progressive scale model

Similar Questions

• Compare the gold - change of scale model?

  Hello

  I have a prototype system of control works very well with the Template.vi or compare and find most of the defects in my DataSet.

  However, currently I have position and scale information coming from the pattern match in compare it gold screw model (as in the example of OR). This works well when the samples have the same size, but if there are any changes to the scale but the comparison of the model begins to fight. (I tried the border thickness settings to ignore it, but it could be even better)

  I would like to be able to use the pass information on the scale of the Pattern Match in the model compare gold, but when I just wire the value in front of the cluster of pattern match (as is done with the information of position and angle) the program and then not picking up not the other flaws he did before, even when the scale has not changed.

  Has anyone encountered this problem before?
  I have to somehow prepare the VI of model or compare to a size change?

  (final application is a system of inspection of logo, very similar to the example of NOR provided)

  Obtained this sort ultimately (via a call to support) so leave a note for all those who in the future which has this problem:

  The scheme normal game VI does not scale ouput information.

  You must use the GEOMETRIC pattern match to get the information across.

• SmartImport - add to the layers of scale model

  Is it possible to edit the SmartImport script in the after effects place the results processed directly in a model? Basically, I would like to automate typing a bunch of image sequences and to have these seqeunces fell into a specific model.

  I thought I would add something like that need to reference files to find in the SmartImport function... but I don't know what/how the SmartImport variable are used?  Any help would be GREATLY appreciated.

  masterComp Variables

  var compWidth = 1920;

  var compHeight = 1080;

  var compPAR = 1;

  var compDur = 60;

  var compFPS = 24;

  Create the Master model

  var masterComp = app.project.items.addComp ("MASTER", compWidth, compHeight, compPAR, compDur, compFPS);

  Results SmartImport place in masterComp

  masterComp.layers.add (SmartImportResults);

  If you can assume that the elements of one film in the project bin are those imported by SmartImport, you could do just something like this after you have created your model:

  for (var i = 1; i)<= app.project.numitems;="">

  If (app.project.item (i) instanceof FootageItem) {}

  masterComp.layers.add (app.project.item (i), masterComp.duration);

  }

  }

  Otherwise, you will need to change SmartImport to save its results as it goes along. I would probably create a global network at the beginning of script

  var myFootageItems = [];

  and then change the importSafeWithError() function to push the results in the table:

  function importSafeWithError (importOptions)

  {

  try {}

  var myFootage = app.project.importFile (importOptions);

  myFootageItems.push (myFootage);

  } catch (error) {}

  Alert (Error.ToString () + importOptions.file.fsName, scriptName);

  }

  }

  Then in your code, just go through the table and add the layers:

  for (var i = 0; i)< myfootageitems.length;="">

  masterComp.layers.add (myFootageItems [i], masterComp.duration);

  }

  I have not tested this code, so it may not be perfect, but it should be close.

  Dan

• Edge based geometric invariant scale corresponding learn property?

  Hello world

  I want to create a VI that pattern matching which is scale invariant, that is if I create a model that is smaller or larger, or any angle that the image of the target, he should be able to recognize, no matter what.

  The question is when I go to form the model using LabVIEW VI, the dose of IMAQ Setup learn geometric model 2 VI no option on the specification of the invariant properties of SCALE or the ROTATION property. But they were as in the detection property IMAQ configuration Match geometric pattern 2 VI SCALE and ROTATION are there.

  If I activate the invariant property of the detection scale it gives me that isn't a corresponding error information for invariant scale model. But I did not well in the Setup IMAQ learn geometric model 2 to specify.

  These goods are in the VISION Assistant, but I want to do in LabVIEW.

  Kind regards

  @sk

  I think in this vi you can get:
  http://zone.NI.com/reference/en-XX/help/370281AA-01/imaqvision/imaq_advanced_setup_match_geometric_p...

• Connect my Ohaus Scout Pro scale to Labview without using the continuous setting of the printer

  Hello

  I connect my Ohaus Scout Pro scale (model 6001) to Labview.

  My program can only read data from the balance if I'm in the continuous printing mode or if I manually press "print" on the scale. But I want only to read the measurements every 10 minutes and I don't want to press the button manually.

