Time remapping no keyframing in first Pro CC

Similar Questions

• time remapping only keyframes.

  I know it's possible to control selection of kinship between the comp. so that the blades in a model cursors or wha Ewer in one other comp. but is it possible to time remapping those keyframes.

  
  

  lets say I have a lets comp. call comp (1) it has a solid blue, a solid red and a comp (2) containing a layer of setting with 2 sliders.

  
  

  in comp (2) I animate the slider that the slider, it starts at 0 we a second goes up to 100 more. slider 2 starts at 0, then up to a 100 while cursor one falls down... or something like that...

  
  

  I am now able to choose the cursor to whip one and two for the opacity of the red and solid blue in comp (1).

  
  

  Now when I play comp (1) solid red goes from 0 to 100 and then the blue charge to do the same thing.

  
  

  Here's the question:

  
  

  I hope that when I have the time remapped Comp (2) comp (1) solids would fade and go down faster or slower depending on how I have time remapped comp (2) I comp (1).

  but it backs do not work as I expected. keyframes don't move at all, but are kept synchronized whit timecode regardless of my time-remapping.

  is there a way that I can time remap keyframes...

  hope that makes sense.

  If you change a cam multi session in AE you do not use the software as it was designed. Your model will be a mess, check timing on cuts is extremely painful and difficult, changes will be almost impossible and it will take ten times longer than the cutting project in Premiere Pro. AE is not a Publisher. AE was specifically designed to create Visual effects or motion graphics shots or in some cases, a few sequences that you change in a move in a NLE such as Premiere Pro. 90% of my comps AE are less than 7 seconds, because 90% of my cuts in all the movies I make are less than 7 seconds. If you set up your multi cam project in Premiere Pro Cup Multi Cam can be almost as fast as direct switching. You just need to learn how do.

  If you need to perform processing of your shots in AE and then cut it into Premiere Pro, choose the photos you want to fix first. If they are short, and then use dynamic link to process the shots in AE. If every time a need for treatment or plans are long, depending on the settings that you want to do, a better option is to make a digital intermediate (DI) by using a lossless format (or better yet a 10bits or better DI) and do your treatment in AE, and then change the final output in Premiere Pro. Since it is a music production, you'll also want to do your final mix in Audition to take full advantage of the tools available to improve playback of your music.

  If you really want to use a cursor to cut between the two cameras, then that is easily done by linking the opacity for the two layers for a cursor that you animate from 0 to 100. You simply place 100 - in front of the expression of the second camera. If you have two cameras, you could add a checkbox and an if statement then you should change the box to change between 1 and 3 or camera camera 2 and 3. It would quickly become a complex montage and time consuming, and it's never going to be as fast or as efficient as the editing in Premiere Pro using the multi camera configuration.

  If you really want to try it should look like this for 2 cameras:

  Place your cursor on the opacity layer and name it the cursor something meaningful like 'change Camera.

  Camera layer opacity 1.

  thisComp.layer("Controller").effect ("change Camera")("Slider")

  The opacity of the layer camera 2.

  100 - thisComp.layer("Controller").effect ("change Camera")("Slider")
  It will look like this:
  
  Who's going to do in AE and give you an overlap perfect between the cameras, but I wouldn't try to make that kind of a tool for editing in AE in the first place.
  EDIT: I forgot to mention that if you do not want a dip in brightness when melted between the cameras, you must set the blending mode to add Alpha. You do not have the problem in Premiere Pro.

• Time-remapping several keyframes between the markers

  Hi all!

  First of all, I want to apologize for my basic English. I'll try to explain as clearly as possible.

