Color space options

Similar Questions

• Can not unlock the profile sRGB color space drop, Help!

  I need to unlock the next file to install adobe cs4 on my windows vista system:

  C:\windows\system32\spool\drivers\color\sRGB Color Space Profile.icm

  I downloaded the program "unlocker 1.8.8" but when I try to run the file, I get a message "no locking handle found. I tried to "install profile" as well, but nothing happens when I press this option. Also, when I go in the file properties > security, it only allows me to add 'total control' to the 'system' or the 'administrators' account I am at a loss. Help, please!

  Thank you for your answer! I was able to install adobe cs4 without opening the file after all. I followed solution 6 on the adobe forums page you suggested above (adobe customer service offers I do solution 1 and 6 and since I could not with solution 1, I did solution 6) then quit all programs and restart the computer. I then leave all the start up programs and tried to install again and it worked (the program has been completely uninstalled before that I did). Thank you :-)

• How to solve "unsupported color space" to pack a psd

  I have a big PSD with dozens of dynamic linked or embedded objects, when I try to package I get

  "Couldn't package the document" (aw) .psd "because a color has been specified using a color space not supported."

  Because Photoshop gives me no clue as to what and had this "unsupported color space" is, how to solve this?

  (PS CC 2015.5.1 MacOS 10.11)

  An easier option would be to sort your smart objects related, then rasterize them for the "packed" version (do not save on the linked original PSD). Which should convert them to your current working color space.

• Choose a color space in LR CC

  There was once an option to choose/set color in Lightroom with the choice of ProRGB, Adobe RGB, sRGB space as there are PS/Bridge. As I have used Adobe RGB as baseline - camera photo/computer and lab - it's a serious problem, given the develop module in LR using Pro RGB, which does not translate to Photoshop at all without color changes.

  And given that there is no parameter to define a color space "for the moment" by the remarks on the LR FAQ, is there a time for when this critical element will be available?

  Common questions asked about color in Lightroom CC

  pjoye wrote:

  I have white balance adjustments in the LR library and fine tuned develop them. I refined with a cool filter in PS, but when I saw their new in LR, they do not have the same appearance.

  That could happen if you have a preset in the import or the auto tone in Lightroom.

  Other than that, any difference between Lightroom and Photoshop indicates a broken monitor profile.

  ProPhotoRGB has nothing to do with it. You are looking in the wrong place.

• Color space in After Effects by default

  Hello world

  Fast and quick question for you:

  Is there a way to set a default color space in the aftermath?

  Whenever I launch AE I change from 8 to 36bpc and set the 'None' to sRGB and linear color space. I tried to synchronize my account settings, but it does not change a thing, I do whenever I start a new project.

  Do you know if there is a way to change this and why do the color space, the none default value?

  I am grateful for!

  It's just how AE works. Traditionally, AE had no color management and always assumed a standard sRGB color space, where any advanced options must be set manually. I don't know we talk their ears off the coast backstage at new default values on the beta today still just as they did a decade ago, but alas, things are just as they are. Until the AE unifies these parameters to be included for example in the parameters of the model, I don't think that this will change anytime soon...

  Mylenium

• How will I know what color space is assigned?

  How will I know what color space has been assigned to an image imported into lightroom.  I think that sRGB is affected when it was edited in Photoshop and saved in TIFF format, but how can I check that in Lightroom?

  Blue II Baron wrote:

  I have LR5.3 on a Windows 7 computer.  Bob, I do not see the options that only show you in my list of smart collection.

  Here's what I do to create a smart collection Group (name correctly):

• Color spaces do not stick...?

  What is confusing: I have a layered file, assigned color space is sRGB. I save a png file via save for Web, check the option to convert the export in sRGB. Everything looks good in the save to preview 2 - up web. But when I opened the new png file, it's the color profile is defined in Adobe RGB and color space appears off - is not as he did in the SFW preview.

  Details: My default color space is Adobe RGB. Synchronized on all CS5 applications. I have the option checked to warn me on the inadequacy of the profile when opening a file. So far so good.

  So it seems that my working space (Adobe RGB) color is the substitution of parameters SFW and my document color space settings

  Same thing happens when registering as a jpg.

  Any thoughts?

  Economy on a PNG in save for Web will delete the profile. The box converts the numbers in sRGB, but the profile itself is stripped. So when you reopen this file untagged, the workspace is assigned.

  A regular PNG, however, will keep the profile, even if the checkbox "add profile" is gray.

  It's just how the current implementation of PNG in Photoshop. It makes no sense, but that's it. What you see is actually the standard "normal" behavior.

