C8180 don't align with the white paper

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• The objects don't align with the origin

  I suddenly can't get the node from the corner of a rectangle to coincide with the upper left corner of the artboard - it compensates by 0.5 px both ways. Tried to quit and restart. I wonder if this is controlled by a preference - I looked through the windows of pref and he couldn't find something that solves the problem. Anyone know what is happening?

  Deselect snap to infernal Pixel grid.

  JET

• Black screen with the white underscore

  Hello
  I started most recently problems with my PC. It's an Hp pavilion slimline s7713w. The problem is that I get a black screen with the white underscore once he gets past the start screen for Hp. I have recently updated my RAM and my monitor but I need to download the video driver. I do not have the chance to update.

  Oh don't worry, I just went out and bought another computer, but I thank very you much for your help.

• How to scan so that the white paper shows that white is blue not?

  Is there some kind of tweak I can do so that when I scan in color, the white paper analyses as white, not blue or yellow light?

  Thank you.

  Most likely, you will need to correct the color after scanning.

  Scanners do not have the same sensitivity of color under your eyes and will not see everything the same as you do it.

  And scanners don't adapt to the colors as you (they will see the journal as gray on gray, while you see in black and white).

  Try to use the white eyedropper in levels on an area that should be white.

• Align with the graphic point nearest

  I have a chart xy with several points. The graph is controlled by a mouse press event, when the user clicks on the chart, he draws a red circle at the point of click. My question is how I would get this to align with the closest point?

  
  

• BlackBerry smartphones email notification icon stay always with the White Star on red circle (new article)

  Hello

  I'm a french user of BB 9810 2 years last week there was a problem: the e-mail notification icon always stay with the white on red circle (new point icon) star although all emails are read.

  Do you know a tricks to turn off the White Star on red circle?

  Thanks for your reply due diligence must

  JCV

  Each time a random strange behavior or slow creeps, the first thing to do is a battery pop reboot. With power ON, remove the hood back and remove the battery. Wait a minute, then replace the battery and cover. Power on and wait patiently through the long reboot - about 5 minutes. See if things return to functioning. Like all computing devices, BB suffers from memory leaks and others... with a hard reboot is the best remedy.

  Best!

• Is there a reason why certain numbers automatically generated do not align with the text?

  I'm building a small book in InDesign and generated chapter numbers only display correctly aligned with the text of the chapter into two chapters. In others, they are slightly lower than the base line and print that way. They all use the same format title and list paragraph. (I even checked the Master Pages for objects that drag may interfere and see nothing.) Someone has seen this and can point me to a solution?  The original document was from the Pages converted to MS Word, so I tried to see if there are some strange characters which came with the conversion, but as you can see on the screenshot below, nothing shows up. Any help to identify the problem or a cure would be greatly appreciated.

  Here is a chapter that is displayed not correctly, and it is the base character Format options.

  

  This is the same information and display of one of only two chapters that are aligned properly.

  

  This is the same information for the works do not and the chapter number of work outlining the options for bullets and numbers.

  

  

  artomis-

  Eugene said that options 'last '. He meant the four options at the bottom of the list, but especially 'by default Figure Style'. Try "tabular covering" as Peter suggested.

  Tom

• Illustrator aligns with the pixel & changes the path?

  I work with paths are for some reason strange and annoying, snaps to the pixel grid. I have even the 'Snap to Pixel' off and the traces are changed by the Illustrator so they dynamic enters the pixel grid. I've never experienced this before where illustrator actuall moving anchor points where he wants. Here is an example of what is going on (this happens in the raster preview and normal preview):

  Here is a vector path on a grid created to show where the pixels are:

  

  I select the object swap FILLING in the RACE and immediately you can see that illustrator changed the location of the paths:

  

  I share the RACE to FILL and it alters the paths still more!

  

  Here's another example:

  The paths are not clearly aligned with the pixel grid, but illustrator is trying everything possible to make the line of pixels to the top. (This image has "Quick align inside" and is previewing rasterized).

  

  Same thing but pixel not preview. Super weird behavior:

  

  Will there be some sort of setting in the preferences of masters that is causing this behavior? I did this wink on the grid and snap to pixel is turned off and rest nothing will do. Anyone encountered this?

  Thank you!

  I'm assuming that CS5 because you are talking to match the pixel grid. Is this correct?

  Possible bug, but...

