Adding layers

Similar Questions

• Adding layers to the folder used to go to the bottom of the stack

  Not sure if I'm going crazy, but I swore that when the layers were added to a folder that they would automatically go to the bottom of the stack. It seems that in the current versions of layers photoshop, added to a folder appear at the top of the stack. Is - this newish? Is there a preference or a shortcut to increase this behavior? I prefer a lot it to appear at the bottom of the stack.

  Based on the reviews on this subject in the next version of PS (no ETA I can share, sorry), you will be able to control the behavior with a keyboard modifier:

  (1) (no modifier) fall on the group will place on top of the stack of layers in the Group

  (2) (shift-output) fall on the group will be at the bottom of the stack of layers in the group.

  But at the present time, in 2015.0.1, only (1) is available.

  Re: drag and drop layers of a group

• Adding layers to model

  Hello
  I have a template that I needed to add a new layer not modifiable to however when I update my child pages they are not picking up the newly added layer. I tried to re - apply the site to the pages, but I get nothing.
  Any changes I make for cells in a table of pre-exsisting models are updated very well.
  
  You have re - build your site if you try to add new things like diapers? Is there another way to get the child pages to update this kind of change?
  
  My Site can be found here: http://www3.telus.net/public/surekiss/index.htm
  My model can be found here: http://www3.telus.net/public/surekiss/Templates/GFK_Template.dwt
  
  All I've added is a layer with Contact Us! in it.
  
  Thank you!

  You add the layer to a non editable model region, or to a
  editable region in the template? If the latter, then it only is not set
  for child pages.

  --
  Murray - ICQ 71997575
  Adobe Community Expert
  (If you * MUST * write me, don't don't LAUGH when you do!)
  ==================
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  "c fqgy" wrote in message
  News:et3rs2$223$1@forums. Macromedia.com...
  > Hello,
  > I have a model that I needed to add a new layer cannot be changed to
  > However
  > When I update my child pages they are not picking up the newly added
  > layer. I have
  > have tried to re - apply the site to the pages but I get nothing.
  > Any changes I make to the cells in a table of pre-exsisting models are
  > update
  > fine.
  >
  > You have re - build your site if you try to add new things like
  > layers? Is
  > it another way to get the child pages to update this kind of change?
  >
  > My Site can be found here: http://www3.telus.net/public/surekiss/index.htm
  > My model can be found here:
  > http://www3.telus.net/public/surekiss/Templates/GFK_Template.dwt
  >
  > Everything I've added is a layer with Contact Us! in it.
  >
  > Thank you!
  >

• Adding layers in cs5.5

  We have written a code in cs 4 to add layers in the order of perticular. But the same code adds the layers of jumbled way in cs5.5.Please someone can help us find out how to add layers in perticular order in cs 5.5.

  You can use Layer.move () to order the layers, but you want to...

  Substances

• JPG files are open as a layered PSD.

  Photoshop can be updated in the future so that he can open JPG files as a layered PSD.

  The jpeg format does not support layers. But there is nothing to stop you opening a JPEG, adding layers and saving it in a format that does not support (psd, tiff) layer.

• working with layers of animation in CC open psd file so that the layers appear as frames?

  I recently got Photoshop CC and work on animations with limited success, I'll open a psd file and sometimes it will open with the layers as frames and other times not I can put the layers in the timeline one at a time but it is very time consuming that some files are 100 or more layers I'll open the file and it will take only a layer of the timeline when I convert to video editing I'm going to drag the layers up to the first line, but when I go back to the timeline, all are invisible except for the first image I know that it's probably something obvious, but I can't understand it.

  PSD file have been save with aura image Animations Frames in an animation image in the timeline panel.  PSD have been saved without animation image and aura created video or animation of an image or a video in the timeline palette.

  You can create a picture Animation timeline or video for layers Document has nothing in the editing Palette panel.  If you create an image Photoshop Animation can make frame for all the layers quickly and easily.  Create the Animation of the image by clicking on the animation of the image to create in the palette of the timeline. Which will create a single image in the animation of the image. Use the drop-frame animation Palette, then click on branding point layers. An image for each layer will create it in the document.  If the frames are in the wrong order three is in the same menu drop-down to change their order.   There is also an element that will make any new added layers are visible on all frames.  You can also have Photoshop generate tween two frames with the interpolation point.

