Captures 60 fps DSLR directly in first

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• Can I create a DVD directly from first (latest version) without using yet?

  I am trying to create a DVD and also a DVD BLU - Ray first.  Is it possible without using YET?

  I also use Final Cut Pro and you can share directly on a DVD, but the codec options are limited.  I still liked because it allowed me to make the menu screens

  and nice looking menus.  I guess those days are gone.  Have you tried ROXIO... There are real problems and the limited menu screen and other programs, nothing better than options

  the old man again.    BUT... I can create directly from first?  If so, how?  I'm puzzled.  Don't want Final Cut as the only option.  Some of my clients are really looking for

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  flash drives, but flash drives are easily played on a HD TV.   All solutions?

  You can not burn directly to a disc of first, but you can still use the CS6 of still, certainly not safe for Windows version of the latest Mac OS.

• First does not support video captured 200 FPS

  When I try to import my all, captured by FDR-X1000V of Sony 4 K Action Cam , Adobe Premiere he refused with typical error "invalid format".

  I work a lot with video files 100 fps, but now I need video with 200 frames per second. What should I do?

  System: MSI GT72S Dominator Pro G

  First CC 2015 v. 9.0.2

  All the drivers are up to date.

  Answer is-

  Just update Adobe Premiere by UMT.

• Problems with video capture in Final cut pro verses first CS5

  The codec used in the capture of a video of the PCF, I cannot import the FCP in first CS5. Video I get clients who capture video in FCP and then send it to me. Is there a different capture format, they can use or y at - it a codec that is available that does not cost a fortune, working first for windows?

  Yes, I am intimately familiar with P2 and edit in Premiere Pro - I have done so for four years. You don't need drivers for P2 unless you are actually mount the card P2 or the camera to your computer. Premiere Pro will edit the images natively without any additional installation. The applies to all formats that can be recorded to P2, including DV, DVCPRO, DVCPRO 50, DVCPRO HD, and AVC-Intra. If someone offers you a complete workout of the P2 files (folder structure) and you can import and edit all these without additional work around.

• L7780: ADF captures paper and it takes the first sheet, but it will not treat through.

  ADF picks up the paper and fire the first half of the page very low in rolls in the printer, the printer then makes all the normal sounds as had prepared for the task, but it just error and says to remove the paper jam.    You hear a little noise of rotation as if he was failed in the second half, if you will, of the feeding process.

  I tried all the tips of the ADF and cleaning tips, etc I do not jams, and I am aware of any previous jams.

  Thank you in advance!

  Hi there @FliAngler , I hope all is well

  I read on paper jam error message you see on your Officejet L7780 however, there is no jam present. My suggestion would be to consult the guide below and clean the rollers. You can also try the other steps in the guide if the paper jam message comes back!

  A message "Paper jam" for L7300 HP Officejet Pro L7600, L7500 and L7700 all-in - One Printer Series

  If troubleshooting does not help, I would finally support.

  Please contact our technical support at the 800-474-6836. If you do not live in the United States / Canada region, please click the link below to get help from your region number. http://WWW8.HP.com/us/en/contact-HP/WW-phone-assist.html

  Best wishes

• Can I use a camera HDMI input to capture first?

  I try to capture directly in first of a camera with an HDMI output and the Capture window is not a device. It is possible to capture audio and video from a HDMI source?

  Only with a 3rd party card... I think that Blackmagic?

• Now no link Direct with Speedgrade in first CC 2015.3

  Does anyone know what Adobe recommends as a professional between first and Speedgrade workflow now that the link Direct to the first 2015.3 of CC has been eliminated?

  I guess they let us back to an older manual method using EDL or DPX still sequences of images as shown here:
  "Workflow" for Adobe Premiere Pro CC & CC SpeedGrade

  Or, simply go down to first 2015.2 as shown here:

  FAQ: How can I reinstall the first Pro CC 2015.2 (9.2)?

  What is the logic here?

