Time remapping a nested sequence results in video black/empty

Similar Questions

• Can a jump in time in the nested sequence

  I have two sequences, SEQ - A and B - SEQ and SEQ - B is included (nested) in SEQ.-a.

  If I'm watching SEQ - has and and find some point I need to change something in SEQ - B, how can I go to SEQ - B at the point in time I have look in SEQ - A? How will I know "what time is" SEQ - b? Looks like I should be able to see that - it seems very relevant.

  I hope I explained it correctly. Basically, the CTI in SEQ - A may not always reflect the same point in time in SEQ - B. I can't imagine that I had left to guess where I should go to a specific edition in SEQ - B.

  I know that there must be a way.

  Paul

  When you get to the point where you want to dive SEQ - a, just press SHIFT + T (the shortcut for reveal nested sequence). You must have the targeted tracks, but who will lead you in SEQ - B at the corresponding time.

• Duplicate the time codes of the sequence on new video

  I have the same images of long interview in HDV and Cineform (initially I tried to edit the Cineform in CS3, now using CS5.5)

  I did a lot of changes, transitions, etc. with the sequences to Cineform I'm satisfied, but I realized that my sequence settings are not correct and the images seem to look better when directly encoded from the original HDV

  Is it possible that I can keep the current changes, but apply them to the clip HDV instead of the Cineform one in a new sequence: use the time codes of the cineform sequence to automatically change the HDV footage (clearly the time codes for both versions are identical)

  Thanks for the help

  Nick

  There is no simple way and automated for this - basically, you talk about a workflow proxy roundabout. PR is not the best when it comes to these workflows, unfortunately.

  The simple but tedious is to drag a master HDV clips to the corresponding element of Cineform in a sequence, hold down the Alt + Shift and drop it on the original clip from Cineform. This will make a game framework (using timecode) replace edit.

  You can also replace each main element Cineform in the tray (a,); just right click on a Cineform clip in the tray, select replace sequences and navigate to the corresponding HDV clip. This shouldn't be too bad if your Cineform clips all use filenames HDV original; extensions, of course, be different.

  You can also hack the project file XML to replace all instances of-Cineform, but that can be a little hairy (although much faster). This means your HDV and files Cineform with same file names, however. If they are not, no more than the foregoing are your best course of action.

• Nested sequence does that partially

  I am editing in Premiere CS4 with a card Matrox RT - X 2 on a 64 bit Vista system.  I am trying to nest several sequences into one.  Unfortunately, when I nested sequences, parts of some sequences are just black - even if the clips play very well in their own individual sequences.  I checked the sequence settings to ensure that they match and nothing seems to fix this by cut and paste clips in each sequence to where I wanted them nested.  Nested sequences appear to be black for most during compositions AE (who play very well in AE and the AE render queue .avi).  The problem is ESPECIALLY made AE .avi files, but not exclusively.  Some of the black parts of the nested sequences are non - AE, but usually have more than one layer at these points (for example, title, etc.).

  'Put and collage of clips' works for now, but I would like to be able to nest sequences on future projects.  Any ideas?

  I appreciate your help!

  You can it replicate without Matrox?

• Stabilizer of Warp and time remapping with 4 k clip in a sequence of 1080 p

  Hello

  I work with 4 k videos in a sequence of 1080 p. This way I can zoom the clips and get more details in some parts of my video.

  For some of my clips, I need to use the gradual stabilizing effect combined with time-remapping. To use stabilizer chain on my project, I need to create another sequence to adapt to my 4 k resolution, apply the chain stabilizer and then add this new sequence to my 1080 p sequence. Chain stabilizer works very well until the time remapping effect is applied. This new seens effect just neutralize the stabilizing effect of deformation.

  Is it possible to use these two effects combined with 4 k clips?

  Thank you!

  Try the k 4 nesting sequence before you add the time changes.

• Video effects in flicker to export nested sequences

  I nested content in a sequence. When I export I get flicker at a time where I added an effect.  I used warp stabilizer and opacity masking and both produced sparkling in the finished coating.  When I add the effect of nested track video, while it is not nested and then rendered flicker does not appear, it is a big pain.  I've been adding effects to clips nested for years and I really need, what can I do?

