Overuse a multi-cam sequence?

Similar Questions

• Synchronization of four cameras with gaps in the timeline for multi cameras sequence

  I use Premiere Pro Trial CC to edit a multi camera concert. (The trial is just to see if the multi-came thing will work better than CS5) Since there is a limit of 30 minutes on four of my SLR, I have gaps in each of my deadlines of four cameras. All of these tracks were synchronized manually upward with a master audio track.

  In order to create a multi-cam sequence, I need to synchronize the video tracks 1-4, but so far have not been able to do. I tried to clips from each camera of nesting (so video 1-4 are all separate nested clips.)   I turn on the targeting of track for four channels of video and an audio track. Then I press 'I' to select a Point for the selected tracks. Not sure if this is how it works - just guess here.

  I then tries to 'Create Source Multi camera sequences' and tracks synchronization to aid 'In Points' on the nested five (4 video and 1 audio).   When I double click on the sequence of Source Multi camera to preview, I get four video windows appear, but the timing isn't right. It's as if they all were associated with at the beginning of the clip, not the markers that I put in front.

  So that's my problem. I can't synchronize these titles before creating a sequence of Source Multi cameras. I tried the synchronization of audio track, but it fails - too gaps to make it work, I think. I have no timecode. The only way I can think to do is to clip markers. Are some of these features disabled in the trial version?   Thanks for any help on this!

  MacBook Pro

  10.10.5

  Intel Core i7 2.8 GHz

  16 GB 1600 MHz DDR3

  NVIDIA GeForce GT 750M 2048 MB

  All of these tracks were synchronized manually upward with a master audio track.

  Then, with all your video tracks manually synchronize would with your audio master, you are ready. It would be a sequence with audio and 4 video layers. Now that nest, activate multi-cameras and turn on the multiple camera monitor in the program monitor and start your editing.

  --------------------------

  and if you want to try the other route-

  as for the creation of sequence of Source Multi cameras with points, place your points on your clips 4 source using the source monitor, you will only be able to get one on your audio files. That you establish for the created Premiere Pro sequence camera multiple source.

• How to activate the option 'create the source multi-cam sequence?

  I am trying to create a sequence multi-cam in an interview. I have an audio file (.wav) and two different camera angles (.mov). I point out all three and make a right click, but the option 'Create Source multi-Cam sequences' is disabled. I tried to switch to the Clip in the menu as well. No luck. How to activate it so I can create a multi-cam sequence?

  If you are in the first version of CS6, disable audio and synchronize your video with in or out points, cue or clip. I assume that you are earlier version CC as I believe audio disable "create the multicam source sequence. CC versions and beyond have the ability to sync with audio, so not sure as to why your option is grayed out.

• Multi-cam sequence only ONE AUDIO CHANNEL LEFT, Adobe Premiere Pro CC TIMES.

  Hi all

  I was wondering if someone could help me out here. I have several hours of short clips (1-3 min) of an event of 3 days I am organizing and preparation for editing.  I wasn't on the shooting, but the cameras record the external microphone (main audio) on one channel and the internal microphone (audio reference) on another channel; but it varies on what channel they recored reference main vs.  For the clips where someone talking directly to the camera and I know that I will not need the audio reference, I went and made "audio editing" and mixed the "stereo" until "mono" and then selected the channel with the "audio main' to be source channel.   It works now great when the person talks it comes in evenly on the left and right speakers instead of being unbalanced.

  However, when I then try to take 2 of these clips which were mixed at the bottom of 'mono' and create a new multi-cam sequence, new sequence plays constantly audio only from the left lane.  I tried many configurations where do the multi-cam of sequence (automatic, mono, stereo, Adaptive). Nothing works - he ONLY plays the left side.  I also tried to change the audio channels after I do the new sequence and put "Channel 1" in both channels left and right.  Nothing, he still plays on the left side.

  Any idea on how to get my mono source channel to play regularly in the left and right channels instead of only in the left?  Also, if I try to Pan right in the effects window, it's just quieter, not balanced.

  Thanks for the help!

  Found a solution here multicamera Source Audio sequence of 1 speaker instead of two? HELP Please!

  CTRL + N or command + N for a new sequence, select your preset (in my case DVProHD > 1080i) and make sure the audio channels are all mono. Then copy and paste all your clips into the new empty sequence.

  When I upgraded from Premiere Pro CC 2014 and 2015, all my sequences blocking started playing mono audio through the left speaker only. I'd just create a new multi camera sequence or if I opened one I had created in 2014.

• I have a sound of HUSH with one of my multi-cam sequence

  Hello, can the French guy with poor English here, you help me?

  

  It's my 'main sequence' (I call it "Montage"), left I got a subsequence multi-cam of an interview, everything good about it but right, I also had a subsequence multi-cam of an interview and the sound is horrible, as you can see.

