Duplicate the time codes of the sequence on new video

Similar Questions

• Breaking the sequence of new execution

  I need to be able to monitor fans of controls and temperature on the object to be measured, while the I test UUT and interrupt the main sequence until the temperature returns to the bottom. I run a new run that runs the fan control in a different sequence, and I need to pause the main sequence of the sequence of fan control. I found the command Excution.Break but that only stops the current sequence. I have to get a reference to the object of the main sequence? How would I do that? Are there other options?

  Supported NOR finally got back to me with this answer. It works exactly how I needed. Thought I would add this to all those looking for a solution to a similar problem.

• Time remapping a nested sequence results in video black/empty

  Hey!

  I have a long sequence (47 minutes), I want to remap time (to increase the speed of certain keyframes). I therefore nested sequence in a master sequence, where I make the time-remapping. However, I feel what seems to be a weird bug: to a certain slice turns black/empty video and stays that way - even if the original sequence keeps the video material.

  It's not helping to split the clip (nested sequence) in small clips and time remapping those individually - just empty frames appear earlier in each clip.

  Export works very well

  When I export the sequence as a medium, the output looks very good however.

  I hope that you are able to help me or tell me, if I do something wrong.

  Thanks in advance!

  Hardware information

  I work on a MacBook Pro (retina, 15 inch, mid-2014).

  You can also try to change the software-only rendering engine. It's under "project settings" in the menu.

• Why first only lets me put audio in the sequence?

  I have a few videos taken with the iPhone I used Media Encoder to make 100% certain that they are compatible with the first. I even edited these videos using various projects and also exporting to ensure they are compatible. When I do a new project to edit these videos together, something of a mess. I can't import the first video and put it in order and everything works well. I then import the second video and everything seems fine until I tried to add to the sequence, she appears only as audio when you add to the sequence. Two videos have audio and video when you look at them in QuickTime and when you look at the first preview. Any ideas as to what is the cause and how to fix it?

  If you are on CC of the body, then check if the patch Source is enabled for a video track. If this isn't the case, it would explain why only audio is inserted in the sequence.

  

• How to get taken time stated in the IO in the sequence editor?

  Hi all

  Is it possible to get the indicated default time NI Semiconductor Test Operator Interface OR in the sequence editor?

  

  Are there any expression in sequence editor that can get this time taken in the operator Interface?

  How can I include this time taken in the STDF generated by the transformation in the result sequence editor?

  Thank you

  Socket's operating time is stored in the TestResultsPropertyObject. To access this object is via the MainSequenceResult parameter in the Plugin model - USE fact entrypoint. The TS. TotalTime property records the total amount of time that required to run your test code MainSequence recall. It comes to the value included in the default reports.

  The OI shows the average decision-making time of execution of the whole lot, gets it from the Manager of semiconductor modules.

  I hope this helps.

• Code temporal list/table to generate the sequence?

  I have a list of time codes based on a sequence of clips, essentially all of the dailies less certain camera wobbles.

  I want to generate a new sequence of this temporal/worksheet code listing without having to manually change. Any ideas?

  Once you could just drill timecodes in FCP7 and the system would recover the band/clips using the list of timecode.

  Thank you

  Jay

  It's the bit by hand as I try to avoid.

  We get that.  I don't think it's possible.

• Replace step Fail State causes the sequence fail LW/CVI custom Code generator

  Hello

  I have a Code CVI generator as part of the Toolbox ATML importer.  OR kindly gave me an example of how to change the Type of step as part of the custom Code Generator DLL and that works very well.

  However, if I try to change the step Fail value causes the sequence fail to VTRUE it seems do not set the value when the sequence is examined on a test bench.

  The code I use is:

  TS_StepChangeStepType (stepHandle, & errorInfo, typeDefinition);

  -where typeDefinition can be modified to change the type of step, it works and I can change the type of step if necessary.

  TS_StepSetStepFailCausesSequenceFail (stepHandle, & errorInfo, VTRUE);

  -who does not, the box is always set to VFALSE.

  Is there something that I am missing?

