Time-remapping several keyframes between the markers

Similar Questions

• time remapping only keyframes.

  I know it's possible to control selection of kinship between the comp. so that the blades in a model cursors or wha Ewer in one other comp. but is it possible to time remapping those keyframes.

  
  

  lets say I have a lets comp. call comp (1) it has a solid blue, a solid red and a comp (2) containing a layer of setting with 2 sliders.

  
  

  in comp (2) I animate the slider that the slider, it starts at 0 we a second goes up to 100 more. slider 2 starts at 0, then up to a 100 while cursor one falls down... or something like that...

  
  

  I am now able to choose the cursor to whip one and two for the opacity of the red and solid blue in comp (1).

  
  

  Now when I play comp (1) solid red goes from 0 to 100 and then the blue charge to do the same thing.

  
  

  Here's the question:

  
  

  I hope that when I have the time remapped Comp (2) comp (1) solids would fade and go down faster or slower depending on how I have time remapped comp (2) I comp (1).

  but it backs do not work as I expected. keyframes don't move at all, but are kept synchronized whit timecode regardless of my time-remapping.

  is there a way that I can time remap keyframes...

  hope that makes sense.

  If you change a cam multi session in AE you do not use the software as it was designed. Your model will be a mess, check timing on cuts is extremely painful and difficult, changes will be almost impossible and it will take ten times longer than the cutting project in Premiere Pro. AE is not a Publisher. AE was specifically designed to create Visual effects or motion graphics shots or in some cases, a few sequences that you change in a move in a NLE such as Premiere Pro. 90% of my comps AE are less than 7 seconds, because 90% of my cuts in all the movies I make are less than 7 seconds. If you set up your multi cam project in Premiere Pro Cup Multi Cam can be almost as fast as direct switching. You just need to learn how do.

  If you need to perform processing of your shots in AE and then cut it into Premiere Pro, choose the photos you want to fix first. If they are short, and then use dynamic link to process the shots in AE. If every time a need for treatment or plans are long, depending on the settings that you want to do, a better option is to make a digital intermediate (DI) by using a lossless format (or better yet a 10bits or better DI) and do your treatment in AE, and then change the final output in Premiere Pro. Since it is a music production, you'll also want to do your final mix in Audition to take full advantage of the tools available to improve playback of your music.

  If you really want to use a cursor to cut between the two cameras, then that is easily done by linking the opacity for the two layers for a cursor that you animate from 0 to 100. You simply place 100 - in front of the expression of the second camera. If you have two cameras, you could add a checkbox and an if statement then you should change the box to change between 1 and 3 or camera camera 2 and 3. It would quickly become a complex montage and time consuming, and it's never going to be as fast or as efficient as the editing in Premiere Pro using the multi camera configuration.

  If you really want to try it should look like this for 2 cameras:

  Place your cursor on the opacity layer and name it the cursor something meaningful like 'change Camera.

  Camera layer opacity 1.

  thisComp.layer("Controller").effect ("change Camera")("Slider")

  The opacity of the layer camera 2.

  100 - thisComp.layer("Controller").effect ("change Camera")("Slider")
  It will look like this:
  
  Who's going to do in AE and give you an overlap perfect between the cameras, but I wouldn't try to make that kind of a tool for editing in AE in the first place.
  EDIT: I forgot to mention that if you do not want a dip in brightness when melted between the cameras, you must set the blending mode to add Alpha. You do not have the problem in Premiere Pro.

• Time remapping no keyframing in first Pro CC

  I try to time remap keyframe in Premiere Pro CC 7.0.1 following the Adobe TV tutorial (which uses a version of CS6/CC before July 2013 to date) and I am unable to add keyframes directly in the timeline or adjust the speed of keyframes in the tab effects Am I missing a newer technique?  I'm on a Mac Pro, OSX 10.8.3. with graphics Nvidia Quadro 4000 card.  Thank you

  Click on the FX in the clip, and then select the time-remapping - speed effect

  Hold down the CTRL (cmd) to add keyframe on the white line of clips in the timeline panel.

  I find it easier to adjust the keyframes in the timeline.

