Planning of major projects

Similar Questions

• Creating Application planning – Shared Services project edition

  Hello

  I use the Hyperion 11.1.2.3 version and try to create the new application from planning through the workspace.  I am not able to see the 'Planning' group in the shared services project.

  Please could you help me to create planning applications.

  

  Thank you

  Michel K

  You will need to create a new application group in Shared Services, it is simple to do - Create Application groups

  Once you have created the group, you should see it in the list of projects of Shared Services when you create a planning application.

  See you soon

  John

• Troubleshooting SpeedGrade slowdown on major projects / deadlines

  Hi all

  I have been troubleshooting the issue that many of us have had to deal with: the slowdown or lag that makes SpeedGrade CC 2015 almost unusable on some large projects (Direct link). Basically, I have big smooth, responsive titrant with several layers, high output, adjustment even and layers After Effects compositions - up to a certain limit. More great, feature film projects require workarounds and I am trying to find out why.

  I've already eliminated:

  -GPU. GPU never never even reached 10% CPU usage or more. GPU memory usage never IM 40%. Acceleration, confirmed.

  -Memory. SpeedGrade seems never to consume 4 GB or more, max, excluding the memory usage of AE. I can have 22 GB of free memory on a 32-GB system and continue to suffer from the terrible lag.

  HDD/SDD. No disk access happens while I make adjustments.

  -Number of tracks. Reduction in the number of tracks in the project of one (of ten), the gap remained.

  -Linked securities / compositions AE / "exotic" files. Removed all of them, LAG remained.

  -Spike 's CPU use, but not 100%, and it makes no sense that the processor can manage complexity in a single element but starts trolling just because there are a few other clips on the timeline that aren't a cause

  Experimentation, I think what he peut is having a relationship with the following:

  -Length chronology

  -Number of (active?) clips on the timeline

  -Number of files in the project (whole, including other times?)

  -Total size or length of the referenced clips (active)?

  -Size of the project file (currently 6MB, which seems not extreme)

  I managed to get a workable unworkable situation by copying the pieces in an empty timeline and SpeedGrade Direct link, but this is less than optimal. I also managed to constantly increase the responsiveness and reduced offset 'simplification' of the timeline as described above, but these improvements seem to be progressive and it is difficult to objectively say that changes really made a difference.

  Any ideas how and why this happens? And more importantly, exactly when this happens?

  The idea of cache seems logical, but if this is a cache, it must be in the RAM somewhere (it has no current disk activity). So it is probably not a case of Sg to run out of resources, it's just the shuttle data back into memory... This would mean that, for now, is intended to keep the memory footprint of each scenario as small as possible.

  Absolutely agree with your recommendations: 2015.1 was already a great relief and I resorted to break the project into action, which makes more or less usable Speedgrade again for large projects. Also, it feels like I can get the some of the same effect by simply disabling groups of elements in the body, which causes Speedgrade to ignore (as opposed to disabling a track, which can still be reactivated to Speedgrade).

  The route of the EDL was not quite as bad as I expected to be the few times I used it, and I can recommend to any project that consists mainly of traditional publishing or plans effects fully rendered/exported. Basically, if all your belongings are scaling, basic transparency and knocked down the shots, it would take little to hurt!

• LabVIEW crashes when programmatically getting the dependencies of a major project

  Hi all

  I'm working on a LV application where a project must be created programmatically & its dependencies must be analyzed. But when I add a source folder containing many files (> 1000) LV crashes when obtaining the mention of dependencies (in the method highlighted in the image below). Is there a work around for this problem? Also finally I have to compile this whole code of packaged project library. It requires extra coding?

  

  Thank you
  George S

  Did save you the new project before trying to read the dependencies?

  Mike...

• Impossible to publish a wswmm on computer or dvd into a video file with windows movie maker, after the edition of a major project

  Impossible to publish a wswmm on computer or dvd with windows movie maker, after the edition of a great project - error message stating "cannot save the movie to the specified location. Verify that the original source files used in your movie are still available, that the backup location is still available, and that there is enough available disk space, and then try again"

  the source files are all there and I have more than enough space... Please help (project video wedding!)

  Thank you thank you thank you...

  chop my project and publish it on computer, mix files together on the creation of dvd windows... it worked!

  you saved me break my laptop into 1 million pieces... thank you once again!

• CS6 managing major projects well?

  Hey, guys.

  I am running CS4 and begin to consider the options of upgrade for my editing environment. A while ago (this was before the FCP 10) I remember back and forth on FCP vs first. One of the things mentioned was a claim that first didn't manage big projects (e.g. a 90-minute film) very well. This, of course, the FCP human. CS4 was the last and largest in the time. CS6 is a couple of big tours all over and also runs on a 64-bit architecture, so maybe it's not the case now (I can't say with certainty what, he never just repeat what I've read).

