Understand the choice of sequence

Similar Questions

• Understand the concept of sequences - CS4

  I'm one of you good people can explain to me how to put several plans on the same timeline and how to merge the sequences. I can't grasp the concept. I have no problem to import images.

  I was at half way through a project and presented in Digital Juice Ready2Go pre-made sequence and instead allow me to deposit in the current timeline, it opens as one new project in another window. I ended up having to recreate the images from this original project and place it behine the DJ footage.

  In addition, how would you put several projects together on the same timeline after them created? I'm really lost on this and could use some help.

  For the concept, I see "Sequences" as "Deadlines." I use to change the "scenes" or "chapters" separately and not have them on, or linked to, when I author of the project in again. I can keep everything in one project, but can have several sequences. I also think the sequences as "mini projects", in a project of "master".

  When a material of imports, such as a PSD file in layers, it strictly speaking as a separate sequence, in the project from the project Panel. We can't directly import a sequence into another, BUT we can easily give focus to a sequence, copy content, then bring the focus to another sequence, set the CTI (current time indicator/reading head) as you wish, to identify the necessary courses and then paste the content.

  If you import this DigitalJuice file into a project, it should appear as a sequence in your project Panel. If it is open a new project, then something's weird about this file. As you can have a project open at a time, we could choose the material of the open Digital Juice file original, copy, of the project, and then paste. Not as easy as just switching the focus of the sequence in the sequence.

  Good luck

  Hunt

• Understand the choice of Dell of Partitions

  Just got a new XPS 8700. I was told that the computer was shipped with a hard drive 3 TB and a 256 GB SSD.

  Take a look at the title of the disk of Windows 8.1 management, I see the following:

  Disk 0
  ------
  [D] 2794,39 GB - primary

  Disc 1
  ------
  [] 500 MB - EFI System Partition
  [] 40 MB - OEM Partition
  [490 MB] - Recovery Partition
  [] 8.4 MB - recovery Partition
  [C:] 229,30 GB - Boot, primary

  I'm a little confused about a few things.

  (1) I guess that disk 0 is 3 TB hard drive and disk 1 is the 256 GB SSD. Why is so much less than 3 to and 256GB 2794,39 and 238,35 Go?

  (2) I don't want to start from an SSD. But why the SSD also includes all my application Windows and records of the library, as well as 5 separate partitions? I guess that I can move my D: drive libraries, but why has not been configured in this way and doesn't really leave much room for all my applications?

  (3) why so many partitions? This computer came with a word of the documentation. What are they for?

  (4) and how to access those partitions so I want to see what's on them?

  I'm sure I want to spend * at * least * my records from library Windows on D:. But I would also like to see a little more space on C:. If I can remove some of these scores, I could extend C:

  Thanks for the tips.

  Disk 0, IT's YOUR 3 TB DATA HARD DRIVE
  ------
  [D] 2794,39 GB - primary, IT's YOUR DATA PARTITION MAIN, which INCLUDES YOUR WHOLE DATA DISC

  Disc 1 IT's YOUR SSD 256 GB FOR OS/PROGRAMS
  ------
  [] 500 MB - System Partition THIS PARTITION IS NECESSARY FOR WINDOWS BOOT TPG ON UEFI EFI
  [] 40 MB - OEM Partition IT's THE PARTITION of DIAGNOSIS FOR RUNNING the PRE-BOOT DIAGNOSTICS
  [490 MB] - Recovery Partition, This IS THE BOOT PARTITION that ALLOWS YOU TO BOOT TO THE RESTORE FACTORY
  [] 8.4 MB - Partition Recovery it IS PROBABLY IN GB NOT MB and YOUR REAL FACTORY RECOVERY IMAGE
  [C:] 229,30 GB - Boot, primary IT's YOUR ACTUAL operating system PARTITION

  I also recommend leaving them alone, UNLESS you plan to do a clean and plan installation never need the recovery partition.  Windows always creates UEFI and install recovery during a cleaning sheet.  They have no drive letters, because you do not have any business access it directly.  You can remove the 9 GB recovery partition to install more space after a cleansing of gain (or using a partition editor to move to the left C: - Windows cannot extend to the left).