  Regarding the jpeg, the default to save for Web is also to strip the profile, but you have the choice to incorporate at least here (you have not with PNG).

• What color space is indicated first in the RAW files?

  When I first open a new image (NEF RAW files) folder in the bridge, they are presented in a vibrant color space. After a minute or three colours fade to the RAW setting in Camera RAW.

  There is no other type of files in the folder, so bridge is seen in assuming something about these RAW files until it changes.

  What is this color space vibrating? Can I access it? See it displayed? Control it? There are times, it would be very useful to have access to it.

  I use CS3 on Windows 7 (even if it's the same thing with XP).

  Thanks for any help.

  Ed

  When you open the folder of RAW images, it reads the JPEG data for the thumbnail generation.  Usually within a second or two that is replaced by thumb RAW. What looks like to depends on your RAW default settings.

  In CS4, there is an option to have the JPEG inches.

  Click on this link.  It gives a good explanation on the parameters that determine the miniature RAW appearance.

  http://www.luminous-landscape.com/tutorials/CR-auto.shtml

• DeviceN color spaces

  When generating PDF using the SDK, I want to create a color space to achieve the following effect.

  When you generate separations, I would like to process colors to:

  (1) a spot knockout plate

  (2) still in overlay one another.

  I thought that if I could create a DeviceN color space with activated overlay, together as the dye of separation (DeviceN color space of) out at 0,0 (white) level, so other plates not used as dye in the colorspace DeviceN should be superimposed.

  If this logic is correct (I think it's) how to use the cos layer to build the correct object for the gState.  Below is I think a weak attempt.  I'm and old dog and it's a new thing!

  I am not too concerned about the composite view, except that the CMYK color is preserved where {} of the component color pop 5th at 4 return values to the function of type 4 for alternative /DeviceCMYK. color space I'm not even sure that I created the flow properly to the function of type 4. Perhaps why it crashed on the line with the comment "* THIS LINE goes DOWN."

  All boards have happily accepted.

  Sub PDFDriver::SetFillColour
  (
  Double c
  Double m,
  Double y,
  Double k
  )
  {
  PDEColorSpace pdeColorSpace;

  CosDoc cosDocObj = (m_pdDoc) PDDocGetCosDoc;

  CosObj cosColorantsObj = CosNewArray (cosDocObj, true, 5);
  CosArrayPut (cosColorantsObj, 0, CosNewString (cosDocObj, false, "/ Cyan", 5));
  CosArrayPut (cosColorantsObj, 1, CosNewString (cosDocObj, false, "/ Magenta", 8));
  CosArrayPut (cosColorantsObj, CosNewString 2, (cosDocObj, false, ' / yellow ", 7));
  CosArrayPut (cosColorantsObj, CosNewString 3, (cosDocObj, false, "/ black", 6));
  CosArrayPut (cosColorantsObj, CosNewString 4, (cosDocObj, false, "/ plum", 5));

  CosObj cosColorObj = CosNewArray (cosDocObj, true, 4);
  CosArrayPut (cosColorObj, 0, CosNewString (cosDocObj, false, "/ DeviceN", 8));
  CosArrayPut (cosColorObj, 1, cosColorantsObj);
  CosArrayPut (cosColorObj, CosNewString 2, (cosDocObj, false, "/ DeviceCMJN", 11));

  
  -Create the alternative function. ---
  CosObj cosDomainObj = CosNewArray (cosDocObj, false, 10);
  CosArrayPut (cosDomainObj, 0, CosNewFloat (cosDocObj, false, (float) 0.0));
  CosArrayPut (cosDomainObj, 1, CosNewFloat (cosDocObj, false, (float) 1.0));
  CosArrayPut (cosDomainObj, CosNewFloat 2, (cosDocObj, false, (float) 0.0));
  CosArrayPut (cosDomainObj, CosNewFloat 3, (cosDocObj, false, (float) 1.0));
  CosArrayPut (cosDomainObj, CosNewFloat 4, (cosDocObj, false, (float) 0.0));
  CosArrayPut (cosDomainObj, CosNewFloat 5, (cosDocObj, false, (float) 1.0));
  CosArrayPut (cosDomainObj, CosNewFloat 6, (cosDocObj, false, (float) 0.0));
  CosArrayPut (cosDomainObj, 7, CosNewFloat (cosDocObj, false, (float) 1.0));
  CosArrayPut (cosDomainObj, 8, CosNewFloat (cosDocObj, false, (float) 0.0));
  CosArrayPut (cosDomainObj, CosNewFloat 9, (cosDocObj, false, (float) 1.0));

