Transformation of collapse on my Precomp reveals a trackmatted layer, although it should not

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  Here is a picture of what I implemented in Acrobat Pro XI:

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  It is a common misunderstanding when you start working in Ae. It takes time to get used to, and even veterans are still this error from time to time. Here's the thing, you have to get in your head: your project Panel is where your source material is, and the timeline is the place where there is a representation of this source. This means that if you duplicate an item in your timeline (particularly relevant for the precomps) it will duplicate a copy, not the source. so, if change you it - it will change all instances of this copy. If you want to duplicate a precomp and create another source, you will need to do it in a 4 step operation:

  1. duplicate your precomp in the timeline (you got that day)
  2. Select the source of this copy in the project Panel (currently the same precomp)-right click on the-> precomp 'reveal the source layer project.
  3. duplicate the precomp selected in the project Panel
  4. replace the copy in your panel mounting with the duplicate of the Source Panel (shortcut - Ctrl + alt + / when both are selected, or drag it to double with pressing Alt)

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• RoboHelp 2015 (12.0.2.384): The search returns topics do not are included in the table of contents

  ENVIRONMENT: Windows 7 Enterprise SP1, 8.00 GB of RAM, 64 - bit OS, Office 2010, Adobe Acrobat X Pro, Acrobat Reader DC 2015.017.20050

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  • A single RoboHelp HTML project with three exits. One of the outputs is a 'validation' reference that has its own Table of contents.
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• PreComp transformations collapse & cache by approach

  • I have a PreComp with "collapse transformations" enabled.
  • And PreComp, breast have a form and a text, using the Cache by approach.
  • Inside the PreComp it's Ok.
  • But in hand Comp, where is the Cache by approach PreComp, is missing.

  How to fix?

  Thank you.

  Szalam says:

  Is your matte on the length of time of your precomp?

  Yes.

  Szalam says:

  Is the track matte if you cut the collapse Transformations/continuously rasterize?

  Man Comp, that show PreComp (with collapse Transformations/continuously active), but inside PreComp, matte work.

  • C.T./C. = "collapse Transformations / continuously.

  I tried to do something else.

  C.T./C. is activated in PreComp, ok, I took the shape and text and placed inside another PreComp (2) without C.T./C., who created within a Precomp.

  • So I hand Comp, showing the layers of PreComp with C.T./C.
  • Precomp showing layers within Precomp (2) without C.T./C.
  • PreComp (2) have the shape and the text inside.

  I need to do, because I have other layers inside PreComp to be C.T./C. to be shown in a Precomp.

  So I could use C.T./C. as in the other layers, less fit and text.

  However, this results in more work, somehow, by the complexity of my project.

  Would another technique, any suggestion, how to do this feat?

  Thank you!

• Add the precomp major issue mask

  I guess it's yet another bug in AE 13.6.1.6?

  I took has several layers with overlays, precomp... nothing new here.  Click on the "for layer Comp: Transformation of the collapse" button to keep my overlays... again, no problem. Ahh, now add another layer as a 'matte' and all recoveries precomp disappear and do not work.  Really making me nervous, tried 6 ways to Sunday to work around that and I cannot.

  

  If there is only one fusion mode then just grab the blending modes in the layer (pre-comp) nested and edit it to add. Which is available even if it is not visible. Everything that you CT will work. If you're just hide or animate the lower third with a cache by approach then CT should not be necessary. Don't get me wrong. I use ways of merging all the time. I just know that if I want to embed a layer that has a bunch of mixed modes and I need to hide this layer nested with a matte or mask that I have to design so that I have not to condense the transformations or I'll have to animate the mask or add the mask in the nested model. I have this all the time. Unless I'm completely wrong, understand the use of the matte, I see no reason that it could not be included in the demo.

  Give the blending mode to ADD a test on your computer at the title bar of switching. I could offer you a better suggestion if I knew what was the structure of the model.

  If it was me and the place with 13 inside and the bar with the necessary addition mode comes alive with a matte that I'd keep probably the two layers in the main comp, parent from one to the other and use Set Matte to wipe it off with a demo as a source. Another approach would be to implement the expressions to animate the size of the shape layer, you use the bar based on the in and out point of the layer, perhaps put the 13 in a box on the same shape layer, use blending modes internal and trains facilitators to make the box blade in as needed without keyframes at all. Just setting the in and out point would do it. The shape layer would then be saved as a preset. This is another thing that I do all the time.

• Continuous rasterization without condensation of transformations

  Hello

  I would ask you - masters - help:

  The composition of my final opinion is 1920 × 1080 px. I have the camera on the inside as well as the composition of the main stage. The main screen is 1920 × 3000 px. There is the main stage 3D animations. The final composition view camera I want to fly from the bottom to the top, while animating the elements in the main screen. The only problem is that I have to use Transformations to collapse because of the blur made vector elements inside. As I do, all the animations that are broken, of course. I found a unique solution and very tiring: place each vector element of his own composition with condensed transformations. So I did well vectors in the final composition and properly the elements positioned at once. But I am convinced that this title is not professional. I preferred to set the main scene 3000 px high, so I can see everything at once. (If I'd build stage of 1920 × 1080, you would hide the 2/3 of the elements upwards or downwards all the time and work it would be incredibly awkward.)

  Do you know another approach when you have such scene portrait-format high (3000 px) and camera more small format landscape (1920 px) to exploit in it?

  

  Apples and oranges - transformatinons collapse and continuously rasterize - in my opinion.

  Thank you in advance!

  As I expect your ball composition are made up exclusively of 2D layers CT has no effect. Changing diapers of ball in 3D and everything's fine. No need to reset the keyframes, or do something with the size of the model. You cannot mix 2d and 3d layers and the camera reacts the same thing at the same time. The layer 2 will be just like a 2d layer in the main computer and do not have to be performed by the camera.