  That's why I implemented the function Write VISA and I send you the order P\n (\-comand). According to the manual of Ohaus, this should be the same as pressing a. pring. But it does not work!

  What I am doing wrong?

  Is there anyone else out there who is using Ohaus scales and is able to directly read data from the balance?

  Any help would be appreciated!

  According to the manual, you send a CR (\r) or a CRLF (\r\n). Send just LF doesn't seem to be valid.

• AeRender - "no model of rendering parameters were found.

  Hello, iam using after effects CC as a network solution. IAM trying to make my project via the console and he already give back me my beautiful projects! But if I try to set a specific model of my project (RStemplate, OMtemplate), it won't work.
  
  aerender ERROR: no model for rendering for the first name parameters were found.

  Here are the settings I use:

  aerender-project \server\htdocs\ae\final3\final.aep-comp 'clouds-rotation-down' - RStemplate 'E2Z640blur' - OMtemplate 'E2Z640's 11 e 12 - exit \server\htdocs\cache\clouds-rotation-low.avi

  
  

  And here is the result

  
  

  With the help of DXGI: device: 'Microsoft base Render Driver' dedicated video RAM (MB): 0

  a video RAM (MB): 0

  PROGRESS: Adding model specified for the rendering queue

  aerender ERROR: no model for rendering for the first name parameters were found.

  LoadLibrary failure "n"!

  LoadLibrary failure "n"!

  LoadLibrary failure "n"!

  LoadLibrary failure "n"!

  
  

  The models there are 100%!

  
  

  
  

  OK, I found out that a problem of access. I tried via PHP-Console and he gave me a release, but with a given model of my it wont.

  Solution: By testing just the Console (CMD.exe) it works. So, PHP & Windows Server 2012 access

• How to set a framework for model A as the backdrop of model B, when A is shorter than B?

  I have a composition of 3 seconds, within another composition of a few minutes. It ends with a frame without movement. I can't extend its length after the last image, what I want to do, I can use it as a backdrop for the composition more than time. The only solution I can find is to extend the duration of the scale model of the opening, and that seems redundant.

  COMP A completed, it disappears, I can't extend its length in scenario B COMP beyond the total length of COMP.

  I could also export the alembic and re - import, but I don't want to do that.

  The average time-remapping or duplication CompA (washing at the end framework) > right click > time > Freeze Frame - and the cup double to adapt to the necessary remaining length

• Pink tinted Photoshop CC text changing a Mac - how to fix?

  Hello world

  This is my first post here. I use Photoshop CC for PC and Mac for a bit this year and I learned a ton from this forum and other resources online...

  I have an annoying problem where the colour pink that I use for the text in a graph of t-shirt of png and the layout is changed when I use PS on my Mac and I don't know why. I used the same shade of Pink for a few months now and never had this problem until a couple of days. It must be a setting that got changed inadvertently. There is no question about the PC version - it works great as it always has.

  Screenshot #1 displays the color that was used to create the text - RGB 255-120-255 with color undesirable substitute indicated in a box below with a caveat "!" next to it. It is the color which has now replaced the (real) desired color in the design of the psd file and saving as a png.

  Screenshot #1:

  

  Screenshots n ° 2 and 3 respectively show the color of the text and that it should be (screenshot 2) and the color has changed recently, I'm trying to get rid of (screenshot 3).

  Screenshot #2:

  

  Screenshot #3:

  

  Here are two separate psd files. The rose of correct color appears in a psd file (the file original graphic source - screenshot 2), and incorrect pink appears in the other psd file (where the word 'Goddess' is screenshot of a mock-up of the shirt which had been inserted in the canvas - screenshot 3).

  Therefore, the inserted showing project of scale models of the shirt that has the problem. In the original design file the color shows correctly inside the canvas of Photoshop and exported image files.

  If anyone can give a suggestion on how I can fix this I would really appreciate it. Thanks in advance!

  

  With only your samples seconded to work with, I took an excerpt of each and butted them to your color panel color samples.

  As you can see, the rich rose matches your chosen color and degraded game, with an exclamation mark (indicating outside the CMYK range) is a game to its available CMYK value. This suggests that the Mac is set to CMYK, you use wildly different RGB profiles or something does not work in the software. In the latter case, I suggest you reset Mac preferences.

