scaling a nested multicam project

Similar Questions

• Nested/hidden project

  I'm trying to clean up the library of a .cptx project that has been developed for a predecessor not reachable. I can see lots of unused images and backgrounds in the library, but by clicking on the button "select unused" does not select these items. When I select what I know to be an unused slide background in the library and you try to delete that a message appears saying the background is used on a slide in the "model project". The project itself is not called "Model project" and, like many, I can say, is any slide that it contains. However, when I confirm I want to remove slide 15 slide hidden or 'nested' a project called "Model project" appears in the existing project containing the background, that I'm trying to delete. If I don't then go slide by slide, I can delete the unused "model project" slides project - off the latest slide, how Captivate tells me that I have "at least one slide in a project.

  Everyone knows about the phenomenon of hidden project before?

  I also noticed that there are some Actions shared in the library project (again related to the project template) named the following...

  2Hotgraphics_onClick
  2Hotgraphics_onEnter
  3Hotgraphics_onClick
  3Hotgraphics_onEnter

  Can anyone suggest how these slides arrived in the project and why they are hidden?

  I really want to solve this mystery 'hidden project '.

  Any help would be greatly appreciated

  What I'm trying to do is to find the fastest way to remove the hidden and unused things that (thanks to bad practices) is are slipped in all the (50 or more) existing .cptx that I inherited from my predecessor.

  I just tried to select all slides in the initial project and sticking them in an empty new project. This does the job to get rid of all unwanted 'hidden' assets and reduced the size of the project in a spectacular way.

  Thanks for all your help in this

• Change the codec for a multicam project

  Hi all

  I have a situation with which I hope you all can help.  I have AVC-INTRA 100 720 p 60 sequences of three cameras recorded on P2 cards that I placed by mistake on a sequence of 720 p 60 DVCPROHD.  I then nested this sequence inside another sequence of 720 p 60 DVCPROHD I can modify multicam all cameras.  After completing the project, I had this time "duh" when I realized it was actually AVC-INTRA 100 feet and not the DVCPROHD footage.  Now I'm wondering how to change the two sequences for the correct codec.

  So I know that I can simply create a new sequence of AVC-INTRA 100, copy the entire contents of sequence 2 (my multicam activated sequence with all editions) and paste it into the new sequence of AVC-INTRA 100.  The question I have, is that it contains a sequence of nested for multicam editing, and the nest is pointing to the original sequence with the images from three cameras isn't always properly in a sequence DVCPROHD.  So, I'm wondering how to get the change codec in AVC - INTRA 100 for the sequence with the images from three cameras, can tell the nested sequence to now point to the correct location?

  God, I hope I explained that clearly.  As always, thanks in advance for the help.

  Mike Tomei

  Well, do you feel lucky, punk? Make a backup of your project before you file try this... and I make no guarantee that it works, although in my test, it has done.

  Open your database project in a text editor; I like Notepad ++. Premiere Pro project files are more than XML documents, so we can decipher some of them and tweak it to do what we want. In the first place, what I list below is the line you're looking for, and the second, the line you want to replace it with.

  Here we go...

  1920,1440
  1,1
  
  0,0,960,720
  0,0,1280,720
  
  960
  1280
  
  1345473880
  1297106761
  
  1685483063
  1297107278
  
  EncoderPresets\SequencePreview\079a6181-acbf-4a6f-b1f2-fb44555a69e0\P2 720p 60Hz DVCPROHD.epr
  EncoderPresets\SequencePreview\cf2f7860-0e56-444f-a64f-74eafec54e44\I-Frame Only MPEG.epr
  
  079a6181-acbf-4a6f-b1f2-fb44555a69e0
  cf2f7860-0e56-444f-a64f-74eafec54e44
  

  It expected to do so. Once again, simply search for the first string in each group and replace it with the second; You can do this massively if you don't really have anything else that change made the multicam. What it should do is changing the size of the frame in the sequence (the first two), because DVCPRO HD is anamorphic and AVC-Intra is full-raster and then the latest re - configure the editing mode and preview of codec. It is a relatively simple change, since you are sticking to the same rate - which would be a more complicated way and probably break of the project folder. I think it will work, however.

  If it works... I love dark beers

• Highlights of a multicam project film full length

  I turned a concert of 40 minutes with 3 cameras and the customer wants 5 minute highlight reel of this concert. I would be reasonably comfortable untangle a film multicamera concert full length, but what I can not understand is how to make a film of highlights of the concert using multicam without getting into trouble. I did a whole show before multicams so I do just the best editing without Miss, but I imagined if I try and make a film of highlights using multicam, it could be problematic because I use the duration of the sequence. I don't want to have manually ensure synchronization of cuts with the music. I'm probably not explain very well so I apologize. Can I jump before five minutes in a configuration multicam for the bit I want without causing problems?