  Help is maybe a bit clearer on that:

  http://help.Adobe.com/en_US/PremierePro/CS/using/WSb6fcde95647ddd92-1b0447d7129b9389f08-7F ff.html

  CTRL (cmd) + alt (Option) to freeze

  CTRL (cmd) + drag to reverse

• How can I find several intersect between the number of lines

  Hello
  
  I created the table as below,
  
  CREATE TABLE "TRANS" (NUMBER (9.0) "TIDSET", "ITEM" NUMBER (9.0)); "."
  
  and insert valuse Trans table as below,
  
  insert into values trans (1,1) insert into values trans (1,3) insert into values trans (1.4); insert into values of trans (1.5); insert into trans values (1.6);
  insert into values trans (2.1); insert into values trans (2.2); insert into values trans (2, 4); insert into values trans (2,6), trans insert values (3,1);
  insert into values trans (3,2) insert into values trans (3.3) insert into values trans (3.6); insert into values trans (1, 2); insert into trans values (1,1);
  
  and now I have to find the intersection between the lines as below,
  
  Select tidset from whose point trans = 1
  intersect
  Select tidset in the point transwhere = 2
  intersect
  Select tidset from trans whose point = 3;
  
  If we have 1000 lines there is no way to find the intersect in this way, so I need to write a program to find the intersect as above without inserting the (item = N) manually each time, can you help me with this please?
  
  Thank you

  Hello

  user11309581 wrote:
  ... and now I need to find the intersection between the lines as below,

  Select tidset from whose point trans = 1
  intersect
  Select tidset in the point transwhere = 2
  intersect
  Select tidset from trans whose point = 3;

  If we have 1000 lines there is no way to find the intersect in this way,

  This is not true. The query you posted will work well for any number of lines. Perhaps you are really worried about the number of distinct values of the point.

  so I need to write a program to find the intersect as above without inserting the (item = N) manually each time, can you help me with this please?

  In a solution of Ivan, you probably mean "COUNT (DISTINCT point)" rather than "COUNT (*).
  In addition, if element values are predictable, you don't have to code in all hard; You can generate, like this:

  SELECT       tidset
  FROM       trans
  WHERE       item      IN (
                 SELECT     LEVEL
                 FROM     dual
                 CONNECT BY     LEVEL <= n
               )
  GROUP BY  tidset
  HAVING       COUNT (DISTINCT item)     = n
  ;
  

• Time remapping key frames cause other keyframes become independent to where they are on the timeline

  This is the BUG report, in that I just sent. If anyone has anything to add.

  ******BUG******
  Concise problem statement:
  When I add the time remap keyframes to a clip, other keyframes become unrelated to the part of the timeline, on what they are.

  Steps to reproduce the bug:
  1. add TIME REMAP keyframes in a MONTAGE WITH of OTHER keyframes (AS the POSITIONING of KEY frames)
  2.
  3.

  Results: I HAVE CHANGE THE COORDINATES OF UP/DOWN AND THE CLIP DOES NOT MOVE YET, SO I RUB ALONG THE CLAMP AND IT MOVES UPWARDS OR DOWNWARDS TO A COMPLETELY DIFFERENT OF THE CLIP PART. AS SOON AS I HAVE TIME REMAPPING IT SCREWS TO THE TOP OF THE FEATURE OF THE EFFECT CONTROLS PANEL.

  Expected results: READ MORE TOP! TIME REMAPPING HAS BEEN BROKEN SINCE CS4 AS AS FAR AS I KNOW AND NOTHING HAS BEEN DONE ABOUT IT...  SO FRUSTRATING!

  I have always worked around him or avoided using the selective time remapping effect but I've had enough of him... It's like the ability to change the color of the fonts on this forum, non-functional (the last time I tried to use it), but I prefer being able to be editing as colorful letters time remapping, I paid for the time remapping in CS4 and CS5 effect.

  Peter

  > Yes I have feature request/Bug report page my favorites now, but I have little confidence in their sincere care or intent. Having recently learned that my upgrade to Production Premium CS5 made me eligible for a 'free advantage', I tried to make the request. I followed the links, there were two, and they both took me to the same page, a page that had NO top at all links (This Page here). I opened a 'customer care case' and they told me to go down that same path and choose my 'delivery '.

