Sequences with 1080 p 60 fps and 4K at 30 fps

Similar Questions

• Stabilizer of Warp and time remapping with 4 k clip in a sequence of 1080 p

  Hello

  I work with 4 k videos in a sequence of 1080 p. This way I can zoom the clips and get more details in some parts of my video.

  For some of my clips, I need to use the gradual stabilizing effect combined with time-remapping. To use stabilizer chain on my project, I need to create another sequence to adapt to my 4 k resolution, apply the chain stabilizer and then add this new sequence to my 1080 p sequence. Chain stabilizer works very well until the time remapping effect is applied. This new seens effect just neutralize the stabilizing effect of deformation.

  Is it possible to use these two effects combined with 4 k clips?

  Thank you!

  Try the k 4 nesting sequence before you add the time changes.

• I'm aerial video shooting with a GoPro H3 to 1080 p 30 FPS and want to edit videos and give them to my clients to use media as much as possible for their advertising and marketing needs.  I would like to give them to the highest quality of all the

  I'm aerial video shooting with a GoPro H3 + 1080 p 30 FPS and wants to edit videos and give them to my clients to use media as much as possible for their advertising and marketing needs.  I would like to give them to the highest authorized quality.  What form does save it to "publish and share?  I have the first 12 items.

  KM

  Can we assume that your 1080 p 30 is an AVCHD.mp4 file or other?

  You manually or automatically, the project should define the project preset

  NTSC

  DIGITAL SLR

  1080 p

  DSLR 1080 30 p @29.97

  (If your rate is really 30 instead of 29.97, then go with 1080 p 30 instead of DLSR 1080 p 30 @29.97 DSLR)

  See the following link to set the preset manually project

  http://www.atr935.blogspot.com/2013/04/pe11-accuracy-of-automatic-project.html

  For your exports

  Publish + share

  Computer

  AVCHD

  with Presets = MP4 - H.264 1920 x 1080 p 30

  Please let us know if you have any other questions on this or you need any clarification on what written.

  Thank you.

  RTA

• C40 with 1080 p and 720 p cameras

  I have a C40 with a camera 1080 p as main and two 720 p cameras Garland. My problem is that cameras 720 p two continue to go to mode standby when not in use. So, when I use the preset for them to be shown they rock mode of privacy to the preset position. Then when another camera preset is used the camera switches to the privacy mode. Can I disable this feature? There is no option in the menus of codec or the API files.

  From your brief description, looks like cameras are their stand-by.  You did not mention which version of the software that you use on the C40, but the adjustment has been there for a while.

  This can be configured on the C40.  In the web interface, go to Configuration-> Eve and then set the 'StandbyAction', 'None' rather than 'Position of privacy' - this will leave the cameras pointing in the same direction when the camera goes to sleep.

  As for the camera to swing towards the Position of privacy when another preset is used - that sounds particular preset as it was set incorrectly (with cameras in the position of privacy).

  Wayne
  --
  Remember the frequency responses and mark your question as answered as appropriate.

• I'm trying to generate an arithmetic and geometric series/sequence with JavaScript.

  I try to generate an average arithmetic and geometric
  series/sequence with JavaScript. The thing that makes this challenge is that
  I use user input to determine the parts of the formula that I use for
  generate each sequence. I tried running the formulas, but I learned that I was
  channels running through them and not numbers. How to generate my
  sequences/series and always use user input? PS, here's my formulas: (a1-East
  first term, d and r are difference/ratio, and n is the n-th term)
  

  1.) a1 + d * n  

  2.)a1 * r^n

  Entry user of a form is always a string. There are several ways to convert a string to a number in JavaScript:

  • Pass it as an argument to Number()
  • Pass it as an argument to parseInt() (for an integer)
  • Pass it as an argument to parseFloat() (for a floating-point number)

• Can any body help to get a script that can generate the sequence (length 3) with a combination of numbers and characters example: T11... TA1... TZ9... then on

