Color eyedropper

Similar Questions

• Please HELP color eyedropper tool does not

  I'm working on an assignment, so I need help as soon as POSSIBLE.

  I was working with a video trace and color and the color picker when I select the image will only select white. Then I manually changed the color to black and the brush was red, but he says he's black. I NEED HELP PLEASE

  If you are unsure how to do this using these forums, here's how: FAQ: how to capture and after a video screen or blow?

  Gene

• Photoshop sketch opens on the iPad Mini, but the Eyedropper to color in here. Why?

  Photoshop sketch opens on the iPad Mini, but not the color eyedropper tool next to the painting tools. Anyone know why?

  Color eyedropper tool?

  If you double-click on the brush you want to use, the parameters (and color) appear.

  If you QuickTap circle of color, you get a color picker

  If you LongHold the color circle instead, you get a color picker...

  .. .that thing you can move your screen and choose colors for the screen.  Then (bottom left) choose 'OK' (or cancel)

• Sampling of colors with the eyedropper does not work.

  In Lightroom CC, I create a graduated filter. I want to give it a color, if I click in the gray box, which shows the colorpicker. I understand that you can pitch a color of the picture by clicking the box with the colors, then hold and go to the photo and release the mouse button, LR will choose this color. This does not work with me. If I click on the mouse button and let the color box, the slider in the color box drops to zero saturation and does not move with the colors of my photo I'm going with my pipette. It does not pick up the color.

  Same problem here! Selector is not looking for colors on the image window (it does outside of the Lightroom window!)

  I found that the problem occurs when the preferences are set to use the graphics processor.

  Disable the GPU and the color eyedropper tool returns to work on the image window.

• The eyedropper tool picks up wrong color

  In Flash CC. It seems that is the difference too much, because it only picks up the color of t Lee. Ive seen some talk about that here, but for Mac. There seems to be nothing about Windows 8. How can I fix it? Without an eyedropper tool my Flash CC is relatively useless, and I can't believe that you don't have not corrected it since 2011 when I'm if noticing first reported. Any help would be GREATLY appreciated.

  There is a known on OSX 10.8 with eyedropper. To get the correct color, display of system preferences must be on "sRGB IEC61966 - 2.1.

  Please see this link for reference - http://helpx.adobe.com/flash/kb/incorrect-color-eyedropper-tool-mac.html

  What is the problem that you see on Win8. can you give some details on the steps needed?

  -Reynaud

• Do plan and background of the same color

  Is there a simple way to make the foreground and background color to the same color?

  The color eyedropper tool only allows you to choose between foreground and background samples collection or separately.

  I want to sample a color and use this sample of foreground and background.

  Otherwise, it is very difficult to match the two colors.

  I found a way to do it:

  Sampling of the color I want, he puts on the menu history on the tool of the color value.

  I can move to the foreground or background selection and select this color in the menu background.

• Adjust the background color to match the specific shade

  Hello!

  I was instructed to clean a few images from a studio session. Either the background seamless was the wrong color, or was invaded by evil and its color must be adjusted slightly. I have isolated the backdrop as its own layer and simply adjust its color to match a specific shade (RGB, CMYK # s provided). There is a certain gradient due to the installation of lighting, so it will not be uniform everywhere, but it's OK.

  I do not see how to adjust hue, saturation, brightness in the options I tried (adaptation layer, replace color etc), which lead me to the eye there. I need to enter the RGB or CMYK #s and apply to adjust the color of the background (layer) together. Cannot know what I'm missing here.

  Appreciate any help! Thank you!

  When you sample the color you want to match, write these numbers.

  Now, on the background you want to adjust in order to match the colors that you noted, raising some adjustment tool to use, I use the hue and Saturation, for example.

  The color eyedropper sampler allows you to place a sampler on the background area that you need to change the color that you want to match.

  Now, you'll notice there are distributed the values in the range of information if you look at the values of the sampler. In this case #1 (see screenshot)
  The value on the left is the original sample value, the number on the right represents the new value when you move the sliders in the parameters of adjustment layers. Keep these move around until you get the number to reach the numbers you noted at the beginning. Be warned, the numbers on the sliders are not relevant to a certain extent. You make adjustments while watching the Info palette.
  

  See above, I've adjusted the main value and saturation, and you can see the RGB values on the #1 sampler is different. When those numbers coincide with everything what I'm trying to correspond with as a value of the sample, you should be good. Although my value is defined in RGB, I would recommend colors you sample and football game, as HSB values. It is easier, then by a channel with RGB match.

  Good luck!

• color picker and a bucket of color does not

  I have the latest version of photoshop cc and recently, I noticed that I can not use my color eyedropper tool or the tool bucket of my color. I have reset the two tools several times, but I get the same answer every time. When I go to the screen to try to use them on my image instead of get the expected cursor I would wait to I get the circle with a line through it, indicating that the tool cannot be used. I uninstalled and reinstalled and as already said I have the latest version. any comments would be much appreciated!

