Zoom after a mask?

Similar Questions

• Zoom after using the button 'back' on Android

  Hello

  On Firefox Android, I have one on a web page and zoom using double-tap or pinch and then click on a link on the page. Firefox to display the page. Everything is good.

  If I use then the back button to return to the previous page, Firefox will not display the page as it was previosly zoomed in. It forces me to zoom in by double-tap or pinch.

  Is a framework or an add-on that will preserve the zoomed in State after his return to the previous page by using the back button?

  Thanks in advance.

  I submitted a bug report, and they quickly asked me to try the latest Nightly build. This bug is fixed in the latest nightly build!

• After Effects masking Bug?

  Hi friends,

  I am a pro user, having a strange problem with my mask. Of nowhere, when I use masking tools or pen to create forms on my stage (cf. red), points and forms place the way out of the frame (cf. blue points). I have no idea why this is happening - updated my software etc. Help, please!

  Signed, confused.

  Thanks for all the tips! This morning I completely rebooted the software (as opposed to an upgrade directly) and it fixed the problem. It is really strange to me that an upgrade would not repair and reload.

• After Effects masking and tracking of a whiteboard

  Hey all

  I really struggle with an ongoing project...

  In my film, I have people holding a white board with a black frame. The sentences are written on the white area.

  Some of the writing on the Whiteboard is not visible because light bounces off it...

  I need to hide the Whiteboard area and it follow the Board changes slightly with the movement of people and then add some text in the mask...

  I have to create a mask and then add a layer of shape on it... If so how can the shape layer follow the mobile layer mask?

  or I'm going in the wrong direction with this?

  Any help would be appreciated.

  Thank you

  I would use this technique:

• Cleaning after evil mask / unmask action

  Hello

  I have a question on warehouses of grey and inactive data on multiple hosts. It is the result of a bad mask / unmask the storage administrator action.

  I now have warehouses of data in the data center a visible in on the hosts of the datacenter B (they are gray and inactive), but because data warehouses belonging to a storage with DRS and SIOC active storage group I can't "remove" these data warehouses.

  Is it possible to get rid of the mess caused by the mask / unmask the action?

  Any help or advice is really appreciated.

  Thanks in advance,

  Welcome to the communities.

  You may need to restart the affected ESXi hosts.  If please have a read through the following steps first and let us know if we can help with any questions or next steps.

  Permanent loss of the device (PDL) and All - paths - Down (APD) in vSphere 5.0:
  http://KB.VMware.com/kb/2004684

• No fade not available after Unsharp mask

  I have an action I use successfully for several years, notably with the PS CS5 64-bit.  Part of the action is an emphasis, then using Fade Unsharp Mask it changes brightness mode.

  Now I suddenly find that it does not work on some images... telling me that the 'Fade' command is not available.  Even if I do these commands manually (without the action and do anything else) bland is gray out and not available.

  Everything still works fine with my 'normal' images, which are files TIFF 16 bits converted from RAW with Capture One Pro.  These files are approximately 125 mb in size.  The image where I first noticed this problem was a multi point recorded in a PSB (almost 600 mb in size) file.  Then, I created a file PSD of this image (155 MB) and BLAND was still not available.

  And no, I do not have ANYTHING between performing the Unsharp mask and try to find BLAND in the Edit menu.

  I tested this during more than an hour now (on two different computer facilities, as well running CS5 64-bit and Win7 64 bit) and other than the size of the file, I don't see anything else.

  The file size might have nothing to do with this?  That's the only difference I see between an image work and not another job.

  (I am aware that I could use the layers palette to change the blending mode to luminosity, but it won't solve my problem).

  Any ideas?

  Thank you!

  Eldor

  You can not Fade bound a command on a layer that has a layer mask. You have to UN-link the layer mask to the layer pixel before fade is enabled...

• How can I activate the zoom pinch after calling preventDefault();?

  I created a chart in the edge animate which should work correctly on both the iPad and desktop computers. The html file that I create will be then fired in an iframe on a Web site as part of a larger page. I've included touch events and mouse for interactive elements, and most of the time it works fine on the desktop and iPads - except for when it is not.

