Problem of pixel aspect ratio (Premiere Pro 7)

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• CS5 Pixel Aspect Ratio problems...

  Hi all

  I am working on porting over an importing existing Windows .mov file to Mac while also improving it to CS4 CS5 (and also riding in the creation of a library of files QuickTime 64 bit handwritten management to start, Ouch).

  In my test class, I have problems with some 1920 x 1080 .mov files. Some files of 1920 x 1080 I imported correctly, some of the files I imported with the wrong aspect ratio. I checked the two files should be displayed using square pixels and have checked also when the selector is sent which called (SDKGetInfo8) I'll put what follows for * all * the above test files:

  SDKFileInfo8-> vidInfo.pixelAspectNum = 1
  SDKFileInfo8-> vidInfo.pixelAspectDen = 1

  I bought it online using SDKGetInfo8 () and tense and no strained clips seem to give exact same traces through this function. However, files that are imported with the wrong aspect ratio, of course, listen to samples in a long format. Also, in the information of the location of the Source region, when the * extended * clips are selected is the information that is provided to these clips:

  NameOfTheStretchedClip.mov
  Video, 1920 x 1080 (1.7778)
  00:00:9:13, 23.976 fps
  etc...

  For clips that are not stretched, (1.7778) is (1.0). I'm not the greatest expert on the actual use of the first, so I can assume given the displayed values and the respective Visual result clips when you preview this value appears in the user interface is the format of the pixels and not the ratio of the image as the clip with (1.7778) is stretched and the clip (1.0) is not , but both are 1920 x 1080 videos. What I suspect is that 1920/1080.0 is 1.7778 and so somewhere for the clips that are stretching the pixelAspect ratio values seem to be derived using the dimensions in pixels and not the vidInfo.pixelAspectNum and vidInfo.pixelAspectDen values that are explicitly set to "1" as shown above.

  So my question is, apart from the SDKGetInfo8() layout the following values:
  SDKFileInfo8-> vidInfo.pixelAspectNum = 1
  SDKFileInfo8-> vidInfo.pixelAspectDen = 1
  Where can we pixelAspect values are supposed to prepare you?

  You can also:
  -In what other selector calls * CAN * pixel aspect ratio get ready? As I said, I'm porting of existing code, so maybe that these values are preparing elsewhere that I am currently unable to find.
  -Are there any setting that could get attached to the import of a file that said to derive the format of pixels the pixel dimensions that might get triggered for the clips that are imported as lie?

  Thanks in advance for any help!
  Josh

  Hi Josh,.

  > Where are stored the XMP metadata in a QuickTime .mov?

  This documentation contains descriptions of the specific method of storage of XMP file format:

  http://www.Adobe.com/devnet/XMP/PDFs/XMPSpecificationPart3.PDF

  QuickTime is described in section 2.2.4.

  I guess that this file with the 1.78 BY adjustment to its XMP had been changed manually somewhere along the line in Premiere Pro or a bridge and is not really a valid test case.  I would like to know if you find a way to produce using a real workflow.

  The fact that the file with NOMINAL 1.78 is showing that 1.0 BY when the time base is 24000 / 1001 is technically incorrect.  Maybe our importer knows that there is no such thing (at least that I know) like a 1920 x 1080 with 1.78 NORMAL video, so it sets properly, while missing the 23976 / 1000 cases.  But it is technically incorrect because the IRON must be completely flexible for future formats.  Still, I would imagine it is really a problem, an end user will hit, is it?

  Kind regards

  Zac

• pixel aspect ratio problem facing!

  Hey everybody:

  I'm not very professional with photoshop. Currently I use ps cs5...

  I want to know that is there any solution for my problem:

  I am a graphic designer for the frame, I have to work pixel by pixel that is why I have to work in grid, made what I write below to understand my probem, please!

  I'm assuming that the use of your CS5...