  Disk space:
  http://www.ussscctv.com/harddrivesizecapacitiescalculator.aspx

  You want everything on your SSD you want to run/quick access.  Applications, as well as Windows files must be installed on the SSD if possible - it's why you get an SSD.  Data folders/files do not need to go on an SSD, but with them it does not hurt anything - accessing SSD speeds, but files are usually quite small and consulted some enough at the time to put on a HARD disk will have little effect on their access speed.  Windows not reorganize the structure of folders and any OEM - they cannot be presented at the discretion of the user.

  You also cannot move the libraries... their position is set on the C: drive, but they are only pointers to other locations of data.  If you want to move the folders that the libraries link, then open your documents in Windows Explorer folders, right click on images, Documents, etc., properties, the location and that it is on your HARD drive.  This location will always be displayed in your libraries.

• How to understand the context of the sequence of time real labview

  Does anyone know how Labview RT to understand the context of teststand sequence? My sequence context is defined as "TS. SequenceContext' like the screenshot in attachment.

  If we point a VI for that sequence context then who use VI of teststand? and must add this VI to the Explorer of Projectr of Labview RT system to build the project?

  I use 2009 Labview and teststand 4.2.1.

  Thank you very much

  LabVIEW RT does not support the ActiveX required for TestStand.

• Need help! Re: Sequence Presets understanding & settings + using multiple sequences!

  Hi, I'm newer to Premiere Pro (using the new version of Pro obtained in March 2010 on a PC) and watched all the tutorials (lots of video) and read a LOT about the subject! And I have answered several questions about mine. But there is one main thing (that I'll probably have to divide it into 2 or more questions) that I just got a complete knowledge & really your expert need help on!

  Thank you very, VERY MUCH! Really...

  I have designed/product audio (music) for a while now and when you start a new session just, you select your sample rate & are locked in for the most part therefore... Pretty simple... Now with Pro, when you start your new session, you choose your Preset sequence. Now for this first project, a video clip (3 minutes), the audio is done (as I said) and for the clip, we use images from several sources including: maybe 55% compared with a mini-camera DV, 40% of the .vob files right & the remaining 5% of some mpeg files + a few YouTube videos (we only have it our preserved images of front on YouTube) + some JPEGs (still images). And we plan to export the final video on YouTube and the internet. And we want also ready to be broadcast on both television (MTV, some media, shows, etc.). And Yes, we will also use it on cell phones (even if it is the least important right now). So 3 main exports (which I believe are all made at the end through media encoder).

  • But to choose the right Preset sequence at the beginning, I am confused, unfortunately.   I

  Believe you choose the one that best fits to of your assets sizes & frame rate [in this case, which is a camera film regular DV; & mediainfo said the .vob file = 720 x 480 (4:3) to 29.970 fps MPEG video (NTSC), one of the shots (of our) YouTube = 480 x 270 (16:9) at 29.970 fps STROKE, a MPEG = 352 x 288 (4:3) at 25.000 fps and 2 examples of jpeg = 300 x 400 (size = 57 KB)] and another = 720 x 450 (size = 100 KB)]. So if I am wrong in my assumption on the choice of a pre-defined sequence just on the best corresponds to the your assets rates & sizes, I would choose (I think): DV-NTSC Standard 48 kHz (the 48 just to 41 over our audio sampling frequency). 

  And if all goes well, it is excellent for our export needs YouTube at the end of the process the video & tv as well!

  .. . Is this correct?

  Can I choose the predefined sequence that best matches most of the sizes/frame rate of your assets?

  * And ESPECIALLY... is CE Preset of the sequence is the BEST for this current music video (based on the sources of our assets & where it will be considered when it is finished - mainly of YouTube, & also some TV [for media and broadcasting] - probably on a DVD, I guess)?

  Or I'm wrong, & it (your Preset Sequence) depends on your final product & the output?

  My friend (who admits that he is no expert in some way) explained that I would probably go with HDV 1080 p 30 as this will give a much better value for my release. But after he saw the results in Pro with this setting for my property, he agrees with MY above conclusion instead. 

  When you use the DV - NTSC Standard 48 kHz preset, I saw the asset in the Source monitor Panel (& then dragged the clips to the timeline) & seen in the finale of "Project Monitor" (I think it is called). And they looked decent in this final screen (where I'll crop & use some shared screens sometimes). 