  Thank you very much

  Steve

  Steve-

  You must use the PropertyObject step to change the failure step Option. There should be a line of code the generator of custom Code that calls:

  Get the step as a PropertyObject in case it is necessary to change the properties of the General step
  tsErrChk (TS_StepAsPropertyObject (stepHandle, & errorInfo & stepObject));

  The stepObject is what you need to pass to the TS_StepSetStepFailCausesSequenceFail function as follows:

  Set the Option of failure of step-by-step

  tsErrChk (TS_StepSetStepFailCausesSequenceFail (stepObject & errorInfo, VTRUE));

  Please let us know if this happens to you to correct results.

  -Jeff

• The execution of the sequence TestStand in LabVIEW via TS - API: execution different times for the same sequence

  Hello - the members of the Forum.

  I have a problem about the execution of a TestStand sequence into LabVIEW. I created a VI that offers the possibility to choose a sequence TestStand-file and then executes the sequence using the TestStand API. The implementation is based on an example in C++-Application found the following link:

  http://forums.NI.com/T5/NI-TestStand/unreleased-references-using-engine-API-in-C/m-p/2927314#M46034

  The app works pretty solid where the VI is executed the first time. The VI treats the sequence chosen in an acceptable time.

  But where execution is started again, the sequence takes approx. 30 sec more than in the first case.

  So far I have not found a solution and hope someones got a clue about this problem...

  I use 2013 LabVIEW and TestStand 2013.

  I enclose my own VI, a sequence of the specimen with a small sample of VI, so you can reproduce the problem.

  Kind regards

  TobiKi

  
  

• Creation of settings of variables / a module of code that persist when the sequence is complete

  I create parameters/variables programmatically in a module of code (c#) by passing the object to people of the country and calls the "NewSubProperty".

  I also tried SetValNumber with PropOption_InsertIfMissing.

  But it seems that they are only created in this instance of the sequence, because they left when the sequence is over. I really wanted to persist.

  I wanted to avoid creating the globals station dynamically like that, but maybe that's all I can do to make them last.

  Any ideas would be appreciated gratefully.

  Thank you

  Ronnie

  Hello

  Check out the links on this answer

  http://forums.NI.com/NI/board/message?board.ID=330&message.ID=11226&query.ID=267719#M11226

  It may be useful

  Concerning

  Ray Farmer

• Films taking on average 11 times the length of the sequence export.

  I had to apologize to my teachers at the school of film about the fact that she was taking my 20 minute film: with "Lumetri color" on the clips and 2 "unsharp mask", as well as normal audio and music - and it took you 3 hours (seriously) only to return, and another 5 hours now just to export - using 'Use previews' and with the two boxes 'Maximum to make quality' uncontrolled export. It's an hour 10 process on a film of 20 minutes to export.

  10 hours of export process on a 20 minute film.

  It seems I'm not the only one and please please please make me stop is pressed by my teachers to use a magnetic calendar of FCP x Screw - BUT THIS isn't RIGHT.

  A customer of Adobe of pleading

  Unsharp mask will increase render time exponentially, unfortunately. Haven't tried Lumetri me am so not, of course, how the effects of exports, but have seen other complaints in this regard.

  In the future, I would recommend not made the timeline prior to export. Although there are a few situations where the first might be able to do a 'smart export' using the rendered preview files, generally went twice - once to preview and then format again in final destination format, adding a generation of compression. Certainly, the effects get made in the first pass, so the final export didn't need to do it again if you check 'Use previews', but again, not a fan of the use of permanent export previews. Better, making it all directly from the element source directly to the final format. Mac many users can be used for the CPF which pretty much required rendering previews, then did a quick converted at the end without reposting, but with the first, use the workflow in the face.

  As Bob mentioned Peru, having a dedicated hard drive VIDEO can help with flow. Using a single hard drive certainly plays a role in the speed of export. I noticed that there are only 50 GB free on this 500 GB drive. Once a car is past 70-80% of the performance full, can really make a splash. You are 90% full, so that is a factor in the slow export. You'll have enough room to complete the export? It would be another concern!

  You have Mercury GPU hardware acceleration enabled? Check under file > Project Settings > General and see what it says for converter.

  Max rendering quality is beneficial for the scale of production. If the size of the source image and destination is the same, do not use, can add a lot of rendering time.

