Rigging diff. cam movements as presets for use in FCPX?

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  I got a new iMac, but the SSD in it's tiny, so I need to invest in an external drive at least some of TB.  Should I go Thunderbolt because I think it's faster?  I'm looking at Fantom and Lacie but I'm not sure what would work best for use with FCPX.

  Any tips or suggestions for these two manufacturers?

  Thanks in advance for the help.

  Well, a disc of Tb2 (which takes care of your iMac) will offer excellent performances. If you need these speeds depends on really how ask your projects are. A USB3 drive will be fast enough for the vast majority of HD projects. Expect to spend more for the readers of Thunderbolt2.

  Here is a good article on configuring systems with external drives.

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• Opening multiple .dng through Camera raw in Bridge for use in Premiere Pro?

  I was going to the coast of this video ( CINEMA DNG & FIRST PRO CS6 - YouTube ) to try and shade of color all my .dng files and then take them in first pro to put it in my calendar. Whenever I try to select all files and open them in camera raw, it gives me the notification of "". "" I can open a single file in photoshop by double clicking it and color of that medium grade but obviously I cannot do for each file in the video, and it is yet to help me with the import.

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  If you have a bunch of images, just use Bridge / Camera Raw to color correct your images and then select all in ACR and save in any file type that you want. Then you can import them into first. Warunicorn I prefer to use ACR for correction of images, original colors because it's pretty powerful, and then if they stayed a few tweaking the color grading in first or SpeedGrade use.

• Is it possible to use a different name change automatically preset for different cameras?

  The title says.  Can cards of different cameras automatically call presets naming specific to these cameras when importing?

  Thank you, Ed

  Hi erudolph,

  Well, you can create multiple presets for different cameras renaming you have and select accordingly while import.

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  Kind regards

  ~ Mohit

• How to use multiple cameras in same model for mirror (if that's the only way)

  Hi all

  I am creating a shot where the camera pans on a range of objects on the table which is a mirror. Now, I want the reflection in the mirror to move when the camera moves just like in real life. But I can't understand how do. a technique that I've imagined is to create another device and place it on the surface of the mirror and then have somehow connected to the main camera so that it records the image while moving the way ray of light will react on the main camera. later, I can make that camera mirror to place videos in the model so that it looks like a reflection on the other hand. But then again, I don't know how to establish that, as I don't know how I can connect a camera with the main camera that also reacts to the movements of the cam as a reflection of the light. Is there any expression for her? Help, please.

  Thank you.

  Here is a version of CS6 project: reflections (CS6) .aep

  It's corrected workflow

  • In the model of the hand, make sure that the mirror of anchor point is in the center of the layer and the scale is 100%
  • In the project Panel duplicate the model containing the 3D scene
  • Rename duplicate reflection
  • Open the model of reflection for editing
  • Here is where the fun begins. Select the lights and the 3D layers and their parent to the mirror
  • Make sure that Local axis mode is selected in the toolbar
  • Select the rotation tool and make sure that it is set on the direction
  • Move the cursor on the y-axis of the mirror, hold down the SHIFT key, and rotate the x 90 ° mirror (should be the 4th snap)
  • Select the scale property of the mirror layer by pressing the s key
  • Disable the locking of the scale, then set it to x-100% scale
  • This should reverse the lights around
  • Divide the timelines and reveal the position of the cameras properties
  • Add an expression to the camera position of thinking Comp by Alt/Option click on the stopwatch, and then drag the pickwhip to the model of the camera hand Position
  • Nest the Comp "reflection" in the original model and condense the transformations
  • Make a duplicate of the mirror layer and use it as a track matte for the model of reflection
  • Set the properties of the layer of mirror to get the final look wanted by using as an adjustment layer or change the material options or specular blend modes to pick up

  That should do it.

• Adobe PE 7 there the good preset for my video camera?

  The video that my camera outputs is 1280 × 720 HD video 30 fps in H.264/MPEG-4 AVC format. Should which preset I use in PE 7 for best results?

  Thank you

  Paul

  I don't know that the version 7 has a preset for 1280 x 720 video. Version 8 only.

  If so, it is under hard drive camcorder presets. Not AVCHD.

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  I was told that movies in the iTunes Store can be changed to include "iTunes Extras" if originally it did not come with extras. But there is a catch you get just the extras if you buy just the issue for the first time. If you have already purchased it, your version may not have the extras. This means that if you want the extras, buy the movie again.

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• Any camera regardless of the interface is available for use with the LabView interface.

  Hello

  I intend to go for some CMOS camera,

  but I have a huge doubt before buying, the camera of menttioned above is not anywhere in this list. Nor can I see any type being supported USB device.

  The question is

  1. is a camera regardless of the interface is available for use with the LabView interface?
  2. Can I build a VI to communicate with any device image and recording of camera and take the data?

