??? Lostless conversion of image sequence?

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• Conversion of image sequence Cineon LOG in Apple ProRes 4444 XQ in Media Encoder CS6

  Hello

  I have a sequence of images Cineon LOG I want to convert to Apple ProRes 4444 XQ, but I'm not sure of the procedure.

  I use Adobe Media Encoder CS6 on a Macbook Pro OS 10.11.2 2012.

  Could you please tell me how to on this subject?

  Also, I find that I don't have the ProRes 4444 XQ Preset codec in Media Encoder... Can I download it somewhere?

  Thank you

  Tiya

  
  

  The problem is resolved. Here's how:

  I bought ' Glue Tools Cineon / DPX Toolkit for Mac OS X and used it with Apple Compressor 4 on my Macbook Pro (2012) running El Capitan.

  I was able to convert Log Cineon sequences of images in ProRes 4444 XQ QuickTime movies.

  Some things to note:

  • After downloading the Toolkit, you must activate it from the system preferences panel and make sure that you select the correct Conversion settings in the Cineon / DPX icon (bottom of the system preferences panel).
  • Glue Tools also have a trial / demo for you to try Mode.
  • Currently, glue tools Cineon/DPX Toolkit (4.1.2936) supports only compressor 4, but can add features for the Media Encoder and other tools in the future.
  • Use "Import a file" compressor 4 and select the first file of the Cineon or DPX image sequence when you try to get the glue tools to read them. Do not use 'Import Image Sequence'.
  • Once you have written the ProRes 4444 XQ, you may still need to correct color, but Glue Tools has excellent support.

  Tiya

• Lens EF - S v Lens EF - Crop Factor (factor of Conversion of Image)

  Good evening

  Please excuse me if this is a stupid question.

  If I use a lens EF-S on a camera with an APS - C sensor, the sensor capture is all that I see in the viewfinder, i, e, with a ratio of 1:1?

  In other words; the EF-S-objectives overcome the factor of Conversion of Image or Crop Factor happening with EF lenses on cameras with an APS - C sensor?

  The Crop Factor means that what you see in the viewfinder is more that actually he is captured by the sensor by a ratio of 1: 1. 6.

  I understand that the rear of the EF-S lens is more close to the mirror and, therefore the sensor, as the rear of the EF lens, which leads me to think that the image seen through the viewfinder with an EF-S lens is closer to that which will appear on the sensor than an EF lens.

  Thanks a lot for any response that confirms or refutes my guess, preferably with an explanation in simple terms.

  Joe.

  The ' in the name of EF - S stands for short focal length. This is of no interest to the user.  And the crop factor is also of no interest to the user.  The camera crops nothing.  It is a full frame in the sense you get what you see in the viewfinder.

  The term arises because of old film camera using 35 mm film.  Someone wanted to know how to compare the two.

  People do not really consider it iphones as crop cameras but they are.  As a Canon Rebel is.  Nobody calls a medium unit format and the camera of enlargement.  But it would be if you used the same logic.  Forget it.

  It is best to think in terms of "point of view" (AOV).  That never changes no matter what device you use.  For example...  Any lens that give a degree 46 AOV is considered to be normal.  It makes no difference what device you use.  This specification is included with each goal.  MM tells you what is the objective.  AOV tells you what it does.

• Play the image sequence

  Hi, I have png image sequences in my active folder, and I would like to 'play '. Is it possible to do?

  Thank you

  According to the number of images, quality images and delay between each picture, you could probably get away with just using a QTimer.

  Although I have not tried with cascades/bb10, I did it with older BBOS and almost never ran into performance issues...

  in a nutsheel to store a table of images then set up your QTimer (e.g. all the 1 second) to display images in this table using a circular counter.

• Create proxy for the image sequence

  Hey guys,.

  Today, I was delighted to see the newly implemented for PremierePro proxy workflow.

  Unfortunately I have not yet figured out how to apply this workflow for image sequences.

  Is this possible?

  Background:

  We do not stop motion animation and all our images always comes into frame sequences with each frame being 20 MP. We want to keep the resolution up to photo-serrure, because we would like to keep the possibility to crop and zoom into images.