  To reset the preferences:

  If Photoshop is already open on your screen, close (Quit). Then hold down the shift + command + Option key on your keyboard and start Photoshop.

  A dialog box appears asking if you want to delete the preferences file existing ("settings"). Click Yes in the dialog box. The existing preferences file will be discarded and a new one will be created.

  Good luck.

• How to change the resolution of the After Effects project rendered in Adobe Media Encoder for an overview of H264?

  I want to make a 1080i computer at half the resolution or third resolution in the SOUL to speed up rendering for previews times low resolution. I just got a glimpse of H264 low-resolution take 5 minutes to encode in AE and 28 minutes in the SOUL.

  It's easy to do in After Effects rendering parameters. However, the option "video" in the SOUL seems to imply that is encoded at this resolution, not made at home.

  I went into AE and changed the setting in the composition to "half" window, but when I queue it in the SOUL, the 'Source Match' button still shows 1080.

  What is the right method to get the results I want?

  I am currently using AE CC and CC SOUL on Windows.

  Short answer: the feature you are looking for does not currently exist in the After effects-of-SOUL workflow.

  When the SOUL is coding a mock-up of After Effects, it doesn't have the ability to affect the way in which the model of After Effects is rendered. The model will be always made its intrinsic properties. Even when you resize the encoding settings in the SOUL, the full model is made and scaling only during encoding.

  Caution: SOUL CS6, we began work to enable this feature to exist. When you right-click on a computer in the queue of the SOUL and click the Source settings, you can control the rendering of After Effects settings: Guide layers are visible or not. Our intention is to extend this feature, although the addition of parameters affecting the properties of the model (as opposed to the visibility of the layers) is much more difficult and remains on our to-do list.

  In addition, the composition Viewer settings do not affect the properties inherent in the model itself, it only affects the way in which the model is seen.

  As you correctly deducted the differences between rendering and encoding, I expect you have also already considered workarounds to get what you want (a model made faster which is coded in the SOUL), but summarize these ideas even when:

  (1) makes an intermediate file without loss of After Effects and which encodes your delivery with SOUL format, possibly using spyware files to automate the side of the SOUL of the process which is what I would recommend.

  (2) nest your scale model in a model more small that corresponds to your desired settings and encode this model in the SOUL.

  As always, please send us your thoughts on how you want to see the After effects-of-SOUL improved workflow: http://adobe.ly/feature_request

• How to use a Photoshop template, which is a predefined setting as background in CSS?

  I'm trying to figure out how I would use a pattern that is a preset that I downloaded on the internet (I'm free to use), as a background repeated in my CSS. I know all I have to do is get the image of the original place of the model - I don't know how to locate this image.

  Thank you

  Kris

  Mac - Mountain Lion

  Adobe Creative Suite - CS4

  Product - Photoshop

  Is the model of a .pat file that loads into the Model dialog box?

  If you can get the size of the model fill dialog box by pointing the mouse on the template previews and

  Then, create a new document of this size and fill the document with the 100% scale model

  or use ADSI > fill > Pattern.

  

  

• Square or non-square pixels

  I am very new to After Effects and am not completely sure what composition and presets to choose. I want to create a slide show to display on a LED of SD TV even though I have no idea which to choose preset: DV PAL, PAL DV Widescreen, PAL DV Squarew Pixels, DVWidescreen PAL square Pixels.

  Should I work in 720 x 576, it is OK to display on widescreen TV?

  Thanks in advance

  You're always safe with the presets. DON'T create custom non square pixels comps, unless you know exactly what you are doing. 99,9999999% of the time custom pixel aspect ratio projects are wrong.

  Æ all image pixel format conversions will handle automatically. Always work with Presets Pixel square unless you know specifically that your project requires something else.

  Video is posted on the web is ALWAYS square pixels. Pictures taken with every digital camera, I worked with that are always pixels square. Video, on the other hand, can be almost anything. You know how your original video was shot. Most of the time AE interpreter correctly the video from the cameras there has so very little chance that your video will be distorted if align you on any square pixel or any project of pixels not square. You can drop any video of any standard source, no matter what the IRON of the original, in a composition to square pixels and AE will fix the NOMINAL difference and give you a rendered image. It may be the right size for your publication, but it will not be distorted. To correct the size just it step up or down for fit keep X and put the same values across. If you start to pull down on the options YOU will just end up with distorted images. Circles will be oval. Squares will be rectangles. Do not change the IRON of a model.