  I found in my tests that sometimes a mouseOver/mouseEnter or even a click event fires despite my use of the e.preventDefault (); in my events touchStart or touchstart (I tried both). The behavior is not coherent enough for me to determine why this is happening so I have a solution for the moment - I've added preventDefault(); to touchStart in document.compositionReady:

  $(document) .one ('touchend', Function {}

  e.preventDefault ();

  });

  I understand that this is not ideal, but with deadlines and all that noise, it's the best solution I found to this day.

  It works perfectly, but as expected, it also disables the pinch zoom and pan. I don't care panoramic, but the zoom is necessary because the data points on the graph are on the small side. Can someone help me with the code, I would need to enable pinch zoom after call preventDefault()?: Or the conditional statement that would go preventDefault(); on a regular/single touch but not a pinch of touch zoom?

  I use v2014.1.1 to edge host CC on a Windows 7 machine, if it is useful.

  I cannot share my code because of the confidentiality agreement to my company, although if necessary I can probably model a simple sample - I'm hoping someone out there with more experience in the development of contact devices can point me in the right direction.

  Thank you!!

  Melanie

  This refurbished - Box dots.zip version handles the events of iOS. See private message.

  Tested: iPad (iOS 8.1.3) and MacBook (Mac OS 10.10.2) and Safari 8.0.3

  I will post a final version to improve the change of color and the text box.

• Zoom to screen the drafting by e-mail.

  When you compose an email, how you zoom in without changing the font size? CMD + only works on the emails not on messages that you compose. So, for example, you want to compose the email in the 12 font size but want to be able to read easily on your computer screen. When reading an email you can do control + and it will increase the size makes it easier to read, but when you dial, you can do that we must look at the tiny fonts.

  Hi Racecourse.

  Thank you for using communities Support from Apple!

  I understand that you want to zoom while composing a new email, but have not yet found a solution. An option which I think would be useful to you use Zoom after she turned on accessibility.

  To activate the zoom, please follow the instructions in the article below.

  To open this pane, choose the Apple menu > System Preferences, click Accessibility, and then click Zoom.

  Once activated, you can use the following command key, command-Option-equal sign, zoom in on the new window mail.

  Use the keyboard shortcuts for zoom in

  Use the shortcuts listed for zoom in and out. For example, to zoom, press Command-Option-Equal Sign.

  OS X El Capitan: Zoom pane accessibility preferences

  Best!

• Masking text

  Hi is possible to mask with a form text (i.e. text inside a square that gets cut if he gets out of the limit of the place) without pixelation? Illustrator just seems to want to do is make a clipping mask the opposite way with the square being put inside the text. When I try to do it the other way, she claims it is too complicated and will mess things up.

  The highest element in your selection becomes your mask. If you get an error that your mask is too complex, chances are your top most of the chondrites, that's not what you think it is. Paste remembers layers in conjunction with the dough at the front and a full mask of none is usually the culprit.

  I filled my mask with any color, she disappears after the mask is done. Makes it easier to enter and confirm the overlay.

  

• Filter Blur + mask

  I think that a few people asked about this problem, but none of them seemed to have an answer so I'm re-posting.

  It is thus the blur filter and mask to work in the code

  var blur: BlurFilter = new BlurFilter();

  blur.blurX = 10;

  blur.blurY = 10;

  mask of the var: Bitmap = new Bitmap (...)

  var shape: Shape = new Shape();

  shape.graphics.beginFill (color, alpha);

  shape.graphics.moveTo (100, 100);

  shape.graphics.lineTo (...);

  shape.graphics.endFill ();

  Shape.filters = [blur]

  Shape.mask = mask;

  bitmap.bitmapData.draw (shape);

  But the result is not what I want. Please see the image below:

  

  Do an another pixel bitmap and copy using the mask works but it makes any application very slow.

  How can I hide blur filter using a simple draw?

  The difference between the code I posted, and what you have here, is that you apply the mask and blur to form, while I applied the blur to the shape and the mask to a container of the form is inside. It is because for a given object, filters are applied AFTER all masking, but you want the opposite. The only way to control the order in which I don't know if it is to create more layers.