  I can easily reproduce this problem with a small graphic and align on grid of pixels. If I disable snap to grid of pixels (in the transformation Panel) the problem disappears.

  Note there must be a very small chart for the question to stand.

  Are you sure you want to align the grid of pixels off?

  If so, you might try trashing your file.

• Is it possible to align with the edge of a STROKE?

  It automaticly sanps in the middle of a stroke s, o cutting for example, you get a line cut in two.

  As far as I know, the only way to align with the edge of a stroke is by describing it with benchmarks commented under tension.

  Of course, you can make a temporary copy of the race using Cmd - F or Cmd - B to keep it in the right place, align on that and then delete the copy.

  In this example the angles of the pink triangles align on the path statement.

  

• Where to publish the white paper with MY NAME on it

  White papers NOR does not have the name of the author listed on it, as the link.  So any suggestions on what reputable labview site I publish white paper with my name on the paper?                                    http://digital.NI.com/public.nsf/allkb/7F95D43D3F50FCAC8625710E000068E1

  The link you provided is just a standard KB article, so we don't know what the author's name, you are referring.

  You consider not to be a 'reputable' site of LabVIEW?

  You may be looking for the section of the documents of the Community of NI Developer Zone?

• How to blend in with the white shadow on black part?

  Can you get it someone please let me know how to subtly mix in the white part of the shadow in the background black, I created. I have two layers, one for the black background and one for the image. But I don't want to mix the bottle in the background, just the white part.

  Thank you! Susan

  

  Certainly work with the image in full resolution and downsize after the change.  This will reduce the imperfections in the web version (for that there will be any imperfection does not) white hard as can are better selected with the pen tool.  If you want to mix the background, I decided on a different approach.

  Select the box with the pen tool.  It's a little bit of a learning curve, but an essential tool and worth the effort.

  https://helpx.Adobe.com/Photoshop/using/drawing-pen-tools.html

  After you have created the Workpath, right-click in the Panel traced and make a selection, and copy into a new layer (Ctrl j) keep this layer at the top of the stack

  Make a new layer under the cage layer and fill it black

  Make a new layer between the Can and the black layer.  CTRL, click the box layer to load a selection and fill the layer with white.

  Use free transform to develop the white layer so that it looks something like this: (note I have not tested this yet, so just a guess)

  

  Now use the Gaussian blur to soften the white layer to some degree of suites.  This used a value of 100, but you'll need a value more high full resolution on your image.

  

  There are tricks to refine the background.  CTRL f repeat the Gaussian blur, but the softer the blur becomes the thinnest layer, but you can copy the white blur layer to make it lighter.  When you are satisfied, select all the layers blur and merge them (Ctrl-e) and refine with free transform.  Now CTRL pressed while in the free transformation will allow you to drag a single corner.  in the example of the lower right was a bit too dark, so I dragged that corner down and to the right to compensate (as in the final image)

  

  

• Chronology of lag, line read head not aligned with the playhead after 8.1 update!

  Everyone knows this? See attached screenshot. The white line clings around the time indicator resulting in what you see below, in addition, the read head line is not actually bordered the read head himself, make changes the picture quite impossible! It drives me crazy. Have cleared all caches and deleted all the files preview, even though this is clearly not cause this. It seems to be a problem of card/graphic driver with PP 8.1 that everything worked great until I applied the update this morning... silly me :-/ I'm running a Windows 7 Pro 64 bit, workstation 24 core with 64 GB of RAM and a Quadro 5000 GPU with 2 GB of RAM. Help!

  

  Hi Mark Mapes and GarethCLS. I found out what the problem was/is here! It was because my Windows system fonts have been fixed at a size of 125%. I changed the size of the font to 100% in Windows and hey presto everything works as it should now in this regard, no line of collage and the read head and the line are aligned correctly. It wasn't a problem before the update by 2014 CC as I had my fonts to 125% for the years! Now I'm squinting at my text that I have to keep it at 100% for the PP is displayed correctly! Please my op for details before you ask Mark Mapes. Stabilizing warp will not apply to one of the clips on the timeline or change it back between the GPU acceleration and software makes no difference, it's just the size of the police who made this place.

• Combine JPEG files to create PDFS with the white page background

  Hello, I have hundreds of analyses of paper of various sizes, same dpi, and I would like to combine them to create a PDF with each of them a Virgin 8.5 x 11 background page? as in an album. Is this possible using acrobat only? Or should it be done on a program like indesign? Appreciate any thoughts.