  I have a complex animation layer which is precompose in another comp that I want to run this animation with markers. If the animation is composed of two keyframes is no problem. You can control the animation in several ways, including using the ease() valueAtTime() or linear() function. But when more than two keyframes are spread between the two markers is not an easy problem to solve. I tried to change a little bit Dan Ebberts' (by the way, thanks to him for all!) expression, but still does not work.

  n = 0;
  m = thisComp.marker;
  if (m.numKeys > 0){
    n = m.nearestKey(time).index;
    if (m.key(n).time > time) n--;
  }
  
  if (n==1){
  mStart = m.key(n).time
  mDelta = ((m.key(n+1).time - mStart)/numKeys)
   for(i = 1; i <= numKeys-1; i++){
    kVal1 = valueAtTime(key(i).time)
    kVal2 = valueAtTime(key(i+1).time)
    linear(time, mStart+(mDelta*i), mStart+(mDelta*(i+1)), kVal1, kVal2);
     }
   }else{0
  }
  

  Illustration image

  

  If anyone can find a desire to understand problem guide me in the right direction. Thanks in advance.

  I think you just need to remap the time, so it must be close:

  m = thisComp.marker;

  If (m.numKeys > 1 & Numkeys > 1) {}

  T1M = .time m.key (1);

  T2M = .time m.key (2);

  T1K = key (1) .time;

  T2K = key (Numkeys) .time;

  t = linear(time,t1m,t2m,t1k,t2k);

  valueAtTime (t)

  } else {}

  value

  }

  Dan

• How to display metadata date/time for the clips in first Pro CC per frame

  I am trying to find a way to display the date and time of capture of video imported from different cameras. In the Panel the metadata, I see that there is a date and time when the clip was created, however, I'd like to be able to see this data in date and time displayed on the screen on a basis of image by image. It would help me synch with still images, I'm looking at the respective time of capture of the still the framework where the taking of photography yet (or any other event) can be seen in the video.  It would also help with the addition of captions or titles and help synch video from different cameras inputs.

  For me, being able to see the capture of time of each clip (and frame) is a replacement for the obvious digital age of the Council clapper, is there a reason why this feature (or lack of) is not more important?

  Any help or thoughts welcome.

  Premiere Pro can't do what you ask in itself.  My best guess as to why would be that it is not altogether appeal to such a thing in professional production, it is really more than an 'amateur' function to show the date and time on the screen.  The professional equivalent would probably be timecode, which PP peut show on clips, but time code usually has no relationship with the date and the time that the clip was recorded.

  For standard definition, the program DVDate was good to solve this problem.  I don't know if this software applies to high definition, or if another program can do the job.  You may need to search around.

• First Pro CC crashes every time that I tried to export!

  Hello

  I use a Macbook Pro 13 "with i7 2.8 Ghz and 4 GB of ram, using the Intel HD Graphics 3000."

  This laptop is now completely re-installed, and I only downloaded first Pro CC of my creative cloud subscription.

  I'm trying to make a small project that resides on my laptop computer, containing a few items.

  As soon as I try to export-> media, the software just crashes. Every time. I just installed first Pro CC with the default settings.

  Can someone please help?

  Kind regards

  Kurt

  Norway

  Salvation Front Media,

  Please follow these steps: open the window of finder, click go and choose go to folder and then follow the steps below.

  1. go to ~/Library-> preferences > Adobe
  2. Right-click on the Adobe folder
  3. Click on Get Info
  4. Click on the lock icon
  5. Click on + icon and select user (name of current user account)
  6. Give permission to read & write to it.

  Then try to export again.

  Thank you

• I want default time remapping controls on clip

  Whenever I want to change speed by time remapping with keyframes, I need to click with the right button on the clip of fx square and then replace the time-remapping. By default, this is the opacity. How can I change the speed because the one I use the most? I use Premiere Pro cc v10.4 and iMac 2015

  This isn't a user for the time option.

  Feature request/Bug Report Form

• Why can't Adobe first Pro CC 2014 time remap Audio and Video together?