  If it was my first project thing I want to do, duplicate project as a snapshot to preserve the finish of the version.

  Can I create a new empty project and cut the selections of the copy to the salient facts project - probably using the blade tool - or the range tool.

  Good luck.

  Russ

• How make a regular crash with a component source multicam editing and keep the NEST?

  I just want to cut the source multicam in my edit sequence. My edit sequence already has another clip multicam inside. I just want to add a different multicam clip on it. I load the multicam clip in my source as a regular clip monitor, but when I hit edit, it cuts in all the traces of my mulitcam, instead of a track of the nested multicam clip. What I'm missing here? I just avid then maybe that's not really possible? My solution is to drag the clip source multicam tray on the icon of the new, which creates my clip nested within a timeline, copy the nest, then stick in my real Edition. Why so many markets for such a simple thing?

  What version of Premiere Pro are you using? If I understand the behaviour you statement, looks like you have the feature "KEM Roll" (new CC7.0) Insert value and crush Sequnces of the individual Clips. In the case where you do not know what I'm talking about, this feature is controlled by the button most left in the upper left corner of the timeline panel, next to the button magnet (Snap).

  If that is not linked, then maybe some more info on your workflow will help. Start off by explaining how you create your footage making - there are two methods.

• Multicamera conform 4 K HD space problem

  Hello. When import 4 K images and together the space comply with these clips against zero in the case of the bin and place them in a project of 1080 p, as it should, it remains at 100%. When I choose a clip of 4K and 1080 p video and create a Multicam clip, jumps in 4K resolution and 1080 p material evolves to adapt (if I put it on any it narrows into a small rectangle do not fill the screen even if its an HD project size.) The Multicam clip seems to move to 4K.

  So when I drop the multicam clip resulting in a 1080 p project, well, I don't know what happens really not. The 4K is consistent as 'worthy', even if it is set to none. The clip HD says it's in 'fit' in line but when I set to zero, it contracts as if it was a project of 4K.

  I would like to be able to punch-in/crop the 4K images in the clip multicam and certainly do not want the HD upscaling. Anyone know if this is possible? What is the order of the clips? In the nested multicam, the 4K video is on top and the HD is on the bottom (only two cameras).

  Well, looks like I can't use multicam if I want to keep the 4K to 4K with HD images. It's going to get made one way or the other. Bad luck, but at least its only two corners so I'll just manually edit two layers of video. Or maybe that I could replace the 4K of the original clips angles after that I choose my angles?

  

• First question multicam Pro 4.0

  I have my level of frustration with multicam project.  I followed all THE instructions to create the multicam sequence.   It creates the sequence, I can change the sequence, but when I save the project and will re - open, the project does NOT open.  It sits for about 30 seconds and then goes directly to the not first not repsonding.

  I use Windows 7 Home Premium.  It makes no sense to me.  I can open a previous version of the project, but once I have create a new sequence and nest my sequence of 2 synchronized cameras, the project will NOT reopen when I close.

  Help, please!

  There are still unresolved one - bug in first which translates the program of freezing or locking up when you open a project in which you left the Multicam monitor open. The only solution is to create a new project, import the original and then do not forget to close the Multicam monitor (or switch to a different workspace that does not use the Multicam monitor) before saving and closing your project.

• MultiCam. Angle timeline Editor?

  How to angle Editor editing window in a multicam project so I can edit cuts on the fly?

  LLA angle Editor is in the timeline panel. If you want to see something else that you need to open it in the timeline double click on a project to open if

• MultiCam simple Question, please!

  How to rearrange the order of my camera on my multicam project?  Look below...

  

  I mean 4 corresponding to 2 or 3 where 1 is.  How this is done?

  Hi Paul,.

  Once your source multicamera sequence is created, and placed it in a sequence and multicamera active mode, click the menu key of the program monitor, and select 'change the cameras '. You can rearrange and toggle camera angles as you want.

  Colin

  First Pro EQ

• How to drag * content * of selected sequence multicam bin in existing sequence?

  Not easy to put into words clearly but I think that says it all - topic in first Pro CC 2014 I have accustomed to the ability to drag a selection of sequences blocking of a bin in a sequence and appreciated that, rather than drop a nested sequence, he would pass the content, all the audio and video tracks contained in the multicam sequences I chose when adding new audio/video titles to my sequence target if necessary.

  How can I get this same behavior in Premiere Pro CC 2015? When I drag a multicam sequence in another sequence in first cc pro than 2015 I'm just left with the NEST multicam - while many flows of work, this could be what I want, in this case it is not and I had the habit of the default behavior of 2014.

  Thank you!

  2015 when you nest sequence, double click on the sequence and it should open.

