Motion capture suit with no possible direct markers?

http://bloody-disgusting.com/news/3270845/see-Andy-Serkis-acting-as-Caesar-in-dawn-of-the-plan summer-of-the-apes.

I understand the motion capture suits come in all flavors. I note that there are a few green full suits and some gray suits with blackheads as indicated above (see the first 2 photos on the Web page with the actor Andy Serkis).

I also note that some combinations may have followed direct markers and LED etc. and can have no direct marker in the same Web site above.

I read that the footage of the actor in costume of movement "non-living" such as the above, images can be followed in PFTrack for example 3D and then body of that person may be replaced by another body 3D - for example Iron Man.

Please can someone explain how the workflow is to achieve the above? See the last message of the below thread that talks about this workflow, but I do not understand how this can work. Something tells me work, costume of the actor has to have some sort of online connection on computers running motion capture software, but something tells me that this workflow can actually work. Because if you look at the pictures of field 2 in the link above with Andy Serkis, you won't be that the suit is not the type used for the connections of mocap direct. So I think there's sort of 3D images and have a kind of workflow, may map a 3D built Iron Man costume on the body of the actor.

https://forums.CreativeCOW.NET/thread/2/1013189

Anyone familiar with the workflow that above here? that is, without using live followed by markers but images of follow-up after the firing and replacement of the entity.

How can I use After Effects and any other plugin/program to accomplish this task?

No magic, just classic rotomation - figure you 3D on top of your hand-keyframe shot footage. Although there are techniques to extract 3D information after the fact even without markers, they need just pictures of reference additional or analogue. Whatever it is, it's 5 levels above AE and without any decent experience in 3D and surrounding workflows is not an easy task even if you had access to sophisticated like Equalizer 3D tools. Automatic stuff can only take you so far and you still need to understand what is happening to fix botched securities or guide the algorithms...

Mylenium

Tags: After Effects

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