Help in establishing an AE/first effective workflow.

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• Hi, can someone help me, I did my first page in Muse, and I did just for computer, do I Tablet and phone, I have to do?  THX

  Hi, can someone help me, I did my first page in Muse, and I did just for computer, do I Tablet and phone, I have to do?  THX

  Esto can be in Spanish? por favor

  Hello

  Please see the links below, you will find them very useful.

  Adobe help Muse | Creating a Web site for mobile devices

  How to create a mobile website with Adobe Muse | Adobe Muse CC tutorials

  Video tutorials:

  Firstly the design for mobile | Adobe Muse CC tutorials

  Mobile best practices | Adobe Muse CC tutorials

  Your mobile site map | Adobe Muse CC tutorials

  Get an overview of your mobile site | Adobe Muse CC tutorials

  How to create a mobile website with Adobe Muse | Adobe Muse CC tutorials

  Concerning

  Vivek

• Ciao qualcuno mi it could help, come fa ad installare After Effects, bass ho downloaded poi from my Creative cloud not so where tariff

  Ciao qualcuno mi it could help, come fa ad installare After Effects, bass ho downloaded poi from my Creative cloud not so where tariff

  Cloud creation help / sign out, sign in | Creative office cloud app

  http://helpx.Adobe.com/creative-cloud/KB/sign-in-out-creative-cloud-desktop-app.html

  Cloud creation help / install, update or uninstall applications

  http://helpx.Adobe.com/creative-cloud/help/install-apps.html

• How to buy stand-alone versions of Premiere Pro and Adobe first Effects?

  Can someone guide me please how to buy the stand-alone versions of Premiere Pro and Adobe first Effects? I tried to check with Adobe Store, but all I could find are offers for a subscription. What I need is a lump sum for a license. Thank you.

  Mr. Millaard directs you to the appropriate place.

  PR and Ae CS6 are available for each event

  on the second page of the link he provided above.

  CS6 - buy perpetual license version (rental not cloud creative)

  http://www.Adobe.com/products/catalog/CS6._sl_id-contentfilter_sl_catalog_sl_software_sl_c reativesuite6.html? promoid = KFPMZ

  Buy an upgrade instead the full version, click on the button buy

  then select "" I want to buy: upgrade ' instead of 'Full'. "

  CS5 and CS5.5 products are eligible for an upgrade to CS6.

  

• right to After Effects, first, SpeedGrade workflow

  Hello world.

  I have a big question about how to use the dynamic links between After Effects, first announcement SpeedGrade expecially to make the color.

  I usually start with a pre cut first, without any color (speaking of lumetri) and then I export images in ae.

  I usually import fotage in Ae doing a simple copy and paste from Pr chronology to Ae.

  I don't like the links dynamics because big nested comps. After that I usually have to redo some cuts (because of last-minute client changes) so if I use the dynamics it just does not work because the comp is locked.

  Also, assuming that the same thing happens if I create a dynamic according links for the first I present the nested compositions. So if I want to do some color extended on the front lumetri I am having the same problem.

  So, why we cannot get a dynamic link 'open' smart?

  My workflow is probably wrong, but you must understand that I do all my work on my own, so I'd go back between the two after and first. Generally, I applied my color at the end of my work process, after having put graphics, stuff on caterpillars, etc. 3d.

  I don't see any use for these dynamic link. They seems to be quite difficult.

  Can someone explain a workflow that is not to destroy the dynamic process of back and forth between Pr, Ae, SpeedGrade and so on?

  Thank you

  You don't want the Dynamic Link option. More like file > import > Import Premiere Pro Project

• In and out of After Effects workflow

  I'm just starting to learn how to use after effects CC, with the help of the associated Adobe "Classroom In A Book" to help me get started.  Of course, I can't wait to start using AE myself with my own projects, but this raised a question I can't find the answer to.

  First, apologies if I posted in the wrong forum, I target the AE forum because it's where I stuck and therefore the question.  Basically, it's global workflow. Before I ever used After Effects, I would like to organize my video clips and do whatever he had to completely within Premiere Pro. In the end, my Premiere Pro project finished would be exported outside Media Encoder and the work done!

  If I'm working on a clip in Premiere Pro that I feel needs work done to it in After Effects, I stop work in Premiere Pro and work on this video in After Effects, bringing back the clip ended up in Premiere Pro?  Can I complete my project in Premiere Pro and import the video finished in After Effects, resumption of work on the sections of the finished video in need?