  Bug reports and feature requests go directly to the engineering basis for Premiere Pro team. People who treat and read these reports are right next to the Director of engineering, product manager and so on. I am the person who treats these reports for After Effects, and I work closely with the people who do it for Premiere Pro. These reports and applications are very important for us.

  People who treat the benefits of registration, on overall web pages, customer service, and so on... Well, they are in an entirely different group. You cannot draw conclusions on how we treat (good or bad) how bug reports are these other things.

  This is not to say that we are in the first team Pro can help get these other things fixed. I have, on the one hand, make it a point to emphasize issues like these to the appropriate people. I'll pick up the phone and call people to report problems as you mentioned here as soon as I hit submit on this response.

• Can't reposition the timeline for the time remapping effect

  I use Premiere Elements on a PC running Windows 8.1. I am trying to apply the time remapping effect to a section of an element. I've marked the beginning and the end of the segment I want to remap with markers of the scene. Set the timeline so that the segment that I intend to remap appears on the screen. When I click on the time remapping effect control (Tools |) Redefinition of the time), the timeline moves to the end of the clip, and I can't reposition to display the part I want to without leaving the screen of time remapping. How to keep or move the timeline on the part I want?

  When you select the option of time remapping in the tool button in the action bar, you should go to an any other workspace, one dedicated to the time remapping effect. You shouldn't see the chronology of regular edition.

  You click to select a clip on the timeline, then you click on tools, then time-remapping. Opens in the workspace of time remapping.

  Is this what is happening? It is not clear from your description.

  You are actually clicking to select one (and only one) clip on the timeline, before selecting the time remap tool, right?

• Time remapping problem :(

  Hey guys, I may sound stupid for this but I have a problem when I have the time re - map, for some strange reason when I place a keyframe down, its on a straight line almost dead causing the clip to play horribly slow or choppy, sometimes even a fixed image. Oh and this is a clip of 60 frames per second, if that helps

  I think you look at the graph of speed rather than the value graph. The speed graph is almost useless in the time-remapping. It is the slope of the curve of value that lets you know what is happening with your video. The value graph represents time. Time-remapping is somewhat difficult to understand because you need to display the time in a whole new way. It's like Einstein said, "time is relative." Try showing a graph of reference and modify the value graph.

  Assuming it's the speed graph I see that video is speed up when it gets to the first keyframe, then play at almost a constant speed between the keyframe 1 and 2, it accelerates quickly and then plays a very slowly, increasing speed and so on. There are also rough places in the graph that indicates speed changes quickly. The problem is that I can't say anything about the speed of the element using this view. Take a look at this example.

  

  Between points 1 KF and KF 2 video playback at normal speed therefore is from time to time real. KF 2 time starts going backwards because the value line goes to the bottom of the Hill. KF 3, KF 4 times is now in the normal direction and because the slope is the same between 1 KF and KF 2 time works again in the right direction. Here's the catch and the thing that is hard to visualize. Time headed worms in real time up to 06:17 then time runs backwards until we get to 16:11, but the time, or frame number, from video to 16:22 2.5 seconds. We have moved the time of the video to 2.5 seconds after viewing the video at 16:11. Did you follow that. See, it's hard to see on the graph.

  Now between KF 4 and KF 5 the fun really begins. You must work for him to think about the value graph, at the time and the speed as the exchange rate graph not playback speed. As you can see the time begins to increase after KF 4 and then reached a steep speed for a few frames, then time begins to slow down until to KF 5, time stops. The speed graph shows time speed up and then slow down.

  So, how do you solve the problem with your time-remapping? First, change the speed graph. Then press the G button and hold down the Alt/Option key to change the tool pen tool conversion Point (the little V on the side) and click on each of the key frames to remove the Bezier handles that cause spikes in the graph of your values. If you want to do some easing in time standard in the remapping and ease ease on does not work most of the time because they are designed for spatial relationships of no temporal relations. This means that you will need to change the Bezier handles in the speed graph very carefully to achieve the desired effect.