  And when I used his suggestion of 1080 p HDV 30, assets looked ok in the Source monitor Panel (I think), but very little in the final project monitor. 

  • And led me to another big question - when you use the jpeg format which is 1280 x 960 e.g. (largest

  as the previous ones) in the Standard DV NTSC 48 kHz preset, happening in the Source monitor. But when you drag it down to the timeline and view it in the program monitor, the head was cut off, etc. and of course, when you use instead the HDV 1080 p 30 preset, as larger jpeg even adapt very well in the in the program monitor. Now, I understand that this is because the size of the frame (dimensions) close match those of the HDV preset. I get it. What none of us got was however WHY in the DV - NTSC Standard 48 kHz preset, he looks very well in the Source monitor Panel (but not in the program monitor)? (The two were simply put to 'Fit'). We thought he not would not have looked at well & fit fine and complete source of follow-up at first - but that's the difference between this largest jpeg display when it is displayed in two different monitors that really confused us!

  • And the final main confusion on this topic lies in something, that a technician in Adobe, tell us, informing that

  We can create multiple sequences. Now, I saw How to do this in the project Panel, but it's really the full understanding of the workings that we don't get. The tech said: "each sequence MUST have the good frame rates, sizes of images." Ok, you understand - understood. And he said: we can be: convert the size of the image (of this large jpeg example, say reducing) to match the predefined video frame size. But in this way, we would lose the quality (jpeg - assets). And he says: - or - you CAN use multiple sequences for different sources & when everything is completed (the whole video), I just export it them all as a single project! And I have that a sequence may be getting the DV preset (with the heights of these assets corresponding closely to this preset) and another sequence (in the same project) can be the HDV preset (with the heights of remaining assets corresponds closely to the preset instead). , But he couldn't explain was: how you can view your entire music video (3 minutes) in its entirety in Pro. It seems that when you choose a 2^nd sequence, it obviously creates on the timeline, and assets that you put in the 1^st (DV) timeline is completely separate from the 2^nd (HDV) timeline. And you get no display either at the same time (because they are distinct sequences). 

  So... is this true?

  Are we supposed to use multiple sequences within our project to clip one of the assets with a higher (or other) image size/rate?

  And you export sequences as a final clip?

  And if so, HOW the world watch you your video chats (in the monitor of the project with all of your changes - as you change) when you use more than one sequence?

  Sorry, it seems quite stretched out, but I want to answer your questions you can in turn have for me & be clear so I can finally receive clarity on this topic!

  I know it's much, but if you could address all of the above questions (more background or discussion - is but a handful of issues in there), you have my gratitude... we were afraid to start the part of the video of this project is NOT know what sequence preset start with (as "we don't want to be locked into the wrong choice & waste weeks of editing), let alone a good understanding of the 'why' or the ramifications!

  Thank you so very, very well... You have no idea how...

  Rendering is done on a basis as needed. If we do a complex animation with keyframes, or if they have odd source files, they could do. For keyframe animations, I could make this section of the timeline of a dozen or more times. Otherwise, maybe not.

  Rendering is the production of AV files, just for reading. They take a lot of space and will take a while. It's one of the reasons that a Publisher must familiarize themselves with the WAB (work area bar), so that they do things like rendering for all what they might need. Tip: remember to put this back to the full timeline.

  Good luck

  Hunt

• Warning about bad connections contains no option "I understand the risks", I can't move on

  I install Thunderbird on Windows 8.1. I am trying to add 3 accounts. When adding the second account that Thunderbird has warned by transmitting unsecured password. I clicked on "I understand the risks". No problem. When I tried to add my third account, I received the warning again, but this time there was no other choice, "I understand the risks". I can't click on 'Done', if I change the parameter that TB can not find servers. I'm stuck and unable to add my last story.

  I installed on my laptop that runs Windows 7 TB and had no problems. I use the same settings as in my version of TB on my laptop. The version of TB is 24.4 on both machines. Of course, the version of TB was younger, when I installed on the laptop.

  Thank you, in advance, for any advice.

  Bill Halteman

  If I wanted to get the certificate warning when connecting to my email provider's e-mail server, I would like to seriously check the offered certificate. There should be no exceptions to this need in the first place.

  Certificates are there for a purpose, and is not simply to add an exception when it does not work.

