So confused with the export

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• Extremely confused with the extremely complicated presentation of BlackBerry applications

  Please help me, I'm very confused with the extremely complicated presentation of BlackBerry applications.

  I made an app, the name is "App", I got signed and downloaded the App using the emulator Ripple, with the word 'HelloWorld' signature (password not true of course).

  Now, I do another application, with the name of the App (B) I CAN'T use the same HelloWorld signature password because the emulator Ripple said "Oh, Snap!" Build request failed with the message: [ERROR] error: Code signing request failed because this version of the application or the package has been previously signed. If please increment the version (s) and try to connect again. »

  Now, I don't understand and I am EXTREMELY confused with the presentation of the model of application for Blackberry.

  I should first request, for an another RDK and COMINCO files create a new signature for App B password?

  Or should I just increment the bundle version? the problem is when I tried it on Blackberry server seems to give narrations of error message that the APP ID is already used.

  Okay, I'm officially stuck and I don't know what to do. Can any developer of blackberry here or the official employee blackberry tells me what I need to do?

  Thank you.

  I do not use ripple either but can see what the problem is (nothing to do with the ripple)

  Open your file config.xml for the new project (probably copied 'App A'?)

  In the widget section, change the id to something different, for example com.example.AppB

  Save - reload the ripple and make sure you have the new ID in the Config-> Widget

  All sorted

• Problems with the export of

  Hello

  I had problems with the export feature in Photoshop 2015 CC. I think that the problems started some time around the most recent update, but it is possible it all started when I used the photo frame Script (filter > render > photo frame). I'm not sure. But as you'll see below, it is almost that the software attempts to create a setting when I try to export an image.

  In any case, when I try to use the export function, the image that appears in the dialog box is stretched and distorted.

  

  I can resize the box and the image will then appear normal, but then when I click on "Export all", the screen looks like this:

  

  The box save never actually appears. It's just a white box with a black column. It's almost as if the screen is not complete the drawing.

  And it seems that this problem starts even before I got to export in the form box. The beginning of Photoshop screen looks like this:

  

  The file names (which I have gray here) are not complete. They end up just with a white line that reaches out to the right of the screen.

  This has happened for at least a few weeks now. Stop smoking out and restarting does not help. I tried to reset my preferences and that did not help. I tried to delete the preferences file and it still happens.

  BTW, the Save for Web feature works very well.

  I work on a Mac with the following attributes:

  

  My Mac software is up to date, as well as Photoshop.

  Can someone help me understand what is happening and how to fix it?

  Thank you-

  Mary

  If you see a picture frame in the preview, but not in the exported file, I think that you have driver video card problems.

  If you go into Photoshop preferences > Performance and uncheck 'Use Graphics Processor', the problem goes away?

• Confusion with the implementation rate Comp

  I'm a bit confused with the implications of fixing the rate of the wrong frame.  My camera can record to 23.976 however the manufacturer sometimes mentions this parameter as 24 p in the manual.  I read that there is no harm using 24 p if the model is a bit long second.  But questions arrise if the model is longer and you are being followed.  On the other hand, mocha specifies that you be specific in the choice of your pace.  The difference.024 makes a real difference?

  If 24 fps is the standard film why camera makers made their record of cameras at 23.976, or film also just named its 24 p and 23.976.  23.976, 24, 25, 29.97, 30, 59,94, 60, they are all so close

  Also, what are the consequences of ripping out at a different pace

  Thanks in advance

  CS5.5

  If 24 fps is the standard film why camera makers made their record of cameras at 23.976, or film also just named its 24 p and 23.976.  23.976, 24, 25, 29.97, 30, 59,94, 60, they are all so close

  Also, what are the consequences of ripping out at a different pace

  Thanks in advance

  You can blame the TV standard NTSC color for the odd frame rate.  At the same time, it was really 30 frames per second.  These are the days of TV in black and white ONLY.  Engineers worked mightily to get to a color system that was compatible with existing B & W games millions, and they finally got it.  But to answer a color signal, they need a little bit more information in each image. The NTSC signal was already packed and needed something to give, so they slowed down the pace a bit.

