Export lack contrast compared to the program monitor

First of all; I'm running on Windows 10 first CC 2015.1 and using a GPU Nvidia GeForce Ti GTX750. I use Dell U2412M twins IPS monitors that are calibrated using a Spyder4Pro.

Any codec I export to it always seems to be the same discrepancy between what displays the program monitor (as well as the preview to export) and video after export. I used VLC, the native Windows! 0 Reader (film & TV), Quicktime and HTML5. I have all these images will appear less saturated and lacking in contrast. Play exported images on an other machine parts, even relatively faded image.

I've been reading a lot of posts on this topic, seems to be a common problem, and try to find a solution that works, none of the suggestions I've read have solved the problem in my case.

  • I checked the settings in the Nvidia Control Panel, everything is configured to use the Nvidia settings. Returning to the video player settings makes it even more flat.
  • The only one who came close it is make some additional adjustments when exporting via the effects tab. However, it's something drastic workaround with the overcompensated preview.
  • It isn't just Quicktime that has this issue, it is in all areas.

Y at - it a setting I have not spotted, either during the export process, or to set the display within the first I missed which would give me a parity between the preview that displays the monitor program and exit? This seems a little silly that the Visual tool used when the color correction and classification of images seems to be a rule in its own right...

Below screenshot shows the same part of a few images, VLC on the left and the program within the first right monitor.

20151213_premiere-export-saturation_01.jpg

Thanks in advance for any idea on this issue.

After a little experimentation this morning, I think I can find the answer. I use some Look of Tom Antos LUTs as part of my process of dimming on my current project. Without these elements in the equation for the difference between the program monitor and images exported in VLC is almost the same makes no difference.

It is interesting export a file from .cube since Lumetri color Panel with everything Tom Antos LUT applied and then using this file in the ranking. .cube seems to cure the problem. There must be either something wrong with the formatting of the original Tom Antos LUT where changes to the image have been applied in the program monitor but were then omitted in the rendering process. Tom Antos READ appeared in or an earlier version of the first, and there is a kind of incompatibility. Anyway, to re-record the LUT as a native first CC 2015.1 .cube file seems to fix the problem.

I take this opportunity to thank R Neil Haugen and J. Simon for their valuable input

I hope that don't cross is not all 'line in the sand' marking my own answer to my original question as the answer...

Tags: Premiere

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