No sound on sequence Red camera

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• Sequence multiple camera with several video formats does not?

  Hey there,

  First time I've posted in these forums. Thanks for the help in advance if someone has a solution.

  So, I have 2-4 cameras and an audio file. I do a sequence of multiple camera using the audio synchronization option. It works fine if I have video files, but the second that I include a few Gopro videos it no longer works. What it does is, syncs all the video files to audio very well, but when I drag the sequence in the timeline he puts all the video and audio on this is on the right track. When she does I can not use the multiple camera view in the program monitor.

  I didn't have this problem until I updated to the new CC.

  Thank you!

  Adam

  OK so I had to delete and re-import all files, then redo the multi-cam sequence. Also, I discovered that once you drop on the sequence on the timeline you can't file another sequence on the same timeline or it explodes the video and sound in its own securities.

  Conclusion...

  Upgrade to the 2015.0.1 and then start over again. Also don't drop a single sequence multi-cam on the timeline you can't string together them.

• I have an iPhone running on iOS 9.2 6s sound shutter for the camera disappeared. How can I get that back?

  I have an iPhone running on iOS 9.2 6s sound shutter for the camera disappeared. How can I get that back?

  Check if the phone has got accidentally switched on for mute. -AJ

• SX 60 HS there is a flashing red camera icon

  There is a flashing red camera icon after I press halfway shutter button. I can't know what it means. I searched the manual. Maybe, I'm just the lack or calling the wrong thing. Or maybe it's so obvious that it should not be called more precisely.

  Any help would be appreciated.

  I think it's the warning of "shake". Here are the tips of the 175 user manual page

  

• After the 1.4.5 update Pixi sounds do not, no camera, no music

  After my 1.4.5 update I came across some problems.  My phone rings (in vibrate it will vibrate again, and when it is on my Touchstone and vibrating, it makes this ringtone with muted sound), the camera won't take pictures, and also I do not get audio applications (like music, alarm signals, etc.).  Also, I just tried Youtube and it doesn't work either.

  Any suggestions?  Is it possible to reverse the last updated?

  My Pixi is on Verizon Verizon 1.4, WebOS 1.4.5 config

  Thank you.

  I would say that webOS Doctor to charge webOS 1.4.5 on your Verizon Palm Pixi Plus edition running.

  You can start the process here.

  Alan G

• scale, source video position, then sequence multiple camera for picture-in-picture problem

  I have 7 source for several cameras cameras and everything works very well in multiple camera monitor.

  Now I want to Picture in Picture (video in video) and take the same video tracks 7, apply motion effect, scale, opacity of mask and place overtop of the multiple cameras and reach the image in the image.

  My picture in the video tracks 7 photo overtop of the multi-cam edit turn into 12 tracks video - cameras of 7 source, any other scale, different motion effect, different opacity mask. Things get confusing with the number of video tracks that I turn on and off to what image in the image that I want displayed.

  I decide to multi-camera video track 12 "picture in picture" by creating its own sequence and nesting in multicamera edit.

  First problem is that my multiple camera monitor gives me tiny thumbnails, because that's what I created, he is picture in picture - and I'm looking for a way to create larger thumbnails - so I nest the 1920 x 1080 in a sequence of 460 x 370 and gives me the biggest thumnails in the monitor of multiple camera which I'm looking for.

  This leads to the second problem is that now my thumb nails have the false image - the motion effect is not perfect in the thumbnail, but if selected for the source of the multi-cam edit sequence, the motion effect is correct.

  Question is - how to get the size of the image in picture multiple camera monitor to display correctly in the program monitor multicamera thumnails?

  I tried to go back to the image in the source photo sequence and nesting video track - but it gives me even worse representation of the image in the thumbnail of the image in sequence edit multi-camera monitor.

  As I understand it, here's what I would say.

  Create a multicam for the enlarged image sequence and which cuts.

  Create a separate for the projected PiP multicam image and who cut as full screen also.