  Can any body help to get a script that can generate the sequence (length 3) with a combination of numbers and characters example: T11... TA1... TZ9... then on

  With the help of the clause type

  Select sqnc

  from (select sqnc

  from (select 'T00"sqnc, '0123456789ABCDEFGHIJKLMNOPQRSTUVWXYZ' ordr

  of the double

  )

  model

  size of (0 I)

  measures (sqnc, ordr, length (ordr) len)

  rules iterate (1300) until (instr(sqnc[iteration_number],'~')! = 0)

  (sqnc [iteration_number] = case when sqnc [cv (i) - 1] is null

  then sqnc [0]

  of another substr (sqnc [iteration_number - 1], 1, 1) |

  -case when substr (sqnc [iteration_number - 1], 2, 1)<=>

  so when business substr (sqnc [iteration_number - 1], 3, 1)<>

  then substr (ordr [0], instr (ordr [0], substr (sqnc [iteration_number - 1], 2, 1)), 1)

  of another nvl (substr (ordr [0], instr (ordr [0], substr (sqnc [iteration_number - 1], 2, 1)) + 1.1),'~ ')

  end

  end |

  -case when substr (sqnc [iteration_number - 1], 3, 1)<>

  then substr (ordr [0], instr (ordr [0], substr (sqnc [iteration_number - 1], 3, 1)) + 1.1)

  else ' 0'

  end

  end

  )

  )

  where instr(sqnc,'~') = 0

  Concerning

  Etbin

• export parameter to make panasonic SC - x 920 video 1920 x 1080 p 60 fps blu - ray disc

  I bought a camera panasonic SC - X 920 which pulls in 1920 x 1080 progressive 60 fps so I can make videos of 60 images/s to the internet and I know that you can get up to 30 p videos but what I read a real blu - ray disc doesn't support 60 fps are my project for my video setting (1920 x 1080 59,94 frames per second) progressive). The video plays well in my project, but I don't want to make the folder incorrectly waste blu - ray discs, and my intention is to import this export in yet to do a blu - ray disc. I first pro CS6 and I realize there is a tab that you can select to match the sequence parameter to export, should I use it and then import my video into still and let him face or is there a better setting? I know still takes forever to encode and would like to do the encoding first so this recall is not necessary to code. With my video should I select blu - ray h.264 preset and then make a video to 29.97 1920 x 1080 interlaced? Should I choose a higher or lower field to deinterlace? Or should I make a mpeg-2 blu - ray and all let be set automatically according to the parameters of the project? I don't know exactly how I should go to this progressive 60 fps video a 30 (29.97) fps video to make it compatible so that I can burn to blu - ray disc. Could someone help me please, my research has not turned up to definitive answers.

  None of your images is 1920 x 1080, but you can't put it on a BD - 60 p.

  If you want to keep the 60 p you export to 720.

  Here are the formats that still supports:

  Still supported formats Blu - ray

• no option to create a sequence with uncompressed video playback

  
  Hi all!

  I can't find the option in the new CC Pro first "create a sequence with uncompressed video playback.

  The reference (p. 176) of the Adobe website manual reads:

  "...

  1. Choose file > new > sequence.

  2. in the dialog box new sequence, click the general tab.

  3. in the Edit Mode menu, choose the desktop.

  4. in the time menu, choose the desired rate, such as the 24, 25 or 29.97 frames/second.

  5. in the video section, choose the settings you want for the size of the image, the pixel format, fields and display Format. For example, 1920 x 1080,

  Square pixels (1.0), no fields (progressive scan) and offset 30 fps timecode.

  ..."

  I can't find any tab general and according to the editing mode in the dialog box new sequence at all!

  There are only three tabs:

  Sequence of Presets, parameters, tracks

  What I am doing wrong?

  Hello

  You will find what you are looking for on the settings tab.

  1. file > new > sequence

  2. in the dialog box new sequence, click on the settings tab (do not use CS6 or 5.5 in front of me but I think it's an old copy).