  Here is an animation of image that I created with two layers that are visible in all frames.  A layer of layer mask.  I created two frames. The first and last frames where I changed the position of the layers which has the layer mask in both frameworks.  Then I had Photoshop generated all the other frames between the first and the last images.

  

• Disorders of the highway

  Hi, I'm new to the use of Ultiboard (this is my first project), but I did the tutorial and feel a little uncomfortable with her after tinkering with it for a while now.  I drew my design on Multisim and now I have problems my Highway to work.  It starts and is above in 2 seconds without a single trace.  That's what I've tried so far: adding layers, adjust the width of the trace, adjustment of distance of the pads and play with the settings of the highway.  It won't let me connect my nets either manually.  I'm about to just get rid of all the nets and hands-free, but it would be very difficult because I have 236 connections.  I have attached my file, thanks for any help.

  Hi JustinMoon,

  Your default trace width is set to 8000 mil, this trace size will cause a lot of errors in the DRC.  Turn on the spreadsheet view, if it isn't already by selecting the menu view > view worksheet, select the threads tab and click on the heading of the width of the track , the column will be highlighted when you change the width for a net other nets will change also.  The default width of track to Ultiboard's 10mil

• Import from a file I JUST a layer?

  I imported a file WITH layers - for animation. I know I forgot something and it adds a new layer in .ai file. Is there a way to simply import the new layer & not re-import all the layers again?

  Also - is there a way to import the layer name - just - naming convention? Currently, AE is adding layers with the name of the file you added at the end and it slows down the workflow for me that the name is long that it takes more time to understand what layer I enter. Thank you very much!

  1. If you want to import a single layer, you select "Footage" and select the layer and choose if you want it to be the size of the layer or document size

  

  2 Ae has two names in the name column. the name of the layer and the name of the Source, and you can work with each of them

  name of the source

  

  Click on the name of the Source and you get the name of the layer

  

  If you change the name of the layer in the timeline you affect the layer name. If edit you in the project window - you set the name of the source. You'll get the hang of it

• old décor turn into new décor - 2 photos

  I have 2 pictures of the same scene but take apart, I want to create a version where the old photo turns slowly in the new photo over 100 years old. It looks like is animated / turned and ranging from the old to the new... no idea how to do this with 14 elements?

  See if that's what you're looking for.

  I created an animated gif of a discoloration of summer in a winter scene scene.

  I have reproduced the scene several times.

  Bank added layers filled with white.

  

  Changed opacities of the empty layers increase the value 10, 20, 30, etc. and merge down.

  I've renamed the layers merged to reflect the values of opacity.

  

  At the top of the stack, I added the scene of winter and in a duplicates created in a similar way with an opacity of decrease values.

  The result is that the summer scene faints and then winter scene fades.

  The red arrow indicates the transition from summer to winter layers layers.

  

  I created the gif animated by save for Web.

  Check the animate and choose the delay of the frame.

  The layers more and more the frame delay path smoothing the fade tool / implemented.

  

  If you want to see the result I put it in my Dropbox. If it does not immediately, you can download to your PC and play there.

  Dropbox - anigif.gif

• Keys on a white background and track 3d movement

  It is actually two questions, so if I need to split it into 2 posts, I can do.

  First of all, I have my talents on a white background (because of the green in costume) and I want to put a background behind them is a picture of a track or a stage (see the second screen capture). Initially, I did this by going into AE and make two copies of the item. I then used the HUE/SATURATION effect to the top of the page copy b & w, and then the LEVELS to make high-contrast. Then I put it as a cache of luminance (reversed) on the background copy. It worked pretty well, at least better than Ultra key or Luma Key, which left a bit of white on the edges of the subjects. Still, you can see a white border around the topics today, although he the one smaller than with the coding of effects. Does anyone know a better way to remove the white background, so there is no white edges around subjects?

  Second, you can see that the microphone has a green cover. I need to put our logo instead of the green in the football game perspective and rotation. I thought to follow up with an effect of pin corner of movement, but because of the rotation, I don't know if it will work. That talent is the mic autour, the Green Exchange box tilt and rotation, as well as position. What do you recommend that I use to match my logo (seen in the second screenshot) the microphone?

