Multi-cam. Is it possible make a movie with eye camera quad?

Similar Questions

• Make a movie with clips of 1080 and 4 k sources

  Hi all

  If I do a movie with clips of 1080 p sources (like my iPhone 6) and 4 k sources (like my GoPro) I'll still be able to export the animation to quality 4 k? Is there something specific I need to do to keep export k 4 option in iMovie available i.e. the order I add clips in the project, etc.? Will be 1080 p "blasts upward" clips at 4 k resolution?

  Thank you for your help.

  Miles

  10.1.2 iMovie will use the size of the first element that you add to your project to determine the format of the exported movie.

  See Help: http://help.apple.com/imovie/mac/10.1/#/move6ccb3330

  The resolution and the frame rate of your movie project are determined by the first clip you add to the timeline. iMovie now supports 4 K video and image rates at 30 frames per second (fps). If you want your project to be set at 4K resolution, the first clip you add to the timeline should be a clip of 4K. If you want your project to be set to 60 fps, the first clip you add to the timeline should be a clip of 60 frames per second.

• My camera Olympus only works with Apple's Quick Time 7. Is it possible to make it work with my operating system from Windows XP?

  My camera Olympus only works with Apple's Quick Time 7.  Is it possible to make it work with my operating system from Windows XP?

  Apple QuickTime 7 works is because. MOV is the Apple
  QuickTime format.

  QuickTime. MOV files can cause problems with Windows Media Player.
  And... If you plan to try editing with Movie Maker... the files should
  be converted to the. WMV format.

  No guarantee, but the following decoder might allow Windows Media
  Reader to read your. MOV files. Only problem is... it is not freeware to retail.

  (FWIW... it's always a good idea to create a system)
  Restore point before installing software or updates)

  3ivx MPEG-4 5.0.4 decoder
  http://store.3ivx.com/3ivxStore/product_details.php?ID=11

  Convert the. MOV files to the. WMV format may be worth a try:

  There are many converters available on the net... some
  free... some detail.

  The following freeware converter is just one example:

  (FWIW... it's always a good idea to create a system)
  Restore point before installing software or updates)

  Format Factory (freeware)
  http://www.videohelp.com/tools/Format_Factory
  (the 'direct link' is faster download)
  (the file you want to download is: > FFSetup295.zip<>
  (FWIW... installation..., you can uncheck
  ('all' boxes on the final screens)
  (Windows XP / Vista / 7)

  First, you will need to decompress the file or just open the
  Drag > FFSetup295.exe< out="" of="" the="">
  and drop it on your desktop. To install left click.

  Next, after the download and installation of Format
  Factory... you can open the program and
  left click on the toolbar, the "Option" button and
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  (this is where you find your files after they)
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  Drag and drop your video clips on the main screen...

  Select "all to WMV" / OK...

  Click on... Beginning... in the toolbar...

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  Good luck

• How to make a Multi camera track is always visible?

  I'm working on a sequence of Multi cameras.

  Let's say I have 13 titles in there:

  • 12 tracks are actual video clips
  • 1 track made of graphical overlays (as in Formula 1 Racing, with stuff like positions of rank, drivers, lap time, telemetry, etc...). This track is imported from legacy and has in it's alpha channel. This track is at the top of all the other tracks.

  I want the graphic track to be ALWAYS on, regardless of which track I select in blocking.

  This path must be on the INSIDE of the camera multi sequence and I can't get out of multi camera (for reasons of synchronisation).

  No idea how to do it?

  Some screenshots to clarify what I mean.

  Here's my multicamera Setup:

  

  Here is the final result. You can see the graphics overlay on video.

  

  It is not possible.  You need to place the chart outside of the multicam sequence so that it is always visible.

• First film edited with Premiere - proxy, audio questions and multi-cames

  I have several questions that I have not found in the videos and forums, at least not for my situation. I'm finishing the revision of sequences now adding comments in prelude and will begin soon to change it. Please excuse the long post.

  Background:

  I'm working on my first film, a documentary. Most of my work is 10-11 interviews, about an hour each. The majority is 4K Panasonic GH4, but some of the images is an Olympus MDGS EM5 II 1080.

  I recorded the sound using a LAV and a shotgun microphone, each goes in its own channel in a Tascam DR - 70 d, an external audio recorder, with a line going into the camera for reference. Audio and video files (at least one, since GH4 brings several) will have a slate tone to the head, created by the audio recorder. The recorder has captured the audio 24-bit, 16-bit audio captured camera. The recorder fooled also two other channels to lower 12db audio in the case of audio peaks.