  When your project is ready to provide to Adobe Media Encoder will properly scale and fit no matter what format to any other format without anything to do but by choosing a preset. It is perfect for almost any application. The only exception is when you need make projects for non standard digital screens such as dashboards, panels of LED or web banners.

  Here's the model presets:

  

  Blue is a good size of standard work for a publication with square pixels. The presets in green are for an output to the projection of film or cinema. The presets in yellow are what I use for all my projects only standard definition, but I don't have one SD project at least 5 years. There is no point. They did not build a standard definition TV everyone is bought in 5 years and the television channels in the United States are not required to broadcast signals SD more.

  The other presets are all rectangular pixels. They are useful ONLY if you have an application specific or specific to a need to return a codec to camera and the camera frame size. Otherwise, they are completely unnecessary in any workflow I can think. If you have a few images of particularly difficult green screen shot HDV or DVCPRO HD for example, you can remove your key in a model that corresponds to the sequence, so that the entry can work with the original pixels but it is the only time where you can take a very slight advantage in using a non comp pixels square for the production. I've never needed.

  You asked about the disadvantages of working in HD, but look at one in SD. The single is the pass additional rendering. When you look at the tv show in the United States TV becomes a signal HD which is either 720 or 1080 i and the receiver is adapting it to SD for viewing. If you apply the signal to a Blu - Ray player to a TV SD it is reduced to fit. If you use Apple TV or your X - Box to view NetFlix or YouTube and you choose the HD content, it is reduced. If you use still or any DVD authoring application to burn a DVD of your project you will get a rectangular pixel 720 hardware HD SD conversion. The DVD authoring program or automatically detects whether your project is large or if it is 4:3, or it will give you the choice. Whatever it is, you will get a better final result giving HD app material to digest rather than the SD because the compressor will have more data to sample and compress.

  I hope this helps. We will summarize. Use the presets from pixels square for all projects unless specifically, you are required to use a different format to deliver specialized specialized to a playback device contents. NEVER mess with the setting BY in a window of the model. I don't know even why it is selectable. Nobody never showed me a legitimate reason to set a scale model on a non-standard footing. And finally, use a program like Adobe Media Encoder encoding to make your final product for delivery.

• Wrapping a design around a 3D object

  Hello, I am trying to understand how take the fish scale model that I did (on ovals) and processing it so that it is not only the form of the three sections of the sketch, but also that the scales remain aligned between them once the Blue design is wrapped around an object (3D) real.

  

  I'm doing a sticker for all the world a model airplane.  That's what looked like the real plane:

  

  

  I intend hand painting the rest of the pieces of fish, but the 1/144 scale (about 25mm long), fish scales are a little small to paint evenly!

  If someone wants to play with the real .ai file, I downloaded on my server:

  www.wingsofwar.org/UserImages/FuselageWrap.ai

  Thank you for your time and help,

  Keith

  

  Here is a copy of your original file.

  JET

• Any of the PSD makes polyhedral

  Hello. When I visited a half - or quarter-rez versions of my video, everything seems fine except for a flat PSD with some forms solid color graphics. It seems low-rez and 'blocks '. The PSD is the same ground that video... looks like it must re - sample well like the rest of any art. I looked for the problem everywhere wherever I can think, but not luck. Any help is appreciated.

  Thank you.

  Good so here's my last two moves:

  (1) switch changes in pixelation/collapse of the PSD layer constantly to see if that makes a difference.

  (2) If you have not yet tried, nest the HD model within a model of 480 x 270 and the layer to adapt to the new scale model.

• Resize the question of membership...

  Hello

  Forgive the noob question.

  I've resized the composition, and is not resize the images I have that it contains. No problem, but then I select my images and/or corresponding items and then have to reduce.

  Is there a way to select images/image/etc and manually enter a point size according to the size of parameters comp? For now I select the object, and then access the scale under properties turn and find a certain number of percentage best fits. I want to be more specific, perhaps use the dimensions of pixels instead of using numbers to percentages.

  
  Thank you!

  What you do: make the smaller original model, or making it larger?