  CTRL + o (open any image file) >

  What go to VIEW > SHOW > GRID

  photo to zoom stop zoom...

  What go to VIEW > PIXEL ASPECT RATIO > COUSTOM ASPECT RATIO > give a FACTOR of 0.75 (it will shrink the pic).

  take the pencil tool (choose any color) and try to work in a single pixel wo... He never take 1 pixel... .i must work in a single pixel.

  Please help me in this. some kind of hack / scripting / good / get work in a single pixel will be appreciated!

  U can find me irritating, but please do it for me...

  .

  Best regards

  SALMAN AZIZ

  To make your pencil tool are what attract 1pixel, follow these steps:

  • In your pencil tool, click the selector of predefined on the menu bar shape superior
  • In the predefined default settings, scroll to the bottom and you will see a brush 'Star 14px.
  • What to choose, change the size at 1px
  • Draw now
  • Your pencil tool will give you exactly 1px padding

• Problems with dynamic links between Premiere Pro and After Effects

  Hello

  dynamic binding (insertion of After Effects compositions on a Premiere Pro schedule) rarely worked properly since it was introduced. Problems vary (for example "media disconnected" made plates, old versions of comps rendered).

  What's worse, is that you can never tell what will be ultimately made out of Premiere Pro. Thus, a typical professional workflow to several projects together to finish during the day and batch overnight rendering can cause a catastrophe.

  Of course, the option is to not use dynamic link. Which makes then less competitive whole adobe.

  This subject has been widely discussed for years has been a dynamic links. I'm not the only one having this problem, and the problem is far from new.

  My only question is:

  Adobe: have you ever fix dynamic links?

  I don't really understand how you focus on software development in your company. The vast majority of the features of CC is little or not useful. The most important thing in a professional environment is consistent and reliable - performance can you please focus on that?

  I'm inspired to write this post because I just arrived in my edit at 07:00 only to find that my night makes is the wrong versions. All bed very well in the body and AE, damage the final rendering off Media Encoder used an older version of one of my compositions, and that I have nothing to send to my client.

  Janne

  Title edited by Kevin Monahan.

  Management of files Adobe seems to rely on the names and the last path of known files. Body loses links Dynamics (and other files) with frightening regularity in a situation where nothing has changed in the hierarchy of files, the files.

  16, when a hard disk of 8 GB was a huge drive, Pro Tools has been littering files on several disks because, as was the creation of audio files in real time, she had to. Digidesign introduced into a system which incorporated a unique program generated number in each file. Since that day I have never had a problem with lost files or correlate. I can move them anywhere, on any system and any PT session concludes that they are with total reliability - and we are talking about a lot of projects with thousands of files, through several studios. If you are looking for files, you can choose to use the identification number, the name of the file, the length of the file, or any combination of these. Which allows for the substitution of file.

  Until Adobe address this problem with a solution similar to that of Pro Tools, we'll be constantly beset by problems.

• How do you export an Image corrected Pixel Aspect ratio? (CS5)

  I have a still from first Pro CS5, but it's in DVCPRO HD Pixel Aspect (960 x 720) I pulled upward in photoshop, which corrects for preview purposes, but I want to export the Image corrected (1280 x 720)... The only way I have found so far is to create a new document with the answer key Aspect and drag the image then export it... BUT I have a bunch of images from these videos, is there a simpler way?

  Thank you

  AZA

  No reason to not just check Image - Image size, resampling, uncheck the box Keep the Proportions, and then size up to 1280 x 720?

  As Lee mentioned above, which could be put into action.

  -Christmas

• Use/space problem of hard disk with Premiere Pro CS6 trial

  Hello

  A few days ago, I installed Premiere Pro CS6 test on my C:\ drive (about 9 GB of free space 2 or 3 GB is required for installation). After the launch of first, I changed all the preferences for "scratch disks" etc. for my drive D:\. I've been editing yesterday and I saw that my C:\ drive was completely full, only 1 MB left. Do not install / changed anything to my PC, just have been editing.

