Playback jerky with MTS files

I am recording video with a Canon HG10 camcorder, which exports MTS files. Although when I import them into Adobe Premiere Pro CS4 and try to edit the video is extremely chop. Not editable. I don't know if it's my physical features or something I can improve with the software. Any help?

Entry door

Core Duo 2.0 GHz

4 GB of Ram

Vista 64-bit

You see a red line above the timeline?  If so, your source material does not match the sequence settings that you selected, and playback will suffer.

If you have selected the right preset, or have the value manually the correct settings for a sequence, there is something more that you can do which will improve the reading.

Most of my gear to my Canon HD camcorder is 1080 p, taken in "30 p" framerate.  I select a preset 1080 p is for 30 p framerate, and the source shows no red or yellow line above the timeline.  BUT it's still a little rough-looking at when played.  I found that this can be improved by right-clicking on the source clips in the project pane and 'Interpret Footage' as progressive (not in order of field).  You can do this either before laying elements in sequence or after - it affects them in the timeline panel after the placement, too.

(This bit interpretation seems to be useful because many Canon cameras actually record their records 24 p and 30 p in a 60i Foundation and manipulate data to provide the progressive output.  You will see the evidence if you put these images (even if it's 30 p) in a 60i timeline, first willing to (sort of) and does no need for rendering of red or yellow line.  If you capture in 30 p all the time, you don't need to worry about this if you just interpret the film as above and regal is 30 p.)

Advice of prejudice is true in general for AVCHD material, but it must be qualified to be of value, on the other, as in this case, does not thoughtfully address the potential of your system.  If the advice such as are not qualified with care, you can waste a lot of money on a warmer when machine you may in particular not be no need for one.

I have edited many high-speed AVCHD projects relatively short with a frequency of 2.66 GHz Core 2 Duo - it all depends on your needs.  If you don't care about video in a perfectly smooth playback calendar and your editing features work very well and you add effects to your sequence or are not required to render the effects and transitions in your equipment if you use them, your system may be fine for you.  You may be fine with going to bed, while your project is encoded with the Media Encoder (or waiting in the next day!).  I was okay with that sometimes - I just had to move from the idea that he had always made.  I have not need the faithful reading of chronologies effect in charge most of the time, because I knew their content and saw the effects well enough without rendering.

You will find your limit, but it's so so good to know that you can work with your system in a reasonable manner if you understand what is happening and accept the limitations with intelligent compromise.  Even if you get a more robust system, you will be able to benefit from such considerations anyway.

Tags: Premiere

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