  To make small, simply make a small model, nest most original scale model in the new model and the model nested to adapt to the new scale model.

  To make it big, there is a script that comes with AE that can do the trick.

  And I have absolutely NO idea why you can't get the precision using the scale property as it is.  I don't think that I never heard that come before.  Your eyes must be much better than mine to see the difference between 23.42 and 23,43%.

• XML + Papervision = Frustration

  What should I do to get this "ERROR 1009" go away?
  
  [quote]
  TypeError: Error #1009: cannot access a property or method of a null object reference.
  to org.papervision3d.render:
  [/ quote]
  
  I've read various websites and this problem creeps for many by using papervision people but I have not really found a solid solution. I think it's more fundamental than papervision and it is why I post here. I think it has to do with the order in which things are firing off. Maybe the onEnterFrame method is triggered before the XML has been read. BUT I tried to hold my script in a way that would avoid such a situation and that's what is frustrating. Any idea that you may have in what I'm doing wrong would be appreciated.
  
  Basically, I'm trying to write a simple script that will allow me to read a XML file that contains the nodes that describe patterns and primitive forms that I want to make in the flash animation.
  
  Here is an extract from the XML file that I'm loading:
  
  [code]
  <? XML version = "1.0" encoding = "utf-8"? >
  < scenes >
  < scene >
  < window width = "820" height = "440" scaleToStage = "false" interactive = "true" / >
  < model >
  < model id = "base" castShadows = "true" type = "flat" >
  < dimensions l = "600" h = "600" / >
  < material type = "BitmapFileMaterial" >
  materials / base.png < path > < / path >
  < / equipment >
  < x position y = "0" = "0" z = "0" / >
  < rotating '0' = XY = "0" z = "0" / >
  < scale > 1 < / scale >
  < segments w = '3' h = "3" / >
  < / template >
  < / models >
  < / scene >
  < / scenes >
  [/ code]
  
  So in this XML snippet I have only one scene, and only one, but I plan on adding more once I get this script running breath.
  
  My whole project can be downloaded here. I've also attached the code. I also note that I use to compile Flash and Flex for the code project.
  
  Thank you.

  Well...

  I think I knew my problem.

  1 tip Amy helped me to remove and check the existence of my 3d objects before calling the render method using a few simple Boolean flags. (Thank you Amy)

  2 comments to LuigiL lead me in the right direction regarding the XML code. I went in another project that I had created and noticed that I had an XML node root of all packaging. And so I decided to pack my new XML document in another layer and for some reason I things to a correct level of talk now.

  Thus, I am able to generate a simple 3D plan by using Papervision, AS3 + XML. I have a long way to go, but I'll post my code here for anyone who wants to learn from him. You can also download here. Thank you.

  XML:

  
  
  
  
  
  
  
  
  
  Materials / base.png
  
  
  
  
  
  
  
  
  
  

  Code:

  package {}
  //- LIBRARIES ----------------------------------------------------------------------------------------- ----
  import flash.display.Sprite;
  import flash.events.Event;
  import flash.net.URLLoader;
  import flash.net.URLRequest;

  Import org.papervision3d.cameras.Camera3D;
  Import org.papervision3d.materials.BitmapFileMaterial;
  Import org.papervision3d.materials.ColorMaterial;
  Import org.papervision3d.objects.primitives.Plane;
  Import org.papervision3d.render.BasicRenderEngine;
  Import org.papervision3d.scenes.Scene3D;
  Import org.papervision3d.view.Viewport3D;

  public class pluhome extends Sprite
  {
  -VARIABLES PRIVATE & PROTECTED-

  XML
  private var xml;

  Papervision
  private var viewport:Viewport3D;
  private var scene: Scene3D = new Scene3D();
  private var camera: Camera3D = new Camera3D();
  private var renderer: BasicRenderEngine = new BasicRenderEngine();

  Variables space (so that the import scripts get included)
  private var placeholderBitmapFileMaterial:BitmapFileMaterial = new BitmapFileMaterial("materials/placeholder.png");
  private var placeholderColorMaterial:ColorMaterial = new ColorMaterial (0xFFCC00);
  private var placeholderMovieAssetMaterial:MovieAssetMaterial = new MovieAssetMaterial ("materials / placeholder.swf", false);