  Other then that, click on the button "Insert and replace sequences such as heartbeats or individual clips" and place your bin sequence in new sequence with this button selected. The button with the full name is in the timeline panel, under the timecode, first on the left.

• Same Audio Clip: "cannot synchronize one or more elements in the current selection because a match is not found.

  So I recorded a one-piece multicamera Setup.  I recorded audio separately from an external source.

  I turned view individual compisitions of each camera.  I then manually sync had my external audio by aligning alogn original audio wave forms.  Once I him I had lined up perfectly, I deleted audio of the original camera in the composition (to only use my external audio clip)

  I went and had already done with the same exact audio file for each camera view (in their own compositions).  I even standardized tham all to the same heights-6.  Thus, they are literally all of the same audio data.

  However, when I go to merge all of these compositions in a multicam composition (audio) via - I get this 'cannot synchronize' - which I don't really understand because I literally use the same audio clip on each of them.

  I tried to clear my cache of media and delete the cache files from media like another post said, but it was without result.

  Any reason, why this happens?  I tried to follow the channel 1, follow the channel 2, track down mix channel. all the same.

  Here's what to look like my comps:

  

  Ahhh I think I got it.

  Through Google more on this subject, I found an old post of you actually.

  That's your answer for someone else who sees this thread:

  In order to cut a multicam project using the multicam monitor, which is by far the simplest method, then you will need to use nested sequences.  There is no way around that.

  You can cut without the multicam monitor if you want, but I find it much less effective.

  There are different methods of creating a nested sequence multicam.  A large number of tutorials and even the focus of help file on the automatic mode, but I think it's lack and opportunity, problematic.  I prefer to do things manually.

  1. create a sequence corresponding to your images.

  2. Add the clips and synchronize them manually.

  3. create a second sequence corresponding to your images.

  4. the first sequence in the second nest.

  5. right click this sequence of nested, then select multicamera > activate...

  Thank you.  They have really should let more people know this method.  I thought the compiler auto was the only way to do it, I would rather manually this way

• Ken Burns effect on the large picture, keeping the full quality?

  Hi, I have a few high ground always images to add to a video with a simple Ken Burns effect. I would like to keep the really high quality to zoom in, is there a way to do this, IE select the photo source rather than to import them when he has reduced the size of the project (a bit like Avid pan and scan function)?

  Thanks in advance

  TThis image is imported at full resolution. When it is put into a project, it's default scaling to fit this project, but its resolution is not diminished somehow. You can use Ken Burns to create an animation or the function of culture/culture or the scale and position to crop. The image is always at full resolution.

• ProRes 422 LT or H264 source clips?

  For a particular edition project each video clip has been provided to me by two codecs: H264 (directly from the device) and Apple ProRes 422LT (I think that these have been produced via the compressor original H264 clips). I need now to start editing in FCP X. The question is which set of clips should I load in FCP X? 422LT tongs are four times the size of the H264 clips and so will gobble up the disk space. Is that their advantage uses them, instead of H264 clips with proxy files created by FCP X for editing?

  Thanks a lot for your comments.

  If you have a newish, with fast CPU and GPU computer, then there is probably no need to use the LT files. You also should not need proxy files either, unless you do a multicam project.

• Toggle "scale of the contours and the effects?

  Everyone want to 'Scale Strokes & Effects' should be a toggle UI higher level preferences buried in?  I find it often useful to switch between two States scaling of the same project.

  Or am I missing a shortcut for this?

  Although it is not a shortcut, you can also change this setting in the transformation Panel and clicking the scale tool...

• How to cut between clips?

  I don't know how to cut between two elements in a sequence.

  I downloaded a screencast documenting my frustrations: http://youtu.be/gIMspPJxXF4

  After download and carefully read Cup two-camera shoot and watch Multicamera editing in Adobe Premiere Pro CS6 - YouTube which is a little outdated since blocking UI is now hidden in the program monitor settings, I managed to make a montage which switches between my GoPro of my head and my screencast. But I found the whole process "Multicamera" a little long-winded. Am I missing something?

  Also on the same sequence I found unable to apply a fade to white transition both the screencast and the video of my head at the same time. Maybe I am not versed in the selections.

  Hello!

  He almost got it. First off you need not unlink the clips to isolate just the video or just audio. Don't forget to press ALT and then select the video and it will highlight only the video and not audio related.  Well, aside from that, you were very close... You see on the left side of the timeline, you have a box that says V1 and if you hover over the V1 on the right it says "track targeting...". "For the moment, you have targeted V1 track which is normal. That's fine, but your nested multicam clip is on track 2. If you can bring to the track #1 or deselect targeting for track 1 and select only the V2 to target 2 track and then the multicam window will appear as it should. So close. Happy editing!