  For the shots in the multicam main sequence that can be seen on the screen, add the second multicam on V2 and scale/position properly.

• Why can't I import my images of the Red camera?

  Whenever I try to import my 5 k red film on first pro I get the same message. Format not supported or damaged. I already downloaded some software on the site of red.

  I don't really know what to do.

  Hello

  I think that the EPIC MYSTERIUM-X files were not supported at the CS6. This version includes support for 5K EPIC of RED and RED footage

  SCARLET-X cameras.

  If you want to use try first Pro CC test and check.

  http://www.Adobe.com/content/dam/Adobe/en/products/premiere/CS6/PDFs/Adobe-Premiere-Pro-CS 6-red - workflowguide.pdf

  Vinay

• Create sequence Multi camera works is not - does not sequence

  After selecting the files 2 (or more) and right click and choose the camera Multi source sequence, drag the sequence newly created in the time line, but all I get is two files on the timeline, piled on another.  the sequence never gets created.  This just started today, nothing has changed in my game to the top.  See photo for a better idea of what see Im...

  Thanks in advance for all answers from contributors.

  

  Click the icon to the left of the magnet, the title sequence of the timecode.

• A Red Camera Raw CS stuff?

  I have a tiff file to download with this post, but obviously, this feature has been disabled, so I'll try and discribe this to the best of my ability. I check Speicherkarten, lens and cameras and reduces the problem to camera raw. I have download all the patches and new updates and still no solution. So, I open a bride in Camera raw file... It is a dng file. There are several red zones throughout the image while its in camera raw, and when I paint on certain areas, making adjustments for example on red exposure a few times will appear as I am brushing where it wasn't before. I need help because it makes pictures of massive I edit very difficult...

  Could this be the warning of cut point out (O)?

• How do sound on my web cam?

  I have a webcam "creative webcam instant" w / date of 2004 copy write what I'm trying to find a way to get his top.

  So give me the option in the settings, but I cannot get sound in the back room, even though I know it's working, because I hear the distortion of it.

  He tells me that I need codecs or something. How I got these would get?

  Hello

  I suggest to uninstall the current Creative WebCam Center software, restart the computer and then download/install a new copy of the software.

  Step 1: Uninstall the software.

  Uninstall or change a program

  http://Windows.Microsoft.com/en-us/Windows7/uninstall-or-change-a-program

  Step 2: Restart the computer.

  Step 3: Download and install the copy of the software from the following link.

  http://support.creative.com/products/ProductDetails.aspx

• Start Dell icon disappeared (sound) after installing the camera software share easy. Went into the center of mobility and found the audio device.

  My access key States that the meter is turned off and when I go to the clock, the box volume volume settings is pale gray and cannot be clicked.  I so want my desk top taskbar icon of his return.  Can anyone help.  Thank you.

  Hello

  There are different ways to fix it

  read all the information on the link below

  Try Method 1 or 3

  Method 1. :

  1. right click on the taskbar and click Properties.

  2 click on the Area of Notification tab (see screenshot left step 3 below)

  3 check the (on) or disable (off) the options you want or do not want to display on the Taskbar Notification area

  Method of reading 3 etc. in the link below

  How to enable or disable the Notification area system icons in Vista

  http://www.Vistax64.com/tutorials/106787-notification-area-system-icons.html

• Refresh MDM from sequences RED?

  Is there a way to update a clip of metadata, published in REDCINEX, inside Speedgrade without reload the clip?

  I'm working between REDCINE-X and SpeedGrade. I work on the R3D files, containing data of MDM, I want to make some changes in Redcine and automatically (or manually) update the Speedgrade clips.

  Thank you

  Hello

  have you tried timeline-> rolls of reconstruction?

• Monitoring camera reduced sequences of 5K or 4K to 2K mistakes?

  Regarding the process of integration of 3D elements in a plate of live action sequences, I note that the process involves the use of software to track and resolve the live action sequences where subsequently followed data can be sent to the relevant software to integrate the 3D-elements which is the process of moving.