  Flags
  private var flagInit3d:Boolean = false;
  private var flagInitModels:Boolean = false;

  -VARIABLES PUBLIC & INTERNS-

  //- CONSTRUCTOR ----------------------------------------------------------------------------------------- --

  public void pluhome()
  {
  initXML();
  }
  -METHODS PRIVATE & PROTECTED-

  private function initXML (): void
  {
  The XML configuration path
  var xmlDefault:String = "papervision.xml";
  var xmlPath:String = this.loaderInfo.parameters.xmlpath;

  If (xmlPath! = null)
  {
  xmlDefault = xmlPath;
  }

  Load the XML, call event
  var loader: URLLoader = new URLLoader (new URLRequest (xmlDefault));
  loader.addEventListener (Event.COMPLETE, onXMLLoaded);
  }

  private function init3d (): void
  {
  trace ("done within the init3d");

  for each var property: XML (in xml.scenes.scene)
  {

  Configuration window
  Viewport = new Viewport3D (property.viewport.attribute ("width")
  property.viewport.attribute ("height")
  property.viewport.attribute ("scaleToStage")
  ", property.viewport.attribute ("interactive"));
  Add to the sequence
  addChild (viewport);

  Configuration models
  initModels (property);
  }

  Flag - check acceded to this init3d
  flagInit3d = true;

  addEventListener (Event.ENTER_FRAME, onEnterFrame);
  }

  private void initModels(property:XML):void
  {
  trace ("done within the initModels");

  for each var model: XML (in property.models.model)
  {
  var type: String = model.attribute ("type");

  Switch (type)
  {
  case "airplane":
  modelBuildPlane (model);
  break;
  by default:
  Do nothing
  ;
  }
  }

  Flag - check that agreed to this initModels
  flagInitModels = true;
  }

  private void modelBuildPlane(model:XML):void
  {
  trace ("done within the modelBuildPlane");

  Type of material
  var type: String = model.material.attribute ("type");

  Material
  material var;

  Switch (type)
  {
  case "BitmapFileMaterial":
  var bitmapMaterial:BitmapFileMaterial = new BitmapFileMaterial (model.material.path);
  bitmapMaterial.doubleSided = true;
  material = bitmapMaterial;
  break;
  case "ColorMaterial:
  var colorMaterial:ColorMaterial = new ColorMaterial (model.material.color);
  colorMaterial.doubleSided = true;
  material = colorMaterial;
  break;
  case "MovieAssetMaterial:
  break;
  case "WireframeMaterial":
  break;
  by default:
  Color material
  break;
  }

  trace (Material);

  Create the plan
  plan: var map = new plane (material
  model.dimensions.attribute ("width")
  model.dimensions.attribute ("height")
  model.segments.attribute ("w")
  ", model.segments.attribute ("h"));

  Plan of situation
  plane.x = model.position.attribute ("x");
  plane.y = model.position.attribute("y");
  plane.z = model.position.attribute ("x");

  Rotate the plan
  plane.rotationX = model.rotation.attribute ("x");
  plane.rotationY = model.rotation.attribute("y");
  plane.rotationZ = model.rotation.attribute ("z");

  Terms of scale
  plane.scaleX = model.scale.attribute ("x");
  plane.scaleY = model.scale.attribute("y");
  plane.scaleZ = model.scale.attribute ("z");

  If (type is "BitmapFileMaterial")
  {
  Add stage plan
  scene.addChild (plane);
  }
  on the other
  {
  Add stage plan
  scene.addChild (plane);
  }

  }

  //- PUBLIC & INTERNAL METHODS -----------------------------------------------------------------------------

  //- EVENT HANDLERS ----------------------------------------------------------------------------------------

  public void onXMLLoaded (e: Event): void
  {
  Assign the XML data to a variable
  XML = new XML (e.target.data);

  Initialize the 3d
  If (xml! = null)
  {
  init3d();
  }
  }

  public function onEnterFrame (e: Event): void
  {
  If (flagInit3d == true & flagInitModels == true)
  {
  renderer.renderScene (scene, camera, viewport);
  }
  }

  -GETTERS & SETTERS VARIABLES-

  //- HELPERS ----------------------------------------------------------------------------------------- ------

  //- END CLASS ----------------------------------------------------------------------------------------- ----
  }
  }