  So finally, I decided to uninstall the first completely and reinstall to D:\. It turns out that after the uninstall, I suddenly only 2, 2 GB of left of the original 9 GB before installation! So it seems that some temporary files are still somewhere (even if all my other temporary settings as of Windows Temp folder are also located at D :).

  I'm getting a bit tired now, because there is no transparacy in that first made during installation, and why, after uninstall, there are still about 5 GB on my precious space SSD

  Any help is greatly appreciated!

  EDIT: after you install on D:\ again once my available disk space increased from 2, 2 GB to 1, 3 GB on C:\. So first takes about 8 GB on a disc, I have not installed on and is not used to "scratch disks".

  Check yourC:\Users\ \AppData\Roaming\Adobe directory for unnecessary data.

• Problems since the update for Premiere Pro

  Hello

  I've updated Premiere Pro last night and since then the video will not play in the area source (shows black screen) but I can hear the audio. The box seen below shows the bits of video, but with a red color to the video. Does anyone have an idea what might happen? Is there maybe a setting I need to sort since I updated? The version I had was 4.0 and I've updated to 4.1.0.

  Thanks in advance,

  Kerri

  I don't see anything on the graphics card or the graphics driver in this thread.  If you use an ATI graphics card or Nvidia, you should consider updating to the latest.  At first glance, this seems to be the first thing to try.  Apologies if you already have.

  Dennis

• H.264 pixel aspect ratio problem after update

  Yesterday I've updated first CC Pro and Media Encoder CC to version 2014.2. But now I have problems with the H.264 codec pixel format when I export a sequence 1080i50 to PAL widescreen. The problem seems to occur with other sizes of frames.

  I use the same settings as usual with Aspect set to: D1/DV PAL widescreen 16:9. (1.4587) However, VLC and Windows Media Player to play the video with a ratio of 5:4. So, it seems that the image pixel format information is not passed to Media Encoder or file.

  This problem does not affect other codecs like AVI or MPEG-2, they will be displayed correctly.

  Is anyone else having this problem? And more importantly, does anyone know a solution?

  I think I've seen this problem earlier on the forum.

  Profile the high value and try again.

• Windows Movie Maker - issue of pixel aspect ratio

  I use Movie Maker for the first time to make a simple video for a Web site. I think that I figured it out, but when I publish the video and read in Media Player, the format of pixels is not fair. The screen is the right size, but the video seems forced by almost a 1:1 ratio, instead of 4:3.

  I looked through all my settings, and I can't find out what is the cause for this. Someone knows how to fix this?

  Thank you!

  I wondered about this, but I didn't know if she would be the best thing for this project, since I only need a little video on the web. And then, if she published without scrunching all, who am I to be picky?

  I'll look into it. Thank you!

• The customer wants video vertical for smartphone ad - best size/pixel aspect ratio?

  Thanks for the help! It is a question of two part...

  First of all, what is the best size vertical video on a smartphone? I guess since horizontal is usually 16:9 at 09:16. Therefore, something like 1920 X 1080 would be 1080 X 1920. But the average smartphone screen size 16:9 / 16:9? Here are the best odds?

  In addition, they gave me some pictures that was shot at 1920 X 1080 on a DSLR (but want a vertical product). Should what size mast I create so that I can ask on the images of the sequence to move and crop?

  Thanks again!

  So nobody had enough she -.

  iPhone 5 to go, Apple has a 16:9 screen. More android/google phone was already a screen 16:9 at this time. Therefore, to export a vertical video, you wish that it is 09:16. (16:9 up!)

  Using this link: https://pacoup.com/2011/06/12/list-of-true-169-resolutions/ I figured out the largest amount of pixels that I could without stretching things.

  So for the 1080 p (1920 x 1080) the more vertical video quality you can output is 720 by 1280 vertical horizontal.