  Hi dd,

  Does anyone know what Adobe recommends as a professional between first and Speedgrade workflow now that the link Direct to the first 2015.3 of CC has been eliminated?

  Direct working relationship must be made directly in first Pro must be done in the Lumetri Panel now. Most of the features offered by live link is now directly in the application of Premiere Pro, workflows should be smoother and easier for those who wish to participate in these functions.

  Advanced features should be made as it has always been in the past. See this excellent blog post reminding you of this workflow: http://wolfcrow.com/blog/the-adobe-premiere-pro-to-speedgrade-workflow/

  I guess they let us back to an older manual method using EDL or DPX still sequences of images as shown here:

  "Workflow" for Adobe Premiere Pro CC & SpeedGrade CC

  Fix.

  Or, simply go down to first 2015.2 as shown here:

  FAQ: How to bring back to Premiere Pro 2015.3 in Premiere Pro 2015.2

  Yes, it is also an option.

  What is the logic here?

  Direct link offers a limited feature set for publishers who want to color grading. This set of features has been moved to the Lumetri Panel. SpeedGrade, the application, still exists for colorists are seeking to use the tool for its advanced feature set.

  If you missed the whole SpeedGrade set of features to be supported by Direct link instead of our sense of the course, or any other application that you think could improve the workflow, you can certainly submit a request, if you want.

  Thank you

  Kevin

• Keyframes in the projects to link Direct first

  mewifranzi

  I tag mewifranzi in this post which added keyframes in Speedgrade 2015 on a direct link project 2015 first.

  I've sampled adding keyframes in Speedgrade 2015 after a Direct link between the project from first 2015 and I crashed, I snuck out beach balls, but I managed by adding keyframes to a mobile mask through a sequence of dng. I was able to return the first sequence and looked at the rank of the mask move in the clip. I failed to send the design to Speedgrdae and obserbed keyframes in their saved state.

  I do not recommend add keyframes to Speedgrade 2015 after direct linking first 2015, because it is very tax on my computer. Regarding the card of this computer system - it includes many computers on both platforms and include a lot of graphics cards.

  Some would say to add nuance and do the first masking. Some would abort 2015.

  What we would like is problems with keyframes to address also. I would like to be able to add keyframes in my creative projects related directly, but for now, I'm looking for the ability to add keyframes in Speedgrade .ircp projects, make out, and then import the clips made with keyframes in first. Note: I sent classified Speedgrade, adjustment layers back in first and additional mask on the front.

  If please, talk with your voice and do not worry about what language type you mewifranzi like you had more trouble with images keys and then myself.

  This last method of nesting works best and I will now follow this workflow. Although I do not click on a command which says nest, I guess it's his definition. And when I place the clip in the timeline from first with the "insert and replace sequences such as nests or individual clips" button active, clip on the timeline icon is identical to the original, with the exception of the effect of lumetri and the fact that until I have there is no effect of movement never applied, "replace".

  So, I'll now direct linking edits multicam clip as a sequence distinct in Speedgrade, without the path, and then direct a backlink to first and nesting in the multicam edit sequence, using "replace" (hold the alt key with the left mouse button pressed and drag the original clip selecting).

  Also, I disable Speedgrade extended while keyframing 14 point feathered masks which allows my version of 2015 to maintain the same RAM usage - as opposed to the expanses of the RAM max crash of the launch.

• How to move/rename files directly from 5 first?

  I need to better organize my files, now they are in too many files and file name structure is incorrect.

  Can I manage the directly from first without having to tell the new position as when you out first? just as you can to the Lightroom library, move to rename files with...

  I tried rename, but it seems that different in my project window, the actual file name remains the same...

  Thank you

  No, changing names in first stays with first.

  Changing names and move files on the hard drive's files go offline.

  Rename will give trouble when rebinding unless you know excactly what is what.

  So in other words plan before starting a project.