  I will be changing on Mac laptop - 2013 MacBook Pro, OS 10.11.5, 2.9 Ghz Intel Core i7 memory of 16GB 1600 MHz DDR3, NVIDIA GeForce GT 650 M 1024 MB graphics card. I think I need to create my images 4 K proxies.

  All images is storage on my external drive of G. The interviews are separated and are located in the folders of each interviewee.

  The final project will be 1080, not 4K.

  Questions:

  Naming - being a hybrid, the GH4 breaks an interview of an hour in several separate files. Should I change the names of all files, or keep them in folders named in Premiere Pro? If I should change them, should I do it before swallowing?

  First synchronize audio and video, but since I have an audio file and several video files, I synchronize each video file individually or assemble them somehow, then synchronize? If each of these excerpts from the interview is sewn together, wouldn't that make editing more easy?

  When you create proxy for video files, also create proxy for audio files separate? Once synchronized, will be presented first the Hi output version of the resolution of the video and audio?

  Multicamera - in one case, I have an interview with two 1080 cameras. But for the rest, I've shot with a camera in 4K, so I intend to use a section cropped interview (zoom) when an important statement is mentioned, simulating a two cameras set up. Given that I have to create a sequence of multi camera after I ingest proxy files, first will be a problem activating/deactivating files proxy for the salvation of the res files?

  B - roll is added later, once the interviews are published about. It will be a few (not 4K) images and photos. Make the proxies of these too or first care to have all files proxy or a mixture?

  Finally, I have never edited a video which has been more than 10 minutes. This film could be of 40 minutes or up to 90. Everything I need to know to make the editing more smooth? I am a beginner!

  Thank you for bearing with me and thank you in advance for any idea!

  -SK

  1. allow only file names.  Make your organization with records (hard drive) and ferries (project).

  2. Manual of multi-camera method

  3. the audio files are small and will not need of proxies.  Export will always use the original media.

  4. possibly.  My first attempt was a disaster that froze the machine so badly, I had to do a hard reset.  However, you need not go back to the original of the sequence to make your cut-ins.  Proxy media will do fine work.  Simply place a copy of the plans at the 50% level in V1 and a second copy on the scale of 100% in V2 when creating the source multicam sequence...  Will allow you to see the full versions and then cropped the multicam editing.

  5. the photos no need of proxies.  If the B-roll change, make proxies for those.  PP not care a spirit to keep all the images the same.

  6. $ 2,000 custom PC vs $ 4,000 Mac Pro - YouTube

• Rolling edit and trim trimming in multi camera sequences.

  Hi all!

  I'm having a problem that is quite frustrating. I work with a sequence of cam multi and I make my changes and everything is fine and dandy... Until I try to move an amendment with a rolling edit or if I'm trying to extend a clip.  The edict is delayed for about three seconds and then just appears where you released it.  It makes it very difficult to make changes of fine adjustment.  This behavior continues even after I flattened the Multicam and after that I'm "Multi caméra" to "Video Composite".

  I noticed this on my mac 2013 pro (trash) and my 2011 macbook pro, the two Prime Minister running Pro CC2015.  In the same project, sequences that are NOT multi cam does not exhibit this behavior. 

  Am I missing a setting or something, or is this a new bug?

  First Pro CC 2015.0.2

  Mac pro end of 2013

  3.5 GHz 6-Core Intel Xeon E5

  16 GB 1866 MHz DDR3 ECC

  AMD over-pants D500 3072 MB

  Thanks for reading,

  ISH.

  Hello

  Go to the timeline panel > icon key and uncheck the option "Composite overview for Trim.

  Vinay

• How to activate the option 'create the source multi-cam sequence?

  I am trying to create a sequence multi-cam in an interview. I have an audio file (.wav) and two different camera angles (.mov). I point out all three and make a right click, but the option 'Create Source multi-Cam sequences' is disabled. I tried to switch to the Clip in the menu as well. No luck. How to activate it so I can create a multi-cam sequence?

  If you are in the first version of CS6, disable audio and synchronize your video with in or out points, cue or clip. I assume that you are earlier version CC as I believe audio disable "create the multicam source sequence. CC versions and beyond have the ability to sync with audio, so not sure as to why your option is grayed out.