  Wise, I'm not sure how to follow the workflow process.  I work always in advance what I want my video (finished) to be, and when I was working with Premiere Pro, it's pretty simple. I know earlier how effectively when After Effects becomes cause.

  Any advice is welcome.

  Steve

  As Mylenium said, you are essentially working on your effects shots the effects of way shots were always worked on. Since the time of Georges Méliès and other pioneers of the film industry, you change the hardware, you need to create your first Cup or a rough cut of your film, then you decide what plans or sequences needing effects, then you send these shots for the Department of the effects for them to work on it. Only the tools have changed. What was initially a couple rewinds, a viewer and a connection block became the NLE. Animators, matte painters and effects special departments have been changed to the composition and movement of graphic products such as AE and Nuke. The workflow, has not changed. Beginners usually gum up the workflow and work not as effectively as they could, but an effective production process is always the same. Script, plan, program, repeat, block, pull, rough cut, add special effects, refine the cut, make the final mix, make the final color of ranking and make the film.

  For simple effects, you can use dynamic links to simplify the move your effects of AE work and back to Premiere Pro, but I recommend any drawn effect that requires more than a half hour to complete to be returned and replaced the images in AE by your rendering. Be sure to include enough handles on your effects shots so you can refine the editing for final assembly.

• Effective workflow for adding images

  I use RoboHelp HTML 2015 to the author of guides to the user for software products.  My workflow for creating often involves the capture and the addition of images, I have written a text in HR.  For example, I could

  • Write several paragraphs about a topic in HR
  • Make a screenshot of the software product using SnagIt to save the PNG file in a subfolder of the project named Images.
  • Back to HR and click the Image button to insert an image in Design view.

  This is the point where my workflow slows to a crawl, and I'm looking for suggestions on how to reduce the number of steps/click.  The next part of the workflow looks like this:

  • In the Picture dialog box, I navigate to the subfolder that contains my images and the new PNG file.
  • Given that I have not used the new image in a project document yet, the name of the file does not appear in the list of files.
  • I click on another PNG file that was used and manually change the name to match the name of my new image file.
  • The preview window displays the new image, and I click OK to insert the image into the document.

  We try to use a lot of images in our user guides, these extra steps end up adding a good amount of time for the process of creation.  They also distract the task at hand - the creating user's guide.

  There are two things that would make it a lot faster for me.  The first would be for me to be able to say HR folder I want to find my image files so that I don't have to navigate every time I insert a picture.  The second would be for HR to show me the image files, even if they have not been added to a document in my project.

  Does anyone have any suggestions on how to speed up my work flow while keeping the capacity of the author/capture/add images at the same time?

  Thanks for your help.

  Ben

  Hello

  Yes, I feel your pain on the bit to type a few characters as Paul suggested. I begged the developers of this feature for a long time while now nothing does not.

  I see two ways that you can consider which would probably improve this workflow. Both are eerily similar.

  In the first approach, you have a window Explorer Windows open on your site and images. So when you want a picture, you more pop to this window and just click and drag the image in the editor.

  In the second approach, the pod Resouorce Manager allows you to basically do the same thing I told in the first approach. The only real difference here is that you first need to configure the pod of Resource Manager to point to the location that you want to use.

  See you soon... Rick

• Broke the first / Speedgrade Workflow

  All updates for first CC after the 2015 base version is no longer a link button dynamic between the SpeedGrade project, which is the program I use for coloring. I advanced and downloaded the old version of first so now I have a version by 2015 and has installed separately 2015.3. I create my projects using 2015 and can then export to SpeedGrade very well, but there's a catch. Now, every time I save my coloring in SpeedGrade and try and it works at first, it records in the 2015.3 version, so it will not be open by 2015. While I open it in 2015.3, but the dynamic link to SpeedGrade disappeared, so if I want to update or add color through SpeedGrade, I have to save my sequence for Final Cut and then open 2015 and import everything and it is not always cooperative. The simple solution would be to destroy 2015.3 in an abyss of fire since the only noticeable update is they removed a key element, but the problem is that I have a lot of stray project files that require to open again and the only way to transfer via completely would be to check each my hundreds of files of project and export the timeline and re - register in 2015. The simple fact of the matter is that SpeedGrade integration literally deleted without reason after the 2015 version is completely unacceptable. I try to use a CC Adobe product with another product Adobe CC, it shouldn't be rocket science here.