• I want default time remapping controls on clip

  Whenever I want to change speed by time remapping with keyframes, I need to click with the right button on the clip of fx square and then replace the time-remapping. By default, this is the opacity. How can I change the speed because the one I use the most? I use Premiere Pro cc v10.4 and iMac 2015

  This isn't a user for the time option.

  Feature request/Bug Report Form

• Time remap value is grayed out.

  First CC

  When I try to time remapp a clip I can add keyframes and can change them on the timeline.

  But why can't use them like other keyframes for the Position and Zoom?

  I can't change the scale, I can't catch them and move them to the video effects tab.

  I can only edit and move them in the Timeline... But I want to just total control... I want to give an exact value... I want to make faster the 838%...i want to make correspond them with the other keyframes...

  Please halp...

  Time-remapping is performed on the timeline.

  Time-remapping doesn't have the same kind of key frames, like the other properties.

  If you want more control using AE for this.

  You can post a screenshot of what is exactly gray?

• Time remapping option grayed out on precomp

  Hello

  I have an effects shot that I need to slow down a bit, but time-remapping becomes unavailable after I precompose the things I stretched. The precomp includes only two layers - images raw m2t and a solid layer with fractal noise animated and masks. Time-remapping is available on the layer of the raw images, but not on the precomp, so the problem seems to be with the solid layer, even if she has pictures and animations. Is there a solution to this?

  See you soon.

  The only reason why you wouldn't be able to remap time a demo is that you move all the attributes or if there are keyframes in the precomp.

  Select your demo in the timeline panel and press the U key. If you then see keyframes before dialing again.

• Can one after effects related Composition keep time remapping?

  I use CS6. I have a clip of 1 second test in the first I want to slow down to half speed. That's what I did:

  1. I chose the clip and replaced with After Effects Composition.
  2. In AE I used time-remapping to slow down the clip. Nothing I have AE can show the real slows the effect - unless I export and made into a new file.
  3. I can import which made recently slowed down file in first to replace the original item, and everything is OK.

  However, I prefer not to have to make and the extra file.

  QUESTION

  Can you my version of first link to AE (where I change the speed of the element), and when I finally exporting first, at this stage, it is rendered?

  If not, the latest version of first with its flow optical (or whatever it's called) has the same functionality and quality and AE time remapping?

  Absolutely, I can confirm that exporting AE bound dynamically Pr CC2015 comp that has Timewarp applied the results in an exported clip that interpolated frames and not simply double frames.

  See you soon,.

  Jeff

• video tracks disappear if you switch between the sequences in first CS6

  Dear people, can you please help me find out why video tracks disappear if you switch between the sequences in first CS6.

  All this shows is the audio track and it is extended to the first frame of the sequence. Video tracks are there but hidden - even if the video appears in the program monitor.

  When I pull the tracks down in the timeline using the line of demarcation between the video and audio tracks and set the sequence back work area it works very well, however, it's a great nuisance to do every time when I swap between the sequences.

  Can someone please suggest a solution to this?

  I'd appreciate any help.

  MD

  Hello

  You can try and reset the preferences.

  Go to documents folder-adobe-premiere pro - 6.0

  Rename the folder 6.0 6.0 old

  If this does not help, please post a screenshot of the problem.

  By doing this, you will lose your custom keyboard shortcuts as appropriate.

  Thank you

  Arjun

• Possible tweak to the time remap KeyFrame spacing?

  I do a lot of time remap keyframe tweaking in AE, so I tend to zoom in the timeline.

  Is there a way to reduce the spacing between frames? Then, I'll be able to display more images on the screen. Thank you!

  Nope.

  Mylenium

• Time-remapping has a keyframe when I put new clip in the timeline:

  Hello

  I use PPCS4. I noticed that no matter what new clip that I bring in the timeline to a keyframe effect time remapping to 100%. Is this normal?

  I would like to see no time remap keyframe by default and there are still 100%. The reason is that I use the Mercalli stable plugin and will not work if the time remapping a key image on it. So I always have to erase it first was can use the plugin. A bit boring.

  Thank you

  Simon

  I use PPCS4. I noticed that no matter what new clip that I bring in the timeline to a keyframe effect time remapping to 100%. Is this normal?

  Yes, it is a normal behavior.

• Safari address bar showing several addresses at the same time

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