• TS2012 - SequentialModel customization to include the version of sequence and the path in the report header

  I was able to add a PreUUT reminder to a single sequence to allow me to understand the SequenceFile.Version and the SequenceFile.Path to the header of my report.

  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  

  The station ID:	TESTENG6-DMA
  Serial number:	NONE
  Date:	Friday, October 17, 2014
  Time:	09:35:09
  Operator:	pbrooks
  Run time:	14.0482135 seconds
  Number of results:	25
  The result of the object to measure:	Past
  Reference number:	423 00079
  Name of the manufacturer:	*******
  Reference of the manufacturer location:	*******
  Test mode:	Production
  Version of the sequence:	0.0.0.130
  Path of the sequence:	C:\Sonus\UX\UX Common.seq

  The recall, I get the sequence using RunState.SequenceFile.AsPropertyObjectFile file reference.

  I don't want to add this reminder to each test sequence, so I want to change the sequence of SequentialModel PreUUT to add the SequenceFile.Version and the SequenceFile.Path to the report header instead.

  Should what technique I use to get a reference to the file of the sequence on the process model PreUUT running?

  Phillip,

  You can use RunState.ProcessModelClient to access the file from the client's sequence in the process template.

  I hope that helps!

• No 'send using' blackBerry smartphones the choice when you reply to the no emails

  I have three e-mail address accounts pushed to my BB 9900 under BIS handset. On my old laptop 9700 I could choose answer an email coming from one account other than the one to which it was sent. When I clicked the dropdown at the top of the screen to answer, all three were offered as a choice. Now on my handset 9900, it does not give me the choice and only shows that the account with which the e-mail was sent, for the answer of. Is there a setting to change this, to allow a choice?

  Hello

  It's weird... forever, I think I understand that, when you answer, you don't have the choice... He will always use the email account through which he arrived. When you send, you will have to choose... but not when replying.

  Anyway, there is no arrangement... This is how it works.

  Good luck!

• Shaping the interpolated PNG sequence line

  Ok. I am fairly new to animate CC. I love all the power that I seem to have. A point of interest for me is the width tool. I use it a lot in Illustrator, and I am pleased to see that it's here as well. That's really what my question is subject, honestly.

  So I have this line, to frame 1 in a timeline. Now, I used the tool great width to transform this line into a sword to the 20 frame. Then to the 40 chord I use the same method to turn the line into a hammer. Then a shovel. Then a spoon. Then, a [insert the other name of the form here.] Each of these new forms is a new keyframe in the timeline panel. After that, I have about 5 keyframes, I highlight in the timeline and convert to shape tween. Now, when I rub the scenario, I see a nice clean morphing effect between Forms. Awesome!

  Now comes the part that I need help. So I have this blissfully brilliant morphing animation, but now I want to put this animation in a PNG sequence, so that I can use it as a sprite in a game (or other). Essentially, what I want to do, is to have a series of png, which all have a transparent background (since this is a sprite), morphing just animated line (which means, I don't want the white scene behind it, in every picture). I've tried several things, but I can't seem to understand the exact steps to get there.

  I noticed, looking at a bunch of tutorials, one thing is that, in order to create a sprite in the way that I need, the object you put in the sprite sheet should appear in your "Library" window In order for that to happen, it seems that the object must be a symbol. One thing I've tried converts the line frame 1 to a symbol, so that it appears in the library window, hoping that the symbol of all morphing frames would inherit according to picture 1. Unfortunately, it uses only that one frame for the symbol, it means that the symbol contains only an image when I try to export it to a PNG sequence. For this reason, I tried to convert the entire animation to all keyframes, and then by converting the line in each image to a symbol. This, as you probably know, has not achieved what I wanted to, because now each frame of the animation is more active with all the other executives. So, I had the same problem where each symbol has only a single image, and there is no obvious way to say they are all managers of the same symbol.

  I feel that the tools I have here must provide me with a way to export this animation, line shape interpolated, in what sequence PNG background transparent I'm looking for. Maybe, I'm missing just the tool "Convert online Animation Sprite sheet" somewhere. Or maybe I'm going over all evil. I'm totally open to suggestions if the methodology any wrong, and of course I'm open to any useful observations that anyone can have for my weird problem.