  And for the 720 p (1280 x 720) the more vertical video quality you can output is horizontally by 1024 vertical 576

  Use H.264 and .mp4. This is much like the app, and the customer is very happy. You can save these presets to the first/media encoder, etc.

• Problem importing SpeedGrade EDL in Premiere Pro

  I am trying to use the detection feature SpeedGrade scene on the occasion of scenes in a movie already published. Scene detection works well, and I exported a SpeedGrade EDL, which looks like this:

  TITLE: meshes

  FCM: NON‑DROP FRAME

  001C MESHESOF V 00:00:00:00 00:00:00:27 00:00:00:00 00:00:00:27

  * THE NAME of the ELEMENT: the meshes of the afternoon - SD.avi

  002 V MESHESOF C 00:00:00:27 00:00:06:08 00:00:00:27 00:00:06:08

  * THE NAME of the ELEMENT: the meshes of the afternoon - SD.avi

  As far as I know, that looks fine, but when I drag the EDL in first with the intention to make each scene as it's own clip, I have a few questions. The clip seems to be a big new block, as if the SpeedGrade EDL changes are not applied.

  Is there something I'm doing wrong here, or it is not possible to import an EDL SpeedGrade in first?

  Also, are there other ways better to reach my goal of automatic detection of scene changes and split into clips based on these changes?

  Here's the workflow, I decided to use. It's a bit slower than I expected, but it seems to meet my needs.

  1. Convert MOV or AVI videos
  2. Import in SpeedGrade
  3. Execution scene detection
  4. Manually, confirm correct scene detection.
  5. Export of speed category
  6. Convert to MP4 ready for the web using Media Encoder (MP4 is necessary in my use case but it could not be in all the world)

• Export of media in Premiere Pro CS6 ONLY produces an Audio file in Media Encoder

  First of all, all the System Info:

  Windows 7 Home Premium Service Pack 1

  Intel HD Graphics 3000 graphics card

  I use the first Pro CS6 Version 6.0.5 (001 (MC: 264587)) «Mighty Kilt»

  Version 6.0.3.1 (64-bit) Adobe Media Encoder cs6

  Other Adobe applications: AIR, creative cloud, Download Assistant, Encore CS6 Library, 12 ActiveX of Flash Player, Flash Player Plugin from 12, Manager help, Premiere Pro CS6, Premiere Pro CS6 functional Content, reader XI

  I ran on Premiere Pro and Media Encoder updates and everything is up-to-date

  I produce a two disc double layer DVD for 100 families of my sons of fanfare.

  I have half an hour "masterpiece" of interviews, segments of performance, rehearsal sequences, credits, etc. that I edited complete set with sound, etc.

  I also have various other video segments of the season, a high quality (1920 x 1080) and a decline in quality.

  Rather than import in yet and have yet to transcode all the same quality, I wanted to make sure the piece of half an hour and some other segments were transcoded in highest possible quality and given the large size of the files that I could and then transcode other segments at lower levels of quality as it is necessary so all the space on the disks.

  The company I use to duplicate/replicate the 100 DVDs of my DVD Master advised me to encode them FIRST in Premiere Pro as you wish and THEN import these files into yet.

  I used Adobe Media encode a lot to export the individual segments in the files, I could upload it to Youtube and have had no problems for several months.

  But now, two things happen:

  (1) SOUL automatically designates the file 'exit' with an extension .aac (see table)

  (2) when I do a file "import under" soul encoded in still won't load an audio file (obviously)

  Huh?