  In case you haven't noticed, my question is WHY.  I don't know why Premiere Pro can't do that.  What I understand at the moment, the only way to time remap audio in anyway shape using the software Adobe is Adobe After Effects, that my computer has no chance of ever being run through.  I know how to stretch a regular hearing and Premiere Pro audio, but apparently I can't time remap audio using these programs.

  So why can't Adobe Premiere Pro time-remapping audio with the video?  What is the reason that he can't?  It's a disappointment, huge and very impressive to see in the future.  If it is possible to time remap audio and video in After Effects, which is great and all, except for the fact that I can't use this program.  Why can't we do in Premiere Pro, and it will be always possible in Premiere Pro?

  In addition, audio time remapping will become possible in hearing one day?

  This looks like a very good idea.  File a feature request:

  Adobe - feature request/Bug Report Form

• Correspondence of time remapping with ramps for video editing of first CC 2015/output

  I would like to ask experts, which will be the best workflow...

  Location:

  I have the project with 50 + video segments where I have to slow down part of the clip to highlight some details (in my case - CIRC. enduro motorcycle - need to slow down the part where is visible some technical riding etc.).

  I use bulit Premiere Pro CC 2015 in the tools of the keyframe to select two points between where I change the speed for example at 50%. First has nice handles around the keyframes where I can create smooth ramp, so the change in speed is graduated.

  Insofar as simple here s

  But the first will not do the same with audio track associated with each clip. In the audio is for his example of the motorcycle.

  I need to have his original when the video is playing at 100% speed and its different from "lower pitch" when is slowed down and once again normal sound when is 100% video speed on the end.

  So I edited each audio segment to the points of the time remap keyframes, manually set the speed of the middle section and - it s horrible. Video slows gently while it is quite annoying audio changes.

  I need to make the same effect as what we were doing with Ribbon old VCRs in television production - smooth audio ramp corresponding to the video and return to full speed.

  As my knowledge about hearing is close to zero - I would like to ask at the front to start learning - I can do up in the hearing? What I have to do it every time from scratch or can I use existing keys from first images? Anyway how above 'automatic '? What workflow you have advice when I need to do it quite often many of these clips?

  Thank you much for the help.

  P. S. tried to find out, after a while with the help chat online too...

  Most of the discussions and tutorials is very old - there may be some new features in CC 2015 in order to do compare with 2011 toolset or almost. And in many video tutorials only covered - they talk about audio at all. But for audio track that I use, is the audio very good.

  Here is an example of a part of the timeline. I needed this project to do quickly, I decided to stretch the entire audio segments to match the new length of the video. It s not correct but it sounds better then it divides in three parts with a slow speed in the middle. Just to match audio speed changes in the Panel of video editing

  

  Not sure about the exchange of workflow with first for this type of effect.

  However the hearing can make the effect of change of speed/not very well using effects/time and Pitch/Pitch Bender. This uses a waveform envelope on with keyframes to vary the height must therefore ideal for your needs. In order to see where on the waveform, you need to place keyframes without doubt the best way is to place markers on audio in first at beginning and end of each ramp. These should be done through when you export audio in Audition where you should be able to match Pitch Bend keyframes to markers.

• Time remapping key frames cause other keyframes become independent to where they are on the timeline

  This is the BUG report, in that I just sent. If anyone has anything to add.

  ******BUG******
  Concise problem statement:
  When I add the time remap keyframes to a clip, other keyframes become unrelated to the part of the timeline, on what they are.

  Steps to reproduce the bug:
  1. add TIME REMAP keyframes in a MONTAGE WITH of OTHER keyframes (AS the POSITIONING of KEY frames)
  2.
  3.

  Results: I HAVE CHANGE THE COORDINATES OF UP/DOWN AND THE CLIP DOES NOT MOVE YET, SO I RUB ALONG THE CLAMP AND IT MOVES UPWARDS OR DOWNWARDS TO A COMPLETELY DIFFERENT OF THE CLIP PART. AS SOON AS I HAVE TIME REMAPPING IT SCREWS TO THE TOP OF THE FEATURE OF THE EFFECT CONTROLS PANEL.