  Thanks in advance

  Hey everybody. I think I found a way to do this. Looks a bit a way hackers do it. It may be the right way, but it seems a bit too complicated for me. In any case here are the steps that I followed to complete a sequence of PNG from a line of animated tween to shape that contains all the animation in line width:

  1. create the animation, as I did in my question (create a line, creating multiple keyframes on the timeline that have changes in line width [like what makes a sword or hammer or other], and then select all the keyframes and make a shape tween animation)
  2. Highlight all the images that are animated in the scenario, even key non-images
  3. Right-click on the selected images and choose "Convert to keyframes", take all frames to keyframes. now, you have pictures for each discrete animation image
  4. While all new keyframes are still highlighted (must be a keyframe images now), click with the right button on the selected images and choose "copy images".
  5. Insert a new symbol (menu Insert-> new symbol...)
  6. Select "Movie Clip" type, and then click OK
  7. in the scenario of the symbol itself, right-click on the first frame on the first layer and select 'paste images.
  8. Rub this chronology in order to check your pasted frames to produce the animation you think it should
  9. If so, goto your window library, right click the symbol that you just created and choose "build Sprite Sheet.
  10. Use the sprite sheet creation tool to create and export your sequence PNG with transparent background
  11. Use your IDE to import the sprite sheet
  12. profit!

  I hope this helps someone. There may be a better way to do it, but hey, it works. So until I find a better way to do it, I'll just use it, and you are welcome for so

  Thank you guys

• Help understand the logic!

  Can someone help me with that?
  
  Can someone explain how the logic below works if you have the following input values:
  
  Input values:
  GLOBAL1_CURR_CODE = 'LOC '.
  DOC_CURR_CODE = "USD".
  LOC_CURR_CODE = "USD".
  
  
  IIF (ISNULL (GLOBAL1_CURR_CODE), NULL,
  IIF (GLOBAL1_CURR_CODE = DOC_CURR_CODE, 1.0,
  IIF (DOC_CURR_CODE = 'STAT', 1.0,
  IIF (GLOBAL1_CURR_CODE = LOC_CURR_CODE, DOC_TO_LOC_EXCH_RATE_VAR,
  : LKP. LKP_W_EXCH_RATE (DOC_CURR_CODE, GLOBAL1_CURR_CODE, EXCH_DT, GLOBAL1_RATE_TYPE, DATASOURCE_NUM_ID)))
  
  I'm not able to find the: LKP. LKP_W_EXCH_RATE in the SDE or SIL transformations.
  
  Thanks in advance.
  Nikki.

  Hi again Nikki, I see that you have two accounts of Oracle.com users!

  This seems to relate to several questions, you meet in the understanding of the global currencies how working with the BI Applications. For the benefit of third parties, the discussions are:-

  Logical Informatica for the Balance_Global1_Amt column in the W_GL_BALANCE_F table
  Logical Informatica for the Balance_Global1_Amt column in the W_GL_BALANCE_F table.

  Insert records into the table W_EXCH_RATE_G
  Re: Insert records in the W_EXCH_RATE_G table.

  Modify SIL_GLBalanceFact to populate the Balance_Global1_Amt column
  Change SIL_GLBalanceFact to populate the Balance_Global1_Amt column.

  Regarding your last question, I recognize that the SQL that you filled out below was derived from the mapplet MPLT_CURCY_CONVERSION_RATES1 in SIL_GLBalanceFact mapping.

  To understand the logic, you must understand the SQL used by Informatica, and Informatica research rating. Passing by your example line by line: -.

  GLOBAL1_CURR_CODE = 'LOC '.
  DOC_CURR_CODE = "USD".
  LOC_CURR_CODE = "USD".

  IIF (ISNULL (GLOBAL1_CURR_CODE), NULL,
  -So if the GLOBAL1_CURR_CODE is null, then return null else...

  IIF (GLOBAL1_CURR_CODE = DOC_CURR_CODE, 1.0,
  -If the GLOBAL1_CURR_CODE is equal to the DOC_CURR_CODE then return else 1.0...

  IIF (DOC_CURR_CODE = 'STAT', 1.0,
  -If the DOC_CURR_CODE is equal to 'STAT' (of the periodic statistics) then 1.0 else come back...