  So far, we have created lowquality of sequences of images as proxies (in the same resolution) and they use them for editing in a FullHD timeline, where we can evolve and frame (and of course change) images. After picture lock replaced the original media. Once the images is online and the harvest is final, we create a FullHD prores file for VFX and editing.

  But this process is error-prone.

  When I now import a sequence of images in the creation and create a proxy for her, a mov with only the first image file is created.

  Which is obviously useless.

  My question:

  1 would it not possible to import a sequence of images and create a sequence of images of proxy (with the same interpretation of the images, i.e. of framerate) from the original image sequence?

  2. the sequence of images proxy perhaps erred in lower resolution (original image in format 5760 x 3840 px, resolution 1920 x 1080 proxy), and once I pass the proxy to original scaling is adjusted accordingly.

  Really looking forward to some tips to achieve this!

  Thanks and good luck

  Max

  I had a little further:

  I made a mistake by creating templates in the MediaEncoder:

  I created a coding model and not a model of ingestion (who both the end of the .edr file), which should in fact have been obvious.

  So now I have:

  1 has created a file of 5760 x 3840 Prores4444 out of sequence of images

  2 imported the first PorRes4444

  3 creates a proxy using my own template (ProRes 422 Proxy 1920 x 1280) with aspect ratio 3:2.

  It works, BUT:

  When I play the file on the timeline proxy, the proxy file is adjusted differently than the original file (proxy disabled), but only during playback.

  It is probably a completely different question, I'll create another post for this.

• When I scroll through the mask of image sequence does not follow the layer of the timeline?

  Another problem. I simply scroll the image sequence and you can see on the screenshot that the mask remains where it was in the beginning. I applied red tinted effect (just to show you), and it does not stick to the station when scroller is at the end of the timeline which is say that the mask is not to follow. But it should, because the mask is the image sequence. Why? Please take a look. Maybe there is something wrong with the Ctrl c and Ctrl v method - it's how I inserted my BW mask in the layer mask?

  

  Select the two layers of video group and convert it into object new Dynamics

• importFiles for the image sequence

  How can I import a sequence of images with the app.project.importFiles command?

  Is this possible?

  Currently using a command like this:

  app.project.importFiles(["/Volumes/files/DPX_4k_16/rf_dcp4k_dpx_4k_16.00001.dpx"])

  However, it important that a single image.

  I also tried:

  app.project.importFiles(["/Volumes/files/DPX_4k_16/rf_dcp4k_dpx_4k_16.###.dpx"])

  app.project.importFiles (["/ Volumes/files/DPX_4k_16/rf_dcp4k_dpx_4k_16."]) (["[00001-01000] .dpx"])

  
  

  I would also like to be able to set the frame rate when importing as well if possible.
  

  Currently, it is not possible to import an image sequence, using importFiles().

  I added your vote to the feature request AND our other 'Provide API to define the interpretation of sequences' demand of functionality, as popular.

• Text in MSO disappears at the top of the image sequence

  Hello. I have a sequence of images to auto-play, and I want a text is displayed above it after the image sequence plays. I put the text in an autoplay MSO, the first State being a box empty. The text appears so when I saw using the content for the Desktop Viewer, but it does not appear when I saw on the iPad, or when I update the folio article. How can I get the text?

  Why the first State is empty? The two States should be identical, set to play once and stop finally State.

• Why the last image of the exported image sequence is sometimes black?

  I get sequences of images in Photoshop and then exporting them to a file mp4 video.  For some reason, Photoshop sometimes decides to put a black frame at the end of the video, no matter what I try settings.  Sometimes it leaves aside the black frame.  I can't understand why he did this.  If anyone knows how to get rid of this?  When I import the resulting sequences first, I need to change all the frames of black.  Not impossible to deal with, but it is kind of a pain.