  3. in the Edit Mode menu, choose custom

  4. in the preview File Format, click Quicktime

  5. in the Codec menu, choose your /As option

  Screenshot see annex for reference.

  Peter Garaway

  Adobe

  Premiere Pro

• 1080 p 60 fps HELP!

  Hey guys... I have a problem. I recorded some videos in 1080 p 60 fps with my Gopro Hero 3 Black edition. The problem is that I can't find sequences or what its called in first pro, which can take 60 fps... I'm new to this 'world of video', so if you know what I can do, then please say it with words 'easy', because I'm new and I don't know much about it. I have worked a bit with it now, and I learned the basics. Please help me...

  If there is no preset-loans, make one yourself.

  Sound under the new sequence / settings / Edit Mode / Custom, or do this:

  

  which will create a corresponding sequence for your videos.

• Export the sequence from 1080/24 to the .mov in 1080/24... ?

  New to the forum. I imported images XDCAM turned to 1080 p/24 fps and now ready to export my movie-media-about project a .mov file format in the same frame of 1080/24. I choose the mov file format in the drop-down list, but Adobe automatically sets the resolution of 720 p/24 fps. I click around - I see the "match sequence settings" box and click on it - it changes to file with a .mpeg extension (do not know if it is the mpeg2 or what).

  The problem arises from this exported mpeg file not to be seen or heard by a user of Mac/FCP, the video appears as a white screen with no audio.

  What Miss me?

  Thank you

  Lost in export

  You probably don't want to do use DVCPROHD, and CERTAINLY, you do not want to use the QuickTime Video codec - that will easily turn your video to porridge. In addition, ignore the Match sequence settings box; It is worthless.

  How long is the piece you are exporting? If it's short-ish, you could probably get out with the help of None (which is uncompressed) as your video codec. The file will be large and directly proportional to the length of your movie. Is your source 1440 x 1080 or 1920 x 1080 footage? Set your image size of must appropriately to match that and then set the format of the pixels correctly. 1920 x 1080, you'll use square pixels. for 1440 x 1080, you'll use 1.333 anamorphic HD. Set your framerate to 23.976.

  If the file is too large, you might want to check the Avid DNxHD codec; It is cross-platform, if you happen to be under Windows.

• 1080 p 60 fps video stutters when played on television

  I usually take video 1080 p 60 fps on my iPhone 6 S more and change it on the phone with iMovie. After uploading it to Vimeo to iMovie, however, I notice that he stutters when read with the Apple Tv, as if executives declining. I was wondering if someone has a similar problem and if there is a way to solve it. Thank you!

  So to properly understand, you read the video to Vimeo on your AppleTV?  All other videos stutter in the same way? What is stuttering video when read in Vimeo on your iPhone or on the web? If you export the video to your camera and use Airplay to watch on your AppleTv, she stutter as well?

  The problem is it could be a problem with Vimeo, the network connection to the AppleTv, playback of files of 60 frames per second on the AppleTV himself, or iMovie exported files. If you can eliminate some of these conditions, it might help narrow down to the root causes.

  The only thing causing a problem from the point of view of iMovie pourrait would be to make sure that you export it in 60 fps by selecting it in the settings app.

  With respect to the AppleTV, ensure that you have installed new software updates and that you have a good internet connection speed.

  If it's Vimeo... Sorry, you're on your own with that one

• Need help for export to 1080 p 60 fps into 14 components (the video is silent)

  I just bought 14 items two days before, so I'm incredibly at this news. In which case it is important, I run 64 bit Windows 10.

  So, I create a 3D animation in MMD (MikuMikuDance), a program of 3D animation to be animated music videos.

  Following another problem with MMD, if I want to make the animation to superior qualities, I need to make it into pieces - if it's 1080 p 60 fps, then the pieces is executives from 1999. Once it restores a 2000th image without taking a break, the program crashes. For the same reasons, I can't use the audio in the original clip, so I need to add it separately.

