the actors. You can use AE tracker or tracker in Mocha for either. It is easier and more efficient method depends entirely on shooting.

  If the actor turns his head during the shooting, then everything in the previous paragraph applies more you need follow the change of perspective in the minds of the players. Maybe it's where you use the tracking camera AE and Mocha AE not having any real 3D tracking tools that track different elements 3D as the face of actors in a scene. According to the shooting, there may be a way to use tracker AE camera to simply follow the movement of the face and then add a sphere 3D layer so that it will follow with the movement of the actor. You can even use a 3D object. You would do that by stabilizing the first actors to head in the shot so that the position, scale and head actors has been locked. You would then duplicate this layer and mask the layer so that only the head of the actors was visible in the shot. You would then dial before shooting hidden just head of actors and run the tracker of the camera on the demo. By doing this, you may be able to fool the camera into thinking that the actors head does not move, but the camera moves around the head of the actors. If you can get a good track then you can add a null value and a camera to the scene and then the 3D layer orb and i match position ' t to null. If the ORB remains attached to the mask actors as it should then you could turn off the layer of film, leaving only the orb and the camera in the demo.

  Now, all you have to do is to put the rear movement essentially shot by reversing the stabilization and applied these data to follow-up to the pre comped ORB.

  Here is a tutorial of Mikey who is good enough and gives you an idea of how do track camera mobile head.

  I don't know if that helps at all, but it should point you in the right direction. The explanation also stresses that the planning of the production before when you do something like this. Just Runnin ' and gunnine you can get in a lot of trouble.

• the other way around bug IncorporerPolices

  Unlike most publication problems, IncorporerPolices = true works for me.
  BUT, I would like to disable this feature to use legacy fonts and when I do:
  IncorporerPolices = false;
  It is no longer available (dynamic) text. Now the text field is EMPTY!
  Help, please!
  *******************************
  FORMAT TEXT FOR SHOPS
  var myFt = new TextFormat();
  myFt.font = "AGaramond";
  myFt.size = 11;
  myFt.color = 0 x 000000;
  
  var xR = startX;
  var yR = startY;
  for (var i = 1; i < = nbPays; i ++) {}
  trace ("Payroll:" + country.attributes.name);
  trace ("Payroll:" + country.attributes.id);
  
  var thisPays = a_list.th_list.button.duplicateMovieClip("pays"+i,i,{_x:xR,_y:yR});)
  thisPays.id = country.attributes.id;
  thisPays.rub = "country";
  thisPays.pays = country.attributes.name;
  thisPays.createTextField("pysTxt",1,0,0,140,17);
  thisPays.pysTxt.embedFonts = false;
  thisPays.pysTxt.type = "dynamic";
  thisPays.pysTxt.text ='-'+ country.attributes.name;
  thisPays.pysTxt.setTextFormat (myFt);
  
  Country = Country.nextSibling;
  yR += intVal;
  }

  I solved the problem. In fact, I was wearing a MASK in the clip. This is why the text in device fonts did not show, any show of embedded text.

  So I change the physical mask to the mask script action.
  movieClip.setMask (maskClip);

  Now it's working.
  Thank you, everyone!

• Mask colors

  I want to make a color choice and then make a mask of this color.  How the hell can I do?

  Al

  As Christopher written highest menu Select > color range.  However who will select also the areas that color some areas that are that you can't wear color because they were the color that you have changed other color so that the color of the color.  Thus, you can first select the color you want to change.  To save the selection and selection, change the color of the selection. The addition of the selection as a layer mask. Displays only the changed areas. Then ask the layer will be hidden.

• Create a mask with a transparent visor in Captivate?

  Hey everybody,

  I'm sure Captivate based on the readings of the forums, but I thought I'd ask.

  Can I create a mask with a transparent visor in Captivate?  I would like a text box to display in the center of my step just like the animation flash below:

  http://www.crystalgraphics.com/PowerPoint/slide-wheel-diagram-3D-animated-blue-3-process-m p - 115.asp

  If captivate can do, I'll post on the Flash forums to determine the best Flash tutorials to complete these steps.

  BTW - I just thought of a way to layers of "mask" in Captivate.  This isn't really masking, but cut an image into several parts and saw the new image should rule out behind a slice of the existing image.

  1. create a slide with an image.

  2. when the user clicks on a part of the image, direct the user to another slide.  It has the same picture, but it is cut into layers.  The new image move back 1/2 of the picture in front of the other 1/2 of the picture.  It would make it look like he wears a transparent mask, but it's really just browsing a 'slot' in the middle of the image.

  It is difficult to explain without Visual effects.  If I decide to use Captivate in this project, I'll post my work and some screenshots of the process.

• do you need to always have your iPhone with you when you wear the watch?

  do you need to always have your iPhone with you when you wear the watch?

  Answer brief No.. The watch can do many things with the phone. If you have the 2nit series has built in GPS so it can follow, see this.

  How to use your Apple Watch without your iPhone in the vicinity - Apple Support

• What should I do with my Apple Watch when I can't wear this year?

  I want my Apple Watch series 2 to follow all my workouts, but when I do martial arts, I can't wear it on my wrist (or ankle). Any suggestions on how to fix this?

  If the sport does not allow to wear a Watch, there is nothing you can do.

  Perhaps remove after the warm-up.