  Two days before I have had no problem and today when I load the project, I got that.

  To see what I have and I go to the sequence:

  

  No sound problem, not DAVID.

  Of course, I tried to recharge my project, restart the computer, load the project on another computer, but none of it worked.

  I have an old auto-save where I don't have the problem but I did a lot of things since...

  So if anyone has a solution or something I can try please help me .

  Thank you

  Try this:

  1. close the Premiere Pro

  2 delete the Cache files.

  3 Rename the folder containing the media.

  4 put updated to 2015.2

  5 reopen the project and link it to the media.

• Rolling edit and trim trimming in multi camera sequences.

  Hi all!

  I'm having a problem that is quite frustrating. I work with a sequence of cam multi and I make my changes and everything is fine and dandy... Until I try to move an amendment with a rolling edit or if I'm trying to extend a clip.  The edict is delayed for about three seconds and then just appears where you released it.  It makes it very difficult to make changes of fine adjustment.  This behavior continues even after I flattened the Multicam and after that I'm "Multi caméra" to "Video Composite".

  I noticed this on my mac 2013 pro (trash) and my 2011 macbook pro, the two Prime Minister running Pro CC2015.  In the same project, sequences that are NOT multi cam does not exhibit this behavior. 

  Am I missing a setting or something, or is this a new bug?

  First Pro CC 2015.0.2

  Mac pro end of 2013

  3.5 GHz 6-Core Intel Xeon E5

  16 GB 1866 MHz DDR3 ECC

  AMD over-pants D500 3072 MB

  Thanks for reading,

  ISH.

  Hello

  Go to the timeline panel > icon key and uncheck the option "Composite overview for Trim.

  Vinay

• dynamic links, body cs5-> AE cs5, multi-cam sequence problem

  It's strange. I'm working on an interview with two camera in Production Premium CS5. Does the standard stuff - a sequence source with both cameras, have some sex change here (synchronization of the two cameras, trim clips, etc.). Then nested in the source sequence in a multi-cam edit sequence. The multi-cam monitor allows to switch between cameras, etc.. Everything is good.

  But my publisher wants to make three separate videos of this interview. So the logical thing (so I thought in any case) would be of this nest muiti-cam change when in three distinct target sequences. So I couldn't switch camera made just once and slice-' n - dice all three target sequences to videos - short ' n-sugar that make my happy Editor. For the first target (a single question and answer). The result looks good in the body, and editor-in-Chief approves. All that remains is the addition of the lower thirds.

  Everything is fine until I go to export to AE via dynamic links so that I can add lower thirds and finish. What body sends to AE is not just my target sequence, but it also sends the multi-cam edit and the source sequence as well. But... he knows nothing and don't show me images of CAMA. BCAM appear not at all. Clearly, this does not work. But now I find that I can't even break the links. So I can not yet again. Sigh...

  Two questions: first, how does an export a sequence multi-cam edit via dynamic organization link to AE and do appear in AE-like it does in the body? In other words, what did wrong?

  Secondly, how can I recover it? Should I really delete my sequence target in the body and start over (and by extension, remove the AE project also)? No there is no way to break a dynamic link once it's done?

  --

  Bruce Watson

  Hi Bruce,.

  Jim already did you in the right direction.

  Common to follow way is:

  -You create your legacy third down.

  -you save. Do not export an intermediary (except your animation will not change, so you can export a file using RGB + alpha channel corresponding to your project in Pr or Avid or any editor)

  If you use PR, do not export. No prproject, no middle man, it's just save.

  -First, you choose file > Dynamic Link > import after effects composition.

  Then, in the opened window, you access the AE project where this model is.

  Choose the model, hit very well, use it like any other element of the source, IO in the source monitor or just put on a video track above your video in the timeline, like any other title.

  And don't forget to read the manual of articles about dynamic linking.

  They can give you a great insight to a fast and powerful workflow.

  And I'm pretty sure you can always use this knowledge in CS6.

  Greetings from Vienna,

  Felix

• Multi camera sequence: it is not possible to synchronize audio

  I'm trying to synchronize two clips to make a multiple camera sequence, but there is an error "it is not possible to synchronize, because there is no agreement."

  I do not understand the problem because the two sequences have the same background audio.

  Please check it out on: https://drive.google.com/open?id=0B1_9xcIEJ3BEfldTV1d2cHFqcUU2UUduVFFjQ0ZfVTlnb2N6UU5vUHZK SW5SMllUbGVTeXc

  Thanks for your help!

  No synchronization.

  The audio I hear sounds like a camera tripod rig engine bearing worm drive/gear, to position the camera.