  So, I use editing programs to combine these pieces and audio into a single file, I can then save on my hard drive and download on various websites. That's what my edit looks like so:

  

  When I tried to export the file to MP4, I discovered that there is no integrated adjustment for export to 1080 p 60 fps; I could do 720 p 60 fps or 1080 p 30 fps, but 1080 p 60 fps was not an option. I decided to customize a setting for 1080 p 60 fps, but when I watched the videos, it was 1080 p 60 fps, but it is also completely silent, with no sound whatsoever. At first, I wondered if it was just a fluke and it made again. He was still silent. I restarted my computer, and left the computer alone while it has made, but he was still silent.

  A test, I used the setting for 1080 p 30 fps, and while it was not the quality I wanted, the audio worked well in this one. So, the problem - I guess - is with my fps setting custom 1080 p 60. If it works on an integrated framework, but not a customize one, then this is the only conclusion I can come to.

  Here is a series of screenshots showing my custom setting:

  

  Because you can't see it all, the name of the preset is "MP4 - H264 1920 x 1080 p 60 fps 15Mbps Medium ' (I just changed pre-set at 60 fps 1080 p and reflects by changing the 30 in the title to 60; "I do not understand most of the title); and in case it is too small to see, the custom settings are:

  Resolution: 1920 x 1080

  Format: H.264

  Frame rate: 60

  Audio: MPEG, 160 kbps, 48 kHz, stereo

  Lasted: 3 minutes, 34.34 seconds

  Flow: 15 MB/s

  Now, here's the complete list of parameters for the screening:

  

  

  

  

  So, which-if whatever this is-am I hurt? Should I change the bitrate or something?

  Try to set your audio Dolby Digital instead.

  But a lot depends on a lot.

  I don't have "everything about the specs of the MMD video that you use in your project, but which could also be a factor in this problem."

  And so couldn't your video settings, personalized 1920x1080p60 MP4, which can not be in the capacity of the program.

  And no matter what video player you play your MP4 on. Unless you use a good versatile player like VLC Media Player, you don't hear no audio from your video could be due more to the media player as the audio file itself.

• First film edited with Premiere - proxy, audio questions and multi-cames

  I have several questions that I have not found in the videos and forums, at least not for my situation. I'm finishing the revision of sequences now adding comments in prelude and will begin soon to change it. Please excuse the long post.

  Background:

  I'm working on my first film, a documentary. Most of my work is 10-11 interviews, about an hour each. The majority is 4K Panasonic GH4, but some of the images is an Olympus MDGS EM5 II 1080.

  I recorded the sound using a LAV and a shotgun microphone, each goes in its own channel in a Tascam DR - 70 d, an external audio recorder, with a line going into the camera for reference. Audio and video files (at least one, since GH4 brings several) will have a slate tone to the head, created by the audio recorder. The recorder has captured the audio 24-bit, 16-bit audio captured camera. The recorder fooled also two other channels to lower 12db audio in the case of audio peaks.

  I will be changing on Mac laptop - 2013 MacBook Pro, OS 10.11.5, 2.9 Ghz Intel Core i7 memory of 16GB 1600 MHz DDR3, NVIDIA GeForce GT 650 M 1024 MB graphics card. I think I need to create my images 4 K proxies.

  All images is storage on my external drive of G. The interviews are separated and are located in the folders of each interviewee.

  The final project will be 1080, not 4K.

  Questions:

  Naming - being a hybrid, the GH4 breaks an interview of an hour in several separate files. Should I change the names of all files, or keep them in folders named in Premiere Pro? If I should change them, should I do it before swallowing?

  First synchronize audio and video, but since I have an audio file and several video files, I synchronize each video file individually or assemble them somehow, then synchronize? If each of these excerpts from the interview is sewn together, wouldn't that make editing more easy?

  When you create proxy for video files, also create proxy for audio files separate? Once synchronized, will be presented first the Hi output version of the resolution of the video and audio?

