Making a mono audio track?

Similar Questions

• How to make two mono audio tracks in a stereo pair?

  My clip video, brought in first CS6 of Final Cut Pro 5, the left regular and audio tracks right, but first, they are not related in a stereo pair. Thus the volume level must be set separately in each track.

  In Final Cut, I can convert two independent audio tracks in a pair of stero selecting tracks and then by going to the Edit menu > stereo pair.  I can't understand how to do this first.

  When two audio tracks are not related, the volume level must be set separately in each track that is slow. But after two tracks are linked in a stereo pair in Final Cut, or another track adjustment allows to set both, together. That's what I want to do now in first.

  So, how do two separate audio tracks in a stereo pair in first?

  Tom

  Welcome to the forum.

  Have you looked at the padding on the left and fill right Audio effects?

  They should get what you want, or almost. Now, the result will be stereo double mono and not true, but will be 2 channel, and that is, I believe, what you really want.

  Good luck

  Hunt

• In the first 11 elements, can I convert a stereo, one mono audio track?

  The microphone that I use on my digital SLR when video recording is a mono microphone (Canon 5 d MkII dslr, Hama lapel MIC). When I import video in first items 11, audio playback in mono - is there a way I can convert the audio in stereo?

  Thank you.

  Tom

  Welcome to the forum.

  In fact, you cannot convert a mono source in true stereo, because it requires two microphones., but you can convert it to 2 mono channels. The difference is that you have the same signal on both channels, unlike stereo ture, where signals differ according to the micro system.

  According to Steve, you can fill out to the left, or fill right, or you can just drag another Instance of your Audio Clip to a different Audio track mono. In the Audio Mixer Panel, you can pan to the left and one right.

  Also, just like pre your mono 2 channels output mix, it will give you 2-Channel Audio signal even in the two ways, if you let the Pan toward the Center.

  Good luck

  Hunt

• Duplicate and synchronize a mono audio track?

  I went just from FCP7 to body of CS5.5.

  When I was at the FCC, I used to do an OPTION/SHIFT on my Mac key board and drag audio mono for the next down

  and it would overlap with the audio track.

  Then I have should highlight both and synchronize them together so if I moved the volume or have you keyframing on a track, it would be

  relate to other audio track.

  Is there any way to quickly do the same in the BODY?

  In accordance with my 1st question, I mentioned that I was new to the ORGANIZATION and that he just had a revelation to the Commission of the mixer. Very cool, how you can transform each mono track to the left and right speakers.

  So I don't have to do what we used to do at the FCC.

• Split audio track in first CS5

  Hi all

  I'm getting acclimated to work in CS5 first, after years of editing on Avid Media Composer and Symphony.  There are, of course, similarities and differences, that which some I can understand my way through and others where I'll need to ask for help.  Here is one.

  Suppose I have a piece of video that got killed by split tracks.  On channel 1, we have the Lavaliere microphone worn by an object of the interview.  On channel 2, we have the microphone on the device so when searching, I can hear the interviewer's questions which are not audible in mic of the interviewed.  In the final cut, I would throw channel 2 and channel 1 centre-pan.  On an Avid audio channels are separated on the timeline - tracks, you can literally remove channel 1 or audio clip from channel 2 and then use a Pan tool to take the audio clip remaining and pan it as desired (Center-pan is typically what you want with an interviewee, but actually you have infinite choice between left and right full).

  How do we address this question in the first?  I'm sure that this issue has been addressed before, but after much research, I guess that I don't know the correct search terms to find.

  Thanks in advance for any ideas.

  Peter

  Personally, I don't like the filling to left/right effects - it's unnecessary treatment, and I think that their use is somewhat restrictive. They would be your best option if you have already completed edition, however.

  If you have not started to edit, you can remap the channels left and right stereo audio to two mono channels split, so to replicate your experience in Avid (it's where I came from, too). Choose your clips in the tray and right-click > edit > Audio channels. Click on the option "Mono" button to send the stereo, left channel right at A2 A1 and the stereo. Now you can edit clips in two mono tracks in a sequence.

  The difference is the way that first card tracks default sequence. Avid, odd numbered audio tracks have left, in pairs of audio tracks went right. First, all mono audio tracks by default for center channel if you use one track stereo master. In the Audio Mixer Panel, you can pan tracks left or right to go to the specific output channel, or mix according to the needs. This practice is somewhat different than Avid, but gives you great flexibility.