  When you have the time, experiment you a bit. Put 1 minute of your layer source footage in the sequence, no effect and export to the format of choice. How long does it take? Now, add Lumetri and do it again to see how that could increase rendering time. Now add a mask blur and export of time will really go through the roof!

  Last tip, make sure form pre-defined sequence game footage - using the incorrect sequence adds more time conversion, such as frame rate conversion.

  Thank you

  Jeff Pulera

  Safe Harbor computers

• set the time of beginning of sequence

  Hello

  Is it possible to set the start time of a sequence?

  Thank you

  Kelly

  Of course; change the sequence point.

  var startTimeOffset = activeSequence.zeroPoint;

• display the time code to query

  Is there says a way to weather the user of the application took their time code to display in frame or not? If not, can anyone think of a clever way to test this.

  This should work:

  If (app.project.timeDisplayType is TimeDisplayType.FRAMES)

  Dan

• Reset the time code in the player

  Is it possible to reset the timecode in the player window.  Shown in yellow in the picture below. Sometimes I'll edit several projects on the same timeline, and I would like to be able to get a quick run on each

  

  I just put an entry and exit point at the top and the tail of the sequence, it will then tell you the run time.

• How to export a .mov with timecode file corresponding the time code on the timeline of my project?

  Hello:

  It seems it would be an easy thing to understand, but I'm deleting so far:

  I have a video of the source of long, 10 minutes (actually a series of film clips 16mm which were telecined to a single uncompressed .mov 10-bit with continuous timecode by a film laboratory) on my project timeline.  I need to be able to export a small section of the timeline for individual .mov files - and I need to be able to open the short .mov files in a logging of film application called F5.  Currently, I'm making these videos in H.264 .mov files, since it is a format that F5 can read.  Rendering/export selection "work area" of my project works very well, so it's no problem.

  The problem I have is that timecode of the resultant .mov H.264 files do not match the time code on the timeline of the project of my first - they always start at 00:00:00:00.  I don't want that.  If I made (for example) a section of 00:05:10:00 to 00:07:00:00 on my project timeline, I need time to start exported .mov file code 00:05:10:00 and the 00:07:00:00, does not restart at 00:00:00:00.  Is this possible?

  I'm in first Pro CS6.0.2 on a Mac OSX 10.8.2, all installed updates.

  Thank you very much.

  works by using "title" (cause its alpha) but does not work using the video black... I have to jump through hoops to do it this way... is nuts... so title works fast

  so you put cti where you want to start, updated title to the top he put above your video, timecode in, "generate", set the start time to slide the title at the end of your work for the export bar... and it should be good...

  safe way to ann is good also

• Discover code source timecode in the source file for the sequence clip

  I googled and searched the forums and have not been able to find an answer to the following question.

  We created a sequence from a source element and then copied a subclip of this sequence in a different sequence (final). The audio looks like a straight line, and you can't send it to Soundbooth.

  I want to easily find the original project item and its timecode to use as source and then copy at in and out source in the timeline of the new sequence. I can get to the point of entry/exit in the first source sequence to help find the sub clip, but not the original movie file. If we rub all the sequences to find each replacement.

  In addition, all new to Premiere Pro and CS5. I find a good workflow and you tutorial would be recognizing links that describe best practices. I have a lot of the tv.adobe and Lynda videos watched and have a few questions.

  My workflow is:

  I went through the original and selected source clip set marker unnumbered for each point of interest, copy the entire source to a new sequence and then cut them in the timeline panel.

  The forum research seems to indicate that the best workflow must set the entry/exit points in the source window, and then drag each item to the timeline.

  It helps me to edit if I see the audio to address my points of entry/exit, that's why I change the full source of the sequence.

  You make one sequence for each subclip so you can appoint them to know their background? I tried to use speech analysis, but it was unusable in a group setting, although, as a general rule, only one person speaks at a time. I applied a filter of noise before analysis.

  Please let me know if I use the forum properly, as this is my first post.

  Thank you

  Rob

  Assuming that the shortcuts have not changed for CS5, put your CTI at the beginning of the clip in the second sequence.  Shift + T you will get the same point in the original sequence.  M then you will get the same context of the original item in the Source monitor...