  Adobe: for the love of God, can you PLEASE put SpeedGrade integration back in? Or at the very least, update SpeedGrade to NOT save projects in the bad first version that does not support yet? If you don't make changes on this in the next 30 days, I will be forced to change to a different program of color.

  Community: If anyone has any suggestions of workflow, I'm all ears. It's absolutely ridiculous. And does not suggest another color program, it is quite distinct to try something.

  Ah yes... There are a number of users (like me) in a similar situation. The official declaration that is the link directly between PrPro and Sg & return has been ignored because it did not seem as there were many users who still use it. UM. So the only way to register your disapproval of the choice with the people who actually make the decisions is to use bug/feature request report Adobe form. Higher level people don't come to that within Adobe system, this is considered as support to users. Declaration forms are tabulated and sent to all the right people.

  Which may or may not do what you & I prefer, but it's the way to get your feelings for them.

  https://www.Adobe.com/cfusion/mmForm/index.cfm?name=wishform

  There are several discussions about this... situation... some with... on the SpeedGrade solutions forum.

  SpeedGrade

  Like this...

  PrPro/Sg 2015.3 solution Hack

  And a user has created an application (for a small fee) which seems to work well enough to change a 2015.3/4 PrPro project to a compatible Sg2015.1 header to work this project within Sg via drag & drop the file to the project on the application on your desktop (PC, I don't know if there's a Mac version). If you drag & drop a file 2015.1, then recorded off Sg on the app, he mods the header back to compatibility 2015.3/4 PrPro 2015.4 use.

  NOTE: THIS APPLICATION IS NOT CERTIFIED BY ADOBE. (They seem to like having this note; I tried it and for me, it works as hoped).

  Project of creation/Speedgrade conversion tool

  So... do not hesitate to join the discussions on the forum of SpeedGrade also.

  Neil

• Media of first import workflow in DOUBLE LOCKED

  Hello ladies and gentlemen!

  The day where I found my inspiration to do my travel diaries has finally arrived! After two days of searching for the right music I want to make a few quick rough edit of the trailer for the complete series. Unfortunately, due to the huge amount of GoPro files, I have a problem with the navigation on all files. Bridge won't since it's not access SNS. Decided I will give the first a shot, I was doing when working with smaller projects. I love the novelty with proxy, but again - can't be a chosen which files can I import.

  The files are located on DS415 + Synology NAS and I want so I could choose the one which copy/do proxy to consult. The problem exists in the thumbnails. Is there a way to "conform" all files at once? At the present time the vignettes show that when I click on the specific file. As you can see on the left lane structure, there are a lot of files in several folders it would take forever. Any ideas on that?

  

  Also - what is your workflow when working with files located on the SNS? Copy them into the SSD are not an option, especially when there's half a terabyte of media in folders. (work on the new iMac with 500 GB SSD).

  Kind regards

  Paul

  Please, don't post duplicate questions... go to the import of media from the NAS - working with MANY files

• animated transitions (After effects workflow cp8)

  So I have a PNG of a photoshop project, I created, I use that as my title of Cp8 slide put a button under the word 'Start' which takes me to slide 2.

  Slide 2 is actually a .f4v video created in After Effects, without the skin, with all the elements (text, graphics) of the .png animation off-screen. Slide 1 slide 2 are exactly the same, so when the transitions (fixed image) s1 to s2 (video) it should be transparent.

  However, the screen turns white for about a second when you click on the button 'Start '. How to stop this 'leap' and get a nice transition seamless?

  Action button (under the word 'Start') is continuous. Why the discrepancy between the two slide 1 and slide 2. I spent all day on it, reinstalled Cp8, was on the phone to Adobe... aaaaaaaaaarrrrggggh if anyone can help me solve what they can marry my sister!

  Insert the video as the video synchronized several slide

  Select the option of extending the duration of the slide to accommodate the video

  Change the following line in your AdobeCaptivate.ini found here: C:\Program Files\Adobe\Adobe Captivate 8 x 64

  UseWidget7 = 1

  Put the button on top of the video and set the pause button at the beginning of the video.

  Set the action to continue.

• Please help me to reinstall my After Effects!