  Hello

  I think that you are using the material Drop tool instead of the paint bucket tool.

  • Choose Edit > Toolbar(from the Bar Menu of Ps)
  • Select restore default.

  

  Then select the Paint Bucket Tool(make sure you are selecting the correct tool,hover the mouse over it to confirm its name.)

  Kind regards

  Assani

• Color theme tool is missing. I don't have the pipette and the sovereign.

  Everyone knows about this problem? I went to try the new color theme creator and my toolbar contains only the regular pipette and the rule where the theme color eyedropper is supposed to be. I tried to screw up my preferences. I looked everywhere online for someone else having the problem. I went to half a dozen videos on the USE of the tool, but I do not HAVE the tool.

  I'm on an iMac, monthly CC 2014, and my software says that it is up-to-date. I am seriously disappointed. It is a tool that I could really use.

  Suggestions?

  Try an other user account on this computer.

• Find the closest CMYK Pantone spot colors?

  CS6 on a MacBookPro using

  Is there a way to find the closest matching Pantone shades of CMYK, I created in Illustrator?

  I know it's easy in Photoshop using the color picker, but there must be a way to do that in Illustrator.

  Help?

  Use Photoshop in tandem to do this.  You first need to know what book of Pantone color you plan to use.  As far as I know it is usually solid uncoated.

  1. Open your file IN Photoshop.
  2. Make sure you only choose CMYK as color mode (this is very important).
  3. Take the color eyedropper ( I )
  4. Click the first color
  5. Then click the shade 'picked' in your toolbar
  6. In the Picker dialog, choose "color libraries".
  7. You can now navigate PANTONE Solid not clothed with the top down in the next window
  8. At this point, Photoshop will match your selection with a color of the library of the PANTONE colors you have chosen.  Write it down.
  9. Jump to Illustrator.
  10. Choose a shape with the same color initially selected in Photoshop.
  11. In the window of your color chart, click on the small icon in the lower left (it says 'Menu libraries of nuances' bubble)
  12. Place the cursor of color books, and then click "Pantone Solid non-couche.
  13. Wow! Box of the Rainbow! But it's messy, so let's clean it up.
  14. In the palette options drown down (it's the icon at the top right that looks like an arrow with a bunch of lines), choose "sort by name".
  15. Now you can easily select the PANTONE color Photoshop guessed for you.
  16. The selected part of the work updates automatically to the PANTONE color, you clicked on on.j

  It is MUCH simpler than it seems.  I just explain like you MIKE.

• Profiles color CCP and various lenses

  Hello

  I just got a Nikon D7000 and I was playing with my ColourChecker passport to set up profiles of standard color for use in ACR as general base for treatment. I thought a lot if it is worth my time to create different profiles for each lens I have, something that I have not already made when my old D60, where I just created a series of profiles (including some double-bulbs) using a lens and capturing the target in a variety of different lighting conditions profiling (for example (, tungsten, flash, Sun, etc.).

  In any case, I just tried creating a profile for my lens 105mm 2.8 under tungsten light, with one under the same lighting created previously (yesterday) with my 50mm 1.4 lens and I was comparing them to the CAB using the color eyedropper. I opened the images used to create profiles, apply the profile generated using the ColourChecker software for the corresponding objective and then adjust the white balance with "broken white" color correction with the eyedropper WB. I then used the eyedropper color on the tasks of same color in each image. I noticed that the RGB color values are not quite as although I expected (note that I judged potentially unrealistic to get a perfect match) corresponding: blue and green appear to be pretty much the same thing, so for example with patch #3 (3rd from the left on the top row), it is 69,72,115 and 70,77,115 , but red and oranges seem to be a little more out of sync, for example with the #15 patch, it is 99,45,29 and 109,51,34; with the #16 patch, it is 166,167,29 and 175,179,33. It surprises me a little, because I thought that the idea of CC was to calibrate the profiles so that the colors were essentially the same through different lenses - and different cameras, as applicable. I must say though that, next to the color values, when the eye or the two images on my screen (profile) they look very similar, which I think is important!

  I wonder if maybe miss me something here? I'm quite ready to tell that I have this all wrong!

  Also, I wonder if others on the forum using the CCP took the trouble to create lenses-specific profiles, or if they have just created profiles for their bodies to the camera with a lens? It is the approach that I took with my D60, but after doing a reading more about CCP, I know that some people advise to create separate profiles for each goal they use (and I know of course that the CCP manual also States to do this). Even create a profile for each session (if possible)?

  I would be very interested to hear your views on what I use CCP to all that long and am always eager to learn more.

  M

  In the grand scheme, you don't need to make different profiles similar lighting such as flash and daylight. The differences will be negligible. You don't want to do dual illuminant profiles if you can. Somewhere near D65 (or D55) and tungsten. This will help the "interpolation" between upper and lower color precision. If you have a specialized lighting which is no standard such as fluorescent, it IS better to make a specific profile for this lighting...