  Better to manually - sync you right with the Commission of "beating", just align the "spikes".

  The clip of 909 has 8819 clapper board spike/claw to 0db.

  Little voice has only a db-21.

  Background noise is of - 35db.

  The music of CN7A749 a Council fighter spike/claw to 0db also.

  Little voice has only a db-17.

  Background noise is on - 22 dB.

  I suggest a few options

  1. - Since you are going to replace the sound in any way (I guess because of the noise of gear) play music so first see a sound wave

  2 - you probably do not want music and prefer peace, so if you want to use the 'create several Source sequence cameras' tabs open in the Source with source monitor key monitor - choose "Audio waveform" and place on spike Board marker clapper, then synchronization by 'Clip marker.

  3. I find the synchronization manually, then nesting, to cause problems with the audio when "flattening" for other operations or programs, but for you there the synchronize manually option in the timeline panel and then nesting to create your multicamera editing.

• Remove the effect of a movie clip nested in a multi-cam sequence?

  This might be (and I hope is) a question with several solutions.  I worked on a wedding ceremony and cut it into editing multicamera.  I have finished all touching up and am ready to send to will coloring, but I got a little carried away and had done some color work in first Pro CC with the Lumetri Looks.  I can't understand how unnest sequence clips and remove the effect or find the effect of the nested element.  I'm also curious to know if this would even transfer at will through XML, and it's really not worth you worried about?  Color will probably be something similar to what gave me Lumetri, but I'd rather have done with more detailed ranking checks. 

  As a question, is possible to unnest a sequence but keep multicam editing?

  Press SHIFT + F when, in the multicam sequence.  Who will open the sequence of origin on the same chassis.

• No audio for cam multi-nested sequence

  Confused about how this should work cannot so someone please double check these steps?  I'm getting no audio to a sequence of nested active multi-came.

  Sequence of source:

  Video track 1-3

  Audio track 1-3 (silence)

  Track audio (active) ext 4

  I had to synchronize all these manually in the source sequence. Once synchronized, I cut 1-3 audio track and the track audio left 4 active.

  So, I wanted to create new multicam sequence:

  1 has created a new sequence

  2. drag the source in the new sequence sequence, thus it nesting

  3. right click on the new sequence and enable the multi cam

  4 no sound on the new track sequence

  If I created a new multi cam sequence leaving the first (i.e. selecting clips, activate sequence cam multi and audio sync) and create a new sequence, I have no problem getting audio.

  If you want not audio tracks 1-3, try remove these titles rather than their inhibition. I think that if the audio that is currently on the A4 is moved to A1, then you will hear once he nestled and enabled asa a multicam sequence.

• Sequence of multi cameras went black (mostly)

  So, I edited three sequences of separate camera multi... They all was beautiful and I exported through media encoder. When I went to look at my files, one of the three was a really small size, and I noticed he was all black.

  I returned to premeir pro cc and of course this multi cam seqence was all black as well (except about 3 seconds of images in the middle of two different cameras). Now when I go back to the original (except the nested multi cam) sequence that is fine so I know that the clips are always linked in PP. Also, I can make a new cam multi of the original sequence and that is very good.

  I think that PP just F'd up... and unless someone can tell me how to go back in the file record history or something I'm flowing because first auto saved when I closed it last.  I'm seriously unprofitable as to why this has happened as it was fine when I went to export it... or at least almost immediately before.  Why are there 3 seconds of footage in the middle of all the sequences of black 47 min? and 3 seconds is from within a sequence of 10 minutes on the original UN nested sequence is not as if a single video file showing upwards.

  OK, so more about what happened that I want to spend my life with. Any way to copy edit them the points on a new multi cam sequence?  Does anyone have ideas, what's happened I can cancel?

  Thank you

  OK, so it's weird... so, the original UN nested sequence was 01:30 hours with 45 minutes of audio at the beginning unused. When I did my nested for multi cam editing sequence I selected the last 45 minutes and nested that.  Everything worked very well, but somehow during export it took my multi cam sequence and added within 45 minutes of audio virgins... so when I extended the sequence of cam multi at 01:30 there was all my videos... but my changes were all conducted on the top of the audio. Seriously stupid and certainly a bug!

  Is there an any file record history that I can come back?

  This looks like a bug in 7.0 that has been fixed in 7.0.1.  I recommend that you update to 7.1. In many if not most cases, the patch has corrected the problem in existing projects.

  This is the main thread about the bug: http://forums.adobe.com/message/5823746#5823746#5823746.

• Synchronization multi camera using points, but no point

  Hi all

  The question is quite simple:

  Can I synchronize two clips for multi-cam using the point in but but not starting from the point.

  I thought it should be a basic option, given that many times, I have a point a minute in the video sync, but I still need this minute in the sequence obtained from multi-cam.