  The thing most important to note is that the Audio channel mapping does not work if you have already used your clip in a sequence, so don't forget to do that immediately after the capture/import your clips.

• Audio tracks: stubborn Placement

  I have audio video Audio 1.  I'm trying to drag an audio file out of the box project in "Audio 2" in the timeline, and instead he wants to crush or overlay the file wav Audio 1.  I tried the ctrl key, but who just put in Audio one and split the audio and video in two.

  How can I put the audio clip in Audio 2 in 1 Audio in the timeline view?  I want to manage the two audio clips separately and not merge.

  Adobe Premiere Pro CS4

  You try to move a single clip in a stereo track.  You can do that.

  Create a mono audio track or audio on top of the timline and Pr drop will create one for you.

• Make stereo audio tracks to mono tracks

  When you use a lapel wireless microphone to record audio tracks, they appear in Adobe Premiere Pro CS3 as mono, in the way of L. How can I convert this to stereo?

  Adobe Help files indicate that I should go through Clip-> Audio Options-> Source, but this option is grayed out for me when I go in the Clip menu.

  Help search for

  fill left

  or

  Fill right

  to copy a mono on the left or right to the other lane to stereo

• You will need to set audio track in CC animate...

  Quick question... is it hard to bring audio track in animate CC. do this in an hour or two.

  It is not difficult, but there are a lot of problems that you may encounter depending on what you intend to do with the sound.

  No matter what, make the sound 44.1 KHz, 16-bit (mono or stereo). Other bit depths are likely to fail to import, and other sampling rates can lead to synchronization problems.

  If it's an AS3 FLA, especially if you plan to synchronize animation to audio, store the file as a WAV file.

  If it's HTML5 Canvas, make it be MP3 before importing the file.

• Issue of transfer of audio track

  Hi all

  Our shop is to first Pro CC FCP7 and I want just to pick your brain about the outputs of audio track.

  We record in 4 mono audio channels, and our exports at the end of the day are dual mono. (Ch 1 / Ch 2). For a schedule, he translates generally into

  A1-> Ch1

  A2-> Ch2

  A3-> Ch1

  etc.

  But depending on what Im cut I sometimes re - assign the outputs by clicking right on the slopes and combine different (e.g. A1 and A2-> Ch1, Ch2 all other tracks.)

  Anyway, I've had flexibility.

  I want to reproduce the same at first, but I'm a bit confused on the track output assignments.

  I put my audio sequence as:
  -Multichannel with 2 channels

  audio tracks-4 (each track is Mono)

  When I click on the assignments of output however, I see only a checkbox next to ' Master track channel: 1-2 ', almost as if my master output is stereo and not Dual Mono. I was expecting more along the lines of 2 boxes to tick, and assign each Audio track to one of the 2 titles of master.

  Am I missing something? Really would appreciate the help. 2 bonus for those who feel especially useful questions:

  -Any way to do a pre-selection of height track the default mode for new sequences to open? I love the track height preset function, but footage open titles in the same way, so I need to hit at the time preset of EACH key.

  -A way to set the default zoom for new sequences range? By default, I see five minutes worth of chronology, but I need usually only 1-2 minutes. Everytime I open timeline, I need either zoom in on a more adequate range, or need to perform the function "Zoom sequence", which works but is a bit annoying.

  Thank you for your time and help!

  In the tab titles to a new sequence

  The Type of track the Adaptive value - then you can direct the Mono specific to your dual mono output

  

• Premiere Pro is not audio tracks during the ingestion of MP4 video files?

  Everyone runs into a problem importing files .mp4 in Adobe Premiere Pro, in which only the video but not the audio tracks are imported?  Searching the Internet, I see that I am not alone with this problem.  Isn't Adobe Premiere Pro can correctly handle files video .mp4?

  Thank you

  JC

  Well Yes, that's apparently the case. Note 3 was not the problem. It's the fact that the app Android cinema FV-5 recorded the track audio in mono AMR, which is a rate very low bit QuickTime, mono audio format. Where, however, the application is set correctly to record audio to AAC - LC format, first Pro CC has no problems ingesting the blow to both video and audio on the smartphone.