  IIF (GLOBAL1_CURR_CODE = LOC_CURR_CODE, DOC_TO_LOC_EXCH_RATE_VAR,
  -If the GLOBAL1_CURR_CODE is equal to the LOC_CURR_CODE then return DOC_TO_LOC_EXCH_RATE_VAR else column...

  : LKP. LKP_W_EXCH_RATE (DOC_CURR_CODE, GLOBAL1_CURR_CODE, EXCH_DT, GLOBAL1_RATE_TYPE, DATASOURCE_NUM_ID)))
  -search using the transformation of LKP_W_EXCH_RATE (you can see this list of choices on its own in the mapplet; scoring two points above is another way to refer to a transformation of research, instead of using connectors). The five columns in parentheses are used as inputs for research, if a matching record is found in the table, the EXCH_RATE column is returned (check the transformation of LKP_W_EXCH_RATE to the hole marked output).

  Please indicate so useful / correct.
  Andy

  www.Project.eu.com

• Results SQL (all the choices)

  I have a dashboard command prompt that uses a SQL result to display only certain values. I also checked "All choices". My problem is when I select 'all choice' it filters on ALL values for that not only the values of SQL result field.
  
  Is it possible to make the filter "All choices" on ALL the values of a SQL result?

  Hi user1631812,

  What you ask is possible, but you will need to add a little tip in addition to what you have at the moment.

  First of all, let me explain how I * understand "(all the choice option)" function. In OBIEE, "(tous les choix) ' is the lack of a filter." For example, if you set the column A to be "invited" and choose the value 1, then your report will have a WHERE condition "COLUMNA_A = 1". However, if choose (all choices) as your value, OBIEE completely removes the condition WHERE of SQL.

  So what happens in your case, when you specify the SQL custom in your command prompt, then what is displayed in the command prompt is limited to your custom SQL statement that is exactly what you were hoping for. But then when you select all the choices, the report is not aware of the results limited to the custom SQL; and in addition, the value of all options removes the WHERE condition you report. This is why you do not see your report filtering all the records. This is the part you want to resolve.

  Here's what I recommend you do in order to get the desired result. In your report, add in the same clause that is in your prompt i.e. column_a in (1,2). Then set that filter to "protect". Finally, add a secondary filter on column A and assign "is invited". The first filter will limit the choices just as you did in your dashboard prompt. It will also take into account the option 'All things'. The second filter will take into account in everything except the "all options" is selected.

  Hope that helps!

  -Joe

• Get the number of lines per column State, dependant on the choice, even if 0 table?

  Hi guys, am hoping someone can help with this query.
  
  I have 2 tables
  
  Search
  ----------
  code VC2 (10)
  Description VC2 (50)
  domain VC2 (50)
  
  MyTab
  ----------
  hour date
  VC2 status (10)
  
  The data should be like this:
  
  Search
  ----------
  B, buy, Transaction
  S, sale, Transaction
  R, back, Transaction
  O, old, to Condition
  N, new, Condition
  
  MyTab
  ---------
  JANUARY 1, 2008, B
  JANUARY 1, 2008, B
  JANUARY 1, 2008, B
  JANUARY 1, 2008, S
  JANUARY 1, 2008, S
  JANUARY 1, 2008, R
  JANUARY 2, 2008, B
  JANUARY 2, 2008, B
  JANUARY 2, 2008, R
  JANUARY 3, 2008, B
  JANUARY 3, 2008, S
  
  What I want to do, is go back a number of lines for each date in mytab, for each possible transaction situation, even if it's 0.
  
  If the query returns
  
  hour, status, County
  ----------------------------------
  JANUARY 1, 2008, B, 3
  JANUARY 1, 2008, S, 2
  JANUARY 1, 2008, R, 1
  
  JANUARY 2, 2008, B, 2
  JANUARY 2, 2008, S, 0
  JANUARY 2, 2008, R, 1
  
  JANUARY 3, 2008, B, 1
  JANUARY 3, 2008, S, 1
  JANUARY 3, 2008, R, 0
  
  So because there are 3 rows of transaction status in the lookup table, you always get 3 rows returned BY DATE in the table mytab.
  
  Is it possible without using loads of trade unions?
  
  Thank you!
  
  Scott
  
  Published by: Scott Hillier on November 5, 2008 15:24

  Nicolas-

  I don't think that you need a self-join.