  This minute to lose since the multi-cam sequence starts from where was the sync point.

  Any ideas?

  Use markers instead of points.

• workflow multi-cam

  I've recently upgraded from Avid and I am used to putting all my images in the source window and drop the clips in a timeline. in the first 6, I created a sequence multi-cameras with my audio devices and 2, I went through this sequence and created markers so I can easily find bites interview I want to use. My problem is this, when I put this in the source window multi-cam sequence, mark my in / out and drop it into my new timeline, I lose the mulit-cam property.

  I'm basically looking for a solid workflow that allows me to sync, mulit-cam sequences in a source window, which I can then pull clips from and insert into a timeline. If this is not possible, I'd love to hear how people work with sequences multi-cames that are just pieces of what will eventually become a larger edition.

  Thank you very much!

  Hey James. I'm not quite sure I understand what you're saying, but I think the essential and I think I have dealt with similar frustrations. That's exactly how I work with multicams in FCP 7 and Avid (i.e. sync audio and video tracks creating a multiclip, then load them in the source monitor, do the points of e/s and then only take pieces for the timeline) and me could not operate as well in PrPro.

  I know that there are two ways to make multiple elements in PrPro, the "old way" and how to CS6. This tutorial details how CS6.

  http://Provideocoalition.com/ssimmons/story/working_with_multicam_in_adobe_premiere_pro_cs 6.

  Have you used this method? If so, then I don't know what is wrong because it should work.

  But if you have used the 'old way' (synchronization of the elements in a sequence and then dragging this sequence in the timeline as a nested sequence (and not actually create a ' sequence camera multiple source "as explained in the tutorial)) so I wonder if you missed the last step. After you drag the sunc/nessted sequence in your timeline, you will have to then right-click on it and select "Enable multiclip."  No matter what chance you skipped this step, and you're not actually 'lose' the property of multi-came, you're just not him?

  I highly recommend the CS6 way, but because it's more like Avid and FCP 7 in that it creates a "multiclip" that opens in the Source you can then change down and use pieces. It was * almost * as good as Avid and FCP (even if I still of the oxen with how PrPro manages the audio multiclip, but that's another post for another day).

• Audio limitation in CS6 multi-cam?

  I try to use stereo audio of my source files when I create a multi-cam clip (I confirmed that the source files are indeed stereo because there is a different content on the left and right sides and when I put it that in a new sequence on its own the source will use 2 audio tracks).

  However, if I create a multicam video in the media browser and bring in a new sequence, the sound becomes mono and refers only to the left of the source files and pans that Center, which makes the unusable right.

  Is this a bug?

  If the right channel is on the A1, and the left channel is on A2, you must open the camera sequence multiple source in a timeline and select A2.

  Here is the part of the aid, I wanted you to notice:

  By default, Premiere Pro CS6 allows only to audio channel in the source multi-cam sequence. For editing multi-camera workflow, select manually before you change the sequence target of the other audio tracks. To activate the audio tracks to the sequence camera multiple source, follow these steps:

  1. Open the camera sequence multiple source by clicking on the icon to sequence multiple camera source in the project Panel, right-click (Win) or control-click (Mac OS), the icon, and then choose open in the timeline.
  2. Opens in the timeline. Select the audio tracks and then activate the other audio tracks by clicking on the button toggle track output for each audio track that you want to monitor.

  Now that your audio tracks selected are enabled, you can close the sequence.

  You should now be able to monitor the two channels that you cut your source multicamera sequence.

  Let us know if it worked for you.

  Help section: http://helpx.adobe.com/premiere-pro/using/editing-multi-camera-sequences1.html#id_60276

• Would this workflow to accelerate the multi cam editing work?

  Hey, I work with a really terrible computer and use a couple of low-definition camcorders for multi-camera filming so far. The computer can do almost in front, and I am patient enough to work with her at the moment. I'm about to upgrade to HD camcorders and probably add a couple of cameras to the next bit of stems. This will certainly cause the multicamera editing grind to a halt, so I was hoping to come up with a bit of a workaround.

  Would the following work:

  1. Convert all HD streams down to low definition (including audio without decommissioning)
  2. Import and align the stream of low-def (sequence1)
  3. Run through shoot and choose the camera angles for the entire sequence (multi-cam)
  4. Replace low-def with original HD images (using the right-click-> "replace sequences... ("in the source window)
  5. export the multi-cam sequence.

  It is not important that the changes between the cameras are on exactly the same frame in two sets of video - just need to they are roughly the same second.

  Try your own workflow suggested for your self.

  It work fine but of course its a lot of time to create the proxy files and can be cumbersome in line with their return.

  Use some kind of TC in your workflow. for example, paste TC to your proxies.