  Expected results: READ MORE TOP! TIME REMAPPING HAS BEEN BROKEN SINCE CS4 AS AS FAR AS I KNOW AND NOTHING HAS BEEN DONE ABOUT IT...  SO FRUSTRATING!

  I have always worked around him or avoided using the selective time remapping effect but I've had enough of him... It's like the ability to change the color of the fonts on this forum, non-functional (the last time I tried to use it), but I prefer being able to be editing as colorful letters time remapping, I paid for the time remapping in CS4 and CS5 effect.

  Peter

  > Yes I have feature request/Bug report page my favorites now, but I have little confidence in their sincere care or intent. Having recently learned that my upgrade to Production Premium CS5 made me eligible for a 'free advantage', I tried to make the request. I followed the links, there were two, and they both took me to the same page, a page that had NO top at all links (This Page here). I opened a 'customer care case' and they told me to go down that same path and choose my 'delivery '.

  Bug reports and feature requests go directly to the engineering basis for Premiere Pro team. People who treat and read these reports are right next to the Director of engineering, product manager and so on. I am the person who treats these reports for After Effects, and I work closely with the people who do it for Premiere Pro. These reports and applications are very important for us.

  People who treat the benefits of registration, on overall web pages, customer service, and so on... Well, they are in an entirely different group. You cannot draw conclusions on how we treat (good or bad) how bug reports are these other things.

  This is not to say that we are in the first team Pro can help get these other things fixed. I have, on the one hand, make it a point to emphasize issues like these to the appropriate people. I'll pick up the phone and call people to report problems as you mentioned here as soon as I hit submit on this response.

• Have a problem... not loaded project.  {First pro has encountered an error [f:\ppro603_Win64\shared\adobe\mediacore\mediafoundation\api\inc\keyframe/k]}

  Have a problem... not loaded project. work on it for 8 months. has never been anything like this with him or other projects. When you load a project first generates an error. {The first pro has encountered an error [f:\ppro603_Win64\shared\adobe\mediacore\mediafoundation\api\inc\keyframe/k]}    Create the project for automatic registration of Eve also unloaded. When I sav the project for the last time on the pro first warned me about all the problems and save projects without any problems. It's one thing was unusual in the program - the timeline when switching between sikventsy constantly dropped as parameters to the user. And as usual. I tried to load the project from another computer. Import the project in after Effects. import the project into a new project on pro first. But it does not solve the problem. the error all the time. Please help, a lot of work in this project. This is a great betrayal of the premier pro...

  Hi Pochtawood,

  Yes, uninstall iCloud will allow you to create new projects.

  For existing projects, you can repair them with a patch created by a user.

  Details and links to the patch are here: Re: Debug f:\mightysilt_win64\shared\adobe\mediacore\mediafoundation\api\inc\keyframe event

  Thank you

  Kevin

• Work on keyframes in copied sequence change the original sequence as well (first Pro CS5.5)

  Hello world

  Maybe it's a very basic question, but looking on the forum did not bring to the top of the related issues, so I'm going:

  Let's say I have copy a sequence in first Pro CS5.5 and paste it into the same project. I have a few textclips with keyframes in them. (I do, because the videos remain the same, I just write different things in them.) When I change the keyframes in the copied sequence, the way that I need them out there and then come back to the original clip, keyframes it changed as well. This isn't what I wanted.

  So my question is: How can I make a copy of a sequence and then work on it without changing the original at the same time? Why are they related in any way? What's a selection in my version of Premiere Pro or is it a general thing?

  Be great if someone could explain it to me.

  Thank you!

  When you open your title for editing, press the new title based on the current title in the title Editor button; It's one that looks like the film with the "T" in it. This will create a new title in the sandbox, but will not replace the current instance of the title. However, you can simply drag this copied to the instance title, hold the Opt/Alt key and drop it onto the animation instance, copied. This will replace the contents of the clip, but preserve the animation.