  In other words, change the last code you have posted like this:

  1. create a container for the form:

  var container:Sprite = new Sprite();
  

  2 Add the shape to the container:

  container.addChild(shape);
  

  3. apply the blur on the form and the mask to the container:

  shape.filters = [blur];
  container.mask = block;
  

  3 trace the container for the bitmap:

  bitmap.bitmapData.draw(container);
  

  To produce the image you want.

  -Aaron

• Dynamic masking of Movieclip

  Hello
  I am facing a stupid problem, but I can't understand this solution. so I want emergency aid.
  
  I take a Movieclip, which includes some animation box square as a Movieclip of masking. I'm trying to load an Image into an empty clip. And give the masking of this Sqaure box Movieclip. But which does not show masking me. They both view individually.
  
  Code is as follows:
  1 blank_mc is on stage and a movieclip empty.
  2 MaskMC is a lively SquareBox Movieclip and attach via code at the stage
  3. adjustment mask
  blank_mc.loadMovie('Images/Image1.jpg');
  _root.attachMovie ('MaskMC', 'mask_mc', 10);
  blank_mc. SetMask (mask_mc);
  
  
  But the two clips are coming to the stage individually. That I missing something or need to make any change. Please help me urgently

  You attach the mask to the scene
  But you use the mask to the MovieClip that is in charge of the Image.

  When you use 'bitmapcaching', that the MovieClip reference is stored, in the same way the ContentData is stored in the MC of mask.

  Then, inside the Mask_mc or Content_mc load file after the mask, will remove the mask.

  Following the code is a simple implementation if you plan to hide a movie that loads external file

• Focus on the t3i problem

  My t3i is having focusing problems. What may be the cause?  Can I have very well to the development as on fullframe cameras?

  Kolourl3lind wrote:

  OK I'll do it, but I just realized maybe it's because I'm zoom after focus and recompose?

  Yep - most of the lenses are "varifocale" - which means that if you focus carefully on a subject at a few focal length in the range of zoom... then zoom to a new lens, then your topic will be specifically developed in the.  You must refocus the goal.

  There are a few lenses that are "parfocal" - means that if you zoom the lens after update, your subject will always be precisely focused.  However... VERY FEW lenses is technically "parfocal" (even if some are close).

  The lenses I know who are "parfocal" are:

  • EF 16-135mm f/2.8 L USM
  • EF 17-40mm f / 4L USM
  • EF 70-200mm f/2.8 L USM (only the non)

  That's all.  If you use any other goal, he must refocus the goal after a zoom.

  But I also noticed that you were aiming at 1/15 sec.  It's a little slow, but you were at 18mm (which helps).  Here is the guideline on this.

  In the days of 35mm, there was to be a general rule that if the shutter speed is equal to, or faster than 1/focal length (e.g.. If the shot at 50 mm from you would be at least 1/50th sec at 70 mm you would be at least 1/70th or more fast, etc) would be appropriate.  This number does not apply to your T3i, but I'll be back in a moment.

  But there are some caveats with this...

  First, it assumes that you use actually very good camera-technical operation and you really WANT to be stable.  Good camera-technical operation means that you support the camera down - usually your left is the palm-up supporting the bottom of the camera and lens and your elbow is in verse your chest/belly.    Your weight is centered between your legs and you have a wide position.  This means that you are not leaning so your muscles must work hard to stand and your weapons as a brace to support the camera to your body and, of course, your body is well balanced and stable.

  Secondly, it is just a 'guide' - not a rule.  Some people are apparently able to be more stable than others (and if caffiene makes nervous and you just drank a coffee... and all that sort of thing.)  And it takes some practice to learn the proper technique.

  Thirdly, it is also not the same for the cameras (like your T3i) APS - C sized sensor.  To make the camera, you would have to the multiple minimum speed by the crop factor of the camera.  For a Canon APS - C camera is 1.6 (but if you wanted to use 1.5 which would be close enough.)  That means 50 mm instead of using 1/50th you would actually use 1/75th (technically 1/80th if we use the factor 1.6).  for example 50 x 1.6 = 80 so for 50mm, we would use 1/80th.

  If you have a goal that includes image stabilization, so you can be able to pull a little slower.