• mask option does not work in fcpx of color correction

  The option of mask in the 10.2.3 fcpx color correction works only intermittently. When I add the color correction sometimes I can move my mouse over the color correction tab in the Inspector and the mask icon, sometimes it doesn't. If I closed and reopened fcpx he comes back for a while and works very well. Don't know what is happening with it.

  15 "macbook pro, 266 GHz, core i7, 8 GB ram

  El Capitan 10.11.6

  10.2.3 FCPX

  Intermittency of the interface is usually only a matter of pref. trash of em.

  In rare cases, you must reinstall the application to fix the weird interface glitches.

• The mask purple of the private browsing mode, where is it?

  Hello!
  I installed Firefox 42.0 on my PC running Windows 7 SP1 32 bit and it is stable. But the purple mask, the novelty of the private browsing mode, does not work in the following scenarios. I don't see the purple mask on top of windows.

  1 right-click on the "Mozilla Firefox" shortcut, and then select Properties. Add ""-private "at the end of the area target;" \Program Files\Mozilla Firefox\firefox.exe"- private.

  2 tools > Options > privacy > history, click on the box "always use the private browsing mode.

  Do you have any advice?

  Best regards
  BluePencil

  You will see the purple mask if Firefox is in normal mode and you open a new private window.
  If you are in permanent private browsing mode, so there is no need to display the icon and it is deleted.

  You can use an extension for private browsing mode support tab.

  • Private tab: https://addons.mozilla.org/firefox/addon/private-tab/
  • Private browsing mode tabs get a dotted underline
  • You can enable or disable private browsing mode / disable via the context menu of a tab

• Lock the position of the mask in FCPX?

  I have an image I want to move from right to left (I'm trying to simulate someone hit to swipe an image on their phone). But I need to be masked so that when the image is moved, it is not just move from one place to the screen to the other (it must be enclosed in a mask). When I apply a mask in FCPX the mask moves with the image. I have to be able to stop it. Is it possible to do? It seems like the simplest thing in the world, but I don't see how it can be done. And Yes, I tried keyframing the mask but because his move with the image, it is dragged in every sense. If the movement is necessary so how would I do it in motion?

  Thank you

  You don't need a movement.

  Create the animated clip of right to the Center - stop - center to the left. Create a clip consisting of it and add the mask to the compound clip.

• How can I use A clip to create a mask for clip B?

  Hello. I am having trouble with my project.

  I have a video with subtitles and subtitle down background. The subtitle is at 50% opacity, you can therefore still a bit see through it. I want to make it look slick and apply the blur of the main home, but only the part that is covered by the bottom of subtitle. I can't draw the mask manually, because real captions and background are animated, so if I had to draw the mask manually I have to go frame by frame, which would take me literally days.

  I hope I did my clear explanation. If this isn't the case, basically, I need to clip one area allows you to create an area of masking to another clip. The clip is also animated, so the mask must adapt accordingly. I tried to find a solution for hours without success.

  Thank you in advance.

  It is not very clear to me, but you seem to be saying that the subtitle background is animated, somehow? Is this true?

  Its size will vary depending on the actual size of the subtitles, isn't it?

  And you want the area of the main element which, at one point throws behind this background to subtitle the blur?

• Apple Motion freezes when creating new Bézier points on masks

  Hi people,

  Having a problem with the movement 5.2.3.

  When you use the Bézier tool while creating masks, about 7/10 times it crashes without saving changes when you create a new point.

  Has anyone else had this problem and found a solution?

  Thank you

  I do not see a problem. How many points you use in your mask? You do a right click on the line and selecting Add a Point or by double-clicking on the line when it crashes? You start with a Bezier or B-Spline form?

• How do I install app blur or mask me app?

  I want to be able to mask my email address, so when I have to give an it would be a valid temporary e-mail address but that will forward my messages to my real email address and I usually have to give my real email address... If that makes sense

  Not these applications in particular, but you can check to see what kind of add ons are available. "Less Spam, please" is an add on that sounds that he has a similar function.

• I want my iPhone to shut up when you wear Apple Watch

  II have not entirely faced with notifications when you wear my watch - actually, I want my iPhone to remain silent at any time when you wear my watch and for haptic only on my watch alerts (without audio shows, except when answering a phone call on the subject).

  There is a global setting for this?  I can't find a.

  Thank you.

  Off-topic-

  My iPhone also seems to make double caps on new paragraphs...

  Strange!

  Hello

  You may want to use these settings:

  -On your iPhone, in the application of Eve, go to: My Watch (tab) > General > detection of wrist - it lights up.

  -On your iPhone, in the application of Eve, go to: Watch My > password > code turn on (choose a password Simple or more complex).

  -Also on the password settings screen, select Unlock with iPhone.

  After putting on your wrist, your watch don't unlock then after whatever you do first: unlock your watch manually (by entering the access code) or unlock your iPhone. Then, it will remain unlocked (including when the screen is idle) until you remove it from your wrist. When you remove your watch, it locks automatically.

  With wrist detection enabled, in order to get notifications to your attention as soon as possible:

  • If your iPhone is unlocked, you will receive notifications on your iPhone instead of on your watch.
  • If your iPhone is locked or asleep and that your watch is unlocked and on your wrist, you will receive notifications on your watch.
  • If your watch is locked or allowed to do not disturb, notifications will be sent to your iPhone.

  More information:

  About notifications on your Apple Watch - Apple Support