Someone at - it experience with RED 4 k on an iMac?

I've just been called teach editing with PPro CS5 on an iMac here at the school where I work, at 9:30 in the morning. I have not used it much Mac, and I've never used body on the Mac.

The class used the PCF (which has been the editor of choice for teacher), but he (the teacher) just found out the week last that the reason all RED 4 k they tried edit pictures has a greenish tint is because the PCF does not support color RED space later... then he tried transcoding all with CINE-X to ProRes422 this weekend , but on his iMac only had 21 of 141 transcoded files in almost three days. There is no time to finish transcoding, so he asked me to come in tomorrow and learn at the class to use PPro CS5 so that they can complete their projects there and use the RED images in native mode.

I don't know the specs of these personal computers, but I was wondering if anyone has any which input on how well an iMac will handle RED 4 k images...

The images that I use to test on my older Mac to work the basic features are 4 k RED footage, and I have no problem. Without knowing the specifications of iMac computers that you will be working with, it is difficult to say anything certain.

A trick is to work with your other than reading resolution of full. If your film is 4K through, but your program monitor is only a thousand or so pixels across, so you can set resolution of reading to 1/4; Otherwise, you lose a lot of time to process the pixels coming to throw himself away when mounting the image in the Viewer. See this page for details of setting resolution of reading.

I'll be in my office with a Mac in a few hours, so I can answer questions later if necessary.

BTW, here are a few posts of my blog on the new science of the color RED and how to make it work in first Pro CS5:

http://blogs.Adobe.com/toddkopriva/2010/05/CS5-mysteriumx-red-update.html

http://blogs.Adobe.com/premiereprotraining/2010/09/Premiere-Pro-CS5-5-0-2-update.html

Tags: Premiere

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