  However, I have a question about the images. As we know, most of the cinemas in the world have 2K projectors and some have 4 K projectors. I know 2K projection in cinemas will be around for a while before upgrading. I also note that most films are shot digitally using RED cameras for example, and they turn to 4 K or 5 K and then reduce the image to 2 K deal in post-production.

  My question is: If one were to pull on a plate of 4K and reduce to 2K, when 2K images are followed and solved for the integration of 3D elements, would there be mistakes expected with the tracking/resolution process because 4 K was spread up to 2 K? I ask because it can be more costly in terms of time (and money) works with 4 K at the station, as most big 4 K 3D geometry must be returned instead of 2 K 3D geometry.

  Would appreciate your thoughts.

  When you run that a trail camera AE calculates the focal length and fixed the position of the camera according to the perspective changes that occur to the geometry in the scene. A 4K has a greater than a 2K turned image size so the focal length will be different, but this isn't the position of the camera. The problem is that the focal length and the angle of view depends on the size of the frame of the model. This means that you cannot just copy the camera and stick it in a bigger computer.

  Fortunately, there's an easy solution. Let's say you reduced your images in 4K images to fit a standard model 1920 wide HD. The height of the model doesn't really count, we are only concerned about the width. This same technique would work if you made a broad DI 1920 (digital intermediate). If you just scaling images to fit horizontally in a smaller model, you will need to dial before moving followed all the attributes before you ran the camera on the demo. If you made a DI, then you just camera would follow the images.

  Now the camera track is done and everything works fine. You have inserted your nulls or solids and the model exported to C4D and created your 3D scene and everything goes well with the world.

  To replace your images with the 4K images and set solution camera that you would simply run the script scale Comp that comes with AE. You open the comp and then you type in the width of your images at 4K and press go. Everything is done for you. You now change the scale to demo or furred DI with the original 4 K footage. You export the new model of C4d and you import smaller animation in the new comp in C4D and all evolve to adapt. The part of the pipeline C4D is the only part that requires some math. Everything else works.

  I hope this helps. I've done this kind of thing for a dozen years and the file > Scripts > Composition.jsx of the scale, that's exactly what you need.

• Multi camera using an existing sequence already synchronized with the eyes of the plural

  Hi all

  I just tackle multi cam in first pro 2015 (fully updated)

  I watched an excellent tutorial from Colin Smith using the step by step instructions, but he began by selecting a number of clips in the tray. I managed to create a multi cam

  by using this method.

  BUT

  I already have a sequence that has been synchronized with the eyes of the plural. What I would do is multi cam this sequence, do not need to synchronize again.

  If I right click on the my original sequence in the bin, the sequence of source multi camera 'create' is grayed out. If I select "new sequence of the clip" a new sequence is created

  but I can't change the plans etc (nothing happens when I click record and click the scenes or use the quick access keys)

  So, my question is how to create a sequence of cam ready multi for editing an existing synchronized sequence?

  Thanks a lot for your help

  Chris Anderson

  If I right click on the my original sequence in the bin, the sequence of source multi camera 'create' is grayed out. If I select "new sequence of the clip" a new sequence is created

  but I can't change the plans etc (nothing happens when I click record and click the scenes or use the quick access keys)

  You are on the right track: right click on your original sequence. Select new sequence of the clip. Open in the timeline panel. Right-click on the video track. Select 'Activate blocking->' and then change the programe in blocking monitor view. Read the sequence and you click with your mouse on the angle desired in the program monitor should turn red. It work?

• ideal (and not too expensive) camera for imaging of the fish blind cave under the infra-red light?

  Hello

  So I am a PhD student to the study of the behavior of fish and I would like to use an infra-red camera to track their movements in the laboratory, and a collaborator of mine uses a camera very expensive to do this, the ROLERA-XR, which costs more than 9,000 dollars. I don't really have a framerate very high, even as low as exposure of 50ms and 10 FPS is enough, know of a cheaper camera can cause what is good in Infra red and compatible labview?

  Thank you

  Johanna