  

  Screenshot of the music video with white background

  

  Capture the screen with white background clip removed (white edge reviews) and logo to replace the green box at the microphone

  The first thing I would do with this project is to convert 32-bit if you have more control over the colors. To create the matte luma that I would start by converting the image in black and white, as you did, but I would go a lot easier on the contrast control. I would probably use curves instead of levels. I would have also used adjustments red green and blue when you turn the copy of black and white images to darken the skin as much as possible.

  To achieve a fully black matte I can duplicate the black-and-white images contrast and the value of the copy to multiply. I would do this several times until most of the gray was gone. Then I would have added layers of black shape to fix everything that was causing problems. All layers of black and white and fill the forms would compound before and the demo would be used for a cache by approach. See the HC demo with 10 copies of the layer of black and white.

  I would then use this HC demo to create a cache of luminance on the original film. I blurs the original film about 8 pixels with fast blur then I would have some edges to work with the final model. See Matt model of track.

  The last step would be to put the matte model of track on the top images in a main model and add a little more blurry fast if necessary and curves and Simple Choker. I watch the Alpha channel of the model, the solo track matte layer, and then set the Alpha channel of the curves to clean any opening in the matte. I may return the RGB model control panel and set the layer of matte as a cache for the images alpha and adjust around simple neck and blur accelerated to even out the edges.

  I hope this helps. Here is a screenshot of a computer creating the matte the way that I would.

  

  The last step would be to follow the bug of mic using mocha and corners allows you to add your logo.

  If this had been my project and there is no blue screen I would have fired on the screen of the project green and changed the composition for the guy with the green face. Then I'd use technical color change to make the green face again after the kay were made. I would also use a mic (cube) bug which was a good amount of details in it. It is easier to get a good track when there are a few details in the shot that is when the surface is flat and ordinary.

  I hope this helps. Pulling a luma key when shooting actors on white background is much more difficult to inlay.

• "Scratch disks" and RAM

  I'm still trying to understand exactly what does PS with a working drive, but in any case it seems that my system works as it should. I'm always puzzled by why PS is not making much of a dent in my 32 GB of RAM but filling my empty temporary files disk?

  That aside, it seems that I need a disc of more work for the size of the file that I work with.  Currently, I have a 128G SSD designated as my drive to work (Nothing on it), my OS and applications on a separate DSS, my working file on a separate SSD, LR catalog on another SSD and files and others on readers separate tray internal and external.

  I work with a 32G file and keep getting bogged down. I read that the drive working should be anywhere from 10 to 100 times larger than the file you are editing - it is a wide choice. I guess that depending on the size of your working file your drive to work may have to be exponentially larger?

  So, given a 32G working file (that will get done adding layers, not bigger), this drive working size would you recommend?

  Working on a quad core i7 4790K, GPU GTX 980 32 G RAM, Windows 10, PS CC

  As I understand it, the scratch disk is the main memory of Photoshop, and it uses the RAM as a cache. Normally, Photoshop deletes temporary files when closing, but if, due to a power failure or a crash, some temporary files remain, they can be removed safely.

• Adobe Media Encoder, constantly, otherwise, help?

  I have read these questions in the forum of the SOUL, but ordered to post here with a response from twitter so I'll give this a go since the other thread has not been much help in what seems to be fixing my problem.

  Last week, I tried to export videos from queues through ME and pressing the play I leave work for the day.

  Every morning when I get home I see 1) continuing export / frozen on an export (usually at 2 point remaining seconds) 2) a crash report or 3) a queue with all the error messages.

  Errors were not consistent regardless of the fact that they still occur and I have never exported video.

  I exported successfully to Premiere Pro directly, it was about a sequence of 52 minutes, and it took about 10 hours I would say.

  I really need these videos to export when I work here on my computer and basically, he delayed my work for over a week now.

  I saw this list to include in a post on another forum for more information, so I thought this may help here...