• Problem with playing live at first Elements 10 - edition

  Hi there, it has been a while since I used the first and decided I'd do a video. I copied all media across and began to edit the clip. I dragged the first clip on the timeline and click the play button so I could find where I wanted to make the first cut. And there is no video, just a still image where the marker has been. If I click on the area of direct reading, it pauses for the video and updates the still. I tried to update the software to see if it was a bug that has been fixed, but it's still there. I have never had this problem before and would appreciate any help that guys could lend.

  Thanks in advance,

  -Chris.

  Additional info:

  OS: Windows 7 Home premium 64-bit

  First version 10.0 (20110902.mol11.b123.280463)

  Parameters [email protected] FPS, dslr preset in the project PAL

  I work with my gopro mp4 files.

  Chris

  Is your first items 10 on a computer that is using an NVIDIA video card. If so, please check the following

  http://forums.Adobe.com/message/5907813

  Your video card driver may require a roll back instead of making sure you have the latest version of the video card driver. There was an epidemic of this kind of things specific to the first items 10 and NVIDIA video cards.

  Please check the above and let us know if any of this applies to you.

  Which is governed once inside or outside, we can move on to other aspects of troubleshooting if necessary.

  Thank you.

  RTA

• Report l / h different fps issues

  Hi, I just wrote and directed my first independent short film. I had a great team and got some pictures of the beautiful and very visual. But I am learning the editing more or less from scratch. I seek answers here and elsewhere for my question but have found none.

  So, because we shot images in different fps (24 fps and fps Slow Motion with a scarlet RED 70) it seems that when I import they find themselves with the different proportions and different width and height. I'm not sure how do faced with this, when I want to layer a few images with different plans have different shots within a single sequence. So my question is: is there a solution for this, which means, what sequence settings should I use or if I can't solve this problem, what images can I prioritize - will be the sequence settings affect the image quality much?

  Note: the different width and height/aspect ratio... Would it because we shot greater fps/Slow Motion in 2 k in order to get enough and the other images in 4 k? I'm really new to this, so my question may sound strange, but I'm trying to understand how it works.

  Also, I have some big plans I want to connect to. I tried to use the effect of "scale" to do this, but that also seems to change the aspect ratio. Or rather, the shrink of mailboxes when I use the scale effect, how to solve this?

  Last question. Due to a schedule very pressed the photographer accidentally got the fps to 25 (when it was supposed to be 24) because it has not changed the basic parameters of time unfortunately. But the record framerate is 24. I tried to interpret the film at 24 fps, and it works, audio syncing properly then. But is it the best way to deal with this?

  I thank you for your time and look forward to the answers.

  All the best,

  HA!

  You will need to check the proportions cadence between your 2 k and 4 k material. I know there are several possible iterations of each, and to my knowledge, the most common 4 k is the same proportion of 16:9 as 1080 or 'HD' stuff and some of the 2 k is the height of the frame itself but a more long-width chassis, make a more narrow part. A stat I saw was for a camera where the 2 k was essentially 2.18:1 or something close to that, a little narrower... more "big screen" next.

  Pace should not have any effect on the size of the image or the proportion.

  When you have mixed material proportion, you need set your sequence to your image-size/proportion of output desired, then add clips to him probably using "Set to frame size"... the scale-to option in fact t scale media at this size, so if you decide to say, zoom in a bit... you Pixelize quite easily. 'The value' will continue to have all the original size/resolution to make changes without affecting the quality of the image.

  Neil

• CS4: Setting Up separate audio/video Capture Sources

  Im still very new to PrProCS4 and I was wondering what I can met if I want to use audio/video separated the peripheral issues of capture to record directly in first. I have a Canon ZR40 cheapo camera, but instead of using his microphone embedded terrible I want to use my recording equipment with my Tascam US-144 and a microphone powered ghost as my audio device. Are there problems that im going to meet with the sync between the two, and is still possible in the first to lead the record?

  First won't be able to record live together at the same time.  It can handle only a single source FireWire at the same time.

  If you record separate sounds, the only problem you will encounter is the synchronization of clips.  Essentially, you will have to do it for every single clip in the sequence.  There is no process of simple automatic synchronization for a whole lot of clips.

