What is a matte painting

clearly the concept of painting

Do you want to say "matte painting?

Tags: Illustrator

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    Hi, Frank.  CC 2914 from Flash to HTML5 to code extensions, and several features not working accordingly.  This blog gives more information.

    Extension signs Compatible CC 2014/HTML5 to Photoshop

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    -ORIGINAL MESSAGE-

    I'm starting to think I should have done a little more functionality tests of CRM Business Catalyst before you subscribe and moving my site on. After getting most of my Web site built and published, I started working on data oriented portions of the site including the collection of contact information for visitors and this is where my frustration begins. I hope I'm right about something and my problems are just because of my little time and experience with Business Catalyst.

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    Yes correct. RELATIONSHIP is the link.

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    But at least BC has a basic CRM.

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    Hello

    Were there any changes or updates made on the computer before the show?

    I suggest to see the links and check:

    With the help of paint

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    https://www.YouTube.com/watch?v=cqczPfWnQMI

    Please see the VFX of the Hobbit 2 minutes above clip.

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    2. at position 01:09, the narrator says that digital matte paintings were based CG. What it means exactly here? I know that a matte digital painting is one that has been painted with Photoshop etc. on a tablet or computer by an artist, but what is a CG based paint mate and and how is it different from the traditional painted matte paint digital artist regular computer?

    Thank you!

    1. the Narrator mentions digital matte paintings 2.5 D 0.53 position. I can't get a simple answer online for what is the definition of this term.

    There is none. Stacking layers and using Parallax to the use of map projection and projection techniques of painting, but also things such as the fields of height to generate the depth of the 2D images to use true 3D rendering items in a native 3D space, this can include almost anything. It's a buzz word in fashion that covers all the tools and techniques.

    2. at position 01:09, the narrator says that digital matte paintings were based CG. What it means exactly here? I know that a matte digital painting is one that has been painted with Photoshop etc. on a tablet or computer by an artist, but what is a CG based paint mate and and how is it different from the traditional painted matte paint digital artist regular computer?

    Ditto - they could have made on for example the rocks and trees as different elements and their slapped together in a 2D, with version program more advanced that it is again using several passages to the fire of the normal information or the geometry of depth to enable dynamic turn in 2.5 D respective help plug-ins and programs. For AE once there was a plugin called normality which has essentially done this.

    Mylenium

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    Microsoft Paint program

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    Hello to you too.

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    Oh well... that's the way the mop flops, cookier crumbles and the ball bounces.

    Have a nice vacation.

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    Hi John,.

    Thanks for posting your query on the Microsoft Community.

    I'm sorry for the inconvenience caused to you.

    This problem could be due to incorrect printer settings.

    To better assist you, please provide us with the following information:

    1. are you able to print correctly using other applications or programs?

    2. don't you make changes to the computer before the show?

    3. What is the brand and model of the printer?

    I suggest you to try the steps in the following Microsoft Help article and also run the printer troubleshooter. Check if it helps.

    http://Windows.Microsoft.com/en-us/Windows/printer-problems-in-Windows-help#fix-printer-problems=Windows-8&V1H=win8tab1&V2H=win7tab1&V3H=winvistatab1&v4h=winxptab1

    Meet us with information, so that we can solve the problem.

    If you need help related to Windows in the future, do not hesitate to contact us and we will be happy to help you.

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    100% reproducible every time.

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    Checked the forums for similar problem and found no exact match.

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    I THOUGHT ABOUT IT!

    I read another post:

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    Hello world

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    What do you think?

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    FYI

    I'm Matt painter in the Visual effects industry.

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    Have reset you your preferences?

    Win: Press and hold the keys Ctrl + Alt + Shift immediately after the launch of Photoshop starting. A box will appear asking if you want to continue with the reset, select 'yes '. If you don't see this, you're not fast enough... Try again.

    Mac: Hold down Cmd + Opt + shift and run Photoshop. A box will appear, asking you if you want to continue with the reset, select 'yes '.

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    Basically, my tool brush painting is the right color. The pencil and paint bucket work tool very well, so I can't understand what is wrong.Photoshop Problem.JPG

    In this photo, I chose a light pink color that is almost white. When I try to paint with it, it comes out like a bright pink. If I change my color now that color and try to paint again with this shade of pink, it will come out as a color even darker. The ways of my brush and layer are normal, brush settings are standard and what happening no matter what file I paint on. I have not found a solution and I cannot understand... Any help is appreciated!

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    I'm new to CS and have been a little different apprenticeship programs in recent months about the post-production.  I am mainly using Premier Pro, After Effects, and Photoshop.  I noticed there are tons of different ways to work both within and between these programs through the CS package.  Because there are so many ways to achieve a result in the end, I was uncertain, what is the right way to modify or manipulate video footage.  For example, if I intend using consequences to color correction using the fineness of the color, or Matt paint and rotoscoping, should what order I open the files and modify them?  Should I start first and then use AE or do I change in AE, export to a rendered file format and then import them into first?  I noticed that not all changes to EI are accepted at first, which would force me to return in AE first OK? Same question goes with all edits to images in photoshop as well. Always makes downgrade the quality a bit and at the time I did apply the effects and last edition, I don't want to neutralize not my project to be made two or three times before the final. Any advice would be great or at least a direction to look for resources to help you with my workflow problem.  Thank you

    We first define some terms:

    1. Shot: A continuous block of the new images from a unique point of view. Also called a plug.
    2. Sequence: Two or more plans that have been trimmed or cut together to tell a story.
    3. Scene: A continuous block of the tale is set in one place or as a result of a particular character. The end of a scene is usually indicated by a change of location, style, or time.  A scene can be shot, a simple sequence or a combination of several sequences.
    4. Film: A completed project that tells a story. A movie can be 10 seconds of time or 10 hours (re: Andy Warhol)

    The best use of After Effects is to work on a shot, scene or, sometimes, a sequence of composite elements, add graphics or adjust the appearance (color timing) of a shot or a sequence. After effects is probably the tool more difficult than you could ever choose to edit a movie in long form.  Dynamic link is very useful in the early stages of the development of sequences. Once approved, the sequences I have will make generally the sequence for a codec of production for use in the NLE. I'll talk more about codecs later.

