Audio settings and Workflow P2

I just want if sure I'm going about things in the right way before submitting a feature request for this.

I start a project who fired sporadically on P2 (DVCPRO HD 720 p 24) cards for a few months, I'm now pass by to organize all my images, as a FCP 7 grafted normally what I would do is use connect and transfer, through all the clips, rename the files, the value in points and before I turn off the audio tracks 3 and 4 in the clips I need only 1 and 2 transcoding.

Now with Prelude that I find myself doing is using the function to ingest to understand what clips I want to keep and transfer those to a new destination, then enter in the finder and unlock all my media P2 newly transferred, then through the clips to rename, set the sub-elements, add comments and then send it to the wire at first pro where once it is there I can highlight all media and change audio to get rid of titles 3 and 4.

I read most of the messages of the forum so I know that I'm not the first to mention a few of these things.

It would be great if it is not only I could rename the clips in the area to ingest it, so I have a better understanding of what I'm looking for to when you sign, but also if I could choose to not transfer on some audio tracks.  I know that I can cut it in the registration window, but it is still there when I transfer to the first so I still have to go through the step of selection all my media and then get rid of tracks 3 and 4.
Transfer the images to a new destination instead of just work off the original cards is because on some maps there are a lot of media that I don't need and I'd rather just work from a folder more small file transferred in modify it once I got logging all my images, now the problem with this is for P2 media I have to unlock all files before I can save some comments or subelements, which does not have much time to make a version of the batch (thanks to your link in the other thread on this topic) but it's an extra step, I wanted to avoid.  So to get around this I thought I'd be transcode the sequences to something else before logging, but then what I will meet the audio problem all 4 channels being mixed in 2.  I tried tweaking a couple different presets, but was never able to get it where transcoding don't mess with audio and so I could not get rid of channels 3 and 4, or I think at one point, I got was a mono version of tracks 1 and 2 mixed, which does not work for me either.

Fortunately I don't have to do that, but when I thought about audio that I realized that if I had a clip long 20 min but required only 3 pieces that are 1 min each, that I wouldn't be able to do partial ingets because this requires a transcoding I was going to just be stuck with the whole clip in 20 minutes and have to create 3 subelements of that.

I thought about just prelude to jump all together at one time and to see how first would work with P2 media but quickly I reliazed the ability to transfer some excerpts in a separate folder and the ease at which I can add comments and create subitems that are transferred to the wire for the final Assembly make prelude a value to find for my workflow.

Sorry for the long hike, I just see if anyone has any advice or opinion on if I'm so stuck in my FCP 7 ways that I lack an obvious way to streamline my workflow or do something wrong or what.

Thank you, Jeremy, for your post. Having an option in a SOUL that is preset to send through selected audio titles (and ignore the other audio tracks selected) would certainly be useful, please a feature request at http://adobe.com/go/wish

Tags: Adobe Prelude

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