  There is a way with Acrobat, and the process could even be script to greatly speed things up. I think it's for each image, create a blank page in the PDF file, and add a button on each page with the height/width equal to that of the page. Set up each button with a layout that is the icon only and the scaling and positioning as necessary. You can then import each image as an icon of a button. Once this process is complete, you can flatten pages, which will convert the images to the content of the page regularly, remove the buttons in the process.

• Start an adjustment with the whites and blacks?

  Martin Evening in CS6 for photographers recommend to adjust an image with exposure, contrast, and then fine tune with the shadows and highlights. Explains the use of whites and blacks only if necessary. Julieanne Kost has a pithy video on cab in which she begins by setting the white and black (which dates back to the advice of Bruce Fraser / Real World Photoshop using levels in Photoshop). http://TV.Adobe.com/watch/Photoshop-CS6-featuretour/Adobe-camera-raw-70-in-Photoshop-CS6/

  I know that I can see what works best for an image, etc.. Ask yourself what is the recommended procedure.

  I could write reams about it. Have already done.

  I will however keep this short (for me) and let someone else take a better stab.

  It is wrong to think of controls PV2012 as being something like those of other publishers.

  The bottom line: give the picture adaptations she needs, whatever you start with.

  So perhaps a better question is: How do we know what adjustments needs a photo in PV2012?

  (I warned people against trying to arrive at a single procedure that will work for all photos)

  That's all for now.

  OK, maybe a quicky:

  No matter what start you with, try to keep clear 0 or negative, shadows 0 or positive and shadows value exactly equal to the value of highlights. Once you have the photo in the ballpark in this way, no matter how you juggled exhibition & white..., then and only then, consider asymmetric values of lights and shadows.

  WARNING: this "formula" works on 90% of the photos, not 100 percent. Or it could be 0% (or 100%) depending on what you're shooting...

  Okay, I can't resist:

  Most of the pictures can be edited in this way:

  * Most critical exposure setting

  * Use - highlights for container of the upper extremity

  * Use + shadows to normalize the lower end

  * The difference in taste.

  * - black & + white to make full use of the available tonal range.

  But at the other extreme, there are these:

  * Exhibition but still critical,

  * puts in light and shadows of the sliders do not hit the sweet spots: leave at zero.

  * Use - white & + blacks for recovery & fill, respectively.

  * You may very well push contrast, although it is an image too contrasted initially. Or not...

  And then there's a whole series of photos which sit somewhere between the two...

  Confusing? Yes. PV2012 is great, but delicate and requires a completely different way of thinking and a flexible 'procedure'...

  Note: Highlights slider going positive, and cursor shadows going negative also, independently of the highlights slider for a reason. But their use in this way should be reserved for unusual cases of raw or refine already cooked jpegs, or you really know what you are doing and why you...

  One last point is critical: exhibition in PV2012 sets mainly mid-level tones, that is why it is the most critical: highlights, contrast, shadows, all hinges on a suitable exposure setting.

  Black & White adjustment are probably the biggest keys for optimal fit in PV2012, but they are more difficult to nail down, because their adaptation depends strongly on the photo, but maybe a golden rule to be broken:

  * - black & white if possible, for punchy complete histogram photos +...

  * + Black & - White tones tend to gang to the extreme endpoints of the gases, such as highlights & shadows adjustment do not understand... (or you prefer the softer look that can come, or else...).

  WARNING: This is a personal thing, and probably different people different things that work best for them...

  PS - Don't forget the curve of tone & inhabitants after basic setting (can be done over too, but it is not recommended until you have acquired sufficient experience).

  Lr4/PV2012,

  Rob

• The objects are no longer self-aligning with the other

  Hello

  I am new to Adobe Illustrator CS4 and are in desperate need of expertise. I think settings got messed with, because now whenever I move an object, he tries is more 'auto align' with close objects or borders. I don't know how this feature is called, but it is when a smaller circle type of "jump" at the center of a larger circle, or I think that it will also show when limits are tangent.

  My apologies for my noobishness, but how can I activate this return? I find the program very difficult to use without it.

  Many blessings for your generous explanation and kindness.

  On the view menu: guides, Snap to Point. You may have hit a shortcut by accident.

  Peter