  Y did edit you movies of this length in CS6 and if so, how it works for you?

  I just finished a project of 3 hours (more than the Bonus DVD) without any problem.

  PP has never really had a problem with larger projects, at least not on the side PC.  If some had no problems, they were likely local issues, not all the problems everyone would know.

• How to deal with a major project (perhaps using the approach Trail Daisy)?

  Hello

  My initial problem was that I needed the screen to pause so that the user can interact with the spry menus and interactive images. In other threads, I noticed that you added click boxes to prevent the screen movement. However, whenever I clicked on the spry menus or image maps, screen installs without giving me the opportunity to interact more on the screen. In addition, the screen gone white. I decided to use the timeline and each drag last less than 60 seconds. However, whenever I tried to do this for the entire project, it crushed, repetitive, the project became too big - it's 164 slides.

  I read in another thread that you can break up the project using the "Daisy track" indicated. When a single segment of the project is completed, you can run another swf file to open, and so on until they all open in the sequence. I wonder, how does it work exactly this approach and will still be able to use the menus spry, i.e. I will always be able to insert links to other parts of the project? This approach means that I have to create a web page to add the links of these separate swf files and this will also be my spry menus and design obsolete?

  Any help on this would be greatly appreicated.

  Thank you very much.

  Make sure all your break points are at least 1 second from the beginning or the end of a slide (just in case the blade is still fading in or out).

  You also mention that you use "spry menus" in your course of Captivate.  I have not heard of anyone done this before.  On the off chance that they can be the introduction of a weird behavior, you can try remove a copy of the project to see if it improves.

• Major project of Greenscreen.  Workflow?

  Just curious as to what that all the workflows for a larger project of greenscreen.  I don't usually do a lot of greenscreen, maybe 15 cups worth on 3 Staples per project.

  But now I have a larger project with cameras shots 40 + x 3 each (Multicam) and now I'm get boggled down.  My project is starting to look like a war zone, and I'm looking for an alternative.

  MY CURRENT WORKFLOW

  1. I import my images of GS to PP chronology.
  2. Ask 4 cameras sequence in a sequence of 'root level' to synchronize multicam as usual. (layers 1-4).
  3. Drop 'root' the sequence in a sequence of 'MC', select edit, etc. (the normal drill for editing multicamera) MC
  4. Make my cuts, remove the fat
  5. back to my sequence root of the MC (where are my 4 cameras), send each clip to After Effects for the strike and the camera color matching via dynamic links.
  6. Go back to the first and complete Keylight and my other corrective color layers on the clips do not see me real time at first, so I
  7. make on a weak ground. MOV w / alpha of each element of the AE - clips of proxy (adding images more to my project)
  8. Move at full resolution, dynamicaaly what AE related to key clips (my those final, good) on 5-8 layers
  9. Proxy place clips on layers 1-4 at level root of Multicam on top.
  10. Proxy videos get good reading
  11. Continue edititing project until everything is perfect
  12. Back to all my root multicam sequences and swap linked what AE comps proxies. (and I hope that I don't miss any)

  Surely, I am doing something stupid here because when I am all done, I have a gazillion clips everywhere and a bazillion what AE comps everywhere too.  Suggestions for the way YOU work or when you think I'm on leave would be greatly appreciated.

  Thank you!

  Well, certainly start with a transparent cache (probably at least point 8) around the subject. This eliminates a large part of the screen that you don't have to worry about keying (which you can see in the clip of mast).

  I use the Eyedropper to select the color of the screen; Hold CTRL for example a slightly larger region - and click a few different place around until you find the best color to start with. Then I go back through the mast build settings to set the matte; I've usually drag them on full-tilt and then again until I get a good clean key. It is convenient to be able to see the screen and alpha at the same time, so open a reference monitor and Alpha; This way you can let the exit effect Composite value. You will need to disable your background layer, however, you can see the effect of the alpha in the reference monitor (as a sequence is really transparent, not black).

  Once you get the screen twisted, deepen Matte Cleanup to refine the edges. If you have a good key implemented in the production of mast, should not to really do much here - and a little goes a long way. Finally, Supression of spills can help you clean up the edges, where you will have a small green purge - especially if your subject is a bit too close to the screen. I do not use the ultra Color Correction; It is super basic, and given that the other more powerful CC effects are GPU accelerated, they work great if you stack them after the Ultra twist right off to key.

  It is very common practice when it comes to typing, as you probably know. A lot of it has to do with the right material to begin with, but I've even saved some really terrible shots with Ultra. Once you get a hang of works Ultra, you can check out through your entry work - preview real is a huge advantage.