  Here are the settings I use in my export media dialog in Premiere Pro CS6:

  Format: MPEG2-DVD

  Screening: NTSC widescreen high quality

  Out of name (and the file type): _ name with like kind of video Files (*.mpg) «»

  Boxes to "Export video" so much "Export Audio" is checked (see attached screen print)

  The filters tab: on the left as is, don't do anything here

  Multiplexer tab:

  • Click on the button "DVD" (vs. the "None" button)
  • Bitrate type: left as Variable that matches what is selected by default

  Video tab:

  • Codec: Reads MainConcept MPEG video
  • Quality: increase it up to 5
  • TV standard: NTSC
  • Frame rate: 29.97
  • Field order: no (progressive)
  • Pixel Aspect ratio: screen 16:9 wide
  • Go to maximum depth box checked
  • Encoding Bitrate: I choose CBR for my high quality segments and VBR 2 pass for my segments of lower quality
  • Bitrate: kick up to max to high quality segments, adjust as required to obtain the size of the file that I want for my lower segments of quality

  Audio tab:

  • Audio format: Dolby Digital
  • Codec: Dolby Digital
  • Bitrate: 320 at least, sometimes higher for segments, I want to be the highest quality

  I check the box of "quality to make Maximum usage.

  I chose 'Tail' for everything and then let it run all night

  And Yes, the original media has TWO a video track and audio track that works (see screenshot)

  So... What am I doing wrong, useful experts?

  A - ha! MPEG2 export formats missing in the SOUL is the key to the riddle. You have a license problem, possibly the one discussed here: http://forums.adobe.com/message/4401451.

  I'm not familiar with this issue and has not taken the time to read the pages that links Todd to-instead, I wanted to get the link for you as soon as POSSIBLE. If you have a problem directly solving the problem, I see two immediate options: 1) encode "in-process" by Premiere Pro by clicking 'Export' in the dialog box export settings (as opposed to the queue, which of course sends the job of the SOUL), or 2) to install the trial version of CC (aka 7.x).

• Video input appears tense, when they are imported into Premiere Pro CS6

  I'm on a level of beginner on Premiere Pro, so please be nice if this question is very basic. I'm doing a video that preserves the video resolution of entry exactly. My video entry was a MP4 movie with a resolution of 1440 x 1080. It is a recording of screen iPad using the X-Mirage software. When I opened normally in quicktime format, it seems not tense. However, when I imported the clip in first, the clip appeared tense. I checked the properties of the element, and it proved to have Pixel Aspect Ratio 1.3333, which means that the pixels are elongated. My output sequence was also strained because of this, although the output indicated that the resolution is the same: 1440 x 1080. I tried to comply with the "Clip Mismatch warning' and the result was still a stretched version. Help, please!

  

  

  I'm guessing that first interpreter clip homesick. He probably than her video hdv 1440 x 1080, which is equal to 1.33.

  Go to interpret images and set the format of the pixels to 1.0.

  See if that will fix it.

• Stills wrong aspect ratio

  Hi guys

  Export still first pro 5.5.

  Open in photoshop to deinterlace.

  When they are imported into first is increased from 16:9 4:3

  I guess that's the pixel aspect ratio that photoshop has changed.

  How can I get the stills to be 16:9, when recording in photoshop?

  Thank you

  Hi Michael,

  You don't mention what was the video format, but if HDV 1440 x 1080, in Photoshop, you can simply change to 1920 x 1080 and will look correct, then using square pixels in the first. Or use Edit first, as suggested.

  Jeff Pulera

  Safe Harbor computers

• Premiere Pro does not open

  I installed the trial version of Premiere Pro, but when I try to open a project that was sent to me by someone else, I get this error message:

  "The program can't start because MSVCR110.dll is missing on your computer. Try reinstalling the program to fix this problem. »

  I tried to reinstall and the same error message again.

  I really need to finish this project next week, so any help would be appreciated! Thank you

  Hi Nkphotos19,

  As you mentioned that you get the error "the program can't start because MSVCR110.dll is missing on your computer. Try reinstalling the program to fix this problem"at the launch of Premiere Pro and you have already tried some troubleshooting steps base to solve this problem, I recommend to check out the links below and sharing the results:

  MSVCR110.dll error opening Adobe Creative Cloud apps in Windows 10

  Resolve the error "missing file msvcp110.dll.