  Your best bet would be to connect the external microphone on the camera and recording the sound on the tape.  This way, you will get the best audio and synchronized clips.

• . In Adobe CS5 first FCP files

  I use Adobe CS5 first at work - on a PC. I just received several hours of video footage that's been captured in Final Cut Pro. The film is in the. The PCF format and had to be imported in Adobe CS5 first. What is the best way to achieve this?

  Is it possible to import. Files FCP directly in first?

  Any help is appreciated - thank you.

  A. file FCP isn't the images; It is a Final Cut Pro project file. There is no way to import this file directly in first. Instead, the project should be exported as a Final Cut Pro XML of the CPF document - any computer with FCP can do this, so all you have to do is send the FCP file to this person, who can open and export to an FCP XML document. When it is sent to you, you import it in like any other first active, and the XML document will be converted to a Premiere Pro project. You can then repeat the media you already have.

  Note that the PCF-> translation agency is not 100%; There are some things that don't travel at all and some things that don't travel well. See the help documentation for more information: http://help.adobe.com/en_US/premierepro/cs/using/WSd9957a95a81082eb28f05af5126718c47be-800 0 html

• Application of VPN S2S packet capture

  Dear team,

  Consider the below configuration of IPSec site to site vpn between two firewalls, I would like to capture packets in each direction 1 firewall.

  LAN - wan - ip - wan - ip - Lan 2.2.2.2 1.1.1.1 172.16.1.1 - 10.1.1.1

  lan2pc 172.16.1.100 = ASA2 = {ISP} = ASA1 = lan1pc 10.1.1.100

  Can I use the screenshots below to see if the packets are transmitting properly? Or would I need to use any other filter to capture packets?

  Assuming that I started a traffic interesting as 10.1.1.100 ping machine 172.16.1.100 and assuming I'm facing some decaps or program values increment no questions, for which I want to make these troubleshooting. Pls help.

  # capture/all clear
  # capture capout interface inside the ip host 10.1.1.100 match host 172.16.1.100
  # See the CAP capout
  # capture/all clear
  # capture capout interface outside match ip host 10.1.1.100 home 172.16.1.100
  # See the CAP capout
  # capture/all clear
  # capture capout interface outside match ip host 172.16.1.100 10.1.1.100 home
  # See the CAP capout
  # capture/all clear
  # capture capout interface inside the ip host 172.16.1.100 match host 10.1.1.100
  # See the CAP capout
  # capture/all clear

  Hi s HE,

  If you are looking for a way to solve traffic problems that capture works perfectly well.

  Hope this info helps!

  Note If you help!

  -JP-

• Rental first CC / editing GoPro Silver4 2.7 K-25fr (protune off)

  Hello

  I came to shoot a project on money GoPro4 in 2.7 K, 25 images, not protune.
  I chose 2.7 K because there will be a few zoom and cropping.

  As I am not first I intend to rent on a monthly basis (probable 1 or 2 months).

  Before doing that I want to know exactly the procedure on how to import my files in first (that I have to convert or can I import RAW GoPro files directly in first CC).

  I googled the question, but I seem to info not found exact update (for 2.7 K and later available first to rent).

  I also want to remove "fisheye" that I shoot in wide 2.7 MID.

  I'm not completely illiterate with the first and software in general, but I'm not professional and as far as I know that I have learned on my own.

  SO, please help me.

  See you soon,.

  d2k

  You said you wanted that images zoom/crop the 2.7 k and it's not a format people would use for delivery of anyway, so I look at using a sequence of 1080 p in first and change in that, with the piece and then pan/zoom/culture. In the first timeline, right-click on the clip and use value size of the frame, then you can always use Adobe Motion effect to the clip of scale/position and get to use the extra pixels offered by the source of 2.7 K.

  I also recommend crossing GoProStudio sequences, which will remove fish-eye nicely and also export resulting from .mov will edit more easily than native GoPro files, as new files are compressed much less. Easier to change

  Thank you

  Jeff Pulera

  Safe Harbor