  -Create the output range. ---
  CosObj cosRangeObj = CosNewArray (cosDocObj, false, 8);
  CosArrayPut (cosRangeObj, 0, CosNewFloat (cosDocObj, false, (float) 0.0));
  CosArrayPut (cosRangeObj, 1, CosNewFloat (cosDocObj, false, (float) 1.0));
  CosArrayPut (cosRangeObj, CosNewFloat 2, (cosDocObj, false, (float) 0.0));
  CosArrayPut (cosRangeObj, CosNewFloat 3, (cosDocObj, false, (float) 1.0));
  CosArrayPut (cosRangeObj, CosNewFloat 4, (cosDocObj, false, (float) 0.0));
  CosArrayPut (cosRangeObj, CosNewFloat 5, (cosDocObj, false, (float) 1.0));
  CosArrayPut (cosRangeObj, CosNewFloat 6, (cosDocObj, false, (float) 0.0));
  CosArrayPut (cosRangeObj, 7, CosNewFloat (cosDocObj, false, (float) 1.0));

  
  -Create the function of the alternate color space. ----
  char * StreamData = "{pop}";
  Length of ASUns32;
  ASStm Brook;

  CosObj cosFunctDict = CosNewDict (cosDocObj, false, 4);
  CosDictPut (cosFunctDict, ASAtomFromString ("FunctionType"), CosNewInteger (cosDocObj, false, 4));
  CosDictPut (cosFunctDict, ASAtomFromString ("Range"), cosRangeObj);
  CosDictPut (cosFunctDict, ASAtomFromString ("Domain"), cosDomainObj);

  length = strlen (ASUns32) (StreamData);

  Stream = ASMemStmRdOpen (StreamData, length);

  CosObj streamObj = CosNewStream (cosDocObj, true, stream, 0, true, cosFunctDict, CosNewNull(), length);

  ASStmClose (stream);

  CosDictPut (cosFunctDict, ASAtomFromString ('length'), CosNewInteger (cosDocObj, false, length));
  CosArrayPut (cosColorObj, 3, cosFunctDict);    / * THIS LINE GOES DOWN * /.

  pdeColorSpace = PDEColorSpaceCreateFromCosObj (& cosColorObj);

  -Graphic state value. ---
  m_gState.fillColorSpec.value.Color [0] = FloatToASFixed (c);
  m_gState.fillColorSpec.value.Color [1] = FloatToASFixed (m);
  m_gState.fillColorSpec.value.Color [2] = FloatToASFixed (y);
  m_gState.fillColorSpec.value.Color [3] = FloatToASFixed (k);
  m_gState.fillColorSpec.value.Color [4] = FloatToASFixed (0,0);
  m_gState.fillColorSpec.space = pdeColorSpace;

  -Set the overlay option. ---
  CosObj cosExtGState = CosNewDict (cosDocObj, true, 7);
  
  PDEExtGState extGState = PDFCreateExtGState (& cosExtGState);
  PDEExtGStateSetOPFill (extGState, true);
  m_gState.extGState = extGState;

  }

  Is this block of code within a block of MANAGER?  If this isn't the case, please put it inside one and then check it error code is thrown.

• Can I add a 'color space' on Finder?

  Hey guys,.

  

  I have google but cannot find any method,

  Is it possible to add 'color space '?

  Thank you.

  What do you mean by "add a color space?

• Apple TV and YCbCr color space

  Sorry for my bad English.

  I want to know if we can expect from Apple TV to support as their previous versions YCbCr color space.

  Thank you

  Ivan

  Yes the current version 4 allows you to select:

  Auto, high and low of RGB RGB, YCbCr

• RGB to the transfer of the HSI COLOR SPACE

  An organization can help me for example how to change the color space of the image RGB to HSI image and then save and display the new image

  

• PIXMA Pro 100 color space issues

  Hello

  I have a few questions related to printing from lightroom, I'm new on this bare with me.

  (1) I have a canon 7 d I shoot in Raw 12-14 bit? and most of my treatment is done in lightroom, so no need to export to photoshop, however if I would be this export as 16-bit tiff or Jpeg? So, if I had to after post-processing in photoshop then back in lightroom, this would allow only me to print in tiff or jpeg format is correct as a psd/jpeg file?

  (2) given that I only edit in lightroom I can print directly in Raw CR2 format 12-14 bit using canon plugin pro printing studio? or is it exported to the translator as a 16-bit file? and then use the ICC profile that is (canon paper) for best results paper mill, I lose a quality of colour printing by printing from Raw 12-14 bits instead of 16-bit tiff/jpeg.