  Thus, 30 images/s became 29.97... and in direct proportion, 24 fps is 23.976.  Just learn to live with it.

  "Yes, well how can you avoir.976 of an image?

  You can not.  But a frame does NOT miss a count of the number of frames in a second. It's really a MEASURE OF TIME.  PAL-Land, a frame is 1/25 of a second.  In Hollywood, a frame is 1/24 of a second.   In days of yore NTSC, a frame was 1/30 second.  But since 1953, 1/29.97 second.

  Don't obsess over 29.97 and 23.976.  Just use them and get used to them.  Do not put 29.97 images in a model of 30 fps, or 23.976 images in a model of 24 fps just because you like whole nice.  If you do, the movement of the images you shoot can go all twisted up.  Do not.  Do not.

  End of sermon.

• confusion with the categories and types of backups

  Hello
  
  I started studying the RMAN and I'm getting a little confused with the backups... ask someone to clarify the following queries:
  
  1. HOT times and COLD backup strategies perform BACKUPSET BACKUP and COPY of the IMAGE?
  
  2 about the HOT water and COLD backup, are they only associated with the FULL backup?
  
  3. incremental backup are also HOT or COLD backup?
  
  4. incremental has 2 types: Cumilative and differentiated?
  
  
  I'm a bit confused with the above...
  
  Help, please.
  
  Concerning
  KK

  Whether HOT or COLD:
  BACKUP DATABASE will create BACKUPSETs

  (this default value can be overridden if you have set up the TYPE of DEVICE...) BACKUP TYPE to... where the backup type can be changed by default for the COPY.

  Whether HOT or COLD:
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• Confusion with the PF_Cmd_SEQUENCE_FLATTEN command.

  Hello

  I am very confused with the PF_Cmd_SEQUENCE_FLATTEN command. In literature, it is mentioned that it is sent when recording and duplication of a sequence. When I duplicate my custom effect FLATTEN is sent. But my confusion here is that this command is sent to the former effect which is reproduced or duplicated new effect?

  Think about what I'm doing. Please let me know where the explanation is not enough:

  I store an int value in the sequence data. And for each effect I continues to increment.

  1. I add a layer. Then I add 2 effects customized with data sequences 1 and 2 respectively.

  2. now duplicate the layer. PF_Cmd_SEQUENCE_FLATTEN command. I increment the sequence data. It is called twice for 2 custom effects. Data are 3 and 4 respectively for 2 new duplicate effects.

  But the problem is that now the effects in the first layer and the second layer, both have same sequence data. that is the 3 and 4 respectively and not 1, 2, 3 and 4.

  This can happen if the FLATTEN command is sent to the former effect prior to duplication. It's my guess that both the layer effects have updated IDs.

  Any ideas?

  Thank you

  Dheeraj.

  so...

  during the FALTTEN event records some data:

  I'm #3 on layerID 1024 in comp itemID 17 effect.

  during the commnad UNFLATTEN effect checks that it is.

  If there is effect on layerID #3 1024 17 itemID tabletop,

  He must say what the former effect.

  If data are different, it means that it is the new effect.

  It is possible that the UNFLATTEN commnad happenes before the effect has it's own effectRefH again.

  so you have to wait with this review the first call of updateParamsUI.

• Confusion with the settings of export to YouTube

  I looked here, but there is so much of it that I don't understand and cannot find sufficient explanations for anywhere.  It's not very often that I have create YouTube videos, but when I do, I need to use the best quality.  Please keep in mind that what I'm looking for above all is WHERE and HOW to change these export settings format in Premiere Pro while exporting to H.246.

  https://support.Google.com/YouTube/answer/1722171?hl=en

  So basically, I have a list of questions, what I need answers.  I use the latest version of first Pro CC 2014 (2015 is NOT yet).

  "Container: MP4.

  • No lists Edit (or the video power are not treated correctly)
  • Moov atom at the front of the file (quick start)"

  I tried to find something this moov atom, but most of the explanations that I find are very old.  Similarly, they are confusing to me.  What is Premiere Pro automatically takes care of nowadays when exporting H.264?  Is there something I should be doing instead?