  I don't know that this will help you, but...  I recently found this with glued on the nested clip (green bknd) drop shadow effect.  I found that the sequence containing the clips that were the nested sequence had a frequency of inappropriate images (10 FPS).  When I changed this to 23.976 fps, the flicker disappeared.  At no time the real video clip has played at 10 frames per second - just the shadow.

  I don't know why that should be while I thought that the rendering was supposed to correct differences as a sequence that when I moved the sequence to the main time line.

• Nested sequence shows only partial video

  I use CS4.  I have a series of projects of each container of nested sequences.  So far, this has been great, but on one - and only one - a project of the sequences, when nested in another poster only a small segment of the video.  The sound is fine.  SEQ #1 and 2 are the two long 01:11:40:12.  When Seq #1 & 2 are nested in Seq #3, #2 seems perfect both audio and video audio #1 is fine but only a small fraction of the video is nested. This video starts at 00:10:33:11 in the #3 and works for only 00:03:45:17, and the video that appears is in and out at the right time.

  My workaround solution has been to make Seq #1 like any other. AVI leader II - which works very well - and then, rather than the nesting of the #1 sequence I just bring the. AVI file in the time line.  It works fine - but I can't understand how and why this one in this a timeline project acts this way.

  Any ideas?

  PS:

  No idea why the timings are displayed with semicolons and not settlers?   00 03 45; just curious 00:03:45:17 17 vs.

  No idea why the timings are displayed with semicolons and not settlers?   00 03 45; just curious 00:03:45:17 17 vs.

  TIMECODE PAL & NTSC (format protocols)

• Correspondence of time remapping with ramps for video editing of first CC 2015/output

  I would like to ask experts, which will be the best workflow...

  Location:

  I have the project with 50 + video segments where I have to slow down part of the clip to highlight some details (in my case - CIRC. enduro motorcycle - need to slow down the part where is visible some technical riding etc.).

  I use bulit Premiere Pro CC 2015 in the tools of the keyframe to select two points between where I change the speed for example at 50%. First has nice handles around the keyframes where I can create smooth ramp, so the change in speed is graduated.

  Insofar as simple here s

  But the first will not do the same with audio track associated with each clip. In the audio is for his example of the motorcycle.

  I need to have his original when the video is playing at 100% speed and its different from "lower pitch" when is slowed down and once again normal sound when is 100% video speed on the end.

  So I edited each audio segment to the points of the time remap keyframes, manually set the speed of the middle section and - it s horrible. Video slows gently while it is quite annoying audio changes.

  I need to make the same effect as what we were doing with Ribbon old VCRs in television production - smooth audio ramp corresponding to the video and return to full speed.

  As my knowledge about hearing is close to zero - I would like to ask at the front to start learning - I can do up in the hearing? What I have to do it every time from scratch or can I use existing keys from first images? Anyway how above 'automatic '? What workflow you have advice when I need to do it quite often many of these clips?

  Thank you much for the help.

  P. S. tried to find out, after a while with the help chat online too...

  Most of the discussions and tutorials is very old - there may be some new features in CC 2015 in order to do compare with 2011 toolset or almost. And in many video tutorials only covered - they talk about audio at all. But for audio track that I use, is the audio very good.

  Here is an example of a part of the timeline. I needed this project to do quickly, I decided to stretch the entire audio segments to match the new length of the video. It s not correct but it sounds better then it divides in three parts with a slow speed in the middle. Just to match audio speed changes in the Panel of video editing

  

  Not sure about the exchange of workflow with first for this type of effect.

  However the hearing can make the effect of change of speed/not very well using effects/time and Pitch/Pitch Bender. This uses a waveform envelope on with keyframes to vary the height must therefore ideal for your needs. In order to see where on the waveform, you need to place keyframes without doubt the best way is to place markers on audio in first at beginning and end of each ramp. These should be done through when you export audio in Audition where you should be able to match Pitch Bend keyframes to markers.

• Why can't Adobe first Pro CC 2014 time remap Audio and Video together?