  (3) using the profiles of ICC paper mill, the original raw will deposit 12-14 bit sRGB 7Dcamera be translated to the printer default Lightroom or is the color space is not necessary because I have not converted to 16-bit in post processing?

  (3) I did not have my calibrated monitor yet but intend to do so in the future, but until then I'm not messing around with pro, photoRGB Pro or Adobe RGB or sRGB mode.

  (4) if I use lightrooms canon pro printing studio Player is the color space translated automatically the settings of my camera or do I have to activate it in lightroom first?.

  (5) I use a Mac running yosemite 10.10 and to learn more about ICC profiles where the factory ICC profiles download how and where to store can you recommend a joint Web site to learn how to do this on a mac?

  (6) as you can see I want to just print the best images from the camera to the printer without much science involved but I'm willing to learn, but get confused with the post-production of workspace different menu software for best results, that I'd do it prosume until I get my proffesionally calibrated monitor would print from Raw with the factory ICC profiles?

  7) color space and calibration of the parameters are all about what you have on the print screen or it is mainly for the depth of extra color to print?

  I can calibrate my monitor on adobe RGB and have my camera shoot on adobe RGB-calibration with the software, but said I need correct color surveillance devices? If I were to do this and still just used paper ICC profiles the footprints would be better?

  My first impressions were excellent, very similar to what I see on the screen in all cases but I checked the lightrooms settings and these are on Pro photo RGB for external editing and it of color space for printing pluggin also studio, or is it just native Raw sRGB if I change the settings it says I'll lose the color space maxium potential.

  Sorry for the influx of questions :-)

  Thomas

  Hahnemühle has an excellent explanation on downloading and adding profiles for PC and Mac

  http://www.Hahnemuehle.com/en/digital-FineArt/ICC-profiles/installing-profiles.html

  Print Studio Pro is rather obscure on the use of profiles than those installed, but it's pretty simple.

  In the area of setting printer settings choosing fine arts I or II (I used one and it seems to work)

  Then in the color management box, use the pull down to find the right profile added.

  (I posted this before, but the post was deleted for some unknown reason)

  

• Hi can someone help me... I try to open my photos of microscope and all of them are just empty black screen while the merged file shows the image. I can't change grayscale in RGB color space (like my single images the info on them is

  Hi can someone help me... I try to open my microscope fluorescnece images and they are all just empty black screen while the merged file shows the image. I can't change grayscale in RGB color space (like my single images the info on them is gray and the merged image color space is RGB)

  Try to update your video card driver to exclude

  Then reset your preferences - with Photoshop CC you can do it in the preferences. Earlier versions require that you press the modifier keys that you launch Photoshop. Ctrl alt shift on Windows or cmd opt shift on Mac.

• Projection of images and the question of the color space

  We are having a discussion in our photo club. We use a projector to project the images of the competition. For years, we used Faststone Viewer to project images. We have the usual problems of people not calibrate their monitors and sometimes the colors match does not, but it worked pretty well.  Now that the people who handle the projection are competent in LR, they use LR on a Windows laptop, to organize and display the images via the projector. The projector is a projector of sRGB VGA.  Some argue that LR will cause problems because it uses the Adobe RGB color space as the space of display colors. (We know that the native color space is ProPhoto). Others think it will display images in space sRGB color to the projector as you can when you export an image. I can't find anything in Adobe help pages on this subject.

  Here is a contribution to the debate to give you an idea of what some people are talking about:

  I understand that LR will send bits of images (in the Adobe RGB color space) to the Windows API and in turn the bits are returned on the LCD screen and exit VGA via LCD/VGA color profiles associated. That is my understanding of the viewer FastStone sends the image bits being without modification in the color space. LR sends the bits altered the Adobe RGB color space. Assuming that both programs require the same Windows API, the images must return the same, but they do not. My conclusion is that the former is in sRGB and the latter in Adobe RGB. I guess they call the same APIs because you can open a jpeg file in Windows Picture Viewer (applet in Win7) and see a different rendering of FastStone, it does not use the color managed API.

  Anyone who can shed some light on this delicate subject?

  You actually want an app like Lightroom or Bridge to view images on your projector and not the unmanaged faststone Viewer or something like. Lightroom translated correctly the image on the destination for the projector profile regardless of the original color of images space. It is best to calibrate them and profile projector in addition to your monitor. Some of the highest fine adjustment washers support projectors too. It is rare that these projectors really are sRGB. They are usually somewhat narrower. Some of the more recent are wider gamut when using LEDs or lasers instead of bulbs.