  (my apologies for the bad formatting, cannot understand the syntax of the citation!)

  with
  list of choices like
  (select code 'B', 'Buy' descr, area of "Transaction" of union double all the)
  Select' code, descr 'Sell', 'Transaction' of all field double union
  Select code 'R', 'Return' descr, area of 'Deal' of all the double union
  Select ' o ' code, descr 'Old', 'Condition' field of dual union all
  Select "n" code, descr 'New', 'Condition' field of the double),
  MyTab as
  (select to_date (January 1, 2008 "," MON-DD-YYYY "") transdate, status 'B' of all the double union)
  Select to_date (January 1, 2008 "," MON-DD-YYYY "") transdate, status 'B' of all the double union
  Select to_date (January 1, 2008 "," MON-DD-YYYY "") transdate, status 'B' of all the double union
  Select to_date (January 1, 2008 "," MON-DD-YYYY "") transdate, the from ' Union status double all the
  Select to_date (January 1, 2008 "," MON-DD-YYYY "") transdate, the from ' Union status double all the
  Select to_date (January 1, 2008 "," MON-DD-YYYY "") hour, status of 'R' of all the double union
  Select to_date (January 2, 2008 "," MON-DD-YYYY "") transdate, status 'B' of all the double union
  Select to_date (January 2, 2008 "," MON-DD-YYYY "") transdate, status 'B' of all the double union
  Select to_date (January 2, 2008 "," MON-DD-YYYY "") hour, status of 'R' of all the double union
  Select to_date (January 3, 2008 "," MON-DD-YYYY "") transdate, status 'B' of all the double union
  Select to_date (January 3, 2008 "," MON-DD-YYYY "") transdate, the from ' double status)
  Select trunc (a.transdate), c.code, count (decode(a.status,c.code,1))
  mytab a.,
  Search c
  where c.domain (+) = "Transaction".
  Trunc Group (a.transdate), c.code
  order of trunc (a.transdate);

  TRUNC (A.TRANSDATE) CODE COUNT (DECODE(A.STATUS,C.CODE,1))
  ------------------------- ---- --------------------------------
  1 JANUARY 08 B 3
  1 JANUARY 08 R 1
  1 JANUARY 08 S 2
  JANUARY 2 08 B 2
  JANUARY 2 08 S 0
  JANUARY 2 08 R 1
  JANUARY 3 08 B 1
  JANUARY 3 08 R 0
  JANUARY 3 08 S 1

  9 selected lines

• Whenever I want to open twitter "this connection is Untrusted"comes to the screen, but her option "I understand the risks" never comes. " What to do > help

  When I try to open the twitter/facebook etc, as sites the message that this connection is not approved appears on the screen. After some instructions another words in bold comes technical does not come from the details but "I understand the risks". What to do. Help step by step the pl

  Hi Linda, can you start at the top of this discussion and see if you can identify a particular program or a device that is intercepting your secure connections?

  If you want personal assistance, please start a new question and include your system information.

  https://support.Mozilla.org/questions/new/desktop/fix-problems

  Scroll down to the suggested items passed to continue entering in your question.

• How can I remove an exception made by clking "I understand the risk?

  Went on the website and received no reliable message and accidentally click on "I understand the risks". How to I reverse this trend? I don't trust this site.

  Hi robinandjon, you can cancel when you enter in the menu > options > advanced > Certificates > view certificates > servers tab and remove the certificate of the site in question.

• Untrusted connection is missing section "I understand the risks".

  Run Firefox 33.1.1 on Windows 7, try to access https://code.google.com. I get the page "this connection is untrusted", (specifically sec_error_unknown_issuer), but there is no section "I understand the risks" to allow me to add an exception. Other posts have suggested trying to 'forget this page', who has not solved the problem, or "Ce Frame: Open image in New Tab", which does not appear on right-click in this case. I also tried to go in 'View Page Info' but there was nothing out there for me to add the certificate either.

  Open the chrome URI by pasting or typing this URI in the address bar to open the window "Add the Security Exception" and to check the certificate:

  • chrome://pippki/content/exceptionDialog.XUL

  In the field location type and paste the URL of the Web site

  • retrieve the certificate via the button 'Get certificate '.
  • inspect the certificate via the "view..." button. »