    The best use of Premiere Pro (or any NLE) is to organize the shots in a sequence or a scene, then to organize scenes in a movie. Most fans try and cut a long form film (more than 10 minutes) in a single calendar. Professional editors organize each sequence in their own timeline (notice that Premiere Pro calles chronologies sequence 01, 02 etc. sequence) and then combine these sequences into scenes or movie by combining sequences in the final movie in a single calendar. In the end, it's a more efficient way to work on any project involving more than a few shots.

    Photoshop can be used to work on the shots, but it is quite inappropriate as an editing tool. Photoshop and Illustrator are mainly used to create items such as graphics or backgrounds used in After Effects or Premiere in history.

    The best workflow is one that puts you at the end of the project with the smallest number of steps in a minimum of time. In almost all cases, this means that you cut your shots into sequences in your NLE. The next step is to edit photos or footage in a software like After Effects compositing. If you are working on individual plans in After Effects, it is almost always a good idea to give them handles. I handle is a few additional images at the beginning and at the end to refine the change in your NLE. Good rule is to add 30 to 60 frames.

    Let's talk now, just for a second, rendering. You are slightly misinformed on the rendering.

    There are two types of codecs used for production. The first is a codec of production. It would be something like ProRez, Animation or even JPEG 2000, higher quality settings. To qualify as a codec for production rendering files must be lossless, or almost without loss. Production codecs take much DriveSpace. Some of them even will not play back in real time on any system. Many production houses use image sequences as their standard production format. You can make, do not forget then that either again go to production without loss of quality codecs. All you need is enough storage space to hold the files. Each production codec I use is at least 10-bit color depth.

    The second type of codek is called a delivery codec. These are highly compressed playback in real time on the low-cost systems and should never, I repeat never be used in the production pipeline. Anything either in the class-MPEG codec is a codec for delivery and should not be used in the production pipeline.

    Come to think of it, there is a third type of codec video. Here are the codecs of the acquisition. They are the codecs used by various aircraft factory to record videos. AVCHD, is a codec of low data rate used by cameras. Other cameras from the level of consumption at the pro level can use various forms of MPEG encoding. These "acquisition codecs" are not at all suitable for use downstream in the production chain. I mean, in other words, you must never make some turned to the initial acquisition codec. The only exception to this rule are professional cameras and recording systems registering in lossless formats or raw from the beginning.

    One last thing. Don't forget sound. Polished professional productions use always specific sound editing programs to complete the audio track. While you can do a job just in most NLE, you can do a much better job in something like Adobe Audition. Cutting, mounting or setting sound and AE should be limited to reference audio tracks and scratch not only. After made will do a good job of making an audio track without loss of an own original, but it is a audio more heavy and inefficient, editing tools ever developed. Oh, wait, AE is not a tool for audio editing, so it's OK with me.

    I hope this helps you on your way.

  • CS6 workflow (Photoshop, After Effects, Premier Pro)

    Hello, I'm new to CS and have been a little different apprenticeship programs in recent months about the post-production.  I am mainly using Premier Pro, After Effects, and Photoshop.  I noticed there are tons of different ways to work both within and between these programs through the CS package.  Because there are so many ways to achieve a result in the end, I was uncertain, what is the right way to modify or manipulate video footage.  For example, if I intend using consequences to color correction using the fineness of the color, or Matt paint and rotoscoping, should what order I open the files and modify them?  Should I start first and then use AE or do I change in AE and then import them into first?  I noticed that not all changes to EI are accepted at first. Same question goes with all edits to images in photoshop as well.  Any advice would be great or at least a direction to look for resources to help you with my workflow.  Thank you.

    Thank you.

  • First Pro or After effects?

    I'm looking at the Premier Pro and Adobe After Effects. They both seem to be for video editing.

    PP for hollywood or more advanced video editing and After Effects a smaller version for smaller products?

    PP is for cutting and AE video than for the whole of the process from beginning to end?

    What is best for each file formats? If I import in a format, is it better to leave/get PP or æ to switch the smoother changes file?

    After Effects are for Visual effects, compositing and motion graphics.

    A way of thinking about Premiere Pro is that it was designed to take several movies source and cut them apart and then rebuild their time. That's why video editors are often called "cutters". they based on time to the cutting of segments of films together to make a new and coherent movie.

    After Effects, on the other hand is designed to take multiple images (including animated images) and mix them together on the screen at the same time. That's what "compositing." You use After Effects to make a matte painting of a sunset, that put behind an actor who had been shot against a green screen and then throw in a synthesis robot and the breath of laser eye of the robot. After Effects also has extremely powerful vector graphic and text animation tools, well beyond what Premiere Pro has.

    After Effects and Premiere Pro, overlap and people come and go between them, using each of its strengths. One of the strengths of Premiere Pro is that it is much faster to work with in general.

    See this page to learn more on how to move the information between the two applications.

    For After Effects, start here. Start here to learn Premiere Pro.

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