  • OS: Mac OS X (10.10.3)
  • What version of SOUL/body: 2015.0 release
  • When it crashes: always, but more often after about 10 + hours of sitting exporting an hour long sequence
  • What is your source: sequence of the organism, with. MTS video files
  • If the source if one project, does work when you export directly from organization? Yes, from time to time, but it took more than 10 times the length of the sequence to export
  • What format you export to? h.264, 720 p (1080 p is original)
  • Other formats work? n/a
  • Have you tried with the GPU rendering on? What turn it off by switching software only? I tried to change this setting, but it is grayed out for me...
  • Have you tried to disable Native load sequence? (SOUL preferences: general > select native loading of the sequence): not yet, but I do not see this option. 'Importation of sequences in native mode' has been checked, trying with it's uncontrolled.

  The program has 28 gigas of ram dedicated to it, is there absolutely nothing else running at the same time as an export as I close everything down when I leave for the night.

  I tried with and without the Lumetri color effects on because I assumed that could add a lot of rendering time, but it did seem to make a difference.

  Also tried: clear caches, preferences, turn off Pan app and not allowing my computer to get to sleep, uninstalling and reinstalling, reset and an attempt to downgrade to CC2014 I tried worked because it doesn't seem to be a problem before...

  I like the Adobe programs and I convinced my organization to move to the CC of the FCPX they used, but now I'm sure they are wondering why...

  I'd appreciate any help with this!

  UPDATE: the first movie today exported in about two hours, not too bad. But the other I'm trying is currently estimating 10 and a half hours left after an hour of export. It's the same length but this sequence does not have all added layers as the shorter one had (PIP effects and PowerPoint presentation)

  Thanks for the reply, I had dealt with for a long time until finally my whole computer crashed with a kernel panic caused by software, or so we thought. After a journey of 4 hours at the apple store, a computer completely wiped, I began to have similar problems again and then was seen RAM related issues which had not been as clear as the issues before it. So I took a few sticks of RAM and they returned for a replacement under warranty and posterity.

  I reinstalled since new and I'm curious to know if they will stay to work, cause some problems seemed almost things card video as well.

  As now, it works, but still take a long time, sometimes up to 8 hours for an hour of time video export, but at least the noise ceased.

• Tools does not not in CS5

  I loaded an image in PS today and none of the tools of work.  For example, if I select harvest (either from the keyboard or toolbar), the mouse pointer changes the icon of the culture, but no harvest plan or handles appear when I click on and drag on the image.  If I do the same thing with the marquee tool, no framing box appears.  If I select the text and type, no text appears.  I right click on the current tool in the options bar and reset all the tools, but nothing changes.  I have added layers, created new files, restarted PS, restarted my PC, same thing.  I'm almost a power user, but I've used PS several times / week for 10 years or more and it never happened.  Any suggestions greatly appreciated.

  I am running PS CS5 (12.0.4 x 64) on Win7 Pro x 64.

  Thank you, Benjamin.  It turns out that Windows had 18 updates, that he expected to install.  I left it, rebooted and the problem disappeared.  Go figure.  I didn't not try your suggestion because, if it is not broke...

  Karl

• Photoshop CC 2014

  When to open a JPEG in Photoshop CC 2014 if I edit the image somehow when I choose "save under" default format is Photoshop. I would like to change this default to always save as a file .jpg, how do you?

  What will happen if you added layers.  You can always save the document multilayer in jpeg format that Photoshop will save a JPEG of dish for the layered document. If you flatten the document before saving the default type can go back to jpeg.

• Adjustment layer is a white solid

  I have a very strange problem by adding an adjustment layer, that I can't solve. I have added layers of control thousands of times, but have never had this happen. I'm using CS5 and in one of my compositions when I add an adjustment layer it appears as a solid instead of the usual white completely transparent adjustment layer. Even when I copy and paste an adjustment layer that appears correctly another layer, glued one includes in the same way and becomes simply a solid white. I left AE just to see if it was weird hiccups, but this comp them has similarly.

  Everyone knows this? Anyone know what is happening?

  Make sure that adjustment layer icon is enabled. Adjustment layers are solid white until the switch is thrown.

  If you get a solid white when you add a new adjustment layer and then I would leave, trash your preferences and restart.

  

  It's the small half circle...