• Time-remapping has a keyframe when I put new clip in the timeline:

  Hello

  I use PPCS4. I noticed that no matter what new clip that I bring in the timeline to a keyframe effect time remapping to 100%. Is this normal?

  I would like to see no time remap keyframe by default and there are still 100%. The reason is that I use the Mercalli stable plugin and will not work if the time remapping a key image on it. So I always have to erase it first was can use the plugin. A bit boring.

  Thank you

  Simon

  I use PPCS4. I noticed that no matter what new clip that I bring in the timeline to a keyframe effect time remapping to 100%. Is this normal?

  Yes, it is a normal behavior.

• First pro takes a long time to open

  Hello

  I recently installed the latest version of first (2015.4) on a Windows 7 x 64 service pack 1.

  Config: Intel (r) CPU Xeon X 5660 2.80 GHz 2.80 GHz (2processors).  -40 GB of RAM

  There's a blackmagic decklink which works well with the first. An internal RAID5 have been added to the computer.

  When I try to launch the pro first by clicking on the icon or open a project, the startup screen and load the stuffs, everything looks good. When he writes "initialization of the application", the splash screen disappears. The first pro icon is not highlighted more. Adobe Premiere pro is still in process in the Manager list task. Nothing happens for 10-15 minutes. After that first pro appears and everything works in it...

  I cleaned the trash prefs and uninstalled, reinstalled Premiere pro.

  He not take this time early in the week, he was quick and direct. I don't have this problem for other adobe (for example media encoder) applications.

  Thanks in advance to pay attention to my problem.

  A few thoughts that come to mind are to check and remove any third-party firewall and antivirus.

  You could also try creating a new user account Admin and see how it works there.

• First Pro CC 2015.3 crash on launch, load long time and the low activity of the CPU

  I have similar problems running Windows 7/64 on a 12 core Xeon with 24 GB of memory. I tried to open an existing project and he told me that I had to create a new version - then it crashed several times as he tried to reload the film. Clean the media cache files did not much difference. A project using 66 gb of contents of source AVCHD 1080i took an entire day to convert. It's CRAZY!  Fortunately, I have a laptop with PP cc2015.2 still installed and managed to get a job done while the main system broke.

  It takes FOREVER for a project to load. This isn't a good thing! There is no CPU activity and very little memory is used - WHAT happens?

  The obvious lesson is the same old I've heard before - do no ameioration edit in the middle of a project and do not trust the Publisher of the software for legacy projects care!

  The new Premiere Pro has a default setting for H.264 decoding who try to use the hardware features of a processor Intel Core i7 chipset.

  If you are using an old computer as a 2008 MacPro with the Intel E5472 chip or a Dell or HP Xeon workstation that has a previous Intel processor as an E5335 or E5560 then you will need to disable this parameter.

  Open a new project in first Pro CC 2015.3

  Open the media in Edit-Preferences tab and locate the checkbox "Enable accelerated h.264 decoding Intel (requires restart). Clear the check box, and then restart the computer. If Premiere Pro is much faster then you now have the right setting.

• Issues every time I try to import a clip on the timeline on first Pro CC. anyone else having this problem?

  I will have questions whenever I try to import a clip on the timeline. It imports the sound but not the picture in time.

  They play perfectly on the Source monitor and even hover on the bins scouring, but cannot slide on the timeline.

  I found that it allows me to replace anything on the timeline with all that is on the Source or the bins, but not directly place.

  I work with the Canon C100 files on first Pro CC (2015.2) On Windows 10

  But it happens with all type of formats. Obviously not codecs problems.

  How can I fix that?

  Sounds like a follow-up/patch issue, in general, you do not have the blocks to the left of the command sequence "checked" block to allow the targeting of these tracks. These things...

  

  Neil