  In case you haven't noticed, my question is WHY.  I don't know why Premiere Pro can't do that.  What I understand at the moment, the only way to time remap audio in anyway shape using the software Adobe is Adobe After Effects, that my computer has no chance of ever being run through.  I know how to stretch a regular hearing and Premiere Pro audio, but apparently I can't time remap audio using these programs.

  So why can't Adobe Premiere Pro time-remapping audio with the video?  What is the reason that he can't?  It's a disappointment, huge and very impressive to see in the future.  If it is possible to time remap audio and video in After Effects, which is great and all, except for the fact that I can't use this program.  Why can't we do in Premiere Pro, and it will be always possible in Premiere Pro?

  In addition, audio time remapping will become possible in hearing one day?

  This looks like a very good idea.  File a feature request:

  Adobe - feature request/Bug Report Form

• strangeness rounded when time-remapping is 512 seconds?

  OK, this one is total of disconcerting.

  I have a script to configure comps with a stack of layers where each layer is actually a stop on images from the video, each layer has activated the time remapping and then I put the value at time 0 for each layer (and then delete the key of the second). I have been using this technique one way or another for years without any problem. Then today, I noticed some glitchy from a certain point results. I assumed it was a matter of 24 / 25 fps but not, it seems to be a rounding problem when the defined time-remapping is greater than 512 dry.

  so my troubleshooting code looks like this (the timeOffset value is 0.04 or 1 frame at 25 fps)

  alert("tmap about to set as " +  (i*timeOffset))
  tMap.setValueAtTime(0,(i*timeOffset);
  alert("tmap value that was actually set" + tMap.valueAtTime(0,true))
  

  then, when trying to put the first alert returns with 512.04 as expected but the second alert is back with 512.039978027344 always 512.04 time.

  obviously done Ae internal to come round returns with an entire image number (as shown in the user interface), but here's the weird part, this internal rounding seems to work very well all the way to the point of 512 dry but starts then will knock out, almost as if he went from round() to floor()

  i.e.

  If I put the 484.04 I actually get get 484.039978027344 that I rang the Bell to show the 00:08:04:01 structure, which is what I want

  But if I put 512.04 I get 512.039978027344 Ae rounds down to show the frame 00:08:32:00 instead of 00:08:32:01, not what I want.

  very frustrating.

  It is certainly a bug right?

  .. /JL

  The floating point precision of ExtendScript is based on the old ECMA 3 Javascript since 1997. A lot has changed/been fixed in nineteen years. There was a few posts related to the disorder of precision.

  Problem of precision CompItem.displayStartTime

  Problem of duration and composition accuracy

  What is the problem with the term?

  timeToCurrentFormat bug?

• Time remapping of these two A / V in multilayer Timeline?

  I have a pretty complex video created in first CS6 with 8 channels of video that are overlapping more 2 Audio tracks.  I need time-remapping all THE tracks together, the audio and video (which must remain synchronized) for just one segment in the middle of the video.  How?  Can I time remap a whole workspace? Will there be a great way to get there?  Suggestions appreciated!  Thank you!

  I think this will work:

  Place the cursor at the beginning of the section you want to change. With no clip selected use cntrl K (PC, sorry don't know mac) put a cut at the beginning of your region remap, then the same thing to a Cup at the end. Then select all the clips in the cut section and nest.

  Hope that helps.

• Why my nested compositions have worse video quality each nested layer I have add?

  Mac AE v.13.2.0.49 with sequences using mpeg-4 h.264, 4 deep compositions. Preserve Nested resolution covers compositions using original sequences.

  Images in an original model - this model has "preserve resolution nested:

  Once nested:

  nested twice:

  nested three times:

  At no time is the small film. All images is equal or less than 100% scale. Cannot read all of the final model. What the devil I'm doing wrong?

  There is another reason to use ScreenFlow... you can fail in the application. You have no need to dial previously to images of time remapping. Collapse transformations would help, but your biggest problem is the position by half a pixel. You killed just resolution of fine lines and contours. Rendering time-remapping of the images, especially if this sequence is in motion in the framework, is also detrimental to the resolution because managers will be mixed. Make sure you try different blend modes of chassis.