  Thank you very much for your help with this.

  Best,

  JC

• Cannot delete the audio track in the timeline

  Hi all

  Here's my problem: it is not the first time it happens, but to excerpts from different cameras, I'm completely unable to abandon the audio track.
  In the source Panel the playbacks of normally with audio clips, but when it comes to insert the clip it does not work as if I'm falling all audio and video clip he simply inserts the video and if I try to drop just the audio it don't let me down anywhere.
  Has happened on multiple devices and just on the first CC (I decided to switch to CS5 and I'm already regretting)
  I tried to import the file in different ways (by drag/import/media browser), restarts first and pc and transcoding of other codecs, nothing works.

  Anyone has any suggestions or has encountered the same problem?

  
  See you soon

  A

  Hi Andrea,

  I'm completely unable to abandon the audio track.

  Try making sure that the source of A1 is connected to the A1 channel in the timeline panel, and then drag. More information: https://forums.adobe.com/thread/878527

  Thank you

  Kevin

• export of PP - CC as a pass thru video and without mixing of two audio tracks

  I want to export a mov of a sequence in its original codec and 1 original audio track with another track synchronized without having PP - CC merge audio tracks or to re - making the video track.  Is there an amp setting in Media Encoder that I'm missing?

  Premiere Pro will decompress and recompress the video signal, no way to avoid this with H.264.

  However, for your use, you could consider using DNxHD or Cineform.  They are the two intermediates of excellent quality, and both formats can contain two stereo tracks.  You just need to put in place the sequence correctly with a 4 tracks multichannel Master audio track.

• Import a blu - ray video preserving 6 audio tracks

  I was instructed to make a tribute to a particular film by a studio, and they sent me a copy of blu - ray film.  I want to be able to import the film in first pro preserving 6 audio tracks on the Panel of audio editing so I hope that I can isolate some dialogue that has music in the background.  I ripped the video on my hard drive with makemkv and when I compress the video to mp4 with handbrake it is important only the audio as a channel.  If I try and import the raw m2ts file it is important the video but no sound at all.  I have seen torrents of rip blu ray in the past when you import into pro audio first appears as 6-7 titles so I know it's possible.

  the audio must be in a format supported first. Adobe Premiere Pro help. Supported file formats if audio is not in one of these formats, use Handbrake or one program of choice to convert. AAC and ac3 are popular choices for 5.1 surround sound.

  Once imported for the first time, if you want to change the audio, it's easier to split the audio in 6 mono tracks, vs. the default behavior of the first fall audio 5.1 track. to change to mono, find the audio or video clip in the project bin, right-click, choose Edit and audio channels. then change the preset 'use the file' in 'mono '. now, when you put the sound on the timeline, it must divide up to 6 tracks, for easy editing.

• How to group on the left and right audio tracks of a. OMF file?

  Hi, I'm changing the sound of my short film, I sent one. OMF to audition for the first, but the left and right channels are separated in the multitrack session tracks, how would group them so whatever I do to a channel, will be the other

  This is because the OMF specification requires mono audio files

  It really depends on what you're trying to do with the two tracks as the best answer to the extent of the 'group '.

  You can select all the clips on the tracks and right mouse click on and select "group".

  You can send two channels to a bus

  You can export the two lanes to a stereo file and that bring in the session

  Many more things I know not but a little more details about what you're trying to do would help

• Question about audio tracks combined

  So my camera recorded a microphone on channel 1 and internal microphone on channel 2. I know that this has worked well by playing clips in the camera and seeing the two separate audio channels as I heard one on each side of my helmet. When I import the clip in first Pro CC and drag it to the timeline, it shows an audio track. This track contains two audio channels, but they are combined. When I used to do this, he would have two audio tracks and I could easily remove any one, I didn't. (usually internal microphone) I like this track micro internal but just in case. I can see both levels on the right when I play the clip on the timeline once again, I know they are there, but why is it only to give me a track? Something was changed to CC in relation to this? Any help would be appreciated.

  It is beneficial that the camcorder that was used to record the clip is the definition of audio in stereo format, and Premiere Pro honor this status.

  If you want Premiere Pro to do not take into account the stereo State and import all the stereo as dual mono files, then you can define that by changing the audio tracks by default in preferences:

  

  MtD