  

• VTI transform whole NAME and ipsec profile NAME must match?

  Just a quick question.
  Establishing a VTI between two end points and I want to know best practices.

  Transformation set NAME match?  My tests show that it's OK to not have the same name on each end as the works of large tunnel.

  The NAME ipsec profile must match? Again my tests shows that it is OK to not have the same name on each end as the large tunnel works.

  Is this OK for the number of policy isakmp to not be the same on both ends. Tests show that it's OK as well.

  While I know have different NAMES on each side work, I would like to know if its safe for production in that its does not cause me issues down the line.

  The reason why I ask, I've read that both sides match, but only what settings, or is it the settings and names?

  Hello

  Only the parameters must be mapped on the ends and not the names. ISAKMP policy numbers and names are locally important and so it does not need to match both sides. Let me know if you have further questions.

  HTH,

  Khaldi

• Reveal the layer properties in the timeline panel

  Hi, I'm working on a script where I selected all masks on a layer. It works fine, when I type 'm' on the keyboard, it shows all the masks and they are selected. I was wondering if there is a way in Extendscript to reveal masks selected for the user does not have to go find them after that that they have been chosen?

  Don't reveal native attribute of ExtendScript real estate. You have this:

  MaskPropertyGroup

  assets

  canSetEnabled

  Color

  elided

  activated

  reversed

  isEffect

  isMask

  isModified

  locked

  maskFeatherFalloff

  maskMode

  maskMotionBlur

  Remove

  name

  numProperties

  %{ParentProperty/}

  propertyDepth

  propertyIndex

  propertyType

  Rotobezier

  selected

  addProperty()

  canAddProperty()

  Duplicate()

  moveTo()

  Property()

  propertyGroup()

  Remove()

  PropertyGroup

  assets

  canSetEnabled

  elided

  activated

  isEffect

  isMask

  isModified

  Remove

  name

  numProperties

  %{ParentProperty/}

  propertyDepth

  propertyIndex

  propertyType

  selected

  addProperty()

  canAddProperty()

  Duplicate()

  moveTo()

  Property()

  propertyGroup()

  Remove()

• Update (transform) xmltype

  It is a sequel to this discussion:

  updateXML to null value

  where it says towards the end:

  Question 2. If there are any xml function which can update the name of the tag. as in the example above I need to change the < home_address > as < permanant_address >

  No, not directly.

  XQuery Update Facility, which is implemented in the 11.2.0.3 version, can do.

  For lower versions, you will need to use XSLT or XQuery.

  I, too, use 11.1 and I'd like to know how to turn an xmltype stored in a table using XSLT or XQuery. I would be grateful if someone could give an example of one or both.

  Thank you

  Morgan

  4. so, I want to know how to do something like this (pseudocode);

  update books

  Set object_value =

  XMLTRANSFORM (object_value, xsl)

  where XMLExists ('/wrapper')

  Is this possible?

  What happens when you try?

  Yes, it is possible:

  SQL> var xsl clob
  SQL>
  SQL> begin
    2    :xsl := '
    3    
    4    
    5      
    6    
    7  ';
    8  end;
    9  /
  
  PL/SQL procedure successfully completed.
  
  SQL> update books
    2  set object_value =
    3      xmltransform(object_value, xmlparse(document :xsl))
    4  where xmlexists('/wrapper' passing object_value) ;
  
  2 rows updated.
  
  SQL> select count(*) from books where xmlexists('/book' passing object_value) ;
  
    COUNT(*)
  ----------
           4
  

  Although I would not want to use XSLT in this specific example, XQuery is easier and better optimized:

  SQL> roll
  Rollback complete.
  SQL>
  SQL> update books
    2  set object_value =
    3      xmlquery(
    4        '/wrapper/book'
    5        passing object_value
    6        returning content
    7      )
    8  where xmlexists('/wrapper' passing object_value);
  
  2 rows updated.
  
  SQL> select count(*) from books where xmlexists('/book' passing object_value) ;
  
    COUNT(*)
  ----------
           4
  

  Choose between XQuery and XSLT to transform an XML document really depends on the type of operations.

  For example, I tend to use XSLT when processing needs of recursion, such as the removal of one space names default or delete/insert some nodes "deeply" in the document (if I can't use XQuery Update of course).

• Free transform bounding forming around an empty space, not the active layer.

  I don't know if it is a bug in PS or if I have some weird settings, I can not understand. I searched for the answer everywhere and can't find it.

  Here is what happens:

  I chose a layer, I hit cmd + T to transform free layer. Usually, would the bounding box around the object in the layer, I hit cmd + T, but he chose some other empty place instead. As if there was something else there.

  Nothing is selected (I even hit Ctrl + D to make sure that everything has been disabled and I wasn't trying to transform a selection)

  It is not just the keyboard shortcut (if I go into editing / transformation / scale, it does the same thing)

  Any layer I'm on, he chooses the same pristine "process."

  I think that I have a weird setting, I can't figure out how to turn off! Any ideas?

  Hello, pls check these things:

  -When you have the object selected in the tools Panel tool, in the control bar is the option 'display the transform control"off? If it is enabled, the bounding box will be visible around the object on the layer, even if there is no selection, and they are almost not visible. If you think that there is an empty place, you can first try to remove it (Ctrl / Cmd + A + cancelled)

  -did you use the "Crop" tool on this document, without the option 'Remove the pixel crop' on? In this case, the content of the layer exceeds the window.

  -pls check the channel Panel if you are on a specific channel, e.g. one channel Alfa and not on the colors.

  I don't know if you can be on one of these situations. Another test you can do is make a new file and check if the problem is still there, that way you can test if the problem is the specific document or a general problem.