  Any kind of help or advice is greatly appreciated... I have to buy a CMOS camera and begin to run.

  Thank you...

  Hello Virginia,.

  I am pleased that this information has been useful, one thing I wanted to mention is that USB 3.0 has its own standard USB 3.0 Vision which is currently not supported. If this camera is also Direct Show compatible then you will be able to acquire an image using IMAQdx and manipulate all the attributes that are published to the API Live Show.

  I hope that USB 3.0 Vision will be supported in the near future, and we tentatively announced for this standard of communication for the August 2013 Vision Acquisition Softwareupdate.

  See you soon,.

  -Joel

• Hi, can someone give me some ideas on what type/brand of usb cameras are not suitable for labview? I need to use with labview and IMAQ Cheers acquisition image vision module

  Hi, can someone give me some ideas on what type/brand of usb cameras are not suitable for labview? I need to use with labview and image acquisition IMAQCheers vision module

  Hi, I use a 1.4MP USB camera with LabView. The brand is ID - a German company.

• Convert files video .mov for use in Movie Maker - how?

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  Hi Phil!

  There is no need to convert .mov files for Movie Maker is supporting this format: http://windows.microsoft.com/en-us/windows-live/movie-maker-file-types-faq

  I hope this helps.

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• Has anyone found or written a "Win 7 USB driver" for use with the Olympus C-3000Z digital camera?

  Has anyone found or written a "Win 7 USB driver" for use with the Olympus C-3000Z digital camera?

  On Fri, 28 September 2012 18:02:40 + 0000, bertcoy wrote:

  Has anyone found or written a "Win 7 USB driver" for use with the Olympus C-3000Z digital camera?

  Looking at the website of Olympus, it would appear that we do not
  There are.

  But you do not need a driver because you do not need to connect your
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• My mind is wiped out. I'll put up pages in Photoshop 9.0 to be then placed in InDesign 4.0 for professional printing. Can you help me configure the proper color settings, and what PDF preset to use. And output parameters, etc. Thanx.

  My mind is wiped out. I'll implement the color pages in Photoshop 9.0 to be then placed in InDesign 4.0 for commercial printing in book form. Can you help me with the settings of color in Photoshop, that is to incorporate the color profile; convert in space work, Adobe RGB, etc. and which PDF preset to use, i.e. printing, PDF / X - 1 or 3, etc. Also, what I have to select the output settings such as the conversion of colors with the Destination or the printer deals with that. I know I asked a lot, so thanks in advance for any input or advice.

  Best regards, ScottyB34

  What are the settings of your printer wants? Some may deal with sRGB some want Adobe RGB Ctrl/Cmd-Shift-k in Photoshop, then choose North Amercian prepress 2

  He'll take care of the tags for you, or if sRGB is important, Norh American General Purpose 2.

  Here is a summary of the settings PDF and their meaning:

  When you are ready to create a PDF file from an application such as Illustrator or InDesign Adobe, we give you a list of the predefined PDF settings from which to choose. Well how do you decide which is the right choice? Well, let me explain what they do.

  Let's start with the smallest file size and the name of the type of the story. It is compatible with Acrobat 6, which means that anyone who has Reader or Acrobat 6 or above will be able to open the file. Now it converts everything in sRGB color which is a common space for color monitor.

  All RGB is truncated to sRGB, CMYK and spot colors also. So that means if you have a job to print, you can see some color shifts in this outgoing PDF. You must decide whether it is acceptable. He can't stand live transparency, not flattened. It downsize image content to 100 pixels per inch and this is part of how she made a reduced file size. It also uses aggressive JPEG compression of poor quality on the content of the image. So, you can see some of these rectangular JPEG artifacts.

  But it is how it gives you a reduced file size, and results are appropriate to be posted online or attached to an email.

  High quality printing has compatibility with Acrobat 5 and above. There is no color conversion. RGB RGB stays, rest spot, stays of CMYK CMYK spot and it supports live, not flattened transparency. It does not perform some downsampling to 300 pixels per inch. So, for example, if you placed an image which was 300 ppi and then set to scale up to 50 percent there actually a res then 600 pixels per inch.

  Well, this process would take half out these pixels. Therefore, it can create larger files but that makes it suitable for in the House of printing or sending Let's say a remote office if they want to print we tell cells leaves, or brochures, or something like. It's beautiful out on an internal printer.

  Print quality and high quality printing have similar names, so this may be a bit confusing, but print quality has compatibility with Acrobat 5 or higher. It converts the content of RGB to CMYK destination values according to what you specify as the destination.

  It is usually SWOP, S-W-O-p. It supports live, not flattened transparency. It performs the subsampling bicubic to 300 pixels per inch and because that it keeps at least 300 pixels per inch, which means that it can create some large files, but it is suitable for professional printing.