• workflow multi-cam

  I've recently upgraded from Avid and I am used to putting all my images in the source window and drop the clips in a timeline. in the first 6, I created a sequence multi-cameras with my audio devices and 2, I went through this sequence and created markers so I can easily find bites interview I want to use. My problem is this, when I put this in the source window multi-cam sequence, mark my in / out and drop it into my new timeline, I lose the mulit-cam property.

  I'm basically looking for a solid workflow that allows me to sync, mulit-cam sequences in a source window, which I can then pull clips from and insert into a timeline. If this is not possible, I'd love to hear how people work with sequences multi-cames that are just pieces of what will eventually become a larger edition.

  Thank you very much!

  Hey James. I'm not quite sure I understand what you're saying, but I think the essential and I think I have dealt with similar frustrations. That's exactly how I work with multicams in FCP 7 and Avid (i.e. sync audio and video tracks creating a multiclip, then load them in the source monitor, do the points of e/s and then only take pieces for the timeline) and me could not operate as well in PrPro.

  I know that there are two ways to make multiple elements in PrPro, the "old way" and how to CS6. This tutorial details how CS6.

  http://Provideocoalition.com/ssimmons/story/working_with_multicam_in_adobe_premiere_pro_cs 6.

  Have you used this method? If so, then I don't know what is wrong because it should work.

  But if you have used the 'old way' (synchronization of the elements in a sequence and then dragging this sequence in the timeline as a nested sequence (and not actually create a ' sequence camera multiple source "as explained in the tutorial)) so I wonder if you missed the last step. After you drag the sunc/nessted sequence in your timeline, you will have to then right-click on it and select "Enable multiclip."  No matter what chance you skipped this step, and you're not actually 'lose' the property of multi-came, you're just not him?

  I highly recommend the CS6 way, but because it's more like Avid and FCP 7 in that it creates a "multiclip" that opens in the Source you can then change down and use pieces. It was * almost * as good as Avid and FCP (even if I still of the oxen with how PrPro manages the audio multiclip, but that's another post for another day).

• made a movie with windows movie maker cannot reopen

  made a movie with windows movie maker it engraved on a dvd. and recorded. I came back a few days later and the filmmaker does not open the file.

  It has an .mswmm file post any suggestions

  The place where you try to launch the .mswmm file?
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  Of in Movie Maker... (File / open project)?

  . MSWMM is a project Movie Maker (not a movie file) file
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• Burn a movie with Movie Maker

  I am trying to burn a movie that I made myself using Windows Movie Maker on a DVD, but whenever he progresses to 80 to 90% at the end I get the message that burns if not possible due to a disk error. I have tried many different disks.
  I use Vista Home Premium and a laptop Toshiba Satellite L300. Would appreciate help.

  It is possible that your project is too big or too complex... and
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  Several formats are apparently compatible with
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  Windows Vista-
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  Windows Vista - Windows DVD Maker - burn video disc
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• Multi cam, video and audio at the same time ditto audio video"editing.

  Hi everyone, I'm multi cam edit a project I have but you want to use the audio of each camera while the camera is on show, so, for example if I showed the images of the camera 1 I would hear the sound of the camera 1 and camera 2, then if I cut to camera 2 I'd like to hear the audio from camera 2 and not camera 1. Is this possible?
  When I put in place a nest for a multi cam it brings the audio with the video but does not seem to use it in the camera selection.

  Can anyone help?

  Thank you
  CJ

  

• Problem creating Multi Cam

  I'm having a problem around the creation of a multi cam.  I don't know how to explain it so I'll do my best.  I have a created a multi cam clip.  I'm cutting into pieces for a sequence.  The first piece I cut in the timeline went perfectly.  As a single green clip.  If I can edit seamlessly from camera to camera.  Now I have later in the clip camera Multi and train to cut another piece in the timeline.  There are two clips on top of the other and two beds audio now for some reason any.  What makes it more of a pain to switch between camera angles.  Why it does this now?  I'm sure that this is a user error, but I don't understand what is happening and I've done it before with number.  Any information would be helpful!  A PERIOD of really bad you need a very long piece today!

  Click the icon to the left of the magnet, the title sequence of the timecode.

  (By the way, there no such thing as a multicam in PP clip that uses nested for work multicam sequences.  Clips and sequences are different.  She supposedly has a multicam sequence.)