  Multicamera - in one case, I have an interview with two 1080 cameras. But for the rest, I've shot with a camera in 4K, so I intend to use a section cropped interview (zoom) when an important statement is mentioned, simulating a two cameras set up. Given that I have to create a sequence of multi camera after I ingest proxy files, first will be a problem activating/deactivating files proxy for the salvation of the res files?

  B - roll is added later, once the interviews are published about. It will be a few (not 4K) images and photos. Make the proxies of these too or first care to have all files proxy or a mixture?

  Finally, I have never edited a video which has been more than 10 minutes. This film could be of 40 minutes or up to 90. Everything I need to know to make the editing more smooth? I am a beginner!

  Thank you for bearing with me and thank you in advance for any idea!

  -SK

  1. allow only file names.  Make your organization with records (hard drive) and ferries (project).

  2. Manual of multi-camera method

  3. the audio files are small and will not need of proxies.  Export will always use the original media.

  4. possibly.  My first attempt was a disaster that froze the machine so badly, I had to do a hard reset.  However, you need not go back to the original of the sequence to make your cut-ins.  Proxy media will do fine work.  Simply place a copy of the plans at the 50% level in V1 and a second copy on the scale of 100% in V2 when creating the source multicam sequence...  Will allow you to see the full versions and then cropped the multicam editing.

  5. the photos no need of proxies.  If the B-roll change, make proxies for those.  PP not care a spirit to keep all the images the same.

  6. $ 2,000 custom PC vs $ 4,000 Mac Pro - YouTube

• Dropped frames with 980TI, very fast processor and SSD

  Hi all

  I'm currently editing some 4 K and 1080 cineform film scan 1 sequences on a 1080 p timeline, the things is I have a lot of dropped frames, when using plugins (Accelerated ones) stock on adjustment layers, sometimes even on the clip to...

  Is this normal given the CPU goes from 80 to 100%, but the GPU is just over 40%?

  My equipment is:

  8.1 to Windows and the latest demo of first Pro CC

  2600K @4, 5 ghz

  12 GB of ram (could be the cause)

  GTX980ti (Stable OC)

  Vertex SSD for the OS

  SAMSUNG SSD for the project and sequences (Blackmagic speed test shows constant ~490 mb writing ~ 520 MB read)

  Thank you all

  Clock speeds are not a reliable indicator of processor speeds - they hit a ceiling a few years back really, so they found other ways to make processors faster and more efficient without increasing the clock speed.

  Your 2600K is a Core i7 2nd generation with 4 cores and 8 wires, while the most recent 5th-Gen 5820 K 6 cores/12 threads, but "only" a 3.6 Ghz compared to your 4.5 Ghz clock speed, but what one do you think is faster?

  You will probably need a new motherboard for the processor more recent, but even if required do not, would be prudent or the old motherboard would be a performance bottleneck. Most recent MB would be faster RAM. And get at least 16 GB of RAM, if not more.

  You want a system that is "balanced", which means that all the components complement each other. You don't get full of the GTX 980, since performance the old processor and motherboard are dragging it down like a boat anchor. Like putting a Corvette engine in a Chevrolet Vega old... you won't have any suspension, steering, braking, traction to handle all that power and will not be able to open up the throttle! With the new CPU, MB and ram, you would have a more balanced system. A Hot Rod. You can even add another drive, or both, for example, the media Cache.

  Check under file > Project Settings > General to see if the GPU rendering is enabled, or if the value to the software - cannot even make use of the 980 for acceleration card.

  Thank you

  Jeff

• Should what predefined order I use when using videos of 1920 x 1080 29.97 fps xperia z5?

  Should what predefined order I use when using videos of 1920 x 1080 29.97 fps xperia z5?

  Someone has an idea?

  Must I provide additional information and if so what?

  Thank you!

  Hi Michel,.

  You may need to check this: FAQ: how to choose the right sequence settings?

  Kind regards

  Navdeep Pandey