• Export of major projects

  Hello

  I recently finished up a video installation in After Effects for the work that comes out to about 15 minutes long. Throughout the process I exported the video to see how everything is the tail. Normally, it takes 2 hours to export the full video. Since last week the video export started 10 hours for export. I understand that large files take longer to export (this one goes out to 1.7 GB), I have not changed the settings of export since the first day. I export video on:

  Format = H.264

  Screening: Youtube HD 720 p

  I couldn't understand why, so I tried:

  -Office cleaning

  -removal of old copies of the video

  -By ensuring all other applications have been closed

  - and boost memory, processing capabilities.

  Are there measures advanced export or advice to reduce the time for export?

  Corbin,

  This doesn't seem to be really a problem of Media Encoder, it is a matter of After Effects. I noticed when my rendering begins to go slow all of a sudden, that is not the Cache disk is filled. May have filled up your drive, or at least the amount of space that you have designated your cache and the database.

  First of all, I would like to "own database and Cache" through Edition > Preferences > media & Disk Cache. You will probably need to make a new render your timeline, but all the previous, unusable poster is more too much space and which allows your reader to breathe.

  As side note, 15 minutes in After Effects is a great crazy long timeline, even in standard definition. You should consider using AE for only specific shots and use editing as the first software to do the actual editing.

  HTH

  ~ G

• Project of ADF for the Plan of deployment and Service Web Proxy

  Hello, I would like to know if anyone of you knows a way to specify a project of the ADF and the deployment plan for a deployment to QA to production environment, and a deployment plan for a project who have just the web service proxies or there at - there a way to change the endpoints and the port for the web service proxies and the file hwtaskflow during deployment. Help, please

  See if this helps = Blog of Gerard Davison: control what proxy service uses at the time of the deployment

• Mid-project CS3 to CS5 upgrade cause major problems - please help!

  Hi all

  Despite having been a user since version 6.0, I've never used the forums so I'm new here.

  I have major dillemas following a big update at a critical time and feel completely abandoned by Adobe on this.

  I worked on a major project for more than a year.  Recently, the project requirements has become too expensive for my dual core Pentium running Premiere CS3.  CS3 has never been a program too stable during projects to get to a certain size, but this time frequent accidents were doing impossible things.  Furthermore, when I tried the functions of project management to consolidate and save my work, they would fail ("unknown error"), leaving my precious work extremely vulnerable.

  I contacted Adobe to inquire if I could build a new system first CS5 running and my project to import to CS3 to continue my work (which is now late with the customer).  The wizard of support said yes, there was complete backward compatibility.  You know what's coming...!

  I bought the new system (Pentium i7 860 8 GB of RAM, 1gig Graphics GTX460, striped disk Western Digital Mybook Firewire 800) and CS5 upgrade and has got it all.  I brought my project in CS5 by using the project import/set function in the menu.  My project appeared and I was hoping that everything was fine.  When I tried to read, the problems have become apparent.  Photos are all fine blue vertical lines from the top down, washed out colors and do not play smoothly.  The main monitor cannot read the timeline - it can only display the first image selected.  After a short period of reading, the whole program seems to go in slow motion. not an accident, but an impractical slows down.  The timeline, then stops responding and cannot be read.  When I first open the program, it takes about 5 minutes to load everything - that can't be right surely?

  Basically, it seems that CS5 is unable to manage my project of CS3 all despite the fact that, although large, it should be relatively easy.  It's a SD PAL widescreen project which is at the stage of rough cut.  I have not yet applied classification or something particularly complex (my system CS3 used to have difficulties handling of projects after that I applied Magic Bulllet looks like).  All sequences are in standard DV AVI format and was shot on a XLH1a.  The project also contains an uncompressed AVI file.

  The main thing is that I have spent a small fortune here all this because the old CS3 software was not working properly and I desperately need to finish this project.  Now the money has gone, CS3 is not stable enough to work on, CS5 on a brand new i7 machine work hardly at all, and my neck is on the line with the customer.  The work is sitting in limbo when I should be plug on with it.

  Sorry if this all sounds a bit (Christmas emotional stress?) but I would lovingly welcome all hero/heroine who can come to my rescue.  I'm so disappointed with Adobe right now.

  Thanks in advance,

  Paul

  The blue vertical lines: for the Nvidia graphics card, it's a quality 3D setting that is causing the problem.  Set the parameter to "let the application decide."

  Untie the uncompressed avi and see how works the rest.

• Muse - business plans for the future

  Hello

  About to launch a major project for a client that will result in a website that should last for a few years and will must be constantly updated during that time.