• Synchronization of four cameras with gaps in the timeline for multi cameras sequence

  I use Premiere Pro Trial CC to edit a multi camera concert. (The trial is just to see if the multi-came thing will work better than CS5) Since there is a limit of 30 minutes on four of my SLR, I have gaps in each of my deadlines of four cameras. All of these tracks were synchronized manually upward with a master audio track.

  In order to create a multi-cam sequence, I need to synchronize the video tracks 1-4, but so far have not been able to do. I tried to clips from each camera of nesting (so video 1-4 are all separate nested clips.)   I turn on the targeting of track for four channels of video and an audio track. Then I press 'I' to select a Point for the selected tracks. Not sure if this is how it works - just guess here.

  I then tries to 'Create Source Multi camera sequences' and tracks synchronization to aid 'In Points' on the nested five (4 video and 1 audio).   When I double click on the sequence of Source Multi camera to preview, I get four video windows appear, but the timing isn't right. It's as if they all were associated with at the beginning of the clip, not the markers that I put in front.

  So that's my problem. I can't synchronize these titles before creating a sequence of Source Multi cameras. I tried the synchronization of audio track, but it fails - too gaps to make it work, I think. I have no timecode. The only way I can think to do is to clip markers. Are some of these features disabled in the trial version?   Thanks for any help on this!

  MacBook Pro

  10.10.5

  Intel Core i7 2.8 GHz

  16 GB 1600 MHz DDR3

  NVIDIA GeForce GT 750M 2048 MB

  All of these tracks were synchronized manually upward with a master audio track.

  Then, with all your video tracks manually synchronize would with your audio master, you are ready. It would be a sequence with audio and 4 video layers. Now that nest, activate multi-cameras and turn on the multiple camera monitor in the program monitor and start your editing.

  --------------------------

  and if you want to try the other route-

  as for the creation of sequence of Source Multi cameras with points, place your points on your clips 4 source using the source monitor, you will only be able to get one on your audio files. That you establish for the created Premiere Pro sequence camera multiple source.

• Complex issue of multi-camera editing

  I have a question of several camera.

  I have the following clips:

  1 video clip continues with audio

  24 with audio video clips taken at different times (from different angles and close ups) catches throughout continuous clip

  4-track mono mic that extend over the entire period (4 different microphones placed at various locations in the room)-they are defined as mono in the settings of the element.

  1 stereo audio clip which extends over the entire period of audio recorder separate

  When I create sequence multi-cam, audio-based, it does not complain and creates the element multi-cam.  However, when I put in a sequence, I have 26 audio tracks. Many of them are empty.  I have no audio at the beginning, although I see the video game.  The audio tracks I see seem to be all stereo, with his fate only one side.

  Is there any special way working to combine the sequence above in a multi-came track, where I can change camera angles that I prefer and then mix the audio based on who speak - IE spend an audio 7 sources and sometimes to mix some of them at different levels?

  Most of the videos I've seen does not appear to cover this level of complexity of clip, so really doesn't help.

  Any suggestions gratefully received!

  Thank you

  Dave

  What I do is manually synchronize everything in a sequence, then alt - select the video (and not audio), then right-click and embed the video tracks. Then right-click on this nested track and choose Activate/multi-cam. Now I can make multicamera on photo editing, and audio tracks are intact. I mix and remix audio to my heart's content.

  There are 2 drawbacks to this method, but for me they are tolerable. 1, you must get the synchronization just before you nest, otherwise it's a mess. 2, by balancing the sequence, you have to be sure to cut all the audio tracks at the same time to maintain synchronization.

• How to flatten audio multi-cam is no longer connected to a video track?

  I work in first pro cc 2015, and I'm unable to abnormal analysis result sent to protools.

  Our post her guy seems to think that multi-cam it's the question...

  No problem, I thought, Im just flatten my sequence and re-send.

  When I did ALL the video files flatten but only 3/4ths of the flattened audio files.

  From what I can tell, its only those who no longer have a video track, make a link to.

  So how to flatten audio first when there is no related video?

  When a multi clip is done there is a green track to the video and there is much for the audio. When I hear flatten it is the Act of right clicking MULITI-CAM > FLATTEN.

  If I've already cut out a sequence, some of the green audio tracks will lose their video track parent. The audio track do not have the same options of (MULITI-CAM > FLATTEN)

  I found a work around for good!

  You can LINK the audio to any arbitrary Multi-CAM clip and use this clip to flatten the two.

  It's just a work around. Adobe has really need get their * together.