  The extent of profiling for lenses, unless you have a lens that has a clear and repeatable goal expressed, I wouldn't bother with specific lenses DNG profiles. It would be useful to create lenses cast corrections. Some lenses are more hot/cooler, but at this point, it is not really possible with ACR. If all goes well, that may change in the future.

  I suspect that differences in reading that you see can in fact be differences of tone and the contrast between the lenses that you have tested. It's really hard to nail the exact exposure between the shots when you change your goal... There are variations of F stops between different focal lengths. Also note that a tungsten lighting is a real challenge for really accurate color because the blue layer is therefore under-exposed compared to sites photo red and green. It is the nature of the spectral response of the color on the sensor filter.

• Can you help me solve the color picker in CS4?

  Hello world

  I have PS CS4 on a Vista 64 system and suddenly noticed (maybe it done all along, but I don't remember using the eyedropper tool to color since his arrival of the PES in PS a few months ago) that the same color eyedropper tool not come remotely close to picking the appropriate color that I select with the pipette. I was doing a tutorial on brushes last night and tried to choose the red color of the dress of my child in the picture as the foreground for the brush color. The color picker chose a color in the browns. I moved and then choose a light green, once again, he chose a color in the browns. I have no idea what gives.

  My monitor is calibrated using Color Munki create and, as stated in the tutorial, I use Adobe RGB 1998 color space. But for some reason, the color picker does not behave. And I couldn't find anything in my research on what is a bug.

  Someone would be able to advise me?

  Thanks in advance.

  Liana

  Reset preferences like this: http://forums.adobe.com/thread/375776?tstart=0

  In addition, when you sample that light green what are HSB values in the color picker?

• Why is Adobe Muse and Creative Cloud Software so slow?

  Why Adobe Muse is so slow?

  It is so slow that I feel like I should send Adobe Creative cloud to the trash and use software from other brands.

  A site I could do in a single day, takes at least a week to do, because the software doesn't work perfectly, even with my best laptop (this is fantastic).

  The same happens with programs like InDesign or Illustrator, which I have already given upward (Corel Draw wins Adobe, by far, on those who, in every aspect, not just the working speed), and even Photoshop is slow.

  It looks like evolution by bringing more negative aspects for users as positive ones, unfortunately.
  Adobe puts many updates, but time passes and always, it's even worse, I thought that CC 2014 would be better, but remains the same: giant PC Hardware features required, giant Intall required space, giant Scratch space required but... Slow the flow of work available.

  Sorry for the delay. Your message to muse-support has been temporarily moved during changes in the use of message routing system.

  I spent a bit of time to work with your file and was unable to reproduce any show slow downs. August 13 (20141) version of Muse, in addition to adding new features http://helpx.adobe.com/muse/release-note/adobe-muse-release-notes.html#August 13, 2014 >, included for performance patches some bugs than its similar to what you described, in addition to fixing a bug that could result in an alternating attribute between two values, which may be what you saw with the color eyedropper (aka dropper).

  Still having these slow downs? If so, specifically what article (s) in your file is selected when you go into the effect controls panel? Thank you.

  FOR INFO. There are two changes to the test for a version update (2014.1.1). It is not related to this topic. (There is a problem in a specific update scenario.) The second is a bug that broke some effects (drop shadow, bevel and light, scrolls don't not effects) on placed images. (Background images are not affected). According to the effect and the specific properties of the image, to which the effect is applied, the effect may or may not appear in Design view or on the final site. I will review your site for exactly how and where the effects are used, but given your reference to the use of effects of brightness, I felt I should make you aware that this bug can affect the behavior of your site.

  Assuming that it is no surprise, the 2014.1.1 update will be available once the certification test is completed, probably late next week or early the following.

• Change the text color with the eyedropper tool

  I've seen cc Photoshop tutorials where you can change the text color by using the eyedropper tool on the color swatch Panel. When the text is selected and the color swatch Panel is open. When I chose is which color I want out the color swatch Panel all them it does to change the foreground color and return to the soil box, why it changes the color of the text, as I have seen in tutorials?

  Any help would be appreciated.

  Thank you

  Rchjr

  When highlighted often is difficult to tell what color the text. You can work around this by doing the above, pressing ctrl-H or cmd - H on the keyboard and the highlight will be removed, but the text remains selected. Its exactly the same procedure that you use to make the mobile dotted lines disappear just leaving an active selection. Obviously the text tool must be still in use for all this to work with text.

• eyedropper tool has evolved into a target and is not picking up color?

  I can be a little weak, but I used the tool pipette and Illustrator all day and the eyedropper tool has now changed to what looks like a "target". How to return to the use of the normal eyedropper tool?

  Check if the caps lock shift key is activated, it would make a target.

  For color don't pick you could assign a color to the level of the group or trying to pick up the color of a picture or a symbol.

  I don't like talking to people of the trick of the SHIFT key as that picks up the CMYK values of colors based on the screen and not the actual color for example, but if you need a color about closed hold the SHIFT key to sample the color on your screen with the pipette.

  Also, double-click you your eyedropper and enable the setting if they are now closed to pick up objects...