  Are there long term plans to withdraw from the platform of Muse

  And is it planned in the short term to prevent users of IE8 to access content developed in Muse.

  Bravo for your thoughts.

  Muse is a relatively new product, were introduced in 2011. I doubt that it is only around a few years. He is actively updated and widely used in the design community.

  What about IE8, 3.68% of all users use IE8 in the world. Will be probably does not exist in a few years, if not sooner. (but there are always a few stranglers there)

  I doubt that Adobe would look at logic programming in Muse to block a certain browser.

• CS4 Pro - project pulling of ~ 80 computer moving files can I be part of the project files?

  I'm a newbie, so I'm sorry if this is a stupid question. I have a new computer and got rid of everything on my old. I have a project that has audio clips and 80 + files in different locations on my old computer. I do not plan to put the old files on my new computer. I am also changing from XP to Windows 7 so go files in different directories.

  Is it possible to create a major project file that includes all of the clips that are in the project, rather than have them externally referenced? I can wish change the video in the future, moving clips, etc., so I don't want to just save an avi file.

  I hope this makes sense. Thank you in advance for your help!

  Have you considered project manager?

• several people working on a project to create

  Hello

  I'm working on a group project that involves a lot of editing in Premiere Pro CS4. We try to understand how best to streamline our workflow, so that people can work on the same file in different locations. Are there any good tips or points that we should know before embarking on this adventure?

  Right now, our plan is to have a separate files for each person to work on, by combining the final sequences at the end. The problem, however, is if two people want to work on a file at the same time.

  Any help would be appreciated.

  Thank you!

  If you wanted to ONLY carry a unique project between different computers/editors, things would be easy. Using an external (I would recommend FW - 800 the minimum for eSATA as the minimum for HD and SD), all that would have to do would be to assign the drive letter of this identical external transport in the operating system of each machine. All assets and Scratch disks would be on this external.

  However, this is NOT what you're talking about. In your case, the unique workflow that will work (that I know of) would be to assign different "chapters" to different editors. These "chapters" would be sequences in the project of PrPro. Then, when everyone has completed their work, these projects could then be imported into a 'major project', for completion. In this case, the external references could be used, to avoid having all kinds of linking issues we would make sure that each external had a unique drive letter but that same drive letter was put in the OS of the machine that was the main project. Say, if I had 4 editors working on 4 parts, Editor 1 would use Z:\ drive, Editor 2 would use Y:\ drive, and so on down. When each of these external systems were plugged to the main computer project, the first step would be to put the drive letters in the OS of the machine.

  It would take a planning, then choreography and prevent 1 the Publisher and editor-in-Chief of 2 working on the same "chapter", unless they swapped external, so that the work could not be done to each 'chapter' at the same time.

  It's about the only way I can think to do such a project.

  Good luck

  Hunt

• What size an iMovie project maybe? Quality audio during playback

  Need big-time help from some pros iMovie 11 out there. I would like to have a more recent machine on which I could use the latest version.

  I am re-a one hour film editing, that I made for the anniversary of this year 25 years ago, and I'm afraid of project file may be too large. I have lots of sound effects and music added added that begin to abandon during reproduction, which wasn't a problem for weeks, so the project was smaller. I think pretty well I can't get all on a DVD, so I will break the film into two parts, I should have an intermission still. What can I / should I duplicate the event or project, or both and delete the last half of the movie from the original project / event and then delete the first half of the film of the copy (assuming that I can copy of in iMovie)? If possible, I think two small-sized projects would be better than a big project and event. I do not know if I must and can copy an event, since the same source files would be shared by the two smaller projects. Sorry to ramble on, but I need an intervention of paranoia here. p.s., if I connect an external USB drive to back up my iMovie project, should I just copy the files to iMovie in my users-movie file, or is there another way? Thank you, Carl.

  HI, Carlat,

  Share the lack of space on your hard drive or an external drive, there is no limit on the size an iMovie project can be.  If you have a slow computer, you may have some difficulties with it now with your editing, and there may be some stuttering or abandonment you observe.

  Your computer may not be fast enough to playback in iMovie to deal with the drafting of a major project.   Probably it's just a problem of reading and shared final project on will play well.  If the abandonment issue bothers you, your idea of dividing two projects while you work on it is good.   You can join the two projects together when you're ready to share it.  (You can take a video of 2 hours on a standard DVD disc, this project of 1 hour adapt you very well if you want to keep onto a single disc.)  As you mentioned, don't forget to save or duplicate your original project before starting it a re-release and then work on the copy.   That way if something is wrong you still have your original intact.

  I'm not as familiar with Mi9 I am with the current iM10.1.2 version, so I will let others answer additional questions.

  Have fun

  -Rich