  I got warnings continuous sequelae after restoring my computer and it was suggested I have uninstall and start again, but now I can't! I have a seat number Creative master collection serial but do not know this process!  Help, please!

  Hi PPrince44,

  Please check the system requirements for after effects CS 6: Adobe Creative Suite 6 system requirements

• No puedo instalar free after only the first effect nor

  Hola, tengo a problema para instalar the 30 days of first test. Cuando termina of instalarse no puedo open el programa solo appears como "actualizado" in el creative app news don't cloud. Y por ultimo, quiero download the test after effects pero no cloud appears in el creation back don't solo por page of adobe y cuando quiero descargar the prueba me envia a una con page a message of 'error intentelo mas slow' y llevo 1 semana asi ago.

  Agradesco the ayuda

  Please check your system against the requirements of the system. Premiere Pro requires 64-bit. Is it possible that your system uses a 32 bit OS?

  FAQ: What are the system requirements for the desktop creative cloud application and every creative application of Cloud?

• How can I get aupitch in adobe pro cc first effects, he lost after upgrate?

  I use the aupitch in first pro cc and after downloading the last update they took out, can someone tell me how I can get this back effect, thanks.

  Hello

  AUPitch plugin is included with the Mac OS. To make it visible once again follow the instructions below:

  -Open PremierePro

  -Go in the effects Panel

  -Open the menu burger

  -Choose "Audio Plug-in Manager.

  -Click on "Scan of all the Plug-ins.

  -Once finished, click on 'Ok '.

  Now, must be mentioned once more AUPitch.

  Thank you

  Fran

• Can someone help me change a free first month abo in another?

  Hello

  I have a problem. I want to help my sister to buy a free first month of the cloud abo creative adobe for his work. but it was the wrong abo and I don't know how I can change it or can cancel this OBA and buy other OBA?

  I hope someone could help me because the chicken I can't change her sister and me must pay for this. If anyone can help me I am very grateful for this help!

  Hi Nadine,.

  You can switch the plan, please visit: update or change your plan creative cloud

  Otherwise, you can also check the help below document for cancellation:

  https://helpx.Adobe.com/x-productkb/policy-pricing/cancel-membership-subscription.html

  Kind regards

  Sheena

• HELP understanding multicam in the first CC2014

  So I use multi-camera editing in Premiere Pro CS6 every day, so I understand the concept. Now that we have updated to CC2014, I can't understand it.

  To start, I used to just sync all my clips within a normal time and then embed this timeline in a new sequence, do a right click, choose 'multi-Cam Séquence' and I was good to go. I just opened the window dedicated multi-came and I was ready to edit live from switching between cameras, the playhead followed along the scenario.

  So I tried this in CC2014, since there is no dedicated multi-cam window, I double click on the nest of multi-cam and the source monitor turns into a multi-came window. Everything is good. But when I select different cameras, audio going on with the present system, where, as previously, it would add just to the top of all audio nested any camera I'm on. I've since discovered that in the options of the program monitor, if I select "Multi caméra" as the point of view (more on that in a moment) he now will allow me to select / deselect "Audio Multi camera follows video.» This option seems to have effect in the source monitor or the other. What will happen if I had a separate only audio track? I have no way to select this "camera" as the audio source?

  If I play since in the monitor Source, while playing, I can switch between the cameras and the audio stays on the last selected camera. OK, I think, it kind of works... but then when I stop to see the changes that I made during the direct passage, it turns out that no. CHANGES were made in the time line. It changes just the angle of the camera of the entire track, no retouching, not switching. I'm totally lost. Never the yellow border around the current camera angle turns red for me, which indicates that it is not anything recoding. Also the read head does not move in the timeline panel.

  Now, I have discovered that the parameters of the monitor program has his own choice for multi-cam. So I spend "Composite view" to "Multi-camera" and that's what I see:

  

  The current angle of the selected camera is there, but then it is black. I currently have 4 layers of different camera angle. By clicking on one of these two points of view multi cameras program does nothing.

  TLDR version: I can't get the audio track selected to stay in place, and I can't multi cam to the direct switch. Is happening here?

  -denez

  You must make the multicam button in the Editor button in the monitor of the visible program first.

  Stack the clips in the order

  Go to the project window and make a new sequence of this sequence and call it for example MC,.

  Activate Multicam in the timeline (right click nest) and in the program (the key) monitor.

  Then you are good to go.