  "Video Codec: H.264.

  • Progressive scan (without interlacing)
  • High-profile
  • 2 consecutive B-frames
  • Closed group of PICTURES. GOP of half of the cadence.
  • CABAC
  • Variable bitrate. No rate limit necessary, though we offer recommended flow rates below for reference
  • "The chroma subsampling: 4:2:0"

  From what I've read about the GOP, I think it has something to do with keyframes, but I really don't understand it no more.  In the export settings for I make that adjustment?

  Similarly, is something that first already uses, or is there a setting that needs to be adjusted so that CABAC?  If so, how do I adjust that?

  I'm also not sure what decides the type of images (as in the B frames, above).

  I don't see where this Chroma subsampling option is either.
  

  Finally, if YouTube recommends being transferred to 384 kbit/s AAC stereo audio, why do stereo audio AAC which is attached to the H.264 video in first is limited to be exported to 320 Kbps?  I noticed that audio 5.1 going up to 640 Kbps, but my audio is not stereo, so I do not think, it would be wise to use 5.1 just to get a flow rate higher with AAFC.

  Now, understand, I'm aware that some of these options are probably the things that are determined by the H.264 on its own; but that's what I need to know in the first place.  That's what recommend YouTube and read the pattern online that really does refer to the YouTube is NOT useful; That's why I need to know how to change all the settings I've already mentioned, what instead of some of the things I've done and also how to change these export settings since some of them appear not at all, if they can even be changed in the first place.

  Personally, I wouldn't worry too much on this subject that recommend YouTube and just use the appropriate YouTube H264 predefined in PremierePro.

  Try to match their recommendations for what would probably be a different infitesimal of quality would simply wither away your life

• Estimate of the size of the dump file with the export query parameter

  Hi all
  
  I would like to ask questions about EXPORT utiliy. Can I estimate the size of the dump for export with the parameter file "application"? You can find my syntax exp on below?
  
  exp scwq/sCwq201 parfile = scw.par
  
  contents of the scw.par file.
  
  FILE ='/ u01/EXPDUMP/SCW. DMP ".
  TABLES IS MIMO. WFTRA
  JOURNAL ='/ u01/EXPDUMP/SCW. JOURNAL"
  CONSTRAINTS = NO.
  STATISTICS = NONE
  QUERY = "WHERE (Eurie > 8132560 AND IN (SELECT FROM mimo.objectcfg WHERE oname sobject = 'TICKET')) OR (Eurie > 188872 AND IN (SELECT FROM mimo.objectcfg WHERE objectname sobject = 'WORDER')) '"
  
  In fact, I know that without query to export file parameter. But I could not find a solution to my question...
  
  
  B.R

  Hello
  From what I've seen when you do 'query =' is not taken into account at all when estimating the size of the dumpfile no matter if you use blocks or statistics methods. All I can suggest you do is get the estimated size and then work manually on what percentage of lines you will be back and then just do a simple calculation.

  Kind regards
  Harry

  http://dbaharrison.blogspot.com

• Problems with the export of PDF to TIFF (a PDF page export also several images in TIFF format)

  Using Acrobat X professional, I'm trying to convert a PDF to multiple page in multiple TIFF files - that is, each page of the PDF file is converted to a TIFF file (for example, a PDF file with 50 pages would cause 50 TIFF).

  I created a remedy so that I can possibly process batches of PDFs. My action in two stages:

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  My PDF is searchable (OCR has been applied). I checked the file to see if it has all the layers - this isn't. The file was created with InDesign.

  Basically, once the action performed there are several exported for each page - TIFF files and when I open the TIFFs they are parts of each PDF page. For example, if a single PDF page has three images on it then three TIFFs are exported for each image instead of a TIFF that is identical to the single PDF page. Then, when I try to treat a PDF with 50 pages that I'm left with is a folder with 150 TIFF files (and not 50 TIFF files - a TIFF for each page of the PDF).