  Then we start to get into the presets named 'X '. 'X' is now for Exchange. They agree on specifications and the idea is to have a set of specifications if a PDF file is compliant to these specifications, we know it's going to be printable.

  We know that imaging devices are going to treat them properly. So this goes back to 2001, and which can seem a bit old, but bear with me. PDF/X-1 has a compatibility with Acrobat 4. I know, it sounds old. It converts RGB to CMYK content, it keeps the content of good tones. It flattens transparency. Downsize it at 300 pixels per inch. It can large enough crat files if you have large size images in your project and that it is suitable for professional printing.

  The idea behind X-1 is if you send a PDF file to an unknown printer, you do not know what are their capabilities, you send abroad, it will be able to be photographed on any device. No matter the age, it is, they can print. Over the years, the concepts of Exchange became more sophisticated the workflow and devices become more sophisticated.

  SP PDF / X-3: 2002, remains compatible with Acrobat 4 and that means that it flattens transparency, but it does not perform any color conversion.

  This means that it maintains RGB content, place remains in place, rest of CMYK CMYK. He still performed bicubic downsampling at 300 pixels per inch, and therefore, it can create large files. But this is suitable for commercial printing, if the printer signals you that it is present RGB content is correct.

  PDF / X-4: 2008 is compatible with Acrobat 7 and later. See, we're getting more modern. No color conversion. RGB RGB stays, stays CMYK CMYK, spot rest spot and it supports live, not flattened transparency.

  He still performs bicubic downsampling. Therefore, it can create large files because it maintains the pieces of the image to 300 pixels per inch or higher and it is suitable for commercial printing, as long as the printer tells you that RGB content is not serious and dynamic transparency is acceptable. Some older workflow does not support dynamic transparency, or they treat well, and that's why always ask. It is a special case in Illustrator, something called default Illustrator. Its compatibility is Acrobat 6 or higher.

  It does not perform the color conversion, everything continues like this. It supports transparency live, not flattened, and it also contains the original, editable Illustrator file in the PDF file. It preserves layers and it may be return, can be reopened safely in Illustrator and it's really the only PDF format you can do with safely. But it can create larger files, because you sort of two files for the price of one, they sometimes get huge.

  So what predefined PDF is Right For You? Well, if you want to send for printing, the first thing you should do is to ask your printer how they want the created PDF.

  They should be able to give you the plug for the creation of the PDF file. They may be able to give you job options files you can simply import and use as your preset target. But if it's a stranger the printer or the printer for some reason any said, well, I don't know, just make a PDF and this happens, well, choose the lowest common denominator to the PDF/X-1 test. Anyone can image that. If it is a more modern printer and up to date, especially if you send it to someone who uses digital presses, PDF/X-4 should be safe.

  I always go back to point one, ask the printer. If you send it as an attachment or you're going to post online, well, smaller size of file is a pretty clear choice. But remember this, you can start with one of these predefined parameters, and you can always edit it to customize your specific needs. So get to know the presets, understand the destiny of the PDF you create, and then make the best PDF that you can.

• Just downloaded latest updates Camera Raw update for use with my new Sony RX100 M3 but still impossible to get the RAW files to open it. Any suggestions?

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• Instructions for using Windows Easy Transfer from Vista computer to a new Windows 7 computer.

  I bought a new computer today that works under Windows 7. The old computer is running Windows Vista 32 bi my new computer is a 64-bit Windows 7 computer. So dumb I didn't find instructions for using Windows Easy Transfer to transfer my files from the old computer to the new. I already have a USB data transfer cable and the disk that came with it does not work with Win 7 However with Windows Easy Transfer that wouldn't do not necessary anyway. So my need for Instructions bo accomplich the task.

  I gathered al records original program that I need to install the necessary programs on the new computer.

  Any help or URL available covering my needs transfer will be much appreciated.

  Remails a question. My venus of cable data transfer with a disc Intelemover with Windows Easy Transfer is that the disc is no longer necessary with WET?

  It has nothing to do with Windows Easy Transfer (Intellimover that is).

  You can probably use the cable - if you wish.  I prefer to use a large external USB drive or share network - this way, that I have a copy of all that I could move to multiple computers or almost as a backup at low cost.

• Presets for Lumix G6

  You just bought a Lumix G6 camera and I know that I chose the bad is because the video keeps flashing.

  It takes Progressive AVCHD and AVCHD.  He also shoots MP4, but I didn't think it was as good an option.

  Should which preset I use?

  What version of the program do you use?

  11 and 12 will be able to change the video from this camera if you shoot AVCHD 1920 x 1080.

  In versions 11 and 12, you can even turn in 1920 x 1080 progressive (PAL 60 p or 50 p) and edit it in the program.

  If you use a version of the program prior to version 11, you need video in AVCHD 1920 x 1080 30i (or 25i PAL) and make sure that when you start your project edition, you select the project settings for AVCHD full.