Is this useful H.264 footage in After Effects of calibration?

I was told it's not because the H.264 images are so compressed that the color adjustment leaves unacceptable artefacts in transitions and gamma and more unless you uprez in something like ProRes 4.2.2.

Ideas on that.

There is simply no need to shade of color to the H.264 format?

Thank you very much. I'm in a bit of a quandary.

Matt Dubuque

mdubuque wrote:

Transcoding applications are much better than others in terms of conversion to ProRes 4.2.2 H.264?

My favorite is Magic Bullet Grinder. He is everything worked fine on the first day for me and I do a lot of work of Canon DSLR. Just make sure you have fast enough readers to respond to the video in your NLE. I use a table 2 disk for most of the work.

Tags: After Effects

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