  Image stabilization in most claims to improve the stability of the lens of 2 to 4 "stop".  Does that mean that you can reduce the shutter speed... two to four times slower that you would normally need the lens because stabilizes for you.   But more caveats apply because it is not as simple as 'get you 4 stops.  The stabilization is not a guarantee... that's just a liklihood.  If it were to be less ambitious to stabilize your shot he will be much more likely to succeed.  If she must be more ambitious to stabilize your shot, then he'll do it is better... but there is no guarantee that it will work.

  You were aiming at 18mm.  So, if you use technical excellent posture and camera-operation but don't have image stabilization and that you are the one "average" trying to hold the camera steady, then we multiply 18 x 1.6 and go down to 28.8.  There is no shuter speed 1 / 28.8th so we turn to 1/30th (because there is a 1/30th.

  1 stop slower than 1/30 is 1/15th, and image stabilization is probably enough to make you slower 1 stop successfully.

  2 times slower is 1/8th.  Image stabilization that claims "4 stops" will be generally well 2 stops.  So it is less than a sure thing, but he tilt the odds in your favor.

  3 times slower is 1/4 sec.  At this point, you are pushing the image stabilization system... you will notice that if you shoot a lot of frames, the rate of "keeper" (tips, you like) will be lower, but you will see that you have found some.

  4 times slower is 1/2 sec (based on the basis of 1/30th for a focal length of 18mm on an APS - C size sensor device).  If you press any stabilized lens image 4 stops, don't expect to get a very high rate of keeper.  It will help you sometimes, but you have to accept you are really be ambitious in your expectations.

  This is image stabilization by the numbers... take the focal distance, multiply it by your crop factor (which is always in 1.6, but if you want to use 1.5 because it is somewhat easy to do this calculation in our head that's close enough), round up to the nearest available shutter speed.  If you have image stabilization that you can speed up the shutter speed of 1, 2, 3 or 4 times faster... but every time you get more ambitious your chances of obtaining 'gatekeepers' go down (but it is better than without image stabilization at all.)

  The summary is that your minimum shutter speed (assuming good holding technique and you're stable, etc etc) with stabilizing image out of the 1/30th would be your minimum speed.  At 1/15 sec am that you relied on 1-stop image stabilization help.  The lens image stabilization technology is good enough so that 'most of the time' it will probably be able to do (not guaranteed... only likely.)  If you were NOT using a good posture and technical outfit... you can be difficult to your image stabilization system to try to keep up.

• wallpaper bug

  Zoom after new wallpaper and wallpaper wallpaper becomes half black after hitting the home button, sets the right after hitting 3 - 4 times the home button

  In this case, it would be interesting to try to run a repair of the firmware:

  1. download the PC Companion of http://www.sonymobile.com/gb/tools/pc-companion/ software
  and install it on your PC.
  2. install and open PC Companion and select Support area.
  3 software update of the phone.
  4. start.
  5 Repair phone
  6. continue
  7 accept the deletion of data
  8. the next
  9. wait for ready
  10. Select phone
  11. follow the steps to connect

  
  What are your thoughts on this forum? Let us know by making this short film survey.

• How do replace you a master page item?

  How select/Edit a template on an individual page element? Google says command shift click, but when I do that, I get a zoom tool. CC on a Mac.

  Command + SPACEBAR is Zoom (after you ignore spotlight). Look at your fingers. I saw a few hundred students invert shift and SPACEBAR on occasion!

  It is command + shift + mouse click

• replace the face with a picture

  can someone please direct me to a tutorial that I can't find it.

  Replace the face on the video with a picture of a face and follow it.

  I can create a mask on the face in the video and follow (AE CC) but do not know how to insert the photo?

  Thank you

  Anthony

  Use the tracker to After Effects, mask, not a stalker of camera not a stalker, but tracker to the Motion of the track of a face. Choose something like the eyes and the nose. Now add a null value to the timeline in the Panel of ways the null as target and select apply.

  Now, add your photo, place it in position and resize it to adapt and then, in the parent column of the timeline be set to null, the parent of the other layer.

  If you don't know what to do if you follow these instructions, then please search the help files for the correct movement and parenting. After effects is a very complex program that you can not properly use without taking the time to learn how it works.