  Adobe Photoshop Version: 2014.2.2 20141204.r.310, 2014/12 / 04:23:59:59 CL 994532 x 64

  Operating system: Windows 7 64-bit

  Version: 6.1 Service Pack 1

  System architecture: AMD CPU Family: 15, model: 10, Stepping: 0 with MMX, entire SSE, SSE, SSE2, SSE3 FP

  Physical processor count: 6

  Processor speed: 3200 MHz

  Built-in memory: 8191 MB

  Free memory: 4507 MB

  Memory available to Photoshop: 7154 MB

  Memory used by Photoshop: 70%

  Graphics card: NVIDIA GeForce GTX 470 (with the latest driver Version 347.88)

  Adobe Bridge 6.1.0.116 x 64

  Use, file-> open and checking the box 'Sequence of Image', I am loading a sequence of JPGs I've cropped in Photoshop (using a script to automate this process), and I specify 23.976 fps. I checked all the JPG files, and they are OK. I play the animation in Photoshop, and it looks good.  I then export the movie using the file-> export-> made video, I use Adobe Media Encoder, h.264 format, high quality, 1920 x 1080 (the original document size), 23.976 fps.  It automatically selects the zone selection to export work.  That seems correct.  In a sequence of images of N, it is said that it will export images 0 to N-1, which I think is OK if it indexes starting at 0 and not 1.  I tried to export (frames) checked, and the result is the same.  The last image is black.  I also tried to change the work area to remove the last image and the last frame of the rendered video is so dark, but the last image of the sequence, I opened is missing.  I checked the image sequence that was exported with the area of complete work (or frameworks) selected and all managers are there - with just a framework black, added at the end, which is certainly not in the work area.

  No error message.

  I checked the help, also I tried searching the forums, but I don't know what I'm doing wrong.

  The problem has been around on and off for a few years.  He had disappeared with CC, but now he's back, even though I'm not aware of what I'm doing differently.

• How to import image sequences which have been made in layers of Blender to the AE?

  Does anyone know how how to import image sequences which have been made in layers of Blender to the AE?

  I tried to make it to the first plan and background in separate layers in a blender & bring to AE as sequences of images separate but have so far failed.

  I used targa, .tiff, .png, and same openEXR multicoated, but none worked for me so far.

  I do it all the time. Make your sequence of images in a separate folder for each passage, use a number like bg_0001.tif format, go it to file > import and select any file in the folder and check the box image sequence, and then import.

• full page or image sequence cover or slide show

  Hi all.

  I want to have a slide show or a sequence of images on the cover of a magazine DPS, but if I create a page with the full page image sequence and put the magazine on the top, the newspaper logo disappears when the sequence of images is enabled.

  I can put the logo in Photoshop hollow but that s would take more time and effort.

  No idea no matter who

  General

  Hello

  Create an MSO of the logo (reproduce the logo) and set it to AutoPlay using the Folio Overlay.

  In this way he will always remain on top of your slideshows.

  Hope this helps.  =)

• Text in front of the image sequence

  In InDesign, I have a block of text at the top of a sequence of Folio Overlay images.

  When I preview the it, the text will appear for the first image in the image sequence, then disappears.

  How can I do to be visible for the entire sequence?

  I found adding the text in a floating framework is the best way to do it. Make sure that the empty frame in which you paste the text block is bigger that the text frame itself.

  I tend to use 'Auto-detect' for the direction and made in the form of "vector".

• First not giving "image sequence" option on the import of files

  Hello

  I'm working on a new installation of Premiere Pro 5.5 and I ran across a problem that I've never met before. When I go to import a sequence of images, first is do not give me the "image sequence" checkbox at all... It is not yet here. I tried two types of files (tiff and jpg) and still nothing. Point all I can do is made a QT or something, I like to do at this point.

  Any thoughts?

  You have the box of still images numbered in this screenshot.  Check it out.

• How to use icons to start an animation (image sequence)

  Hello

  I find the way to do that with slide show, State of multiple objects,... but can not find with what I call an animation (image sequence).

  Any idea please?

  Thanks in advance!

  The sequence of images on a MSO and set the AutoPlay sequence. Blow up a button in this state of ASM.

• Drag and drop the Image sequence number

  Hello

  IM bad having to drag / drop a folder of image sequence. Folder hangs out perfectly and the window further emphasizes, but nothing happens. However when I go to FILE and IMPORT I success bringing in the sequence of images as a model.

  This problem is resolved by update fixes after effects CC (12.2.1), which is now available:

  http://Adobe.LY/AE_CC_1221

  Note the part at the end of this page on a crucial update for the creative cloud desktop application, which addresses serious problems with the SOUL, first Pro and After Effects.