  If I had your original footage, I'd start in Premiere Pro, create a named sequence timed for Audio or something like that. Add my images and add my audio track, you worry what anyone, put a cup repositioning of each place, I need to reconfigure something, use the tool of rate change in the body to readjust the segments to match the audio. When the time delay to the Audio sequence is completed, I would probably start a new sequence in body and drag the timed for Audio sequence in comp, add the rest of my sound effects and animate the position of the sequence to focus on the points that need emphasis. I would either import this sequence to AE to add effects, that I couldn't do in the body or I would like to add an image for the cursor file and animate the position according to the needs of the organization.

  Degradation when you move or the layers of the scale is inevitable if you don't not accurate line to the top of your film with the pixel grid. Scaling of needs to give you a multiple of your pixels eact, either 200% so 1 pixel becomes 4 to maintain good edges on the single pixel wide lines if they align with the grid of pixels perfectly. Otherwise, no flaking will degrade the image.

  If I were starting from scratch I use a HD monitor size on my system, select accessibility options make the fonts and lines in the app, I've been working on bigger. capture of ScreenFlow, record audio, import, to the flow of the screen, add my annotations, mouse clicks, and other call outs in ScreenFlow, readjust the screen capture ScreenFlow, all my repositioning and chipping in ScreenFlow, then export a DI for the Poles in AE or body or simply make the product final with the SOUL. You would be done in hours instead of days.

• Time remapping a PreComp

  I was outrageously surprised today by works of AE. I use AE for more than 7 years and think having a good understanding of the application works. My previous understanding about the time remapping pre comps is that if you were to stretch the time remap keyframes to lengthen executives duplicate to duplicate images. It's the same thing that happens to the video without movement of mix or pixel image blurs lit. I had the concept in my mind that when precomposition a bunch of layers, they would be pixelated at least collapse processing has been enabled.

  Even today, I needed to lay down a model of meadow with hundreds of keyframes and other compositions of pre inside by about 2 x to get a feel to make it much slower. After seeing RAM I expected a very choppy make more slowly with many executives in doubles but in fact seen a completely smooth rendering without and duplicate frames. Why I didn't not know this before? Googling how time remapping affects a precomposition does not turn to the top of a lot of useful information.

  Maybe a few default settings there since CS6 in CC? I can swear I saw images duplicate of a meadow with no video model before animation, thus leading to my understanding of the works of AE.

  Chris

  Nope, nothing new. AE work on the exact time of 'fluid', so any time a native function-based operation will result in sampling values with a precision of fake-chassis with regard to everything that happens between the two. Has been the case forever. If you need quantify the query, you can of course still use the posterize time effect or function of the corresponding expression.

  Mylenium

• Nested sequences messed up in After Effects (photos inside)

  Hey guys and girls!

  I'm slowly but surely mad. Our project is mounted, 30 hours of video are waiting to be rendered. And the first nested sequence imported from the body After effects fails miserably.

  What is the problem?

  

  I have these sequences of the body. Note that on video 3 there is a "Cup" at 02:14. It's not really a cup it's my EOS 5 d MIII images. The EOS stops after 29mins record - but the two clips are seamless.

  Now I replace with a Composition of Effects after. I tried nested, to them, grouped, separated, track at once and all the tracks at the same time (as it should).

  That's what I get:

  

  15 second gap between the two clips. None of the clips have effects of any kind applied to them.

  Please help, not only am I'll shamelessly insane, we are going to miss our deadline because of this.

  Thank you!

  Michael

  Now, you are facing the following problems:

  -make the order;

  -bugs in the key effect hidden Track.

  Look at the first, all the effects are rendered in a particular order:

  -from top down according to their position in a list of the applied effects.

  - Fixed effects are rendered after Standard effects.

  -nested content is rendered in bubble mode of Crescent: a greater depth to the surface.

  Therefore, in order to deceive the rendering order, you can for example instead of manipulate the movement properties of the effect apply the transformative effect before any other effect Standard or breed your images and manipulate the properties of the effect of movement inside the nested sequence.

  Look for bugs to track overlay, can't you sometimes it wrong with the effect of the transformation and, therefore, have nesting.

• What is the best way to stabilize the Warp has clip AND time remapping it?

  I can't do these two operations successfully.

  Any ideas?

  First time remapping.

  Nest.

  Teleport on the nested sequence.