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  • HD_08_Issue2_E_Page_02_Image_0003.tif
  • HD_08_Issue2_E_Page_02_Image_0004.tif
  • HD_08_Issue2_E_Page_02_Image_0005.tif

  I tried to use the action on a PDF file that had not been OCR'ed and I had no such problem. The only thing I can think is that it is the OCR which is the origin of each page of the file PDF to split into multiple images? The majority of the files that I need to convert PDF to TIFF had applied OCR.

  Any ideas? Thanks in advance!

  In a Save command, you can use the export to TIFF in the output Format.

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• Problem with the export of moving images always

  Hello.

  I would like to create a sequence where the film is made of still images (photos in.) Format PSD, reminiscent of an old Polaroid pictures) added motion.

  Now the problem is that after having made and export (DV, both interlaced and progressive format) these images in motion somehow bounce or jump on the edges, especially the inner white edge. No matter if I turn on or off the option "optimize images.

  I have attached a short excerpt, but it shows what I mean.

  The file is 1MiB, 5s, progressive, compressed with XviD with quantifier constant = 2, resized to 640 x 480.

  But all these changes to the exported file does not matter what so ever. It's the same thing with the first export.

  What should you do to improve the fluidity and smoothness of the film?

  I use Premiere Pro 1.5.

  It was quite interesting...

  Thank you all for this cool chain of messages...

  The last thing I did, is just now, I copied the image of Don in photoshop and checked the dimensions and so on...

  Then I opened a new file of the same size and pasted my image of Dani in the same space...

  Then I made a blur of the edges where the images meet at the border almost white.

  Any at first even Curt settings and even exported in a way...

  The earlier image of Dani, I've done was of different dimensions (not gift copy of what I did this time) but was imported and exported similarly suggestion of Curt (how he did his test)

  It was: import dv ntsc 720 x 480 29.97, predefined default...

  Export failing media mp4 encoder

  so, what I discovered (I think) the dimensions of the image of the gift (and my copy using Dani) need to be scaled down in the video black it causes jumpy sort things.  My previous trial of Dani, where the image was not reduced almost at all, does not seem to jump.  Everything else I did the same thing, the blur of the edges and so on... The only variable I see is the image size and the amount of scaling to a nice size of the screen.

  These two products demonstrates, in my view.

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  If you export under the original that is what you will get a copy of the original in the subfolder, without any corrections.

• Confusion with the file system OCFS2 OCR and voting disk RHEL 5, Oracle11g,

  Hi all
  
  I am trying to install the Oracle 11 g 3 node RAC database
  
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  * / dev/emcpowera2 is 3 GB and OCFS2.* format
  
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  * / dev/emcpowera1 *.
  * / dev/emcpowera2 *.
  
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  * emcpowera2: / u01/shared_config/voting_disk *.
  
  * Let me know how you would like that mounted. » *
  
  Please recommend me what I should pass so that I can ask him exactly the same.
  
  My second question is, as we use the DSO, for which I'm going to configure ASM after clusterware installation, do I install Openfiler?
  PLS, check the environmental information that I provided above and make recommendations.
  
  As of now, I am using Jeffery hunters guide to install the entire installation. You think the installation guide everything is fine with my environment?
  http://www.Oracle.com/technology/pub/articles/hunter_rac11gr1_iscsi.html?rssid=rss_otn_articles
  
  Kind regards
  MK

  Hello Lawrence,.

  Thank you.

  Mark this question as answered.

  See you soon,.

  Rodrigo Mufalani
  http://mufalani.blogspot.com

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  OK, I tried to set up the Readyboost on one of my flash drives and to do this, access the AutoPlay window. I followed several instructions and advice from several Web sites, I tried to click with the right button on the flash drive in the computer menu, but the AutoPlay option does not appear. And when I go to the control panel section and where is automatic playback, the flash player is not registered under the devices section. I also tried to go to the command prompt as administrator by typing "net start shellhwdetection '. However, who told me that this service was already active. Can someone please help me configure AutoPlay to my flash drive so I can set up the ReadyBoost

  Hey RayRay43

  You must make sure that the flash player is suitable for readyboost

  read all the information on the setup of readyboost to bleepingcomputer tutorial link below

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  have a happy holiday season

  Walter, the time zone traveller